Everyone In Infinity Wars Gonna Be Complaining About How Hard These Last Few Years Have Been For Them

mythbusters was so good because it wasn't a killjoy show. they didn't just say "see, it doesn't work" and leave it there

whenever they find that the stunt doesn't work as portrayed in the movie, they immediately ask "what would it take to make this happen?"

Sokka: Aang y'know how you took away Ozai’s firebending?

Aang: I recall yes

Sokka: can I have it

Aang: …what?

Sokka: can I have his firebending. just for like ten minutes

Aang: what no

Sokka: why not I wanna prank zuko

Aang:

Aang:

Aang: okay five minutes

THE THING IS, OBI-WAN ISN’T WRONG ABOUT THIS. It’s Anakin’s inability to let go, that he’ll engage in reckless and foolhardy behavior to save someone he cares about, that will lead directly to his fall, his loyalty to those he cares about over the safety of the rest of the galaxy is exactly what leads to the death of the Jedi and the rise of the Empire. This is why I love TCW so much–in pretty much any other story I’ve seen, the high-risk-high-reward type of behavior from the hero ultimately always pays off, that minor set-backs are eventually overcome and we’re meant to think that it’s the right thing to do.  In and of itself, maybe we even should think that about Anakin’s style–I mean, who doesn’t want to get R2 back??  I love R2!  Of course we should risk everything for him! But TCW doesn’t exist in a vaccuum, we’re aware that we’re watching Future Darth Vader here and knowing that changes a whole lot about the context of Anakin being willing to risk the safety of everyone else for the one he wants to save.  And Obi-Wan’s definitely not wrong to try to get him to see the danger that lies in that kind of thinking–usually, the one who tries to hold the hero back is wrong, ultimately risking everything for friendship saves the day!!  And it will this time.  But one day…. One day Darth Vader’s going to do the same and it’s going to fuck everything up.

In defense of Orihime

Orihime is a good character to me, like yes, she has her flaws but i’m still fond of her and I really like to explore her character. that being said I feel like a lot of hate against her is unfounded so here’s my take on her character.

the word that comes to mind when i think about orihime is survival. she prioritizes survival over victory, especially concerning her friends. Warnings: abuse, mentions of sexual harassment.

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i think i like the four swords manga so much bc there is some just. very up my alley character and ship archetypes in there, but also the message itself and emotional beats hit surprisingly hard?

(long analysis below)

i like the idea of this character who is so ATTACHED to the idea of being an outsider and harming others, because he believes that he will never belong in the light with them. over the course of the manga, shadow link develops genuine fondness for vio, shows vulnerability through that fondness, and gets betrayed. no matter how real the feelings were between them, vio couldn't bear to hurt his friends or the world. it devastates shadow link; really gets to him. i wonder if he even knew he could have these feelings, falling for the very ruse he attempted to use on vio to get him on his side. while shadow is very ridiculous and theatrical in general, it doesn't seem fake when he expresses that he's glad vio has joined him. it also seems very real when he breaks down after the betrayal.

zelda choosing to be kind to shadow rather than mock him for being foolish is like the final straw that shatters his world view. she asks if he really thinks the light will hurt him, and challenges the notion that he isn't a hero deep down. she's not making excuses for him or telling him who to be; she's naming his deepest insecurities loud and clear and telling him it's okay to be scared. she's not rubbing salt in the wound of vio's rejection, but instead suggesting that shadow could find belonging with others if he took a leap of faith and tried to be their friend without an ulterior motive. shadow gets so giddy about the idea of doing havoc with vio, and it's like buddy, you're experiencing happiness because you like vio, not because you like being evil. i think deep down, we all just want to find Our People. and i can't stand to be cynical enough to suggest that we all don't have at least someone out there for us. it's just harder for some people to belong than others, as is the case with shadow.

shadow link is messed up and destructive to the people around him, unable to even imagine belonging in the light so he settles for chaos in darkness--but he submits, by the end of the comic, to the terrifying truth that he is deserving of love and capable of loving. i say terrifying because in an allegorical sense, it's kind of the equivalent of saying "i'm gay/mentally ill--i can't change that the world is harder for me, and it will be harder to find people who understand me, but i'm doing a disservice to myself and anyone i could hypothetically love by not trying to be my best self." it's a great and fairly uncommon message, especially for teenagers and young people in general.

i mean dude, talk about a bizarre but weirdly resonant reflection of the "gay teenager developing feelings for their best friend" experience. shadow link sets out to manipulate vio at first by appealing to his ego, no personal stakes in the game, but almost IMMEDIATELY falls DOWN BAD for this guy and becomes incredibly emotionally vulnerable around him. shadow link is genuinely LIVING for the time he gets to spend with vio, being as chaotic and theatrical and unrestrained as he pleases. he really believe that vio sees him, and likes him for who he is (which for the record i think is true, but vio also cares about his friends and the fate of the world, things that hold no meaning to shadow).

vio betrays shadow and it genuinely hurts, and that's kind of incredible for a short comic with a lot of goofy moments. and then shadow's resolution is vindicating too, he has agency in the choices he makes, and he does the right thing because he finally believes he doesn't need to remain in the darkness. he disguises himself to help the four because he knows they don't trust his face, really demonstrating the selfless desire to end all the magic shit that put him and the others in archetypical dark/light boxes. shadow link changes a lot in a short period, but the fact that to the end he believes that he still isn't like the others is negated by them saying he's part of "the body" and their friend. his "death" is very simply put in the text--"when a shadow turns to light, it disappears." it's not like a real death. it's a permanent and meaningful statement on how much shadow has changed, and found belonging and acceptance. if shadow's physical form came from feelings of spite and resentment, it makes sense that it no longer needed to exist.

and to TOP IT OFF, he does "end up" with vio and the others, if we're viewing The Full Link as an allegorical friend group or community. he's not quite as homogenous as they are, but rather serves as a shadow of the four. i love the panel where he's giving a thumbs-up from link's shadow so much. that's so simple and obvious, but honestly poetic. because like, in some ways you're never going to be just like everyone else. finding friends who are also gay or mentally ill doesn't make you any less of who you specifically are, and in at least some ways your friends and loved ones are always going to be different from you. i don't like it when the ultimate takeaway from a story is "once you live happily ever after, the darkness will be all gone," because hello??? some things never go away, and the darkness has, for better or for worse, made you who you are! qualities i see in shadow link are sardonic humor, unusual expressiveness, and a deep sense of caring towards His People/Person. those are fueled partially, but not entirely, by his not-great circumstances and deepest fears... but they're also where he shines.

you can be different from other people without resigning yourself to an lonely and unhappy life. coming out doesn't make you any less gay; seeking treatment doesn't magically cure mental illness; but acknowledging yourself for who you are is life-changing liberation, and necessary in the pursuit of happiness. these are huge and scary steps that especially young people are struggle to take, settling for resentment over the possibility of rejection. shadow link takes a chance and finds belonging, but still maintains the parts of himself that give him such a distinct personality. he is accepted for who he is, and at the end of the day who he is is not dark force whose sole purpose is to ruin lives, but just a strange gay-ass little dude who's a little bit extra but good at heart. and vio, as well as the others, appreciate that wholeheartedly. at the end of the day, the Whole Link just isn't the Whole Link without his shadow.

i don't know man, it's always special to me when an angsty character is written not as a joke, but as an opportunity to give people hope. even in the most obscure of places, even in ways that i can analyze endlessly but mean nothing to the average person. maybe none of this was the authors' intention. even if the manga was just, like, a shallow implementation of tropes and characteristics i'm a SUCKER for, i'd still love it to bits.

but i do see something a little deeper here, i can't help it. clearly the story has resonated with a small but dedicated group of fans, many of whom read the manga as kids or teens. i'm... honestly a little jealous of that. it's the kind of story i needed, and the kind of story i wish to tell. this series is truly a gift that keeps on giving.

space

Holy fucking shit y'all.

so don’t get me wrong because a lot of arthurian stuff is super misogynistic. but it’s never really in the damsel in distress way you expect. like the most helpless damsel is lancelot trapped and crying in a tower, completely useless, until this random girl who made him behead a guy in front of her fifty pages ago rolls up with a pickax and rope and is like “ok I’m minecrafting you out of here.” and this works.

It's that time of year when Tumblr celebrates Easter by posting pictures of crucified anime characters, and inevitably somebody in the notes will pop up to helpfully explain that crucifixion imagery has no cultural significance in Japanese media because Japan is only about 1% Christian, which bugs me because it's completely wrong.

It's true that in the majority of cases, crucifixion in Japanese cartoons isn't meant to be conveying any specific theological message, but something Western audiences are likely to miss is that a large portion of those random crucifixion scenes are referencing Ultraman.

Ultraman's creator was a devout Roman Catholic who explicitly intended the titular hero to read as a Christ figure, and consequently, various Ultramen have been crucified on multiple unconnected occasions throughout the franchise's history. Crucifixion scenes in Japanese cartoons are often directly name-checking particular crucifixion incidents from Ultraman, right down to emulating the compositions and camera angles of specific shots. It's like an especially morbid version of the Akira slide.

The upshot is that, while it's true that the inclusion of gratuitous crucifixion scenes in Japanese cartoons typically has no (intentional) theological message, stating that they have no cultural significance is incorrect. A large chunk of the Japanese viewing audience are going to see them and immediately go "hey, that's an Ultraman reference".

Anyway, as an image tax, have a shot of four crucified Ultramen miraculously resurrecting a fifth Ultraman by shooting laser beams out of their hearts: