I think there’s two reasons Daniel in 1973 had such a strong reaction regarding Louis’s view of vampirism and his story (aside from being a twenty year old know it all). One was that he identified with Claudia more—and saw the part where Louis left off at in the story as hopeful, and two he connected vampirism in Louis’ story with the ability to express queerness and be safe.
For the Claudia thing—they just had more in common at that point. Daniel gets choosing to explore and look for knowledge—he does not read as someone who’s really been in love before at twenty—at least not with a “handsome devil” and he’s not a parent. It’s also likely that after only two years out of high school Louis being “declared dead” by his family wouldn’t hit as hard.
When identifying more with Claudia at that point in the story—there’s much more hope there than identifying with Louis. I especially think Claudia going to Europe to find vampires and answers would have appealed to him. I wouldn’t be surprised if “get off the bench” meant “go with her.”
She’s getting answers! Exploring! Leaving her awful maker! Plus as far as Daniel knows Louis could be using past tense because they never made up or reunited or because she passed away—and even if she did die she might have achieved her curiosity seeking dreams so—worth it maybe! At least to Daniel! Vampirism is less inherently tragic at this point than after the trial. It’s hopeful not hopeless.
On the other side there’s also Daniel, a young queer person in 1973, who only feels safe acting queer and participating in queerness with drugs as a barrier—an excuse—meeting Louis with the beautiful long term boyfriend, and the one night stands in apartments, and the ex he’s still hung up on—comfortable and safe because he’s a vampire.
What Daniel got out of his story, the meaning he didn’t think Louis saw was life, life, and more life. Plus safety to live as you want to live. Louis breaches social norms along side becoming a vampire. He creates his mixed queer family post-vampire turning. The vampirism and the non-conformity seem linked.
He’s also so comfortable bringing boys back—even asking his boyfriend if he wants to join in! The countercultural, the ability to have, messy, yes, but also many queer relationships! Starting in 1910’s New Orleans with vampirism!
Louis ended the story with Claudia hopeful and leaving on the train—the worst part was his ex—and abusive exes are present in human lives too! You can recover! Get off the bench! The central tragedy haunting Louis narrative wasn’t explained to Daniel by that point.
Daniel saw Louis living like a mortal except for the safety to be himself in it and that’s why he wanted it!!! To be able to hide and the ability to kill any mortal who might object to you doing what you want to do!!! No need to hide behind substances to be yourself!!! Vampirism as life but more, but better!!!
Book Lestat post-QotD: So! 👏 I don’t remember meeting you before! 😁 how cute that my Armand’s got a new fledgling, how’d that come about? 😊
Book Daniel: So it all started when I looked up your house in the New Orleans public records—
Book Lestat (Internally): Yes, this one is definitely Armand’s. 😌
What Eric sees in his dreams every night
scientists wont tell you this! (because it's not true)
experts don't want you to know this! (because it's made up)
doctors HATE this one trick! (because it's dangerous and unhealthy)
the revelation that claudia’s rebirth was such a twisted and horrible moment, with louis dragging her like she was a thing, a stranger who neither of them knew but he kept saying over and over “our daughter, our beautiful little daughter” to lestat, really solidified the way she was never the main character of her own story. she was always an accessory to some or the other of louis’ whims: his guilt, his loneliness, his conflict of being a killer, his rocky relationship with lestat. there was love there, love from both her fathers, but it was never enough. lestat saw her too much as a wretched mirror held up to his own self, and louis was always too steeped in his own feelings to care enough about hers. claudia’s story truly was the greatest tragedy in this tale, treated horribly by every man around her, even her fathers, relentlessly exploited and brutally ignored, always second and never first. the only one who loved her the way she deserved to be loved was madeleine, and the moment she truly had her, her happiness was torn from her. and just before she died, she got to see someone actually choose her in her entirety, not for what she can be but for who she is, and it still wasn’t enough. she still burned alive in the sunlight. the love was there, but it wasn’t enough to save her.
people who don't experience hyperfixation don't know what it feels like to hyperfixate so much on something that it becomes not only your subject of obsession but also your source of happiness and literally the main reason why you still keep going; literal source of strength and life.
shoutout to my favorite fictional characters, favorite people, favorite ships, favorite movies, favorite tv shows, fanfics and archive of our own
Jean reckons with The Psionic Eyebrow for the first time
pressed up against your longing
He/him tired girl 🌟 Obsessed with IWTV (especially when it comes to Devil's Minion) 🌟 English isn't my first language
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