I Can See This Happening Wait-

oh to stroke her hair… to hold her face in my palms and brush my finger against her lips, to hold her hand when she’s cold and kiss her on the forehead… oh to gift her a flower found on the ground… and to smile when she speaks… oh to kiss her on the neck and wrap my arms around her waist… oh to be close to her

I will not apologize for the person I will become when The Last of Us comes out

the way that storytelling in the odyssey loops in on itself… everyone in the odyssey wants to know the odyssey. telemachus leaves for sparta in order to hear it. odysseus sits with the phaeacians deep into the night telling it. and he withholds it from people he doesn’t trust, only to reveal himself and tell it again. the sirens and demodocus sing to him about the iliad. penelope tells ithaca's bard phemius to stop singing because he has no songs about odysseus returning; if he can’t sing the odyssey, he shouldn't sing at all

"Your watch is broken."

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it's all muerte al minimalismo hasta que toca el dia de limpieza y tenes que estar como una boluda poniendole blem a los portavelas rococo que conseguiste en una feria y el resto de la casa sigue siendo un desastre

Via Nolan Peterson

You stand above your brother in his bed, occupied now by more than just pillows and blankets, for the woman at his back is fair and terrifying, even in sleep. You look between them, and you stand above your brother and think -

Is it too late to kill him now?

There are no ships on the horizon - yet - and if you present a body along with the stolen wife when the husband turns up, will that break the omen your mother dreamed?

Is it too late to kill him now?

You drop your hand down - perhaps to close around his throat, another already clutching one of those many, many pillows, and in the dark it'd be easy, wouldn't it? All you do is caress his cheek, your fingers digging stiffly into the pillow. He exhales, a tender shallow ease of breath, and there is this little smile on his lips.

You stand above your brother in his bed, there are ships on the shore, and you have cursed him for a plague, a bane, a cruelty raised by the Olympian to bring your house down, and -

it's too late to kill him now.

It'd be easy to do it, however. You carry a dagger at your belt even now, having left your own bed. Or you could perhaps stir up one of your other brothers, the city, some of your father's council. The baby was almost killed once, after all; what would it matter if it was realized now? Kin-blood believed to have been spilled is surely no less polluting than it being done in reality. The attempt might only have been in the handing over of a fragile infant into another's hands, handed over into the bosom of a mountain, wild and no place for such a tender little being.

But the mountain had been merciful, and nurtured instead of torn asunder, and now you're standing above your brother in his bed.

It's too late to kill him now, but would anyone blame you, blame anyone at all they might suspect, as much as they hate him, a hatred unsaid? Simmering. You don't know how he walks through the palace, the city, his life and not cower from the knowledge; he can't not know.

Your brother - pretty, soft, laughing, shining - doomed and dooming all of you from the start. What does an infant know of causing death? Your father tried to kill an innocent. Some of your brothers attempted it next, an innocent only wishing to reclaim what he thought belonged to him and them not knowing who the slave they felt so insulted by was.

Perhaps it's only fair he will kill you all, merely by existing, by batting those ridiculous lashes to lure the woman still sleeping at his back out of her home, her marriage, her life, and into yours.

You stand above your brother in his bed, and brush your knuckles down his cheek.

It's too late to kill him now, and no matter that you've cursed him and wished him dead - to his face, to your parents' faces, but never to anyone else's - with every angry word to spit at him there's always this echo of the wide, wide eyes, the trembling hand in yours as you help him up from kneeling next to the altar in your head.

Your little brother, that you failed to protect when he was born. And what are you if you don't protect? It's too late to kill him now, anyway. Was always too late.

You meet the gleaming whites of Helen's gaze in the darkness, watching her smooth her grip on your brother's arm into a stroke. Both of you can feel the relief staining the air as you turn away, pretending like she wasn't ready to help you.

You leave your brother in his bed.

Two houses both alike in dignity never establishes the level of dignity they both obtain. This is usually assumed to be high, but could in fact be extremely low. Thus an adaptation of Romeo and Juliet with both houses being rival clown troupes would not be in opposition to the text. In this essay I will

my uncle killed my father and married with my mother and now i must *remembers that suicide jokes do nothing for my mental health and wellbeing* put on a play