Why I Love Tenkaemaki

The True Horror of Danganronpa V3 Isn't the Killing Game It's the Aftermath

I've always been terrified of body horror, not just because of the grotesqueness but because of how it strips away your autonomy, turning you into something monstrous in the eyes of the world. It's the fear of losing control of your own body, of becoming something unrecognizable not just physically but mentally, and I believe Danganronpa V3 follows this same theme.

Not to the same extent as body horror, but the true terror of V3 isn't the killing game, it's what comes after-the unraveling of your very identity, realizing that everything about you, your relationships' backstories and personalities are all written by someone else. You're left not as who you once were, but someone else entirely a puppet to the whims of a creator.

And the worst part, there's really no one you can confide in. You don't want to hang around the people from your past, the ones who cling to the person you once were and now only see you as a celebrity on their favorite show, but the people who have been through the same things as you remind you of your past trauma. The people who should bring comfort only bring more ghosts.

And Team Dr could have changed anything to fit their mold of a perfect character your body something minor from eye color to hair texture to more major things like body type or gender your backstory if they make your character unlikeable, you're remembered like that forever think Kiyo and Miu or give you such a horrible yet detailed backstory that you have nightmares about it like you actually lived it (Maki and Ryoma) the identity crisis is the true killer.

It's also the horror of freewill. Before, all of your choices were pre-written. Now you have control of your own body, but it's terrifying when you don't even know who you are, you don't have any foundation to build your future on. You also lose your sense of purpose in the killing game. At least you had escape to push you forward and motivate all your decisions, but now you have nothing what you are supposed to do with your life.

Get a job? Where you'll be heckled for being in the latest season of Danganronpa by coworkers and fans alike, which brings me to my next point. You'll just be seen as the fictional character you were inside the game, and you know how some fans act theuy would admire you ridicule you treat you like an animal in a zoo like how some people act with celebrities stalk them have tattoos of them try to hurt them sexually, or otherwise it would be hard to go anywhere, and you may not even be safe in the privacy of your own home.

And sticking on the path of being a celebrity Team Dangaronpa using the cast for the press, especially if Shuichi actually ended the franchise, they would have to milk them for all their worth to try to hold onto straws as their biggest series falls apart around them invasive QnAs, forced smiles for photoshoots fake relationships to appease to the fans use your trauma annd suffering for content.

And wherever you go, you're haunted by your trauma. People dressing up as your friends in videos talking about your death, fans raving about your execution even after you escape. The pain isn't over.

That's the true horror of Danganronpa V3 not the blood, not the executions, not the killing game, but the aftermath. The terrifying questions of: were you ever real in the first place? How do you figure out who you truly are? And what does it mean to truly live?

my body type hcs for kaede, kaito, and maki! (also i made this during rainy season and i yearned for the beach)

bonus shuichi (bringing their stuff):

someone please tell me what their 4 person poly ship name is because this is driving me up the wall

Why Do We Love Seeing Our Favorite Characters Suffer?

It’s like an unspoken rule in fandom: if you have a favorite character—a “blorbo”—you want to see them suffer. Not in a mean way (we love them!), but in a put them through hell and watch them break kind of way. And then, once they’ve been completely emotionally destroyed, we turn around and say, “Actually, I want them to be the happiest person alive.”

We’ll write fics where they get to be safe, loved, and thriving… but also fics where they’re barely holding it together. We’ll create AUs where the worst never happened, only to still find ways to make them suffer. It’s the duality of fandom.

But why do we do this? Why does suffering make our favorite characters better in our eyes?As a Danganronpa fan, I’ve seen this in action a lot. We’ll create non-despair AUs, but will that stop the angst? Nope. We’ll write post-game fics where the survivors try to move on, but the trauma still eats them alive. And yet, we also turn around and make content where they’re happy, together, and free.

It’s this weird push and pull between wanting them to heal… and wanting to drag them through the worst imaginable pain first.

So what is it about suffering that makes characters so compelling?

1. Emotional Growth and Development

Let’s be real: watching a character go through hell makes them more interesting. A character who’s just happy all the time? Kinda boring. But a character who’s been through the worst and still keeps going? Now we’re talking.

There’s something about seeing them struggle that makes them feel more real. You get to see their vulnerabilities, their breaking points, and how they react under pressure. And when they do manage to grow from it, it feels earned.

Take Shuichi, for example. Seeing him go through all the weight of his friends dying then taking down the game that caused their suffering that's the good stuff. It feels so much more meaningful because we saw what it took to get there.

2. Relatability and Humanity

Characters who suffer just feel more real. Nobody’s life is perfect, and when fictional characters go through tough times, it makes them feel more human. Their emotions—whether it’s grief, fear, or desperation—make them easier to connect with.

Even if we haven’t been through the exact same things, we get the emotions behind them. Seeing them struggle can feel like looking in a mirror sometimes, and that connection is what makes us latch onto them so hard.

Ryoma is emotionally distant and initially refuses to get involved with the other students, but as the story progresses, his humanity shines through. His struggles with loneliness, despair, and his desire for redemption mirror universal feelings of wanting to escape the weight of loss while still searching for a meaningful connection.

His suffering, especially in dealing with his personal guilt and past trauma, can make him a very relatable character for some, as many of his emotional challenges are reflective of real-world emotional battles people face. Ryoma’s journey throughout the game embodies the theme of human vulnerability and the complexities of trying to find hope in the face of overwhelming darkness.

3. The Contrast Between Pain and Joy

The reason we love to make our faves suffer and be happy is because one makes the other hit so much harder. If a character’s just happy all the time, it doesn’t feel as impactful. But when a character has been through hell and finally gets a moment of peace? That’s when we feel it.

Think about it: watching Maki smile after everything she’s been through? That is what makes it powerful. If she was just happy from the start, it wouldn’t have the same weight. The suffering makes the happiness feel earned.

4. Catharsis (AKA, Glorified Therapy)

Let’s be honest, sometimes we just project a little too hard. Watching characters go through emotional breakdowns, trauma, and existential crises is basically free therapy at this point. We put them through pain, watch them survive it, and in some weird way, it helps us process our own emotions

It’s like, “If they can make it through this, maybe I can too.” Their suffering feels familiar, but their healing gives us hope. It’s weirdly comforting, even if we’re the ones making them miserable in the first place.

Take Kokichi underneath all his lies and pranks, there's a longing for genuine connection and understanding, but he’s terrified of being vulnerable.

Kokichi's journey through deception and eventual emotional exposure offers a deep form of catharsis. Fans can project their own feelings of vulnerability, fear, and longing onto him, and when he finally allows himself to show his true emotions, it’s a bittersweet release that resonates on a personal level.

5. Projection (We’re All Guilty of It)

Let’s be real: we see ourselves in our favorite characters. Whether it’s their insecurities, their struggles, or just the way they react to things, we latch onto them because we relate. So when they suffer, it feels personal.

And when they finally win—whether that means healing, finding happiness, or just getting a break—it feels like a win for us too. Seeing them overcome their struggles gives us the tiniest bit of hope that maybe we can too.

Many people can project onto Kaito because, despite his loud personality, he struggles with feelings of inadequacy and fear, particularly surrounding his health and the pressure to be the "Ultimate Astronaut"—a title that weighs on him heavily.

Kaito represents the idea of pushing through hardship while trying to maintain an outward appearance of confidence, which is something a lot of fans can relate to, especially when dealing with their own struggles while trying to appear strong or capable to others. The way Kaito allows his insecurities and fears to be buried under his bravado speaks to the way many people carry their own emotional burdens while trying to stay positive for others. When fans project onto him, they might see aspects of themselves, their own struggles with self-doubt, or the desire to be a source of support and strength for others.

Conclusion

At the end of the day, we love seeing our favorite characters suffer because it makes their stories deeper, more emotional, and more relatable. Their pain makes them feel more real, their growth makes them more compelling, and their happiness—when they finally get it—feels earned.

It’s not just about watching them struggle or giving them a happy ending—it’s about the journey in between. And that’s what makes storytelling (and fandom) so addictive.

So yeah, I will continue to put my favorite characters through hell… but only because I love them. (Sorry Tenko.)

Why do you love "torturing" your favorite character is it one of the reasons above or do you have your own reason?

The impact of Tenko’s ability on Maki and Kokichi's character arc: a continuation of me rewriting Tenko’s flipping ability.

This is a more indepth analysis of Tenko and Maki and Tenko and Kokichi's relationships. It might not make sense without the first part, but you don't have to read it to enjoy this.

Introduction

Tenko is the sun, bright, loud, beloved, and emotional, Maki and Kokichi are the moons, the liars, the ones who build up walls to hide their true selves, the loners.

Realistically, that analogy was supposed to be with Kaito, but we’re not talking about him, and I think Tenko could in some ways be a better mentor figure for Maki (Kokichi and Shuichi.)

Tenko is like Kaito but soft in the ways he is rough, less abrasive. Tenko relates to Maki and Kokichi in a different way than Kaito, of course. Kaito Maki and Kokichi are like three peas in a pod, but Tenko would be able to listen to help to heal in a different way than Kaito can.

Tenko’s flipping ability doesn’t take away from Kaito’s role; it adds to it and gives more time for Kokichi and Maki to flesh out before or during their development with Kaito.

Kokichi’s mask doesn’t have to break like it did in chapter five, but we can see him become more defensive and isolated.

Maki doesn’t have to shed her stone-cold assassin behavior and break down like in chapters five and six, but she can start to become more vulnerable.

Maki's growth with Tenko

Maki and Tenko could spar together and have chats about Maki’s past that even though Tenko didn’t agree with murder, she knows that Maki was forced into it and is still a good person deserving of love and affection and would be like a second Kaito there for her, especially since Kaito is deteriorating because of his illness.

I believe that Maki could also help Tenko, especially since their backstories are so similar, talking about her crime and opening up about her distrust for the men she saw on the streets and the ones her master told her about, and Maki would help keep Tenko grounded and help her open up more.

I always thought it was a missed opportunity only giving Maki and Tenko one interaction in the game.

I love the parallels between her and Maki's backstories and their characters as a whole.

From the get-go, both didn’t really have a say in their lives; their childhoods started out similar with both getting abandoned but then had two separate paths: a savior and a killer, one embracing their role and the other rejecting it.

I want Maki and Tenko to have long, profound talks about strength and being vulnerable. I want Tenko to flip Maki and give her a whole new outlook on her life.

I want them to talk about Tenko’s vigilantism, Maki's childhood friend, the burden that they both place on themselves to protect those they care about even if it means harming others.

I want Tenko to grab Maki's hands, which have been coated with blood countless times, even with her strong morals against murder, and tell Maki she trusts her and cares about her.

Kokichi’s arc with Tenko

With Kokichi after flipping him, making him vulnerable and out in the open, Kokichi runs away at first but soon realizes the strength of Tenko’s ability and has her help him with his plans, he being the one that suggests she flip Tsumugi.

They would hang out, even though the others give them weird looks, especially since Tenko knows Kokichi’s true intentions. But like everyone else, Kokichi pushes Tenko away, putting back up his facade as a villain, betraying Tenko before her death, leaving him to run right back to Himiko.

Who she still cared about helping but took her mind off the jealousy of Himiko gravitating to Angie more than her by hanging out with Kokichi.

Kokichi would also tell Tenko that she’s lying to herself and too concerned about the others to care about herself and that mentality is going to get her killed.

(While he holds his script to his chest, knowing what’s coming two chapters from now.)

After Tenko died, Kokichi felt regretful but chose to keep it away from the others, still knowing that Tenko was one of his only true friends in the game, the only person who truly understood him (until chapter five), but that having friends in a killing game was a mistake and would only make him more weak and vulnerable.

Kokichi and Tenko’s friendship

Outside the narrative I have created, I want more Tenko-Kokichi shenanigans.

I like the fact that both sacrificed themselves to help/save someone else, and both died in a dark, claustrophobic environment alone.

I also like how they're more like each other than they both realize.

I think Kokichi could point out Tenko's altruism as a flaw and also call her out as a hypocrite, and he would definitely bash her for her relationship with Himiko, and I think Tenko could start to crack the mask, the facade that is Kokichi Oma.

I love their dynamic so much I just don't know how to explain it:

Two people who actively hate each other but have good chemistry and are constantly hanging out with each other to the confusion and expense of the others.

They insult each other all the time, but if anyone else insults either one of them, they would beat that person up.

They're normally making jokes at each other's expense but sometimes get serious with each other and actually give good advice and comfort.

Probably my second, maybe third favorite Tenko-male friendship (my first is Tenko and Shuichi).

They would be so chaotic together; I wish they would have gotten more time to hang out.

Tenko's missed opportunities

Tenko should have hung out with more people who weren't Himiko (and Shuichi) in the game. Her flipping ability and emotional depth could have allowed pivotal shifts in the narrative as well as doing work for her and many others' character arcs and developments.

(And just be really cool; give my girl more screen time, damn it.)

I decorated a box with a bunch of my pre-game Kokichi pen doodles I made at work, and now I have a Bonkichi box! It will hold all of my treasures :]

Why Tenko Chabashira is a Great Character pt. 1: Tenko’s Backstory and Personality

Another essay excerpt because that did better than I expected last time and I'm suprised people actually want to read my stuff.

Tenko Chabashira is an over-hated character in the fandom with people before the game even came out criticizing her and hoping that she died.

Now this is not everyone’s opinion.

I've seen many people praise Tenko, but it’s a widely accepted opinion that she sucks, ranking near the bottom on a lot of people’s tier lists and having people post on every social media platform how much they hate her.

I love Tenko.

She is my favorite character in NDRV3 and right now my favorite character of all time.

With the game already in its eight anniversary I thought, what a better time than ever to fulfill my civic duty as a Tenko fan and explain why she is a great character and doesn’t deserve nearly all the hate she’s gotten.

Backstory

One of the main reasons people hate Tenko is her hatred of men.

I would like to lessen this to dislike because Tenko shows multiple times in the game that she does not hate men and there are also reasons behind her sentiments.

Tenko took her master's teachings very seriously; he was like a father figure to her (which makes sense especially since her parents abandoned her), and she was adamant about mastering neo-aikido.

Tenko is also really gullible.

It's why she believes Himiko can do real magic, so she would believe her master wholeheartedly when he tells her that interactions with men would weaken her.

It's similar to a child being told by their parents that if they are good Santa will give them gifts.

Another factor contributing to Tenko’s dislike of men would be her crime fighting which not only adds to her childlike nature but gives more of a reason to her so-called “man-hating.”

In one of Tenko’s ftes with Shuichi, she says:

“As practitioners of Neo-Aikido, Master and I… are also heroes of justice! Master and I wear masks to disguise ourselves! We serve to save, whether it is day or night! We do everything! Help an old woman carry her belongings… Help a child cross the street…Oh, yeah! I caught a thief the other day! We also punish degenerates who cheat and bring divine justice to gropers on trains. And even help girls who just had tough break-ups!”

Even though those don’t seem like the best reasons to “hate” a whole gender overshadowed by being hurt by men emotionally or physically.

If you think about it, it’s not the worst reason either, Tenko was just a kid and her master filled her head with misconceptions and stereotypes about men.

(In the end, he was just trying to protect but there are many more ways to go about it.)

Of course, Tenko didn’t have to believe it, but by being exposed to bad men on the streets when she and her master were fighting crime, and not having many interactions with good men, you can start to see where she comes from.

She’s just like a kid who never grew out of the boys' cooties phase (with a little more trauma), and as a kid, she wasn’t taught that all men aren’t bad, she wasn’t shown that all men aren’t bad, and she wasn’t exposed to the idea either.

I don’t think we should blame Tenko for something really out of her control.

Children are very impressionable that's why they're easy targets (well them and elderly people).

Their frontal lobes aren't fully developed so they don't think critically plus when your a kid small and vulnerable you tend to look to your parents for safety and guidance.

Imagine yourself in Tenko’s shoes. The man who is basically a father figure to her tells her all these misconceptions about men—and that they will stop her from fully mastering Neo-Aikido, something she has dedicated years to. With her low self-esteem, she likely already believes she isn’t good enough.

(While most of her self-esteem issues seem to be tied to her physical abilities, strength could play a role in that too. )

Wouldn’t that make you dislike them?

Then when he takes her out and she sees the men doing exactly what her master told her that they would do it would not only prove that her masters teachings are true it would solidify that hatred.

Now at the beginning of this section I said that Tenko doesn’t hate men but now I’m saying she does?

I believe Tenko had bad teachings and exposure that made her man hatred reasonable.

I don't think Tenko hates the whole male species as she says she does but if you're a man who hurts women Tenko is going to hate you with a burning passion an important distinction I need to make.

Tenko’s backstory isn’t perfect I’ll admit that but based on how she interacts with men during the game and how she acts overall bad exposure and teachings are a fine reason.

Personality

She’s rather boisterous and is like a ball of energy and can be overbearing to other students especially Himiko since how she acts with other students (not just the boys) is not “normal” per se (but no one in this game is normal) many people chalk it up to her just being annoying.

Still, I would like to add something else that may be a factor in her upbringing which I know I have already discussed.

Still, Tenko grew up in a temple with priests she was sent there when she was very young (there isn’t a specific age but many suspect five to six) so we can assume that she didn’t have a lot of interaction with kids her age (especially boys) with the only time interacting with people probably being people going in the temples for religious purposes or the people she saved while fighting crime.

A person’s upbringing especially if it’s bad or not normal can influence how someone acts just take Maki Harukawa, for example, she grew up in an orphanage and was trained to be an assassin during the game when Shuichi and Kaito are fighting she makes Shuichi watch her teaching Kaito to assemble and disassemble a crossbow so that they can make up, and when Kaito is kidnapped she reverts to the only thing she knows and tries to kill Kokichi.

Or Gonta Gokuhara who was raised in the forest by wolves doing odd things like not wearing shoes, lacking general cultural knowledge, getting suddenly controlled by strong emotions and having trouble with language.

So it makes sense for Tenko to act strangely and lack strong social skills, given her isolation from kids her age when she was young.

Unlike someone who has been interacting with others their entire life, starting from kindergarten, her experiences have been limited.

Or you can just say it’s her lack of understanding social cues and she’s neurodivergent coded.

...

Tenko, while claiming she hates men, gets along fine with them and shows them support. Some of these scenes include:

Joining Kaito’s strategy meeting

Telling Shuichi not to be too hard on himself after Kaede’s death

Yelling at Kokichi when he makes fun of Shuichi without his hat

Promising to avenge Rantaro and Ryoma’s deaths

Complementing Gonta for being calm and reasonable after Kirumi accuses him

Feeling bad after flipping Shuichi over her shoulder and carrying him back to her room

Allowing Shuichi to participate in Aikido with her

Telling Shuichi he needs to gain more confidence in himself.

She is also lovely and caring, volunteering to protect all of the girls, placing herself at risk alongside Kaito and Gonta to save Kaede from her execution, and her friendship with Himiko, in which she tries to help her overcome her emotional suppression, demonstrates her compassion for others.

She is one of the most vocal characters when it comes to opposing the killing game they were imprisoned in, and she is always willing to offer assistance or emotional support.

Tenko has a wonderful personality. Her deep emotional core, supportive persona, and childlike thinking are qualities that I and many others can identify with.

These qualities, in my opinion, dampen the hatred of her "male-hating" mentality in some aspects and make her a charming character.

Tenko's development

While having many ‘annoying/ undesirable’ traits Tenko eventually does have character development.

The main one is her dislike of men. I've already discussed that this dislike doesn’t seem genuine because, since the beginning of the game, she’s been having friendly, kindhearted interactions with men but taking that out of account Tenko does develop from the beginning of the game to her death.

Tenko’s journey reveals layers of her personality, showcasing how bad experiences shape beliefs and attitudes.

And how a good experience can turn it all around for the better even if her transformation is not entirely linear and overshadowed by other major characters (Shuichi Maki and Himiko.)

In her Free Time Events (FTEs) with Shuichi, she is very mean to him.

Nicest thing she says is that he can improve himself through Neo Aikido and become a good man like her master.

However, the interactions in her FTEs specifically with Shuichi amplify her disdain for men making it seem worse than it is in the game.

Despite all this she still she moments of genuine growth realizing that not all men are as bad as the ones her master told her about and the one she saw while crime-fighting through her experiences with Shuichi and the other men in the game she slowly but surely alters her perspective, and the journey leads her to form a friendship--though some would say acquaintanceship--with Shuichi (a man 😱.)

It’s a shift for her from her initial male-hating persona as she learns to accept that not every man is as bad as she was taught to believe by her master.

I could go on but this is getting long so in Part 2 I'll delve deeper into Tenko’s character arc and development in chapter 3.

Double Standards, Misogyny, and Bad Writing: A Deep Dive into Character Criticism

So, it's a common saying that no one's perfect. We all make mistakes. Some of which we remember at 3 a.m. when we're trying to sleep and think, "God, why did I do that?"

But since we, as a species, don’t consider ourselves perfect (well, most of us who keep our feet on the ground don’t think that), why shouldn't we hold our characters to the same standards?

Now, writing flawed characters? It’s good writing. It doesn’t even have to be a major flaw. Make them a procrastinator, make them unable to cook, etc. But we should give our characters flaws. We don’t want our characters to be two-dimensional. We want them to be complex, we want them to be interesting.

But some people, when female characters have flaws, they hate it. They’ll magnify these flaws and perpetually criticize them. But when a male character has flaws, suddenly, they're a complex, well-written character.

Like I said before with Kaito and Tenko very similar characters pretty similar flaws to some Tenko's flaws are magnified or talked about to large degree while Kaito's are pretty much ignored.

Not saying there's no valid reason to like or hate either of them.

Think of it like cutting out cookies. People put men in a bigger mold, so they have more room for mistakes, but they put women in a tight, rigid mold. Their expectations are too narrow. And this is just normalizing Mary Sue characters, which in my opinion, is bad writing. Perfect women with no flaws who just sit there, looking pretty, are counterpieces to the male characters. I don’t want to live in a world where writing Mary Sue characters is the norm because people hate flawed characters.

Writing flawed characters is good writing. Flaws make them interesting, relatable, and real. In fact, most people kin characters because of their flaws. But when female characters are constantly held to impossible standards, it’s not just unfair—it reflects a much bigger problem with how society views women.

It’s the same pattern we see when people complain that women in video games aren’t sexualized enough. Is that seriously all you’re playing for? If you can’t handle women with flaws, maybe the problem isn’t them. Maybe it’s you.

superparadise i held onto but i settle for a ghost separates:

i think the fact that we can see the vote count at the end should've been discussed more