Holiday Prompts

One-Liners - Dialogue Prompts

Romantic Part 1 and Part II

“I could listen to you all day.”

“Have I already told you how cute you look?”

“One kiss is just never enough.”

“Not to sound cheesy, but your smile really lights up the room.”

“I cannot find the words to describe how I feel about you.”

“Being happy, fortunately coincides with making you happy.”

“Call me when you get home, so I know you’re safe.”

“Tonight was just perfect.”

“However many years we have left, I want to spend them all with you.”

“I have the feeling that you’re trying not to kiss me and I give you permission to just do it.”

“You remembered my favourite food.”

“Sometimes, being with you feels like a dream that I don’t ever want to wake up from.”

“Being half-asleep is a very good look on you.”

“You can always talk to me, I will always be here for you.”

“I’ve missed you so much.”

“I have never felt this safe with anyone before.”

“My heart feels like it’s dancing when I look at you.”

“I really want to spoil you today.”

“How about we just stay here and cuddle?”

“I’m so excited to give you a hug.”

“You never have to fear that you’re losing me.”

“I want to capture your smile, so I can always look at it.”

“Thank you for choosing me.”

“I wish we could stay in bed all day.”

“You’re my favourite person.”

“Hugging you makes everything better.”

“Tell me something I can do for you today.”

“I’m very lucky that you put up with me.”

“What would make you the happiest right now?”

“I just want to hold you close.”

Smutty Part 1, Part 2 and Part 3

“I dreamed of your legs wrapped around my waist.”

“Don’t act innocent when we both know where your mouth was two minutes ago.”

“We should probably leave, before we start a scandal.”

“Stop looking at me like that or my knees will not hold me any longer.”

“I think you lost your underwear somewhere.”

“My tongue still remembers the way you taste.”

“Is there some space left in that bathtub?”

“The way your eyes get darker when you get aroused, is making me lose my mind.”

“I want to count every one of your freckles with my lips.”

“Jealousy seems to be a great motivator for you.”

“Oh no, there is only one bed, what will we do now?”

“I could make you feel better.”

“Get back down here, we’re not done yet.”

“Later you will definitely need to tell me where you learned this.”

“I know I should care about the reason why you’re naked in my bed, but I will just enjoy it for a moment.”

“You’re a lot more flexible than I thought.”

“I want to please you.”

“Tell me what you would want to do, if you were here right now.”

“Your shirt got a little dirty, how about we take it off?”

“I want to give you a hickey, so everyone can see how I feel about you.”

“Oh, I love that sound you make.”

“Do you want to take it off or should I do it for you?”

“I never imagined you to be so sensitive, but I love it.”

“Maybe you could use that mouth for more than just talking nonsense.”

“If we weren’t in public right now…”

“Your hand feels much better than my own.”

“As soon as we’re both sober, we can do every dirty little thing you ever dreamed of.”

“Come on, you have to work for it.”

“I’ll take it that you like what you see.”

“Your moans will wake everyone up and I’m oddly fine with that.”

“Your eyes are already saying yes, now I just need your mouth to tell me the same.”

“I can never seem to get enough of you.”

“How about we continue this somewhere more private?”

“Oh, can you feel this?”

“We won’t be missed for a couple hours, we should take advantage of that.”

“I went to the gym, so I will be able to hold you up even longer.”

“How about we get really dirty before we shower, so that it’s actually worth the effort?”

“Reality is even better than my dreams.”

“I told you, you would eventually start begging.”

“You always know so well what I like.”

“Oh, you’re such a tease!”

“I’m not necessarily hungry for food right now.”

“You’re so tense, do you want me to make you more relaxed?”

“Hmm, is that a threat or a promise?”

“Who would have thought that this is something that you’re into?”

Physical - Part 1 and Part 2

“Your hands are always so soft.”

“I would love to run my hand through your hair.”

“Come on, let’s take a nice bath together.”

“I think your legs were made to be wrapped around my waist.”

“You know, I prefer you naked, but that dress also looks breathtaking on you.”

“Do what I say or I will mercilessly tickle you.”

“I’m in love with your voice.”

“Did you know that your eyes change colours when you look at me?”

“I’m obsessed with the way your hand fits in mine.”

“You smell amazing.”

“I don’t think I have ever felt safer than in your arms.”

“Tough day? Do you want me to give you a massage?”

“Let me wash your hair for you.”

“The taste of your lips is like a drug.”

“You have a million freckles and I want to count them all.”

“Your lips are just too damn kissable.”

“That colour looks perfect on your skin.”

“Sometimes when we hug, I don’t ever want to let go.”

“Don’t roll your eyes at me.”

“Should I comb your hair for you?”

“Your body fits perfectly with mine while dancing.”

“Come on, take my hand.”

“Those legs of yours look like they go on forever.”

“Your hands are so cold, let me warm them up.”

“Did you know that you have a million freckles on your shoulders?”

“That look in your eyes means nothing good.”

“Is that a blush I see?”

“Can I braid your hair?”

“Ah, your feet are ice-cold!”

“I can hardly wait to put a ring on that finger.”

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Disastrous date ideas

Something happens that upsets one of the characters and they come to the date feeling angry/upset/ crying.

One of them confesses that they don't love or have any feelings for the other.

They break up during the date.

Someone else your character likes comes to the same place with their date and your character gets jealous

One of them dumps the other during the date

Friends of your character comes to the same place and tease or watch your characters from another table

Your characters make a reservation but when they arrive they're informed there are no free tables.

One of your character creates a romantic setting and cooks meals but unknown to them, the other dislikes the food or is allergic to it.

One of your characters knocks down a drink and it spills.

One of your character is served meal they hate.

Character finds out something horrible about the other that hurts them.

Chr A unintentionally takes Chr B to their workplace

Another character ruins the date. ( An enemy / ex etc)

Chr A gets a panic attack or traumatic flashback from a triggered memory

Someone who wronged or hurt one of the characters in the past sees them

A fight breaks out between two characters.

Chr A calls B the wrong name.

Characters find something disgusting in their food.

A bird poops on one of the characters

They're attacked by insects.

Chr A takes B to a place they dislike.

Chr A realizes B prefers going out with another person.

Chr A learns something disappointed about B.

A new waiteress mixes their orders or spills their food/ drink on one of them

Characters start arguing and one of them hurts the other's feelings.

The weather is awful the whole time.

Characters arrive at the place of their date only to find out it's closed.

One of the characters is stood up unintentionally.

An ex makes an appearance.

Something one of them eats sets off an allergy.

The whole time, one of them doesn't realize it's supposed to be a date.

Story prompt.

( I don't know if anyone would like this but I got an idea...)

A group of characters have been rounded up by an antagonistic group .

The leader orders, " leave the adults. It's the children you must kill. They're the most dangerous ones "

Why are the children dangerous than the adults?

Write a story.

6 Tricks to Layer on Stakes

Every great story has stakes–things that are at risk throughout the plot. It might be that the protagonist’s life is at risk, or perhaps a romantic relationship, or maybe the opportunity to go on a long-awaited trip. Years ago, I had a hard time understanding stakes, and I think it was in part because they were often defined vaguely. Everything clicked when I realized that they are really potential consequences, which is how I prefer to define them now.

Stakes are significant events that could happen, and they include a sense of cause and effect. Typically, you can fit stakes into an “if … then … ” statement (even if it’s not literally written as one in the text):

“If I don’t defeat [the antagonist], then he’ll hurt my family.”“If you become a vampire, then the only thing you’ll love is blood.”“If we don’t fight back, then he’ll take all our land, our homes, our lives we built.” “If we don’t keep moving, then dehydration will kill us.”

Great stakes are closely related to tension, suspense, and hooks. All three get the audience to look forward and anticipate what could happen, usually by getting the audience to hope or fear a potential consequence. The audience then has to keep reading to discover the actual outcome.

All easier said than done. For many writers, stakes can be difficult to get on the page specifically because they require the writer to brainstorm possible, future outcomes–some of which may not actually happen.

For example, say your characters are stranded in a desert. They decide if they don’t keep moving, they could die of dehydration. But perhaps, in reality, it turns out if they had stayed put, they would have been rescued. Stakes aren’t always about what actually happens. Remember, they are about risk.

In a page-turner of a story, you’ll want to brainstorm and put in much more stakes, or potential consequences, in the text than what actually happens. For some of us, it’s hard to brainstorm enough of those, so here are some tricks.

1. Look at both positive and negative potential consequences.

When it comes to stakes, we often focus on the negative … because that is what is at risk.

“If [the protagonist] doesn’t defeat [the antagonist], [the antagonist] will take over the world.”

But putting positive outcomes on the page can sometimes be just as effective.

“If Samantha can nail this audition, then she can finally star in a movie.”

In this example, a positive potential consequence is what is at risk. Sure, we could change it to a negative–if she doesn’t nail the audition, she can’t star in a movie.

But the exercise of looking at both positive and negative potential consequences can help you brainstorm new ones. After all, if we were only looking at the negative, we may not have come up with “starring in a movie.”

2. Add to the cause-and-effect trajectory

Once you have one stake on the page, you can often add more to it, by taking the cause-and-effect trajectory out further. Suzanne Collins does this well in the opening of The Ballad of Songbirds and Snakes.

If the protagonist can’t eat cabbage soup, then he can’t get his stomach to stop growling (consequence #1), which means people will realize he’s poor, not rich (consequence #2), which means his reputation will be ruined (consequence #3), which means he’ll lose his opportunity to be a mentor through his school program (consequence #4), which means he’ll unlikely be able to meet the credentials needed for college (consequence #5), which means his family won’t be taken care of (consequence #6), which means his cousin might have to succumb to prostitution (consequence #7).

Whew, that’s a lot that hinges on making cabbage soup. Suddenly finding out whether or not the cabbage soup is going to work feels way more important!

You don’t have to take it out that far, but hopefully you get the idea.

3. Consider broad potential consequences

Another helpful approach is to look at how a potential consequence can have broader ramifications.

This works even with personal matters.

“If Jasper doesn’t return Emily’s love with a proposal, her descendants may be doomed to live in poverty.”

Here, something personal, love, has been broadened to include a family line–all of Emily’s children.

“If George doesn’t get to water, he could die of dehydration, which means his evil uncle could take the throne.”

In this example, the protagonist’s possible death affects a whole kingdom.

4. Consider personal potential consequences

A reverse of the previous is to look at ways to make potential outcomes more personal.

“If I don’t defeat the antagonist, he’ll take over the world–my mom, dad, Frankie, my entire hometown won’t survive.”

Here we move from a broad problem to a personal risk.

5. Pull in other cause-and-effect trajectories

In most stories, there are multiple cause-and-effect trajectories at work–this is what makes up the plot. There might be a primary plot, a secondary plot, tertiary plot, etc. There might be cause-and-effect trajectories that only last for several chapters or less.

One way to brainstorm more stakes, is to try to connect the current situation to an indirect stake.

For example, say in one plotline, the protagonist is concerned about training her dog. In another plotline, she’s concerned about getting her love interest to take notice of her. They may seem pretty unrelated, but you can look for ways to make them connect. If she can’t get her dog trained, then Fido might decide to try to chase after the love interest’s car–earning her the wrong kind of attention.

6. Look at perceived threats

Sometimes a perceived risk can also work well. Meaning, the character thinks something is at risk, when it actually isn’t. Multiple times in the Harry Potter series, Harry is at risk of being killed or expelled, but since we know there are more books in the series, we can surmise that he won’t be … at least not until near the end, probably.

Or perhaps you are writing about a child who thinks if she lies to her teacher, she’ll go to jail. This is obviously not true, but to her, it’s a possibility.

When perceived threats are written well, it can often feel as if they are real, even when the audience knows they aren’t. This can be effective to layer on (and is better than nothing), but needs to be mixed up with the others, as its often not as powerful.

With these six approaches, you should be armed to brainstorm more, significant stakes. To learn more about stakes, you can read my other article on them here: How to Write Stakes in Storytelling.

NSFW Starters

“Just relax~”

“Don’t hold back - I want to hear you.”

“We can leave the lights off if it’d help you relax more…”

“P-Please… ?”

“Stop teasing…”

“You’re doing well…”

“If you change your mind, just tell me when to stop.”

“Is this too much?”

“Is it okay if I touch you there?”

“I’m sorry, I can’t do this.”

“I’m nervous.”

“I’m your personal canvas~”

“Don’t make me beg.”

“Should I pull out?”

“How’s that feel?”

“Is this alright?”

“Put these on.”

“Has anyone ever gone down on you?”

“Have you… done this? Before?”

“No. Keep the curtains open.”

“Do you prefer top or bottom?”

“Shh, someone’s gonna hear…”

“Let me see your face.”

“I’m really sensitive…”

“C’mon, tighter. A baby could get out of these.”

“N-Not there… !”

“I want you to look at me when you cum.”

“Ah, ah, not yet. You aren’t allowed.”

“Yes, Master…”

“How does it taste?”

“Y’know, I’m really good with my tongue…”

“When… did you buy those?”

“What… in the hell are you wearing?”

“That tickles!”

Miscellaneous dialogue prompts .

"Leave . Now . Before I do something I regret . "

" let's pretend to be strangers . It's what you already do best anyway "

" I don't want to ever see you again!" .

" Everything is always my fault , isn't it ? You never want to admit your mistakes "

" Do you know what makes me mad ? It's that I still love you , even after everything you've done to me "

" I realized I never really knew you. You were never who I thought you were. "

" sorry , I'm allergic to stupidity "

" Can I please throw myself out the window ?"

" Don't make me come there ! "

" Aww... You're such an adorable human ! - I want to buy him ! "

" I'm a good cuddler and hugger , just so you know "

" Apparently , my human doesn't like to be disturbed during it's slumber ... -She almost killed me ! "

" Wait - is it me or did that statue just move ? "

" Well , someone grew some balls . Did you guy do it yet ?"

" Don't test me , love. I know a lot of good places to hide bodies. "

" Grandma , can you tell us again about the time of civilization ?"

" don't you know it's forbidden to have twins ?! "

" I'm not here to fight. I just wanna talk "

" lick your lips one more time and see what happens .."

" why is your water so ... Colourless ?"

" Ahh !! Don't strip infront of my innocent eyes ! "

" I can't see ! I can't see anything !!!"

" The Apocalypse has began ! " " What the hell ?! Dude ,did just you call me at 2 in the morning for this shit ?!

" I'm unfortunately so sexy , it's a crime .

" I want you so bad ... I can't take it anymore...!"

" Studies have shown that kissing is actually relaxing to humans. Sooo.... Want me to help you calm down?"

" I'm not sad and single . I'm fabulous and available. "

" You're so full of shit , even the toilet paper would shun you !"

" I belong to you . Today , tomorrow and forever ."

" Is that a ...fish in your hair ?"

" Are you hitting on me ?" " Oh, so you finally noticed ?"

" This soulmate thing sucks ! I don't want to meet my stupid soulmate ! I want to be free like other kids !"

" Is that blood on your shirt ?!"

" Tell me , who did you kill this time ?"

" I don't remember... I don't remember killing him "

" I'll make you pay for all the suffering you've caused us "

" I swear I saw it move !"

" Who's there ! Show yourself !

" You're weak and a coward . Just like your ancestors , I'll enjoy killing you too "

" This is an obsession , not love ! You need to stop before this even more out of hand !"

" Sir , that's not the way home "

" Ahhh... The sweet smell of death "

" Why are there cameras in my bathroom ?!"

AN  INCOMPLETE  LIST  OF  NICHE  KISSES 

feel free to edit who is sending and receiving,  i wanted to keep this post short and sweet so i didn’t create two perspectives since it’s easy to switch around after pasting 

1)  sender kisses the corner of receiver’s eye where their skin is crinkling from a smile. 

2)  sender tenderly places several kisses on receiver’s belly. 

3)  sender takes receiver’s hand and kisses their wrist,  lingering there to feel their pulse against their lips. 

4)  sender takes receiver’s chin between their fingers while receiver is smiling or laughing so they can kiss their dimple.  

5)  sender kisses under receiver’s ear,  right where the jaw and neck connect. 

6)  sender slowly kisses each of receiver’s fingertips. 

7)  sender takes receiver’s hand and kisses their palm. 

8)  sender kisses receiver’s palm after receiver cupped their cheek. 

9)  sender sensually kisses receiver’s inner ankle to start an ascension of caresses up towards their thigh. 

10)  sender kisses the middle of receiver’s chest,  right where the sternum is. 

11)  sender kisses receiver’s eyelids. 

12)  sender stands behind receiver and sweeps their hair aside to kiss the nape of their neck. 

13)  sender sensually kisses right behind receiver’s ear. 

14)  sender tilts receivers head back so they can kiss their throat right beneath their chin. 

15)  sender takes hold of receiver’s face and teasingly squishes their cheeks so it puckers their lips before placing a quick peck. 

PROMPT LIST

feel free to use this prompt list for anyone :) please use at most three per request

Fluff

Can I kiss you?

How did you not know I liked you? I let you meet my parents!

My friends have a bet to see how long it will take me to ask you out.

All I wanna do is know everything about you.

I can get used to waking up like this.

If you don’t get me ice cream, I’m leaving you for your brother.

Would you mind staying the night?

You’re all I can think about right now.

I’m going to marry you one day.

I’m coming home.

Make breakfast with me.

I’m not meeting your parents when I look like this.

I told my mom/dad about you.

I had a dream that you were my wife/husband.

Why are you crying?

Last time I checked, I am deeply in love with you.

Come dance with me.

Why are you wearing my shirt?

Play [video game] with me.

Stop smacking my ass.

I didn’t trip over my shoelaces. I just fell in love with you again.

Are you jealous?

Wanna go for a drive?

Wanna get some food?

Sorry, I just realized that I might be madly in love with you, but go on.

Angst

What if I lose you?

My biggest fear is not having you anymore.

I know I fucked up.

Please don’t touch me.

I don’t know how to deal with this.

Do you actually love me?

I love you so much that I can’t fucking hate you.

Leave me.

What? Is she so much better than me?

I wish I never met you.

I didn’t sleep with your best friend!

I don’t know how much more of this I can actually deal with.

I know this might be dumb, but can you stay with me?

Do you actually mean that?

Of course, I still love you.

You need to decide. Him or me?

I thought you changed.

If you loved me, then why did you sleep with her?

You hurt. You hurt so bad.

I wish I could stop loving you.

Did your ex hurt you?

I lost it.

I’m not going to hit you.

Please slow down the car.

I’m so scared I’m going to lose you.

Smut:

I think we were too loud last night.

Do you think they can hear us?

Lock the door.

You have the body on an Angel.

Spread your legs for me.

Are you going to be a good girl for me?

Don’t leave too many hickies.

We can’t do this here. Everyone will see us.

Get on your knees.

Your tongue is magic, you know that?

If you get me going, I’m not going to stop.

It’s four a.m.. How are you still horny?

I have never seen you this needy.

Your hot when you’re sweaty.

Do you wanna shower with me?

My legs are shaking.

Do I make you nervous?

I have an extra special present for you.

I still sore from last night.

Those aren’t you’re keys in your pocket is it?

I miss you. Take a bath with me.

Louder.

Damn, you’re wet.

Don’t talk to me when you’re only wearing a towel.

some proposal prompts

A proposes under the stars, telling B that no matter what happens, they'll always be there for them

slipping a wedding ring on your lover's finger while they're asleep, a wonderful surprise for them to wake up to the following morning

A's best friend (and their fiancée) dreams of a double-wedding. they convince A to propose to B at their engagement party

A recreates their first date with B, only this time the night ends with a proposal, not a first kiss

A proposes to B but gets rejected because B wants to be the one to propose

i jokingly propose to my best friend, and i expect them to say no, but instead it's a dead serious yes, and it changes everything

A makes it their mission to propose to B in a different way every year

you ask your kid(s) to help you propose to your lover. it's a messy proposal, your kid(s) not following protocol, but it's everything the two of you could ever have hoped for

A proposes to B at their friends' wedding reception (of course, for now it's a secret, as to not steal the thunder from the newly married couple)

it started out as a fake marriage — but this proposal is as real as it gets

A and B are at a mutual friend's wedding, but the relationship is falling apart. seeing as the wedding is already paid for [and to save their friend from being marked the village idiot], A pulls B from their seat, proposing to B right then and there

A's about to propose, but accidentally slips and hurt themselves. it doesn’t stop them from proposing while at the ER

A and B have been married for years — time to renew the vows?

A doesn't think it's fair to promise B forever considering they're on their death-bed, but A refuses to let go before that ring is on B's finger

A brings B back to their childhood home (which A hasn't visited in forever), and proposes to them at the property

A's proposing — B tells them that they're pregnant

A dies to save B's life a mere day after their engagement

A brings up marriage on a whim, and B says ''okay, so let's get married.''

A can't stop crying when proposing to B. A's holding the ring, and they're on their knees, but can't get a single word out. A's simply in complete disbelief over being loved by such an amazing person

it's nothing more than two best friends promising each other that if neither are married or dating at the age of twenty-five, they'll marry each other. well, you're officially twenty-five, time to bring out those wedding bands!

A jokingly tells B it's about time they propose. what A doesn't expect is for B to pull out an actual wedding ring

it's the day of the planned proposal... A's gone and misplaced the ring, and is now full on panicking

SOFT(ish) ANGST PROMPTS

“  i thought you were gone.  for good. ”

“  you left and—  i thought you weren’t coming back.  ”

“  i miss you.  i know i’m not supposed to,  but.  i just had to see you.  ”  

“  please don’t scare me like that again.  i can take a lot of things,  but not losing you.  ”

“  i can’t even take the very thought of you getting hurt.  ”

“  you could’ve gotten yourself killed! you could’ve— fuck!  you scared the shit outta me.  ” 

“  yes.  i am telling you what to do.  i’m telling you not to pull something like that again because—  ‘cause fucking hell.  i care about you.  okay? ”  

“  i found myself driving home and then.  well i was on my way here.  ‘cause i guess…you’re still my home.  ” 

“  please,  tell me why you’re upset.  tell me who did this?  ”

“  you don’t have to come over here and take care of me you know.  i can clean up my own messes.  ”

“  don’t talk.  just get the fuck over here and hold me.  ”

“  loving you is like having my heart just out in the world.  outside of my body walking around.  every time i see you hurting,  it kills me.  ”

“  i made you cry.  and i hate myself for that.  i swore i wouldn’t be one of the people who left you hurting.  ”

“  you really hurt me this time.  but i want to let go of that.  i really do want to forgive you i’m just scared you’ll hurt me again.  ”

“  i know you’re mad at me right now,  but i’m the one who’s here.  let me be here.  let me help.  you can be angry later.  ”

“  i’m here now.  i know i wasn’t before.  but i should’ve been.  and i’m not going anywhere.  i’m not gonna let that happen again.  ”

“  it’s time to come home now.  ”

“  that’s enough.  you’ve got your revenge.  let’s go.  ”

“  i know you’re hurting.  and i can’t fix that.  but i can refuse to let you hurt alone.  ”

“  i’m never letting go of you.  i missed you so fucking much.  ”

“  look at me,  you’re safe.  and you’re not alone.  and i’ll never let you be alone again.  you understand?  ”

“  i broke my promise to you once.  i’ll never do it again.  ”

“  i don’t need you to go white knighting and fix all this.  i just want you here.  with me.  that will make me feel better.  ”

“  just stay still and let me hold you.  ”

“  you don’t have to hide your tears.  let it out.  then we’ll move on,  together.  ”

“  i just.  needed to talk to you ‘cause.  somehow you always know what to say.  ”

“  don’t bury your feelings.  sadness.  hurt.  rage.  feel it.  acknowledge it so you can decide what you want to do with it.  not what it will do to you.  ”

“  i miss your smile.  and not that sad one you try to fool everyone with.  the real one.  the one you used to show me.  ”

“  come here.  i’m taking care of you tonight.  and you’re gonna let me.  ”  

1) our muses reunite after sender thought receiver was dead. 

2) our muses reunite after receiver thought sender was dead. 

3) sender shows up at receiver’s house drunk after they’ve broken up. 

4) receiver shows up at sender’s house drunk after they’ve broken up. 

5) our muses are on bad terms but reunite after one of them nearly dies. 

6) sender finds receiver crying and approaches,  clearing the tears with their hands while demanding to know what happened. 

7) receiver finds sender crying and approaches,  clearing the tears with their hands while demanding to know what happened. 

8) our muses haven’t been speaking,  but sender rushes to take care of receiver after they’ve been injured or fell ill. 

9) our muses haven’t been speaking,  but receiver rushes to take care of sender after they’ve been injured or fell ill. 

10) sender hurt receiver in some way,  which led to receiver doing something reckless and sender shows up to stop them/or deal with the aftermath. 

11) receiver hurt sender in some way,  which led to sender doing something reckless and receiver shows up to stop them/or deal with the aftermath.

12) our muses are in a fight,  but cuddle anyway because they don’t like sleeping alone. 

13) receiver wakes sender from a nightmare. 

14) sender wakes receiver from a nightmare. 

15) sender wakes up in the hospital and finds receiver at their side,  who is in the same clothes as the day they were admitted because they’ve refused to leave their side. 

16) receiver wakes up in the hospital and finds sender at their side,  who is in the same clothes as the day they were admitted because they’ve refused to leave their side. 

17) our muses are currently on the outs,  but receiver goes through something traumatic and sender pushes past their friends to get to them. 

18) our muses are currently on the outs,  but sender goes through something traumatic and receiver pushes past their friends to get to them.