I Just Found This Fic. Hopefully It Will Be Good. It’s A Aldon Fic.

The Cook and The Teacher!

Let's pretend The Bear and Abbot Elementary are in the same city.

Another cute interaction between Carmen (Carmy) Berzatto x Abbot Teacher Femreader! Sunshinereader!

Feat Abbot Staff!!

Carmy hated Sundays.

The Bear was closed and for a man used to the relentless pace of a kitchen—orders flying in, knives slicing, pans clattering—the stillness of a day off felt more like a curse than a blessing. Without the chaos to ground him, he was left alone with his thoughts, something he avoids at all coast. He’d tried to fill the hours: cleaning his already spotless apartment, flipping through a cookbook he’d read a dozen times, even going for a run. But nothing seemed to stick. The quiet only made the knots in his chest tighten.

That’s why he was here, walking aimlessly through the park, hands shoved deep into the pockets of his hoodie. The air was crisp, the kind of late-autumn chill that bit at your nose but wasn’t cold enough to send you running for cover. Leaves crunched under his sneakers, their vivid oranges and yellows scattered across the path like nature’s version of confetti. The walk wasn’t fixing anything, but at least it gave him something to do. Something to focus on other than the gnawing sense that he should be doing more—even if he wasn’t sure what that meant anymore.

The distant sound of cheering, music, laughter, and the unmistakable squeak of sneakers against asphalt drew his attention. Rounding a corner, he spotted the commotion: the park’s basketball court was packed with people, all gathered around a lively game. A colorful banner hung crookedly above the entrance: Teachers vs. Parents Fundraiser—Help Abbott Elementary Score New Desks!

Carmy slowed his steps, curiosity tugging at him. Abbott Elementary. He’d heard you mention it in passing—how you loved your chaotic fourth graders, even when they tested your patience. You’d shared stories that had made him laugh more than he expected, like the time students were ‘desking’ and one of her coworkers splint her ankle.

On the court, two teams—one in bright shirts labeled Teacher Squad—were in the middle of a heated game. The crowd around the edges was just as lively, holding signs and hollering encouragement. Kids raced around with ice cream cones, parents juggled snacks and folding chairs, and a few teachers shouted at their teammates with varying levels of enthusiasm... And cameras?

Carmy’s gaze drifted toward the sidelines, and that’s when he saw you.

You were holding a clipboard, looking equal parts coach, cheerleader, and chaos manager, laughing as a tall man in a Teacher Squad t-shirt tried to dribble past a petite woman in braids who had the energy of someone far too invested in a friendly game.

“Janine!” you shouted, waving your clipboard. “Stick to defense, not interpretive dance!”

Janine threw her arms up. “I am playing defense! I just happen to be expressive about it!”

Another man—who Carmy guessed was not a regular athlete—tried to block someone but ended up tripping over his own feet.

A ripple of laughter spread through the crowd as a woman with an air of authority rolled her eyes. “Jacob, for heaven’s sake, plant your feet!”

“I’m working on it!” The man, Jacob, shouted back, sweating bullets.

Meanwhile, on a DJ setup at the edge of the court, a woman stood at a table with a microphone in one hand and a portable turntable in the other. She was wearing oversized sunglasses and a sparkly "Finest Principal of the Year" t-shirt.

She leaned into the mic, her voice dripping with confidence. “Ladies and gentlemen, boys and girls, and everyone else lucky enough to witness this greatness, welcome to The Ava Coleman’s Show! Featuring basketball, fundraising, and these fabulous beats brought to you by yours truly.”

Carmy was unable to look away from the scene. It was chaos—absolute, unfiltered chaos—but there was something oddly magnetic about it.

You caught sight of him before he could decide whether to leave or stay. Your eyes lit up in recognition, and you broke into a grin, waving him over. “Carmy? Hey!”

He froze, realizing he’d been caught observing, he hesitated for a moment before stepping closer to you. “Uh, hey.”

“What are you doing here?” you asked, jogging over to the sideline with a bright smile.

“Just walking,” he said, his tone casual, though his eyes lingered on you a little longer than he intended. “Didn’t know there was an event.”

You grinned, gesturing to the chaos behind you. “Yep! Teachers vs. Parents fundraiser. Most desks in my classroom are about two good elbows away from falling apart, so here we are.”

“That bad?” he asked, a hint of a smirk tugging at his lips.

"You have no idea." You laugh.

Carmy glanced at the court, where a small woman—Janine, if he recalled correctly—attempted a layup… and missed. Spectacularly. The ball rebounded off the rim and smacked into Jacob, who yelped and stumbled backward into an older woman, spilling her lemonade.

“Jacob!” The woman scolded, dabbing at her blouse with a napkin. “Honestly, it’s a miracle you made it this far in life.”

“I’m fine! Totally fine!” Jacob said, raising his hands defensively before being yanked back into formation by a red haired woman.

“Quit standing there like a scarecrow, Jacob,” she barked. “Play defense, for crying out loud! And somebody get Barbara another lemonade.”

“Looks... intense.” Carmy tells her.

“Oh, it is,” you said with mock seriousness. “Melissa’s out for blood, Barbara’s refusing to play, and Janine... well, she's... enthusiastic. The only one that can give us a fighting chance is Gregory." You jabbed a thumb over your shoulder toward the court.

On the court, a tall man with a serious demeanor—whom Carmy guessed was Gregory—executed a perfect jump shot, earning cheers from the teacher's side. Nearby, Janine with a bright smile, clapped enthusiastically.

"Nice shot, Gregory!" Janine called out, her admiration evident.

Carmy chuckled softly,“Sounds like you’ve got it covered.”

Before you could respond, the DJ's, Ava, voice boomed over the mic again. “Heads up! This next track is dedicated to the parents who thought they could outplay me.”

She hit a button, and Jump Around blared from the speakers.

“Is she always like this?” Carmy asked, nodding toward Ava.

“Always,” you said, grinning. “But we love her. Mostly... she's what I like to call a creative leader."

“So, this is what you do on Sundays?” He asked.

“Not every Sunday,” you said, shrugging. “But when the kids need desks, we show up. Gotta support the cause, right?”

He nodded, shifting his weight. “Seems like a good cause.”

“It is,” you said warmly, then tilted your head at him. “You can stay if you want. No pressure. But, it’s more fun than wandering around on your own, I promise.”

He hesitated, his instinct to keep moving clashing with the unexpected comfort of your presence. “I don’t know…”

“C’mon,” you teased, nudging him lightly. “I’ll even buy you a cupcake from the snack table. Chocolate, with sprinkles. The good kind.”

Carmy huffed a quiet laugh. “That’s your pitch? A cupcake?”

“Best ones in town,” you replied confidently. “Baked by Barbara herself. And trust me, if you’ve never had a Barbara Howard cupcake, you haven’t lived.”

For a moment, he debated it. Sundays were his least favorite day for a reason. But here, in the middle of this chaos—your chaos—it didn’t feel so bad. Finally, he let out a small sigh and nodded.

“Alright,” he said. “I’ll stay.”

“Good choice,” you replied, patting his shoulder before gesturing toward an empty spot on the sidelines. “Park it there, Chef Carmy. You’re about to witness the greatest—and messiest—game of all time.”

He watched as you jogged back, clipboard in hand, before stopping in front of Barbara, who was comfortably seated on a folding chair with her arms crossed and a bottle of water balanced neatly on her knee.

“Alright, Barbie, the game's still on track and we are five points down,” you said, tapping your clipboard against your hip with mock authority.

Barbara didn’t even flinch, raising a single unimpressed eyebrow. “Oh no, dear. I’ve done my part. My knees are not built for this level of foolishness.”

“But the kids need you!” you countered, raising your hands in a dramatic display of desperation. “Think of the desks, Barbara. The desks!”

Barbara waved a hand dismissively, though Carmy caught the faintest flicker of a smile tugging at her lips. “The children will survive, desks or no desks. But I will not survive chasing a basketball like a teenager. It’s your turn.”

You let out a dramatic, theatrical sigh, tossing your clipboard onto the bench. “Fine! Guess I’ll have to take one for the team. Again. The things I do for education.”

Barbara chuckled softly, waving you off. “Do your best, dear.”

Carmy leaned against the fence, arms crossed, as he settled in to watch. His eyes tracked your movements on the court as you threw yourself into the game with unrelenting enthusiasm. It was almost endearing—almost. You darted toward the ball, arms outstretched to block a pass—only to misjudge your angle entirely and slam directly into Jacob, who yelped as he tumbled to the ground in a heap of limbs.

The ball ricocheted off Jacob’s head, soaring through the air and narrowly missing Melissa, who jumped back with a glare.

“Watch it!” she barked.

“Sorry!” you shouted, grimacing as you crouched down to help a dazed Jacob to his feet. “That one’s on me.”

Jacob groaned, rubbing his elbow. “No worries. Just another day of being collateral damage.”

“You’re a champ,” you said, patting him on the back as the ball was scooped up by one of the parents. “Shake it off!”

“Classic,” Ava’s voice boomed from the DJ table. “That’s why you don’t mix bad aim with too much confidence. Someone get this on video for the highlight reel.”

Carmy huffed a quiet laugh, leaning further into the fence as the game pressed on. Watching you, he felt the restless tension in his chest begin to ease, replaced by something lighter.

You weren’t the most graceful player on the court—far from it. Within minutes, you’d tripped over your own shoelaces, collided with Janine during an overly enthusiastic pass, and accidentally launched the ball straight into Gregory’s face. But every stumble, every misstep, was met with your laughter—a sound so warm and genuine it seemed to ripple through the air, softening everything around it.

Carmy’s smirk deepened as he watched you jog back to your spot, waving apologetically to Gregory, who gave you a long-suffering look in return.

“C’mon, Chef Carmy,” you called out suddenly, spotting him on the sidelines. “Don’t just stand there! Grab a cupcake or something! Ava promised to drop the bass for every basket we score.”

“If you score,” Ava chimed in over the mic, smirking as she adjusted her oversized sunglasses. “Let’s not set unrealistic expectations.”

“Thanks for the vote of confidence, Ava!” you shouted back, rolling your eyes.

Carmy chuckled under his breath, shaking his head. He wasn’t sure what had drawn him here or why he’d stayed, but as he leaned against the fence, watching the chaotic mix of personalities on the court, he realized something. For the first time in months, he wasn’t thinking about work. He wasn’t worrying about what needed to be done, what had gone wrong, or what could go wrong next.

Instead, he was just... here. Watching you light up the court with your unrelenting energy, the way you made even the smallest moments feel big like they mattered. Watching the Abbott crew—imperfect, loud, and utterly ridiculous—made his day feel like the best day of the week so far.

And when the game ended with a triumphant, if not entirely skilful, shot from Melissa, Carmy found himself clapping along with the rest of the crowd, the tension in his chest completely gone.

You jogged over to him, grabbed a water bottle and flopped onto the bench, tilting your head back as you took a long drink.

“You alive?” Carmy called out, unable to hide the amusement in his voice.

You lowered the bottle, looking at him breathlessly but grinning, wiping sweat from your brow with the back of your hand. “Barely, but I’m thriving in spirit. Pretty impressive, right?”

He shook his head, his smirk softening into something closer to a smile. “Impressive isn’t the word I’d use.”

“Rude,” you said, nudging him lightly with your elbow. “But I’ll take it. Cupcake?”

“Sure,” he said, his voice quieter now, but warm.

And as you handed him a cupcake from the snack table, your fingers brushing his for just a second, he felt something unfamiliar—a flicker of ease, of belonging, of something good.

The sun was starting to dip lower, casting a golden hue over the park. Carmy took a bite of the cupcake, savoring the quiet moment. For the first time in a long time, the restless churn inside him had stilled.

And as he stood there, beside you, surrounded by laughter and warmth, he realized that this Sunday, chaotic as it was, might just be the best he’d had in years.

A/N: Heyyyy, thank you so much for the support. I'm on fireee lol. I hope you enjoyed it and tell me if you would like to be tagged. <3

Tags:

@hiitsmebbygrl16 @urthem00n @svzwriting29 @tyferbebe

@akornsworld @khxna @ruthyalva96 @beingalive1

Falling Slowly

Requested Here!

Pairing: Tim Bradford x fem!rookie!reader

Summary: You are Tim's newest rookie, and his favorite. He treats you differently, able to see that your past affects you, and the little things build up until you can't deny your feelings.

Warnings: so much fluff, brief angst, domestic violence (Tim and reader respond to a call & allusions to past dv against reader), one scene is inspired by "The Switch" (1x4)

Word Count: 4.0k+ words

A/N: This doesn't really fit in any specific season, so I put characters in the roles I wanted them to have and just made up some names to fill in the gaps. Hopefully everything makes sense. Please let me know what you think!

Picture from Pinterest

“What are you doing here?” Angela asks, surprised to see Tim.

Furrowing his brows, Tim answers, “I’m here for the TO meeting.”

Angela tilts her head back and groans, passing Nyla a 10-dollar bill.

“She thought you’d give up your position for Metro,” Nyla explains.

“I’d like to, someday, but not today,” Tim replies.

“20 bucks this is his last one,” Angela says to Nyla. “He still has the open invite to Metro and his patience can’t take many more boots.”

Nyla reaches to shake Angela’s hand as Tim rolls his eyes and walks away.

“Let me see his rookie first, then we’ll talk,” Nyla decides. “I’ve got a feeling a lot is going to change around here.”

“Like what?” Angela asks. “Nyla! Like what?”

✯✯✯✯✯

Walking into the Mid-Wilshire station on your first day as a rookie is both nerve-wracking and exciting. You’ve heard stories about boots making it through the academy to fail once they reach this level, but you’re determined. When you were a kid, you were in bad situations more often than any child should be, but kind police officers changed your life, and you’d like to do the same.

Waving to one of your police academy friends, you sit in the bullpen, waiting impatiently to learn which officer behind you will be your training officer. Getting the perfect training officer is up to fate, based on what you’ve heard, and your TO can make or break your career.

“Good morning, boots! I am Watch Commander Wade Grey. You have made it through the police academy, but don’t expect a pat on the back, your work is just beginning. This is the time to prove yourself, to show your TO, me, and this city why you deserve to be a police officer.” He pauses, moving around the podium to add, “If you should be a police officer.”

As you listen intently, striving to remember every word Sergeant Grey says, two detectives stand at the back of the room and evaluate the rookies.

“He’s only got one shot,” Angela mutters.

“If he gets the pretty one in the front, I’m not taking the bet,” Nyla says.

Angela looks up a row, her brows raising when she sees you. “If he ends up with her, we’re starting a station-wide pool and getting rich,” she adds.

“Now, it’s time to be assigned to your judge, jury, and executioner,” Wade says with a smile. “Or, as we call them, TOs. Our former rookie turned TO, Nolan: you’ve got Edward Henderson.

 Officer Nolan nods at Henderson, and you remember his story: a late-life rookie who got a golden ticket. Part of you wants to work with him and learn why he decided on law enforcement, but you only nod at Henderson before turning back around.

“Lance Vincent, you are with our newest TO, Eliza Reagan.”

Wade says your name with a smile that seems a bit more genuine than before. “Officer Bradford, last but not least,” he says as he assigns you your new TO.

You look over your shoulder, a small smile on your face as he nods at you. He is undeniably attractive, and you hope it doesn’t cause any problems.

“Oh, he’s a goner,” Nyla whispers under her breath when you smile at Tim.

“Should we tell him?” Angela replies.

“I think we’ll have to.”

✯✯✯✯✯

Something about you bothers Tim. Not in the usual, grumpy-with-a-new-boot way, but he has a sense that you’re different. 

“Nice to meet you,” you say, walking to Tim at the back of the bullpen.

He stands, offering a calloused hand to shake.

“I’m not going to pretend this is going to be easy or fun,” he tells you. “Being a rookie is the hardest part of your career, but if you’re a good cop under the uniform, you’ll be fine.”

Nodding, you promise to do your best and express your willingness to learn everything you can from him.

“Good,” he says. “Meet me outside the war room. We’re not wasting any time, understood?”

“Yes, sir,” you answer.

Tim watches you walk away, and when you stop to let someone carrying a large box cross in front of you, Tim realizes that you’re hurting, or were hurting not long ago. The underlying need to help people is something he recognizes.

“She’s pretty,” Angela muses, walking to Tim’s side.

“Though you know that,” Nyla adds, smiling on his other side.

“She’s a boot. No different than the other rookies,” Tim argues, though his gaze is still on your back as you sign for your bags and weapons.

“Sure, she is. Why don’t you go put her through a Tim test?” Angela suggests.

Tim rolls his eyes as he leaves, wondering what hurt you bad enough to make you want to be a cop. He became a cop despite his hurt, but you’re young and bright – and too good for him – so there must be something in you that makes you worthy of this. More worthy (and more beautiful) than any rookie before you.

✯✯✯✯✯

Several officers wish you luck, with one or two warning you about so-called “Tim Tests” while you wait for Tim behind the shop.

“Don’t tell me you have a checklist,” Tim begins, drawing your attention away from the shop tires.

“No, sir,” you answer. “Just being vigilant, I suppose. I’d hate to start my first day with a flat tire.”

Tim nods, asking where the war bags are. You tell him how you checked the contents and loaded them into the trunk, and he appreciates your brief explanation.

“Good work. The easy part is over,” Tim says. He seems to weigh his options before deciding, “You drive. Show me what you’ve got.”

He follows you to the driver’s side door, opening it as he reminds you of standard shop procedures. As Tim closes the door, you wonder if he’s a gentleman or if he followed you because he doesn’t trust you to drive correctly. Either way, you know what you’re doing, and you won’t let the man in the passenger seat distract you… too much.

Driving toward Wilshire Boulevard for patrol, Tim looks out the window. 

“Blue Camaro has an expired plate,” you alert.

“Call it in.”

You do so, hitting the sirens as you engage the traffic stop. Tim raises a hand to stop you from getting out.

“Remember your training. Don’t let the situation get away from you.”

His words linger in your mind, and you complete the stop with no problem, issuing a ticket and returning to the shop.

“I’m driving,” Tim alerts you, spreading his hand across the small of your back as he directs you to the sidewalk.

“Did I do something wrong?” you ask when he starts the car.

“No,” he answers bluntly.

You lick your lips nervously, turning your attention to your surroundings. Suddenly, Tim pulls over and hits the brakes.

“I’ve been shot, boot. Where are we?” Tim demands.

Furrowing your brows in surprise at his actions, you answer, “Intersection of 12th and Meadowbrook, west of Redondo. There are several hospitals in a five-mile radius, but only one has a trauma center.”

Tim pulls out wordlessly, continuing his patrol route. Tim doesn't say much else throughout the few hours between his first test and lunch. He lets you point things out, answers your questions about the area and procedures, and glances at you out of the corner of his eye. When he pulls up to a small circle of food trucks where several police officers are waiting, he turns toward you.

“You’re doing well. I’m not neglecting to give you good feedback for any reason other than once you start riding alone, you won’t get it. My role here is to prepare you for your solo career, not hold your hand until you get there.”

“I understand, sir. Thank you for answering my questions,” you reply as you open the door.

Tim’s hand finds your upper back as he leads you to his favorite of the food trucks, a light touch that disappears nearly as quickly as it happened. You thank him quietly for the suggestion before sitting with your fellow rookies.

“Hi, Tim,” Angela says.

“What are you doing here?” he asks, his annoyance breaking through his growing fondness for you.

“Just came to get some food. Your boot seems to be in a good mood.”

“Strange, I thought Tim’s thing was ‘break their spirits in the first hour,’” Nyla adds as she joins Angela.

“You two not have work to do or something?” Tim inquires.

“Something like that. How’s she doing?” Angela tips her chin toward you as she asks.

“She’s got good instincts, knows protocols.”

“But?”

Tim shrugs, turning away before Angela can dig deeper.

“I give it a week,” Nyla announces.

“Before what?”

“He can’t take it anymore.”

✯✯✯✯✯

“Domestic disturbance in your area,” dispatch alerts.

Tim grabs the radio, accepting the call as he hits the sirens and turns into a residential area. You chew the inside of your bottom lip; domestic calls are your least favorite, especially when kids are involved. Unwilling to show discomfort, you put on your best brave cop face and follow Tim to the door.

A young girl with a bloody nose and teary eyes opens it, and you glance at Tim before kneeling and asking her to come outside. She listens without question, her lower lip wobbling as you smile.

“He’s hurting my mom,” she whimpers.

Tim nods at you before tilting his head toward the shop. You direct the girl to stand at the edge of the porch and wait for you as you follow Tim inside.

“LAPD, put your hands up!” Tim yells as he steps into a bedroom.

Your eyes widen when you see the large man towering over the girl’s mother. He smiles as he reaches for something.

“Don’t move unless you want to give me a reason,” Tim says lowly. “Step away.”

The man looks toward the nightstand before taking a deep breath and giving up. 

“I got it,” Tim tells you before radioing a code 4.

You wait until Tim has the handcuffs secured to walk outside. The girl runs into your arms, and you pop the shop's trunk, setting her down as you retrieve a small first aid kit. She lets you clean her bloody nose, gripping your wrist when it stings.

“Where’s my mom?” she asks.

“She’s talking to my partner right now, she’ll be out in a few minutes,” you explain.

“Is he nice?”

“The nicest,” you answer.

“Mom!” she yells, letting you set her on the ground before she runs to her mom’s side.

“Get in the shop,” Tim commands as he walks past, his hand brushing your arm as he closes the trunk.

You obey, climbing into the passenger seat and waiting as he talks to the EMTs. When he joins you, he drives to a quiet, empty street before switching off his body cam and gesturing for you to do the same.

“Are you okay?” he asks, his voice softer than you’ve heard.

“Yes, sir.”

“Don’t say what I want to hear. Domestic calls are tough but that wasn’t your first one, was it?”

You shake your head, looking out the windshield instead of at Tim.

“We all have reasons for becoming a cop, and some calls are harder than others. As long as your past doesn’t get in the way and put you in danger, it’s okay to be human,” he continues. “TOs are notoriously hard on you, but we’re also here for you.”

“Thank you,” you whisper.

Tim shrugs, one corner of his lips upturned. “No more sappy stuff, we have work to do.”

“Oh, if you think that was sappy, I’ve got a lot to show you before I graduate to short sleeves.”

The comment catches Tim off guard and makes him feel something he didn’t expect.

✯✯✯✯✯

By the end of the first week, you feel like you know Tim well. His hand spread across your back or shoulder when you’re in front of him, his little reminders that you’re not alone, that you can show emotion when the time allows, and every other little thing he does makes you wonder why there are so many horror stories around his teaching style.

Likewise, Tim thinks he has you down. You ask him questions, ask for his opinions, listen and apply what he says, and send him small smiles when he compliments your work.

But, it only takes a shift to realize that people are multi-faceted, and cops and rookies are no different.

“Good morning,” you greet, passing Tim a small box.

“What is this? A bribe?” he asks.

You smile as you reply, “Nope. Just something I found, and I thought you’d like.”

Tim opens the box, his eyes widening at the 2000 Super Bowl tickets, the Rams’ first win. “I can’t accept these.”

“They were under a bookshelf in my apartment, it’s not like I spent a million dollars on them, Officer Bradford.”

Tucking them into his pocket, Tim opens your door. “Thank you.”

You smile, and Tim thinks your joy is the better gift.

✯✯✯✯✯

During your first call of that day, you show Tim that you don’t just value his opinions.

“Shots fired!” you radio as you duck behind the car.

“Are you hit?” Tim asks.

Shaking your head, you move closer, trusting him to direct you and keep you safe. The men in the house you were called to have automatic weapons, and though you’re a good shot, you’re not a match for their guns alone.

“Backup is on the way, but I need you to do something for me. You trust me?” Tim adds.

“I do.”

“Reach around the back and open the trunk; just far enough to reach the latch. I’ll cover you.”

He stands above you, firing into the shattered window of the house as you slip your arm and back around the end of the shop and open the trunk.

“Good, perfect,” Tim praises as he ducks beside you. His knuckles graze yours as he leans past you. “Can you reach the shotguns?”

Glancing in the window above you, you locate them quickly. “I can.”

“Do it. I got you.”

Once the shotguns are in your hands, you pass one to Tim as you ready your own. Timing your shots, you take out two shooters just as your backup arrives.

“You’re bleeding,” Tim says, his adrenaline dropping as a tactical team takes over.

You look at your arm, just noticing your ripped sleeve and bloody skin. Tim lays his hands on your arm as he turns it toward him.

“I think it was just glass from the windshield,” you say quietly, pointing to the car behind you, riddled with bullet holes and broken glass.

“Either way, we need to get it checked out.”

“Officer Bradford?” you interject. “Thank you. For making sure I trust you.”

“Thanks for trusting me,” he mutters, so soft you can barely hear it.

He taps the Super Bowl tickets in his pocket as he rises to get a paramedic to check on you, and you smile, wondering how bad it would be if you fell in love with your TO.

✯✯✯✯✯

“You’re quieter than usual,” Tim points out. “I need to know that whatever is bothering you won’t impair your ability to work with me.”

“It won’t,” you promise. “Sorry.”

Tim considers pressing, but he trusts you. “I’m here. If you decide you want to talk about it.”

He exits the shop and opens your door before you can reach for the handle.

✯✯✯✯✯

“Did you see that?” Nyla gushes, elbowing Angela.

“Ow. See what?”

Nyla points to Tim, closing your door and laying a hand on your shoulder as he ducks his head to talk to you.

“That’s not a reprimand,” Angela deduces.

When you smile, a tiny upturning of your lips, Nyla laughs.

“Oh, that boy… The door, the touches, listening to her? He’s gone.”

“Not just him,” Angela adds. “She asks him questions, smiles at him, trusts him more than anyone… and the Super Bowl tickets? They’re adorable.”

“Should we do something?”

“Not yet. I think they’re close to realizing.”

✯✯✯✯✯

After your longest, and worst, day yet, you find yourself in a hospital waiting room beside Tim. He hasn't said anything since a speeding driver ran into your side of the shop, though you've apologized countless times (even though there's nothing you could have done).

Tim’s jaw is clenched so tight you’re worried it will snap. You’re sitting close to him, a bandage around your wrist and an ice pack pressed to your cheek.

“Sorry,” you whisper.

“Stop- stop apologizing, it’s not your fault,” Tim sighs.

His arm is on the armrest between you, and you move your hand toward his. When he doesn’t back away, you turn your arm to allow your knuckles to brush against his.

“It’s not your fault,” you tell him kindly. “He ran a red light.”

“And you could’ve been killed,” Tim replies, standing abruptly and walking away.

You slump in your seat, dejected and curious about what you could say to make him stop blaming himself for someone running into you.

✯✯✯✯✯

“Tim and his rookie sitting in a tree,” Nyla sings under her breath.

“I don’t have time for this right now,” Tim replies.

“Right, because you’re too busy being mad that she got hurt. Cops get hurt Tim,” Angela reminds him.

“Not with me,” he begins, pausing to take a deep breath. “Despite what you think, I’m upset that she got hurt, not because I’m in love with her.”

“Whatever you got to hear, buddy,” Nyla replies. “But tell me this. If it was Nolan when he was a boot, would you have felt this bad? Even if I believed you didn’t have feelings for her, which I don’t, you’re different with her and you know it.”

Tim sighs, looking out the door at you. He knows it’s true; despite his constant denial, he does treat you differently because you are different, and you’re like a magnet, incapable of being ignored or forgotten. Finally confessing it to himself, Tim knows that his feelings for you will get one or both of you in trouble unless something changes.

✯✯✯✯✯

“It is time for The Switch,” Wade says as he walks into the bullpen. “The day you ride with a new TO.”

You glance at Tim, who gives you an encouraging nod. He tells you that you’re a great rookie, but he also tells you that you’re pretty sometimes, which doesn’t seem pertinent (or always true, in your eyes). Wade says your name, and you look up.

“You’re with Nolan,” he tells you.

Smiling at Nolan, you cross your fingers under the desk that it’s a good day. 

“Henderson,” you call as he stands up, “what’s Nolan like?”

“He’s great. Really understanding and knowledgeable. A little talkative, but fairly easy going. Just stick to protocol and listen to his directions; you’ll be fine.”

“What about Bradford?” Vincent asks you. “Everyone says he’s the toughest. Anything I should be aware of?”

“I don’t think so. He’s quiet sometimes, but he’s great.”

You collect your war bag with the expectation of a good day. You will miss Tim, but learning how another TO teaches and his views can be invaluable. As you slide into the driver’s seat beside Nolan, you realize something: you like Tim as more than your TO. He means more to you than just being your teacher, your mentor, and a trustworthy officer. The thought hits you so suddenly you're not sure where it came from.

With each passing moment, you find yourself remembering something Tim said or wanting to tell him something, but he isn’t there. Nolan is kind and laughs at your muttered comments, but it is nothing like riding with Tim. As you think about all the little things Tim does, everything begins to make sense.

Someone yells your name when you step out of the shop to get lunch. Turning, you’re surprised to see Vincent storming up to you.

“Why didn’t you tell me?” he demands.

“Tell you what?”

“That Bradford has ‘Tim Tests’ and nothing pleases him!”

You glance over his shoulder, finding Tim and Nolan talking. Tim glances over at you, and the tension in his shoulders seems to ease until Nolan says something else.

“His Tim Tests aren’t that bad; he’s just teaching you awareness and safety.”

“He wants to end my career,” Vincent exclaims before muttering something about you not understanding as he walks away.

✯✯✯✯✯

“How’s Vincent doing?” Nolan asks.

“That kid has no situational awareness,” Tim answers. “I stopped at a street sign, and he couldn’t figure out where we were.”

“He’s probably scared of you,” Nyla interjects. “And, no, Bradford, I don’t have anywhere else to be.”

“My rookie can tell me where I am, no matter what,” Tim adds.

“Your rookie is very good, I’ll give you that,” Nolan replies. “But Vincent has potential. Besides, your boot has people problems.”

Tim glances over at you, locking eyes with you while Vincent talks to you dramatically.

“So do I, but I’m still a good cop.”

Nyla watches as both you and Tim sigh before abandoning the conversations you’re in. She shakes her head, calculating her winnings if the betting pool goes her way.

✯✯✯✯✯

Walking out of the locker room at the end of the day, you’re surprised to be called into Sergeant Grey’s office. You sit across from him, fiddling with the hem of your shirt to spend your nervous energy.

“You are being assigned to a new TO. Officer Bradford has decided to hand you off to someone better equipped to teach you,” Grey informs. “But you’re not in trouble.”

You still your hands in your lap. “Okay. Effective when?”

“Monday morning. So, rest up.”

As you stand, Grey says your name, smiling as he repeats, “You’re not in trouble. This was Bradford’s decision, nothing to do with you. Well, nothing to do with you as a rookie.”

You purse your lips at his phrasing, and he chuckles before sending you out. Walking through the parking lot, you see Tim’s truck is still there and decide to ask him what happened. Standing by the tailgate, you chew your bottom lip as you wait, nervous that you did something, though Wade assured you differently.

Tim walks up unnoticed, saying your name to get your attention.

“What did I do wrong?” you ask, jumping straight to your questions. “I can fix it; there has to be a way to fix it.”

“You didn’t do anything,” Tim promises. “I just can’t be your TO anymore.”

“Why not?”

Tim shifts his backpack on his shoulder. “It’s not appropriate.”

Your heart drops. Tim knows you have feelings for him, and it makes him uncomfortable; that’s the only explanation. Nodding slowly, you accept your fate.

“And I can’t do this,” Tim adds.

His hands slide onto your jaw, his palms against your cheeks as his fingers settle behind your ears, pulling you into a quick kiss. You only begin to respond when he pulls back.

“You’re the best boot I’ve ever had,” he whispers, brushing his thumbs over the apples of your cheeks.

“I’m not your boot anymore,” you remind him.

“That’s your fault. Those little gifts, and soft smiles, and how well you listen… You make it impossible not to fall for you.”

You laugh, leaning against his hands as you reply, “You do too. How do you think I felt when you called me pretty or touched my back? Then you kept comforting me and inviting me to talk. It was too easy.”

“Go to dinner with me?” he asks.

You nod, smiling against his hands before he moves to touch your back again, opening the passenger door as he helps you in. Tim slips his hand into yours, kissing your knuckles as he keeps you close.

✯✯✯✯✯

When the rest of the rookies leave the station, noticing that your car is still there, they ask each other if anyone has seen you.

“Bradford’s truck is gone,” Nyla notices as she walks out.

“Looks like we won,” Angela cheers.

“Where’s Bradford?” Vincent asks.

“On a date,” Nyla answers. “With his former boot.”

The rookies’ jaws drop, wondering how you managed to pull Mid-Wilshire’s resident grump.

“Don’t expect the same to happen to you,” Angela says as she passes the rookies. “We all worked for this one.”

Someone I Care About

Requested Here!

Pairing: Lev 'Oz' Ozdil x fem!detective!reader

Summary: When Karadec pairs you and Oz on an unusual case, you get more than one confession.

Warnings: fluff, angst, typical show warnings, brief depiction of dead animal and animal autopsy, love confessions, PROTECTIVE OZ!!

Word Count: 4.0k+ words

A/N: I don't think I'll ever get over this scene. Someone please tell me I'm not the only one who didn't realize they changed his name despite watching the previous episodes over and over.

“Good morning!” you greet as you enter the bullpen with two donut boxes.

“Now it is,” Daphne replies with a smile. “Thank you!”

“Of course. Any leads on the parking lot case?”

“Morgan’s reviewing the security logs now, but nothing yet,” Karadec answers. You open a box and pass him a paper bag with an apple fritter as he tells you more about what Morgan is looking for.

“Thanks,” Oz says softly, taking his favorite from the open box.

Daphne shakes her head and looks at Karadec as you approach your desk. They can see that Oz is different with you, but she knows you don’t see it.

“I can check with tech to see if they recovered the camera footage from the gas station across the street,” you offer as your computer turns on.

“Yes, but check for other cameras while you’re at it. Most of the stores were closed last night when we went to the scene, so see if they’re willing to help out now,” Karadec requests.

“Will do.”

Oz watches you momentarily, then averts his gaze to the crime scene report on his desk. He knows he has a growing crush on you – though he wishes there was a better word for his feelings – but you’re partners first, and your work and safety are more important.

“I know who killed the man in the 1987 BMW M3 E30 coupe,” Morgan announces as she arrives.

“The couple in the orange tracksuits?” you ask.

Oz laughs, but when Morgan turns toward you with her brows raised, he stops.

“Did you get a confession?” Morgan inquires.

You shake your head and turn your monitor toward the rest of your team, and the gas station surveillance footage just emailed by the tech team shows the couple carrying pistols in high resolution.

“Morning,” Soto calls, stepping out of her office. “We’ve got a 10-54 and a 10-91d at Silver Lake Reservoir. First responders requested assistance from Major Crimes about 5 minutes ago.”

“We’ve got two suspects in last night’s murder,” Karadec responds.

“Then divide and conquer.”

Karadec nods, then turns to you. “You and Oz head to the reservoir. Keep us updated.”

“Yes, sir,” you reply. “I emailed the manager of the hotel beside the scene and they’re sending all of last night’s recordings over.”

Karadec, Daphne, and Morgan leave, and Oz offers to drive. While you gather your things, Daphne punches Karadec’s arm as he shifts into drive.

“What?” he demands.

“I know what you’re doing, and while I appreciate it, what if it doesn’t work?” she questions.

“Something has to happen. Everyone else can see how he feels,” Karadec grumbles. “Besides, it wasn’t my idea.”

“Selena?!” she exclaims.

“Force him close to her and something has to happen, right?” Morgan says. “I’m surprised you haven’t forced them into a closet or something already.”

“We’re professionals,” Karadec reminds her. “But if this doesn’t work, we might need a Plan B.”

“I know where the keys to the supply closet are,” Morgan offers.

“Let’s make imprisonment plan Z,” Daphne suggests.

“10-54 and 10-91d is a weird combination,” you muse as Oz drives toward the reservoir.

“What are the odds it’s a man beats the gun, gun beats gorilla, gorilla beats the man type thing?” he jokes.

“In Los Angeles? Slim to none.”

“Does dispatch have anything that could help?”

“All that’s in the prelim report is the presence of the bodies and a note that there was a suspicious vehicle nearby that left as soon as patrol arrived. Odd, but not inherently helpful.”

“Hey, thanks for the donuts,” Oz says, glancing at you from the corner of his eye.

You smile and close the report as you reply, “No problem. It’s been a long week, it’s the least I could do.”

“Right,” Oz murmurs. As he hits the blinker to pull into the reservoir’s lot, he asks, “So, uh, are you doing anything this weekend?”

“No. Are you?” Before Oz can answer, he hits the brakes, you lean toward the dash, and you both whisper, “Whoa.”

“Is that…” Oz begins after he parks.

“A crocodile?” you finish. “Yeah.”

“I was going to say alligator.”

You exit the car together before you explain, “I babysat for Morgan while she was working a case - Ludo was busy - and Elliot showed me a documentary. Crocodiles are gray-ish green and have narrow, triangular snouts.” As you reach the crime scene, you squat and say, “Like this guy.”

“It’s a weird one, huh?” a nearby police officer asks.

“That’s an understatement,” Oz replies. “Were you first on scene?”

“Yes, sir, my partner and I were. When we arrived, the bodies were on the bank here. There was a .357 magnum in the vic’s hand.”

“The human vic?” you clarify with a smile.

“IT would make a much cooler story if it was in croc’s,” Oz says.

You grin at him, and Oz momentarily forgets to focus on the case.

“The report mentioned a suspicious vehicle?” you say, standing.

“Right. It was still pretty dark, but it was a van of some kind parked over there,” the officer states, pointing toward a taped-off section of Armstrong Avenue.

“Like a moving van?” Oz inquires.

“More like an ice cream truck,” another officer answers. “It pulled away with the lights off right after we arrived.”

“Someone could have moved the croc here in an ice cream truck,” you muse. “Human, too, I suppose.”

“You don’t think it died here?” an officer asks.

“Don’t think it lived here,” you correct. “American crocodiles are eastern animals. Most of them live in Florida. There’s close to no chance that this thing came from anywhere in LA.”

“But it looks like the vic killed it,” Oz adds. “We need to get the ME.”

“Croc is not going to be easy to move,” you murmur.

“You watched the documentary; how much do they weigh?” Oz asks.

“Females are about 400. Males can get up over 1,000, I think. This guy looks pretty big, so I’m guessing he’s a male.”

“Can you not just flip it over like a kitten?” one of the officers suggests.

“Not if it’s 1,000 pounds,” Oz points out.

“And not without sticking my finger in its cloaca,” you state. You furrow your brows and mutter, “I can’t hang out with those kids anymore.”

Oz pulls a pair of gloves on and retrieves the victim’s wallet. “No ID in here. I’ll call the ME, if you want to brainstorm what to do about croc.”

“Sounds good,” you reply. “And we’re going to need the evidence you collected,” you tell the officers.

“I’ll move it to your car.”

“This is weird,” Oz whispers as he raises his phone to his ear.

“You mean this isn’t going to be open-and-shut?” you ask incredulously. “Karadec will be so disappointed in us.”

“I’ll take the blame.”

“Gentlemanly, but no need.” You bump your elbow against Oz’s and add, “We’re going to solve this.”

“Yeah,” he agrees softly.

An hour after you return to the station, you spin in your seat while your phone’s speaker plays monotonous hold music.

“ME texted,” Oz alerts. “Cause of death appears to be blood loss from a traumatic injury to the abdomen. She can’t confirm whether that injury is a croc bite until she finishes the autopsy.”

“I’m betting it’s not that simple,” you say. “Even if it were, someone has to find out who dumped a crocodile in a reservoir.”

“I’ve got camera footage!” he cheers, beginning to type.

“I’ve got-” you glance at your watch before concluding – “another 45 minutes on hold.”

Oz nods, and your computer chimes before he wheels his chair beside yours. He knocks into your chair and grabs your hand to steady both of you. Your eyes lock, and you laugh before you open his email.

Oz curls his fingers into his palm, fighting the urge to reach for your hand again. The video from the traffic camera begins, and as you fast-forward through it, Oz takes the chance to watch you rather than the screen.

“Leo Sherman,” someone greets on your phone.

You reach across Oz and pull the receiver to your ear before you introduce yourself.

“Yes, I’m working a case involving an American crocodile… I took some measurements at the scene, one second…”

Oz sees your notebook before you do and passes it to you. You smile, mouth thank you,and tilt the phone where he can hear, too.

“Okay, it was 14 feet and 7 inches from the tip of its nose to the tip of its tail, the tail base was broad, and it was a male,” you read off.

“Good measurements,” Leo muses. “You confirmed it was a male?”

“I did.”

“Didn’t think LAPD had it in ‘em. Alright, so how’d this crocodylus acutus die?”

“.357 magnum shot to the head.”

“Ouch. Let me ask – how do I phrase this – did the body seem bloated?”

You look at Oz, who shrugs before he says, “I thought so. It’s legs looked too small, if that makes sense.”

“Perfect sense,” Leo replies. “Unfortunately, there’s not much I can tell you without seeing the body. If you have a lab that can work with it, I can review the findings.”

“But it’s not from here, right?” you clarify.

“Most certainly not. I’d guess it’s from the Southeastern US and was either heavily sedated or killed before it was moved.”

“Could it have survived here for any length of time? Specifically in a reservoir?”

Leo hums. “Hypothetically, it could have. These animals prefer salinity, and while I’ve seen them in river systems in Florida, I can’t imagine prolonged survival – let alone thriving – in a reservoir.”

You hesitate, then ask, “Any chance you’d like an all-expenses paid trip to Los Angeles to solve the mysterious death of this guy?”

“I thought you’d never ask.”

After you end the call, you contact the morgue to ask them to store the crocodile however they can. With their confused assurance, you return your attention to the computer.

“It does look like an ice cream truck,” Oz says as the suspicious vehicle arrives at the reservoir just after midnight.

“Ice cream? You two planning a date?” Morgan asks as she returns.

You turn quickly, your eyes wide as you look at Daphne. She shakes her head, and you exhale in relief that your secret is safe.

“How’s the 10-91d/10-54 case?” Karadec asks.

“I have the same question,” Soto interjects.

“You first,” you insist.

“Daphne got the confession,” Karadec says. “Budget Bonnie and Clyde didn’t want to talk to me, so she told them about a high school boyfriend who became a petty thief.”

“They ate that up,” Daphne adds. “Maybe I should have been an actress.”

“Let me guess,” Morgan says, pointing at Oz. “Drowning victim and a carcass scavenged by a mountain lion.”

“Oh, you’re not even close,” Oz brags, smiling as he crosses his arms.

“For once, Morgan, I don’t think you’re going to guess this,” you comment. “By the way, Lieutenant Soto, I spent $1,500 of department resources to bring in an expert.”

Morgan scoffs and points at herself while Soto raises her brows in a silent challenge.

“We need his help,” Oz defends.

“And I’m asking for forgiveness,” you add with a smile. “Did I mention your hair looks really nice today?”

“I’m about to ask what you need an expert for, and if it’s something-“

“A dead crocodile,” you and Oz interrupt together.

The bullpen falls silent, and Soto says, “You’re forgiven.”

“Do you know what a group of crocodiles is called?” Morgan asks.

“Bask on land, float in water,” you answer as you turn back to your computer.

“Wait, go back,” Oz requests as you resume the video. “Look, something’s reflecting in the windshield.”

You lean closer and play the moment when the van enters the neighborhood beside the reservoirs.

“It’s an operator permit,” Morgan interjects. “State regulations require all operators to have one.”

“Aren’t they usually in windows?” you argue.

“Some places state that operators have to wear them while operating. Sec 250.1103(j)(2) of the Jacksonville Municipal Code, for example.”

“How do you know that?” Karadec asks.

“Documentary on how sex offenders utilize tourism and sales in Florida to choose targets,” she answers with a shrug.

“An ice cream truck from Florida could transport a crocodile from Florida,” you tell Oz.

Your phone buzzes, and you read the message before you stand. “We’re going to see the ME,” you announce. “Congratulations on the confession, Daphne.”

“Thanks! And good luck with the crocodile,” she replies.

“We don’t need luck,” Oz scoffs. He lowers his voice to add, “Thank you.”

“Dr. Sherman left Orlando about an hour ago,” you tell Oz as you enter the station the following morning. “He has several layovers, so he won’t be here until tonight. Morgue has the croc on ice until he can start the autopsy tomorrow.”

“A crocodile autopsy,” he repeats. “Florida’s a different place.”

“And Los Angeles is so normal,” you agree facetiously.

“I was looking at the ME’s autopsy report and the toxicology, and I don’t think John Doe died near that reservoir,” Oz explains.

“Okay,” you murmur, pulling your chair to his side. “Why?”

He spreads the files across his desk, then points to the diagram of the deadly wound on the unidentified victim.

“Silver Lake Reservoir is concrete lined, but the ME said the wound had sand embedded in it.”

“Sand as in beach sand or dirt?” you specify.

“Sand from a salt-water source. ME supports our idea that croc wasn’t from here but also thinks the vic wasn’t either.”

“I mean, yeah, that makes sense. Did you contact CDFA? If they drove the ice cream truck into the state, they would’ve gone through a border protection station.”

“Would you believe me if I said CDFA has no record of a Florida ice cream truck? The man on the phone said they’ve gotten pretty lax, and if It went through an auto lane, they probably waved them through.”

“That’s helpful. Great for the people who don’t want to stop, but not as great for us. Granted, I guess pre-packaged ice cream isn’t a plant and pest concern.”

“Pretty much what he told me.”

“Have you been here all night?” Karadec asks.

You jump slightly, moving back from Oz as Karadec walks to his desk.

“No, we just needed an early start,” you answer.

“I bet you did,” Morgan teases as she arrives. “So, catch me up, maybe I can help. Unless you want to keep looking at those reports sitting closer than professional work friends, in which case, continue.”

“Morgan,” Karadec sighs, pinching the bridge of his nose.

“It’s fine,” you say. “Our crocodile expert won’t be here until tonight, so we’ve got a day to work without any information on where it came from. We think our vic probably came from the same place, so unless we can find the ice cream truck today, we have nothing to go on.”

“We requested a list of Florida’s registered ice cream trucks, but they told us it would take a while,” Oz adds.

“Put out a BOLO?” Karadec asks.

“Yeah, nothing so far.”

“We could go out and look,” you suggest. “Not like we have anything urgent here.”

Oz tilts his head, then nods. As you gather your things, Daphne enters the bullpen and asks to talk to you.

“Are you going to do something?” she asks after leading you into an empty office.

“About?” you respond softly.

She smiles and shakes her head. “You have feelings for him, and ignoring them won’t make them go away.”

“Do Karadec and Morgan know?”

“I don’t think so, I think they’re pointing it out for the same reason I do.”

“Pointing what out?”

“That you and Oz work well together, and you’d be great together in other ways, too.”

“He’s my partner, Daph, I’m not going to jeopardize that because I have feelings for him.”

“But you’ll jeopardize your happiness,” she argues. “That’s not better.”

“You don’t get it. I… I can’t lose him.”

“Then don’t let him get away.”

You nod, hear Oz call your name, and exit the office. As you follow him to the car, you wonder if Daphne’s right. What if ignoring your feelings leads to a worse outcome than telling Oz how you feel?

“Good morning,” Leo Sherman greets brightly. “I have some answers for you.”

“Can I take a picture for my son?” Morgan asks, her eyes wide at the crocodile on the oversized metal table.

“Please,” he encourages. “I love to see kids interested in science. The ones that aren’t exhibiting sociopathic tendencies, I mean.”

“We understand,” Soto assures him. “Now, what did you find that can help us?”

“This crocodile is from Florida. The body was nearly frozen after death but hadn’t thawed all the way when you found it at the crime scene.”

“How can you tell that?” you ask.

“Essentially, the body decomposed at different rates. Some of the organs are more preserved than the tissues. But, the body didn’t freeze entirely, so there is very uneven decomp. I understand your victim showed similar signs of offset decomp?”

“Yes, sir,” Oz answers. “ME couldn’t pinpoint time of death.”

“Then I’d wager the bodies were kept in the same place for similar lengths of time.”

“So we’re working a secondary scene and these, uh, victims were killed in Florida?” Karadec clarifies.

“That’s my best guess,” Leo says. “There’s nothing remarkable about this creature. It wasn’t a pet, cause of death was a gunshot to the head from a relatively close range, and it’s jaw was broken after death.”

“To frame him for the murder of our victim,” you connect. “We need to find the person or people driving that ice cream truck.”

As if on command, your phone rings with an incoming call from a Florida number. You excuse yourself to answer it in the hallway, then return with a bright smile.

“Ramone Sears,” you say. “He didn’t renew his ice cream truck registration, and you’ll never guess who just attempted to register one in Los Angeles.”

“Do you know where he is?” Oz asks.

“No, but I know which DMV he was at this morning, and he can’t be staying far from there.”

“Get out there,” Soto says. “Call in reinforcements.”

“Yes, ma’am,” you and Oz answer.

“Thank you, Dr. Sherman!” you call.

“Are you kidding? This is the best vacation I’ve been on since my honeymoon.”

“Ramone Sears,” you call as you approach the open ice cream truck.

“Buenos dias,” he replies.

“I know you speak English,” you say, flashing your badge. “We’re with the LAPD and have a few questions for you if you don’t mind.”

“Of course not.” He sits in the open refrigerated back and spreads his arms. “How can I help?”

“How long have you been in Los Angeles?” you ask as Oz moves around the truck. He shakes his head as he returns to your side.

“About a week,” Ramone answers. “Looking for a new start, you know.”

“Right. Out of curiosity, did you go through a border patrol station when you came in?”

“Sure. Very nice woman waved as we went through. It was busy and hot, poor thing.”

Nodding, you prepare yourself to ask, “Did the dead crocodile smell linger or did the constant AC help with that?”

“I don’t understand,” he murmurs, looking between you and Oz.

“We know that your truck was parked by the Silver Lake Reservoir three nights ago. The same night a murdered man and a dead crocodile were dumped in the reservoir,” Oz explains.

“I parked by the reservoir because I didn’t have money for a hotel,” he explains, laughing. “I pawned a few things the next day and got a room at the Motel 6.”

“And now you have the money to reopen your ice cream truck,” you muse. “How much stuff did you pawn?”

“Do you even hear your questions?” he challenges, defensive. “I couldn’t move a crocodile by myself. I’m from Florida, I’ve seen them.” He looks at you and lips his licks before he says, “I’m strong in other ways.”

You grow uncomfortable with the unwelcome flirting, but Ramone has the answers you need, and if you stay on his good side, you might get a confession or something else you can use.

“I bet,” you answer quickly before changing the subject. “If you were parked out here, maybe you saw something that could help us.”

“Can’t see much from inside an ice cream truck. Care to come in and see?”

“No,” you answer firmly.

You get a text and smile as you ask, “So, you’re from Florida. Do you know Trey Peters?”

Ramone’s eyes shift quickly, and you know he recognizes the name.

“I can’t say I do. Most of my contacts in Florida are women.”

“I bet,” Oz mumbles, crossing his arms tightly over his chest.

“Give me something I can work with,” you request.

“Oh, I can give you more than that,” Ramone flirts, pulling himself to stand.

He takes a step toward you, and Oz immediately moves between you. “Sit down,” he demands. “One more comment like that and you'll be in the back of a different vehicle. Clear?”

Ramone clenches his jaw but sits, and Oz moves to your side.

“If something happened, just tell us,” you encourage him.

“The crocodile didn’t do anything,” Ramone mumbles.

“Trey killed the croc?” Oz clarifies.

“For no reason.”

“And that made you angry,” you deduce. “So you…”

“Just wanted to give him a taste of his own medicine. He- he wasn’t supposed to die,” Ramone says quietly.

“Alright, stand up, arms to the side,” Oz instructs. “You’re under arrest.”

You call for backup, then notify Soto so she can contact the Florida police. After Ramone receives his Miranda rights and is placed in the back of a patrol car, you fall into Oz’s passenger seat and sigh.

“Thank you,” you say. “I wanted him to talk, but not like that.”

“It’s no problem,” Oz assures. He lays his hands on the wheel but doesn’t start driving. “I could tell you were uncomfortable. It made me angry, too.”

You turn to look at him, and Oz sighs.

“He overstepped,” he continues. “Which is enough on its own, of course, he was way out of line, and you’re my partner. But you’re also… You’re also someone that I care about, someone I have feelings for.”

You don’t speak, letting the confession hang between you as you consider Oz’s words. Consideration meaning you repeat them in your head with pure joy rushing through you.

“You’re someone I have feelings for too,” you confess softly. Oz looks at you, his smile growing when he sees the kindness in your gaze.

“Everyone else already knew,” Oz muses, taking your hand over the console.

“Except me, because I was too busy trying to make sure I didn’t lose you,” you add. “I’m sorry.”

“You should be,” he jokes. “You owe me so many donuts.”

“I think I can handle that.”

“Welcome back,” Soto greets when you return to the station. “Marshals are escorting Sears to LAX to be tried in Florida as we speak. They’ve added unlawful transportation of a dead body to the lengthy list of charges.”

“If we didn’t have the whole double jeopardy thing, I’d be writing up an affidavit for harassment,” Oz says under his breath.

“And what exactly does that mean, Detective?” Daphne questions far too brightly.

She looks pointedly at you, so you conceal your smile and say, “I think I have an idea.”

Morgan’s jaw drops, and she stands. “This belongs to your janitorial staff,” she tells Soto as she drops a key on Daphne’s desk.

“Morgan,” Karadec scolds. He looks at Oz and murmurs, “Finally.”

“Hey, you’re not the only one that had to wait,” Oz defends.

“But you didn’t have to see all the pining,” Daphne argues.

“Careful,” Oz warns.

Your friends don’t heed his warning, but their celebration and teasing seem to quiet when Oz smiles at you.

Later, your phone buzzes with a text reading: Still free this weekend?

My Wife

Requested Here!

Pairing: Tim Bradford x fem!secret wife!reader

Summary: While you're out running errands, a man takes a special interest in you. When he grabs you and thanks a police officer for finding you, his wife, he doesn't expect it to be your husband.

Warnings: angst?, stalking, non-consensual touching (not sexual), protective and angry Tim Bradford, fluff

Word Count: 2.2k+ words

Picture from Pinterest (the req said 😑 but this is 😐)

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The small band on your left ring finger is the only evidence that you are married. Your husband doesn’t talk about you, yet it is clear that he loves you. When you wake up and find yourself alone in bed, you aren’t surprised. There’s a jewelry box on your nightstand with only one piece of jewelry in it, and you smile when you see there is a piece of paper lying across it.

Meet me at noon.

Tim Bradford is a man of few words, you know that well, but the idea of seeing him during a workday excites you. His secrecy regarding you and your relationship is understandable, but that doesn’t make it easier or help you miss him less. With the prospect of lunch with your husband to look forward to, you happily get out of your warm bed and begin getting ready for the day. You have several errands to run today, but you hope the morning goes quickly. Tim’s note is just as short as most of his speech, but you know exactly where you’re supposed to meet him.

While Tim leaves the station to go on patrol, you leave your house to go to your first stop. The store is nearly empty this early on a weekday, but you enjoy being able to browse without a rush. After finding everything you need, plus a few more items, you head toward the front of the store to pay for the items. In all the time you’ve spent moving through the store, you haven’t noticed one other customer.

From the moment you walked in, a man lurking in the center aisle took a special interest in you. He stayed back far enough that you wouldn’t get suspicious. When you pass him on your way to the checkout area, he decides that following you around the store isn’t enough, he wants to know where you go next and if the ring on your finger is worth anything. Monetary value or sentimental value, he doesn’t care, he just can’t let you out of his sight.

While loading your purchases into your car, you feel the unmistakable sensation of eyes on you. The area is growing busier, however, so you brush it off as someone trying to decide if they recognize you or are zoned out. Tim wouldn’t be happy about the lack of situational awareness, but he also knows what it is like to have people stare shamelessly at him.

The man drives his unassuming sedan two cars behind you and follows you to your next stop. It’s clear that you are shopping for a man, now, and the creep behind you is getting jealous. Your thoughts are completely consumed by Tim and what you are getting for him, so you don’t take notice of any of the men in the store. When you unlock your phone to check your list, you sigh at the time. 10:58 a.m. Noon is taking forever, and you are ready to see Tim.

With time for another stop or two, you leave, once again oblivious to the man following you. The pet store isn’t on your list, but when you see a sign for a buy one, get one sale on dog treats and toys, you make a sudden decision to get Kojo a few things as well. His dad can’t have all the attention, after all. In his car behind you, the man curses at your sudden turn and finds another entrance into the parking lot. Rather than following you in and risking losing you, he parks down the row from your car and waits for you to exit. You have two overflowing bags in your hands, and he considers for a moment jumping out and offering to help, but you stop by your car and set a bag down to open the door. It’s clear that you can take care of yourself, but you seem prone to having lapses in attention and failing to take in your surroundings, so the man decides to wait for a better opportunity to make something of you and the ring on your finger.

You are giddy with anticipation of presenting Kojo with all of his gifts. Now that you have more for him than you’ve purchased for you or Tim, you get back to your planned errands. There’s one store close to the place where you’re supposed to meet Tim, and with half an hour to spare, you decide to browse there. At ten ‘til noon, you park beside the small circle of food trucks. Living in Los Angeles has taught you never to leave anything visible in your car and the trunk liner Tim installed to hide your belongings is properly concealing your innumerable bags. Confident that everything is secure, you lock your car and walk toward Tim’s favorite truck. You’re early, so you take a seat and wait for him.

The man from the first store orders something from a food truck to blend in and sits almost directly behind you. He can tell that you are waiting for someone, but when he sees a cop approaching, he has a brilliant and devious idea. You stand as the police officer – your police officer - enters the dining area, and the man stands immediately after.

“Hey,” Tim greets with a smile. His smile drops as he watches a man move behind you, and his face remains impassive as he begins speaking.

“Officer,” the man behind you says. He releases an overly dramatic sigh as his hand wraps around your upper arm. His thumb digs into your skin, and your eyes widen slightly as you watch Tim. “Thank you for finding my wife, Officer… Bradford. She wanders off sometimes. What have I told you about paying attention, pretty girl?”

Tim’s face hasn’t changed since the man stood, and anger flares in his eyes. You watch as his jaw clenches, anticipating what he is going to do.

“Get your hand off my wife,” Tim demands lowly.

The hand around your arm tightens harshly, and he jerks you backward in his anger. He’s also confused because all of his hard work is slipping away; he doesn’t believe that a cop’s wife would be as careless as you and miss someone following her. So, he pulls you back as he moves and prepares to say more.

Tim expected a similar reaction, and the moment you step to the side to catch yourself, he surges forward and shoves the man off of you. When the creep hits the concrete, Tim rolls him onto his stomach and plants his knee directly between his kidneys. As the man groans in pain, Tim secures his handcuffs on his wrists and quickly recites his Miranda rights before calling for backup. Tim stands and you move to press a hand against his back. It’s a reminder that you are there, and that you’re safe because of him.

“Tim,” you begin quietly. “Do you want me to leave before everyone gets here? Or give them my maiden name?”

Tim shakes his head, but his eyes remain on the cuffed man writing in pain below him. “No. You’re my wife,” he answers.

You smile, and when Tim turns to check on you, some of the tension drains away. He moves a hand to your shoulder, and you know what he’s saying without speaking. You nod, a confirmation that you love him too.

“Bradford,” Nolan calls as he exits the shop. “What can we do?”

“Someone get him to booking, and we need statements,” Tim answers, effortlessly shifting into cop mode rather than husband mode. “Charge him with assault.”

“And stalking,” you add. “He’s been following me all morning.”

“You knew?” Tim and the man ask together.

“Suspected it after the second store, and I have a picture of him watching me when I left the pet store,” you explain.

“Why didn’t you say anything?” Tim asks.

“I was going to, but he beat me to it.”

Nolan asks you to step to the side with him and give him your statement. Tim nods to remind you that you can tell the truth. The secrecy is to keep you safe from people who would hurt you, not other cops.

“Can I get your name first? And any ID you have?” Nolan begins kindly.

You say your name and pass your driver’s license to him.

“Bradford?” Nolan asks. His shock is evident, and you press your tongue to your cheek, so you don’t laugh.

“Yes, sir. Where should I start my statement?”

“Uh, at- at the beginning. Just run me through your day.”

Nolan clearly has trouble listening, but he powers through the distraction and takes thorough notes. When Tim moves to your side and says he’ll bring you by to sign it later, Nolan wants to ask countless questions.

“So, that guy said he was your husband to your husband?” Nolan clarifies.

“Yep,” you answer.

Nolan turns to Tim and lowers his voice to ask, “You have a wife?”

“And I’m sure you will tell everyone,” Tim replies. “Just go file the report and we’ll be by in a bit.”

Nolan nods and rushes back to the shop. Tim waits until the other officers pull away to wrap his arms around you. Safe against Tim’s chest, you move your arms to circle his waist and sigh against him.

“Thank you,” you whisper. “I love you.”

“I love you,” he replies without hesitation. “Are you okay? How’s your arm?”

“I’m okay,” you promise.

“What’d you get at the pet store?” he asks with a smile.

“Too much.”

“Kojo will be a happy boy.”

“What now?”

Tim leads you to your car and tells you to drive home. He follows you in his shop to take you back to the station. The moment you walk in with him, someone throws a handful of rice.

“Great,” Tim grumbles. “I didn’t think he’d start blabbing this soon.”

“I kinda like this,” you say. “About time I get to show you off.”

Tim rolls his eyes but lays a gentle hand on your lower back to lead you through the station. He introduces you to several people and endures jokes and teasing from each of them. If he wasn’t so grateful that you’re safe and uninjured, he’d put an end to the comments from his fellow officers, but he’s too distracted by you at his side to care much.

“So, you’re the secret wife that got assaulted while standing with your cop husband,” Wade muses.

“You’re enjoying this, aren’t you?” you ask.

He shrugs and pulls you into a quick hug. Lucy and Nolan gasp from beside him.

“You knew?” they ask loudly.

“Course I did. I was at the wedding.”

“I was too,” Angela adds from her desk. “It’s nothing personal, you know. Tim just doesn’t like you as much.”

Tim shakes his head before asking everyone to be quiet. He stays by your side until you finish signing your statement.

“I’m not end of watch yet,” he says as he returns to the shop. “But I can try to leave early.”

“It’s fine- I’m fine, Tim,” you promise. “Just be careful and come home to me when you can, okay?”

Tim promises to do just that. When he does finally get home, though, you can see that he is still tense. He pulls you into a warm hug, but his shoulders are rigid, and his grip is that of a man who is guilty of something that isn’t his fault. You slide your hands up to his shoulders and rub gently.

“Hey, do you want a fashion show?” you murmur. “I bought some clothes today.”

Tim pulls back and smiles. He kisses you deeply to show you just how glad he is to be back in your arms. Your safety is one of the most important things to Tim, and you know it.

“Wait,” Tim says against your lips.

You are breathing heavily when you pull back and look into his eyes.

“Are you sure you’re okay?”

Tim’s fingers move gently up your arm and his grip is the complete opposite of what you felt earlier. He looks at you for permission, and when you nod, he pushes your shirt out of the way to look at your upper arm. There’s a red mark surrounding it, and Tim’s brows crease when he sees it.

“I’m fine,” you promise quietly. “Thanks to you. I don’t want to imagine what would’ve happened if he’d done something sooner, but I know I’ll never have to with you around.”

Tim’s hand slides away from your arm, opting to hold your waist instead.

“You’re going to lock me in the house, now, aren’t you? Secret wife will take on a whole new meaning.”

Tim chuckles, and your eyes brighten at the sound. He kisses you again, not as slow or long, but just as impactful. You grip his shirt before leaning against him again.

“Did you give Kojo his new toys yet?” Tim asks.

“No. I was waiting for you.”

Tim rubs his hand along your back before whispering, “Was the fashion show a serious offer?”

You tilt your head back and laugh. “As if you’d sit through a fashion show, Tim Bradford.”

He leans in like he’s going to kiss you again, but instead says, “Try me.”

First Day to Live

After Last Day to Live

Pairing: Tim Bradford x fem!SWAT!reader

Summary: Tim leads you into forever together, making the first day of the rest of your life perfect.

Warnings/Word Count: 1.1k+ words of fluff

A/N: Thank you @elephants-bubbles-brachosauruses for this idea! It was supposed to be a blurb but I got carried away😅 | Picture from Pinterest

Masterlist Directory | Tim Bradford Masterlist | Request Info

You sigh, rolling your stiff shoulder forward as you push the door closed behind you. After you set your bag aside, you walk farther into the house, listening for Tim. He’s off work today and the rest of the weekend. After the last few days of being in the field with your team, you’re looking forward to a quiet weekend with him. 

As you enter the kitchen, Tim looks up from the counter. He’s got a dish towel tossed over his shoulder, and your favorite food is cooking behind him. 

“You’re the best,” you sigh, smiling as you lean against the end of the cabinets. 

Tim smiles, but his eyes flit between your shoulders and your face. 

“What?” you ask. 

“You’re favoring your right arm,” he points out. He sets his utensil aside and then wipes his hands on the towel as he walks toward you. 

“Yeah,” you admit. “It’s fine though, just a little stiff.”

“From?” Tim asks, brushing his fingers lightly over your collarbone toward your left shoulder. 

You shiver under his touch and unconsciously lean closer to him. “I landed on it. The impact rolled it a little. Might bruise overnight, but nothing serious.”

Tim smiles and repeats, “From?”

Sighing, you answer, “Street, Tan, and I had to jump off a roof.”

“You jumped off a roof and it’s nothing serious?”

“Tim,” you say, laying your hands against his chest. “It was a patio roof and we landed in soft dirt. We’re fine. The alternative was way worse.”

“The explosion this morning,” Tim remembers. “I didn’t know you were there.”

“Remember my promise?” you ask. 

“The promise to think about the outcome before you act? Yeah, and clearly you considered all the possibilities of jumping off a roof.”

You smile at his sarcastic tone, but you both know you did what you had to do. There were no self-sacrificial motives, no better options, and a stiff shoulder truly is the best outcome you could have had. Tim cares about you, and you’ve been more thoughtful about what you do since he accused you of treating every day like it was the last to live. You want to come home to him… and you don’t want to get yelled at again. 

“I’ve got ibuprofen in my system,” you say. “So I’m ready for anything.”

“No, you’re not,” Tim argues. “Dinner is almost ready.”

“I can smell that,” you reply, smiling brightly. “You’re the best.”

“I know.”

Tim taps your waist softly, then directs you to change. He’s already put your favorite comfortable outfit in the bathroom. You return to the kitchen once you’re ready for a night in. Tim is putting prepared plates on two trays, and you lift your brows. 

“What are we doing?” you ask. 

“Follow me.”

You take Tim’s hand, following him to the back door. He leads you to the patio, and your jaw drops when you see the evening he’s prepared for you.

“This is amazing,” you murmur, looking at the decorations and comfortable setup beneath the Los Angeles sunset. 

“That’s all you,” Tim replies, gently patting his front pocket.

Tim pushes your sleeve out of the way to look at your shoulder before he pulls you against his side. Every moment you spend with Tim is perfect, but a quiet evening is what you both need. 

“Can you do me a favor?” Tim asks. 

You look toward him, and he gestures to Kojo, sprawled across Tim’s lap and keeping him in place. 

“Sure,” you answer. 

“Can you get some socks out of my drawer?”

Pinching your brows, you remain in place and stare at Tim. 

“Please?” he adds softly, brushing his hand over your hair. 

You nod, despite his odd request, and stand. Kojo grunts behind your back, but you don’t turn around as you pull Tim’s drawer open. You reach for a pair of socks but stop when you see a small black box atop the neatly rolled socks. 

“Tim?” you ask softly, lifting the box. “What is this?”

You turn as you speak, not expecting to see Tim smiling up at you on one knee. He nods toward the box, and you inhale shakily as you open it. The ring inside is perfect. Pressure builds in your eyes as you run your finger over it. 

“I love you,” Tim begins. “And I don’t want to live another day without you. You are the best thing that has ever happened to me. Every moment at your side is like a breath of fresh air.” He smiles, taking the ring box. With the ring in his fingers, he tosses the velvet box aside. “I love you with every part of me. Will you marry me?”

You don’t answer, but Tim’s smile grows as you sink to your knees before him and wrap your arms around his shoulders. He removes your left arm from his neck, lowering it gently before he cups your chin in his hand and kisses you. 

“I love you,” you reply. “You are all of my tomorrows. You make every day feel like the beginning.”

“Is that a yes?” Tim asks. 

“It’s a yes. It will be a yes every day for the rest of our lives.”

Tim slides the ring carefully onto your finger before he kisses you again. Kojo whines from the bed, and Tim chuckles against your lips before he lifts you into his arms as he stands. On the bed, you pull back and press your forehead against Tim’s. 

“Wait, that’s why you mentioned your sock drawer?!” you exclaim. 

“I thought you took away my chance to propose,” Tim defends. “It slipped out.”

“You… I love you.”

“I love you, too.”

Kojo pushes his head between your stomach and Tim to rest in your lap. You pet him, looking down at your engagement ring as Tim moves to your side. 

“You know how to plan a proposal, Mr. Bradford,” you applaud. 

“I try. You made it pretty easy.”

“So you mean my reckless behavior didn’t interfere?” you tease. 

“Which one of us jumped off a roof today?”

“Street jumped first.” Tim rolls his eyes, and you seize the opportunity to mess with him. “Did you ask Deacon for his blessing?”

Tim’s eyes widen comically. “Should I have? I mean, I know you’re close, but-“

“No,” you interrupt with a laugh. “It was perfect. You’re perfect.”

“And we’ll be perfect tomorrow,” Tim adds. “Maybe this can be the first day to live. The first day or forever.”

“Tim!” you exclaim, moving carefully to hold his face. “You said something romantic!”

“Don’t get used to it,” he grumbles, softening under your affection. 

“You’re going to be my husband, that means I get what I want. I stop being reckless and you start being like this all the time. Deal?”

Tim kisses you rather than shaking your offered hand. As it grows later, you look forward to a new day, a new beginning, and forever at Tim’s side. 

Words to Die By

The Rookie x Criminal Minds Crossover

Pairing: Tim Bradford x fem!BAU!reader

Summary: Seven years after failing to become an LAPD officer, you return to Los Angeles as a literary analyst with the FBI's behavioral analysis unit to catch a serial killer.

Warnings: angst, violence, discussions of autopsies and forensic science, literary references, fluff and banter, improper use of a meat locker

Word Count: 13k+ words

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As the slick black SUV with US government plates parks outside the LAPD Mid-Wilshire station, you try not to reminisce. It would be too easy to remember how excited you were to walk in on your first day after the police academy, too easy to remember the devastation and heartbreak you felt walking through the same doors after surrendering your badge. You open the car door and focus on the current job, keeping your head down as you follow your team into the station that once felt like home. After finding an empty space out of the officers’ way to wait while your boss speaks to the watch commander and captain, you unlock your phone and scroll through the case details you reviewed on the flight, looking for anything you might have missed.

“Can I help you?”

You look up from your phone, the case detail email disappearing as you press the power button and smile at the LAPD officer standing before you.

“Sorry, I’m waiting for the rest of my team,” you explain before brandishing your badge.

“Oh, no worries. This is my first time working in a task force,” she replies. “It’s exciting.”

You nod and subconsciously tug on your sleeves. Officer Chen is obviously a rookie, and her enthusiasm is refreshing.

“Is this your first time in LA?” she asks.

“No, it isn’t.”

“Chen, Bradford wants to see you before roll call,” another officer calls.

“Is Bradford your training officer?” you ask.

“He is. Do you know him?”

You look around, then say, “Tim is on, what? His tenth plain clothes day washout?”

“Eleventh,” she answers, surprised.

“Nice to meet you, Officer Chen.” You offer your hand and say, “I’m number five.”

Chen’s jaw drops before she asks, “And now you’re FBI? How did that happen?”

“Long story… But I’m a literary analyst for the behavioral analysis unit, not exactly a field agent.”

A passing officer stops, then steps backward to look at you. “Are you on Hotchner’s team?”

“I am. I assume you remember him?”

“You know an FBI agent, Officer Lopez?” Chen asks.

“He was responsible for over 100 convictions of corrupt cops six or seven years ago. Five of them were LAPD, and one was our watch commander,” Lopez explains. “Chen, we need to get to roll call.”

You nod to Lucy, then return your attention to an email from Penelope.

“Your phone should be at least twelve inches from your face to limit blue light exposure,” Spencer says as he enters the station. “Sixteen to eighteen inches is preferable.”

“Spencer,” you reply, smiling as you turn toward him. “Penelope used what appears to be 6-point font and then zoomed out. I appreciate the concern for my eye health but take it up with her.”

Spencer frowns and murmurs, “Sounds like a job for Morgan.”

“What’s that, pretty boy?” Derek inquires as if he was summoned by the utterance of his name. “Gettin’ girlie here a date?”

“In Los Angeles?” you ask incredulously. “Hard pass.”

“Right, because the location is the issue with the plan. Not the fact that we’re working a case, and new evidence was discovered this morning,” Hotch deadpans from your side.

“I can multitask, boss man,” Derek defends, tossing his arm over your shoulders.

“Psychologists have determined the human brain isn’t designed for successful multitasking,” Reid begins. “It can cause switch cost, which results when attention and information retainment are suddenly redirected from one task to another, and cognitive efficiency and performance diminish-“

“Says the walking brain with at least fourteen tabs open,” Derek jokes.

“They’re waiting for us,” Hotch reminds. “I mean, only if you’re ready.”

“Your station,” Derek tells you, shaking your shoulders gently as he follows you toward the roll call room.

“… and there is no excuse for failure to communicate,” Sergeant Wade Grey continues as you follow Hotch into the roll call room.

You stand between Hotch and Derek as he speaks and look around the room. Fourteen officers are seated at the tables, listening intently even as their eyes stray to the case board. JJ joins you a moment later, mouthing an apology to Hotch before passing him a folder.

“More evidence?” you whisper.

She nods, then whispers something to Spencer, who furrows his brows and squints at the case board. You know the look, and it increases your concern about the case. Though there have been two notes and a book tied to the previous crime scenes, you’re unsure why  Hotch decided you needed to join them in LA. You could have stayed in Virginia with Penelope, you think, but you trust him and the rest of your team. Turning away from JJ, you fight the urge to peek into Hotch’s open folder as you run your eyes up and down the rows of officers. You recognize Chen and Lopez from this morning, but stop when you see Tim Bradford.

Hotch notices your shoulders stiffen in the split second before you relax, and he taps his elbow against you. You look up at him, and he nods once to reassure you. You’re not alone, and unlike the last time you were in this station, someone else knows the truth of what happened.

“Any questions about the case?” Grey asks. He sighs when someone raises their hand and says, “Yes, Nolan?”

Nolan doesn’t seem concerned with Grey’s lethargy. “What’s the connection between the zoo and the first victim?”

Spencer shifts beside you, and Derek shakes his head in amusement. You can imagine the rambling fighting to get out of Reid, and you smile at Derek rather than laugh.

“I should’ve been clearer. Any questions about our side of the investigation?” Grey amends, and this time the officers stay quiet. “In that case, I’d like to introduce Supervisory Special Agent Hotchner of the FBI, the BAU unit chief, who has brought his team across the country to assist in this case.”

Hotch walks to the front of the room and sets his files on the podium. He fixes an evaluating glare on the officers before him, then nods.

JJ leans toward you and asks, “Remember how intimidating that look used to be?”

“Still makes me stand up a little straighter,” you admit.

“We’re here to help,” Hotch begins. “But that means that we need you to be as committed to solving this case as we are. If you’re not ready for that, you’re free to go.” No one moves, so Hotch says, “Good. Sergeant Grey has briefed me on each of you. You’re good officers, but street smarts and police procedure won’t get this monster off the street.”

“But talking about the suspect’s feelings will?” one of the officers jokes.

Hotch’s eyebrows raise, and his serious look fades into a knowing glare. “You must be Bradford.”

JJ takes your hand, and Derek exhales. They know more about your history in LA than the people in LA do, and you appreciate their friendship and presence.

“Sorry, sir,” Tim replies. “I only meant that there is tangible evidence at these scenes, and it seems to me that concrete proof will help us find this guy faster than dissecting his mind through his habits and words.”

Hotch returns behind the podium and admits, “I understand how our process could seem like a waste of time, and criminal profiling is not an exact science, we’re wrong sometimes, but you know as well as I do that there’s no one right way to solve a crime. The important thing in this situation is to get a killer off the streets before he claims more lives. If our behavioral analysis can assist in that, we’d appreciate your cooperation.”

“I can assure you that you have the LAPD’s complete cooperation,” Sergeant Grey interjects, looking pointedly at Tim. “And anyone unwilling to do so will be removed from this task force.”

Tim crosses his arms across his chest and nods, a position you remember well from your limited days as a rookie. You expected this type of attitude from him and possibly more cops. You truly believe that the BAU can offer insights Tim can’t glean from analyzing a crime scene or going through the processed evidence.

“Do any of you have questions for me or my communications liaison?” Hotch asks.

Several officers ask questions about task force protocol, what your team does, and other run-of-the-mill inquiries about the federal agency and its duties.

“I believe it is time for introductions?” Hotch says, stepping to the side as he welcomes Sergeant Grey back to the front of the room.

“The LAPD has selected fourteen of its best officers-“ He turns away from the room and lowers his voice to tell Hotch, “If you’re against rookies on the team, I’ve got some other officers on standby.”

“If you trust them, they’re welcome to stay.”

Grey nods and turns, then continues, “Officer Lopez, Officer Bishop and her rookie, John Nolan, Officer Janssen…”

You tune out most of the officers’ names, trusting Spencer to fill in any blanks for you, until you hear, “Officer Bradford and his rookie, Lucy Chen.”

You were in Lucy’s position just over seven years ago, and now you’re looking in from the outside. You love your job and appreciate the FBI and the BAU for giving you a home and a rewarding career. Yet, sometimes you’re still plagued by the inevitable wondering, what if?

“Pleasure to meet you all,” Hotch responds. “I’m SSA Aaron Hotchner, behind you is my team: Special Agents Reid, Morgan, Jareau…” Hotch meets your eyes before introducing you, and you watch him rather than Tim, who turns quickly in his chair and stares wide-eyed at you before controlling his expression and returning to his usual composed demeanor.

“How is a literary analyst helpful?” someone questions softly.

“This unit has taken down more serial criminals than you can name,” Wade snaps. “Show a little respect.”

“We’d like to brief you before the media,” Hotch explains. “If it’s possible to reconvene before tomorrow’s patrol begins, of course.”

“Not a problem. I want all of you back in here fifteen minutes before beginning of shift tomorrow,” Wade tells his officers. “Keep the conversation in this room, understood?”

“Yes, sir,” the officers respond as they stand and file out of the door, some whispering together, others leaving quietly and alone.

“I think that went well,” Derek says as Hotch gathers his things.

“Socially speaking, there was a divide and a complete lack of faith in us,” Spencer argues. “Though there is the question of authority and a misunderstanding regarding our purpose and purview.”

“Pretty boy and I are going to go find some coffee.”

As Derek and Spencer leave, and JJ excuses herself to answer a phone call, you’re left alone with your current supervisor and former watch commander.

“It’s good to see you,” Wade says, smiling as he pulls you into a hug.

“You, too,” you respond. “Sorry I haven’t been back as much as I’d like.”

“I understand,” Wade assures. “And it seems that you’ve found your perfect place in the BAU.”

“We like to think so,” Hotch agrees. “Although…”

“Bradford won’t be a problem,” you interrupt.

Hotch tilts his head questioningly, and you add, “He fights back on new things, but he’s a good cop, so he’ll do what’s right in the end.”

Hotch hesitates, then asks, “Do you trust him?”

“With my life.”

“He’s the best I’ve got,” Wade comments. “But if there’s a question about him…”

“He’s Morgan, but more serious,” you tell Hotch. He doesn’t change his stare, so you sigh and promise, “I want him here. There’s no bad blood between us and he’s going to be invaluable in this.”

Hotch nods and looks away from you finally and begins asking Wade about one of the files turned in the night before, which you understand as your cue to leave. After you step out into the bullpen, Derek returns to your side.

“Where’s Spencer?” you ask, looking over his shoulder.

“Telling Officer Chen about the health benefits of doing something boring. How are you?”

“I’m okay. Hotch doesn’t seem to think so.”

Derek gasps and holds your shoulder to exclaim, “You have two overprotective father figures to work for now!”

You consider arguing for less than a second before you realize he’s right. Wade stayed in touch after you left LA. Hotch has never left room for you to wonder how he sees you and his need to protect you. So, you’re working on a case that feels like two different versions of your personality, and parts of your life have combined into one perfect yet terrifying case. And you haven’t even talked to Tim yet.

“I hope our hotel has a hot tub,” you lament.

“Plain clothes day washout number five, huh?” Lucy asks Tim as they patrol Los Angeles.

Tim shakes his head and doesn’t answer. He’s gone seven years without talking about you, only having to relive the heartbreak on your face and the disappointment he felt during his loneliest nights. Tim saw great potential in you, considered you more than a rookie, and taking your badge had affected him in a way he never expected. Now, you’re in the FBI, which is news to him, and you’re working on a case that he hasn’t been able to solve even with ten crime scenes to work with.

“What happened?” Lucy tries.

“None of your business, Chen,” he snaps. “That case, Hotchner’s team, all of it stays in the roll call room for now. Understood?”

“Yes, sir.”

A bell chimes above your head as you enter your favorite Los Angeles diner. It’s your first night in the city, and since you don’t know how long you’ll be here, you wanted to revisit it while you had a chance. When you mentioned the diner, your team gave you their orders to bring to the hotel, where they’re currently reviewing the autopsy reports. It feels wrong to leave them, but you sigh in the comfort of a place that once provided you a refuge after long days.

“Old habits?” you ask as you approach the counter.

Tim looks up from the laminate and watches you. You don’t meet his gaze but look at the menu while you wait for the waitress to return. This was your favorite diner when you started at the LAPD, and Tim has never given himself time to wonder why he kept coming back even after you left.

“Something like that,” he says. “So, uh, the FBI. That’s incredible.”

You shrug. “Not what I wanted, but I love it.”

Tim nods, unsure what else to say. You’re not the girl you were on day one in the academy, not even the girl who left the station in tears after washing out. Tim still sees you, the woman who fought for what was right never gave up, and was smarter than she ever realized. That’s not the person he saw your last week on patrol, but he knew you were still in there somewhere.

“How long have you been with the BAU?” he inquires.

The waitress returns, and you take the excuse to not answer Tim. You retrieve your phone from your pocket and read a large order from the screen, then pass a shiny, FBI-issued credit card over the counter.

“It’ll be a few minutes, hun,” the waitress informs as she returns the card. “Feel free to have a seat.”

You thank her and slide onto a stool, ensuring you leave an empty seat between you and Tim.

“Failing to become a police officer was one of the hardest things I’ve ever experienced,” you confess. “A few months later, Aaron Hotchner knocked on my door. There was a case nearby, a serial rapist who was leaving personalized love letters with every single victim. He found my résumé on a local job board and came to ask for help because of my background. The rest just fell into place, I guess.”

“You get to carry,” Tim points out, gesturing toward the holster on your hip, concealed from everyone else by your shirt. “They don’t let people who just ‘fall into place’ do that.”

“I did everything by the book, if that’s what you’re asking.”

“I’m wondering what changed on plain clothes day,” he responds. “You were on track to be an amazing officer, and then that last week, you just… something changed.”

“I did.”

“There’s more to it.”

“There’s really not,” you insist. “If you don’t want to be on this task force-“

“I do. I wish you could see that you have the potential to lead it.”

“Hotch saved my life. I trust him.” Tim understands the part you don’t say: that you trust him more than yourself.

The waitress returns with two full bags, and you stand as you take them from the counter.

“Goodnight, Tim. I’ll see you at the station tomorrow.”

As you leave, the bell chimes over the door again, and Tim hears your voice in his head, the promise of another chance, but he doesn't miss the fact that you leave every time you see each other.

“What if - and hear me out on this - you just told him the truth,” Derek suggests.

You take a drink from a cheap Styrofoam cup and nod. “You’re right, Derek, why didn’t I think of that?”

“You know, most hotel chains serving breakfast fail to maintain proper culinary heat-“

Hotch raises one finger before Spencer can ruin breakfast for everyone. “Don’t.”

“I agree with Morgan,” JJ says. “There’s clearly questions there, and if you explain what happened, he’ll trust you more.”

“And he can deal with some of the guilt,” Hotch grumbles.

“What guilt?” you inquire, pausing with a cheap metal fork in your hand.

“He clearly blames himself for letting you lose your position,” Hotch explains.

“He knows how good you are, so that final week probably doesn’t make any sense to him,” Derek adds.

“He doesn’t,” you mutter. “He told me last night-“

“You saw him last night?” JJ exclaims.

“I ran into him at the diner.”

“He still goes to your diner?” Derek questions.

“It’s just a diner! But I saw him there and he insisted that there was more to what happened than me changing.”

“And you lied to him?” Hotch responds. “It’s over, you can tell him, you can shout it from the top of the Chinese theater.”

“That would be illegal,” Spencer mumbles.

“And wouldn’t change anything,” you add. “We’re here to work a case, not mend a bridge that has been-“ you scramble for the right word before finishing, “disintegrating for nearly a decade.”

Derek groans as he leans back in his seat, and Hotch finally looks up to say, “If this gets in the way of the case, I’ll have Garcia email him everything he needs to know.”

“I’m cutting holes in all of your quarter-zips tonight,” you threaten in return.

Hotch frowns and mouths, You’ll never find them all.

“Good morning,” Sergeant Grey calls as the door closes behind the twentieth and final member of the task force. “SSA Hotchner is going to fill you all in.”

“Thanks for coming in early,” Hotch begins. “There have been no new developments in the case since yesterday, but my team has created a preliminary profile based on the preexisting evidence and details from the first ten victims.”

Your phone buzzes with an incoming call from Garcia, and you exit the room to answer. “Whatcha got for us, gorgeous?”

“Ooh, does Derek know you’re talking to me like this?” she replies, her keyboard clicking in the background.

“Not like he’s competition,” you say with a playful scoff. “Find anything on the deep dive?”

“Nothing inherently helpful. The prelim suspects are all pretty similar, though one of them did alibi out. Carson Gillery was working remotely from Chicago during the second and third murders. Hotel and airline checks corroborate that.”

“I’ll tell Hotch. Anything else?”

“Are you okay?” she asks.

“Fine. Why?”

She stops typing suddenly and then inhales sharply.

“Garcia?” You ask.

The line beeps as she disconnects, and a phone on the desk closest to you begins ringing. A Virginia area code appears on the caller ID, and you stretch across the desk to pick up the receiver.

“Penelope?” you ask hurriedly.

“He’s in the data!” she explains, typing again. “He’s not doing much, but someone is overriding minor coding and there was another line tied into our call. I could hear him breathing; thought you were crying at first, but now I’m running a backward search to find this psycho.”

“None of the prelim suspects would know how to do that,” you point out.

“Uh oh,” Penelope breathes. “I think…  I think he left you a message.”

“What is it?”

“It’s in the seventh victim’s ME report, overwriting the details of the posthumous wounding to the back. It says 2/18/17… It matters not how strait the gate, How charged with punishments the scroll, I am the master of my fate; I am the captain of my soul.”

“Henley,” you murmur, trying to connect the dots as you forget the first half of the message.

“There’s more,” Penelope says. “A copy of your one-way ticket to Virginia with an alternate ID that says, ‘thanks for the perfect opening night.’”

“It’s about me?” you whisper.

“I’m going to trace these messages,” Penelope declares. “You tell Hotch about this, and please, please do not try to investigate this on your own.”

“You got it. But can you send me a scan of page 39, no- 38, from the William Ernest Henley book in my office? I need the annotated copy of Invictus.”

“You got it. Tell Morgan and I said hi and I’m wearing-“

You hang up and take a deep breath as you return the receiver to the cradle.

“Agent Hotchner,” you call as you return. “I need a word.”

“Let me finish-“

“There’s been a development,” you interrupt. “An urgent one.”

Hotch sees the look in your eyes and calls Spencer to the front of the room to continue reviewing the patterns in the killings and to discuss the psychological traits and drivers they suspect the killer will have. Derek watches as Hotch and Grey follow you out of the roll call room. Meanwhile, JJ watches Officer Tim Bradford as he manages to conceal his concern but not his interest as he watches you through the glass walls.

“Garcia called with information on the prelim suspects,” you explain. “Someone tapped into the call, and then… whoever it was started manipulating her date on the FBI server. She did say that Carson Gillery alibied out, he was out of state for several of the murders, but whoever this guy is, he is incredibly close to this case.”

“Manipulated the data how?” Hotch asks.

You wring your fingers together as you answer, “He left a message. Garcia thinks it was for me.”

“Left it where?” Grey inquires.

“The seventh victim Mel Houghton’s autopsy report. It was a date and a line from a William Ernest Henley poem.”

“The date?” Hotch presses.

You inhale deeply before saying, “February 18, 2017.”

“The day you lost your position in the LAPD,” Grey remembers. “What does it mean?”

You look toward Hotch, and he shakes his head twice. There isn’t an obvious answer to Grey’s question, but the implication that this case has something to do with you isn’t good.

“He… he also had a picture of my plane ticket to Virginia and added a note, something about ‘thanks for the opening night,’” you add. “Hotch, if you have to take me off this case-“

“We need you,” he interjects. “The literary aspect of this case is progressing.”

“Does that mean we could limit our suspect search?” Wade asks, looking between you and Hotch.

“Not likely,” you reply with a sigh. “Plenty of literature enjoyers can’t be located purely based on that. There’s no evidence he’s educated or active in book clubs, debates, anything.”

“Garcia’s tracing the data changes?” Hotch assumes.

“Yes, sir.”

“Then we work what we can until she gets back to us.”

“I need to see the novellas left with the victims,” you request. Hotch begins to speak, and you add, “Not the scans, the actual, physical stories left with their bodies.”

“I’ll get someone to go through the evidence with you,” Wade assures. “Any preference?”

You look into the roll call room through the glass sheeting, your eyes drifting past Tim as you decide, “Officer Chen, please.”

Wade nods once, then returns to the podium inside as Spencer concludes his comments on the psychology of the killer’s modus operandi.

“What are you expecting to find?” Hotch asks you.

“I really wish I knew,” you answer softly. “Hotch, what if this is all my fault?”

“The delusions of a killer have nothing to do with you. If something you did as an officer triggered him to start, there is no reason to assume he wouldn’t have started later. He’s clearly reality-challenged, living in a space between this world and the events of his imagination, and that is not on you.”

You nod, rubbing your forehead as you think. “Literature is clearly important to him. If it comes to it, will you let me go with JJ to a press conference?”

Hotch hesitates, and you know he doesn’t like the idea of putting his team in public view, unless absolutely necessary, but he says, “Fine. Only if it gets that far.”

“Hotch? February 2017 had massive storms. Urban flooding, mudslides, wind, snowfall, there was mayhem that week. I mean, a police chase with a DUI driver, a car fell into a sinkhole. I used some of those cases to…” You trail off, remembering all of the things you did wrong.

“Talk to me,” Hotch encourages.

“Any one of the people who had contact with the LAPD that weekend could have been pushed over the edge. He could have been killing for seven years, since whatever happened, but just got bold and brazen enough to make it public.”

Hotch leaves your side for a moment to wave Spencer out. When he joins you and Hotch in the bullpen, Hotch gestures for you to explain your theory.

“I suppose,” Spencer muses. “The killings have progressed minimally since the first victim three months ago. It does point toward a more practiced unsub, someone who has, in their mind, perfected their method. Yes, it’s completely possible.”

“The books,” Hotch points out. “Those are new. Unsolved cases with novellas or poems shoved down victims’ throats would have caught someone’s attention by now.”

“Serial killers gain experience with each new offense,” Spencer explains. “The learning curve is steep because of the logistics it takes to commit a murder. If he’s been killing without being caught, the thrill of killing would empower him to take more chances. In this case, the trophy aspect of his MO could easily have changed, but his idiosyncratic psychological needs remain the same.”

“We don’t have enough people to comb through seven years of cold cases to find similar killings,” you lament.

“We do have the media,” JJ interjects, sliding her phone into her pocket as she approaches. “It’s a long shot, but if we could find one or two, would it be enough to complete a profile?”

“An estimate of how long he’s been at this, with Garcia’s trace and the analysis of the literature at the scene… Yes, we could establish a firm MO and improve the unsub’s psychological profile.”

“Hold on,” Derek urges into his phone as he joins the rest of your team. He looks at you and says, “Give me your phone.”

You pass it to him, and he flips it in his free hand as he listens. He gives you an apologetic look and then drops it.

“Morgan!” Hotch exclaims as Derek brings the heel of his boot down on your phone screen.

“Unless Penelope told you to do that, I’m going to be very mad,” you say.

“Alright, baby girl, tell us all,” Derek requests as he puts his phone on speaker.

“I found our guy, or his IP address at least,” Penelope says.

“And?” Hotch asks. “Where is he?”

“That’s the thing. He’s in an apartment a few miles from the station.”

You recite your previous address and Penelope murmurs, “That’s the one.”

Penelope explains how she traced his data trail before you interrupt to ask, “Is there anything about another cop in it?”

“Uh, there were some numbers,” she answers.

“34381?” you guess. “And 6147?”

“Amongst others, yeah. Do they mean something to you?”

“One is Officer Bradford’s badge number. The other is Sergeant Kenneth Adamson.”

“I’ll run the rest of the numbers against the LAPD database and get back to you.”

“Are all of our phones in need of stomping?” Spencer asks before Penelope hangs up.

“Not yet,” she replies, and then the line clicks.

“Running everything is going to take too long,” you complain. “He’s probably already targeted his next victim. He could be writing the novella for all we know!”

“His system is organized,” Spencer explains. “We can use that. The past victims have been a week or more apart. Even if he does change his timeline because we’re here, he needs time to plan, write, correct?”

“Yes,” you answer. “He could do it overnight if the circumstances called for it.”

“Assuming he’ll take a break between kills, however…”

“We have two days,” Derek concludes. “Let’s hope he’s not too organized, doc.”

“He’s a criminal,” JJ says. “They all get stupid and forgetful.”

“We don’t change anything. He’s changing the rules, pushing himself, but we’re not playing his game,” Hotch says. “And, for the moment, we keep the LAPD connection to ourselves.”

“What if they could help?” JJ argues.

“No.”

“Act like we have a week, and he won’t expect us to be ready to go,” you say. “In that case, I’ll start analyzing the literature.”

“Speaking of which.” JJ pulls a paper from her bag and says, “The homicide detective said CSI found this on a secondary scene analysis.”

You read the scan of the evidence, and your eyes widen as you look up at Derek. “Good thing you came with. He’s building a bomb.”

“Whoa,” Derek says with little intonation in his voice, but his hands raise as he moves his head in surprise. “Explain the progression from writing stories to bombs.”

“Postmodern literature is the most recent literary movement that contains vulgarity in diction and violence. It’s often used as an authentic portrayal of humanity, depicting violence against gender, race, and the human body,” Spencer answers. “Epic poetry was one of the first storytelling forms to depict interpersonal violence.”

Derek rolls his eyes at Spencer’s reply to the rhetorical question, and you add, “The Victorian literary period was marked by violence through the use of suffering and physical dangers as literary themes. The gothic genre aestheticized the darker elements of human life, explored sexual violence, dramatic monologues, and realistic violence like robbery, beheadings, even serial murders.”

“Which affects us how?” Hotch inquires.

“William Ernest Henley was a prominent figure in the later years of the Victorian movement. He sent lines from Invictus to Garcia, and that piece has been the poem of choice for extremists and terrorists to justify their violence in the last few years. There is some hardship beyond our killer’s control, and this is how he’s dealing with it.”

“Still doubting your hypothesis?” Hotch deadpans.

“Wouldn’t he have to stop all of the suffering somehow?” JJ asks.

“Yes. But he hasn’t decided on an endgame yet, we’ll see the signs of that when it comes. The beginning of a plan for a bomb isn’t concerning yet. For now, we continue as planned, but he will likely strike again in 24 to 48 hours.”

“They’re getting concerned,” Derek whispers, waving toward the roll call room.

“I’ll handle them. You have your assignments,” Hotch states. “We reconvene tonight after end of shift.”

“Yes, sir,” you agree with the rest of your team.

As you return to the roll call room between JJ and Derek, you keep your eyes on the front of the room, ignoring how Tim turns to look at you. Hotch gives an acceptable excuse for your team’s private meeting and then provides tasks with Sergeant Wade.

“What about me?” Lucy asks as the other officers exit into the bullpen.

“You’re with me,” you reply, stepping toward her as you smile. “If that’s okay.”

“Yes!” Lucy cheers. She clears her throat and amends, “Yes, of course, I’d love to help.”

“Keep me updated,” Hotch tells you.

“Yes, sir. Oh, and…” You move your fingers in a scissor motion to remind him of your previous threat before concluding, “Spencer has the information you asked for.”

Hotch nods once, and Wade smiles. Suddenly, you’re hit with the feeling of being torn apart, stuck between the life you wanted and the one you have. When the case is solved, the killer is behind bars, and you’ll have to leave these people again. At least you’ve finally remembered that planes travel both ways.

“Ten victims,” you say as you pin the last picture to the bulletin board in the office you and Lucy have set up. “Six novellas, a book, two pamphlets, and a bloody poem.”

Lucy’s eyes follow the red thread connecting the victims to their evidence and the order of the killings as you stare at the T.S. Eliot poem from the fifth scene with your hands on your hips.

Plus, a William Ernest Henley poem meant to bring me into the killer’s world, you think.

“Ready?” you ask Lucy.

“Yes, ma’am.”

You laugh and invite her to use your first name, then spread the evidence pictures from the first murder on the metal desk. It isn’t the same as reviewing the physical books and poems, the thick paper holding the twisted ideas of a serial killer left warm from the printer beside the lives he claimed for the sake of his own story. It’s the best you can do for now.

“Janice Davis, our first victim. The killer stapled a San Diego Zoo pamphlet to her chest.” You flip through the case file and add, “Antemortem. Ouch.”

“That looks like a building staple,” Lucy muses, leaning over the picture.

“It is. Your forensics lab determined it’s a Powernail galvanized seven-eighths inch crown staple. Intended purpose is woodworking and flooring, and one side of the staple extends out at an angle, so even if she was conscious long enough to try removing it… well, it would’ve hurt more to take it out.”

“What was the cause of death?”

“Unknown,” you read, furrowing your brows. “Manner of death: homicide. But it looks like they couldn’t determine the cause. Any chance ME Daniella Smith is still around?”

“I don’t know,” Lucy confesses. “Sorry.”

“Don’t worry about it. Sorry, you’re good at this, I keep forgetting you’re a rookie.”

“That’s the nicest thing anyone has ever told me.”

You smile, then return to the evidence before you. “The next victim, Gregory Hunter, was found with a copy of Orwell’s Animal Farm open beneath his head. The page, as far as I can tell, is irrelevant.”

“Then what’s the point of leaving it there?”

“Hunter was Davis’s boss, and apparently they had been involved a few years prior to working together. Animal Farm presents Orwell’s ideas on power, equality, socialism and corruption.”

“All things the San Diego Zoo has been accused of abusing throughout history,” Lucy adds. “Along with the animals.”

“Precisely. Then it wouldn’t be a stretch to assume that our killer was wronged by a failing class structure, abuse of power and control, inequality, or socialism.”

“That’s a lot of options.”

“Which is why we keep looking. Victim number three had a personalized novella…”

“The method of killing has been consistent with every victim. They’re injured, kept alive for three to twelve hours, and then killed. Janice Davis, victim one, was ruled as undetermined cause of death, but there was no evidence of blunt force trauma, gunshot wounds or poisoning, which we’d expect based on the sudden killings of the others,” Spencer explains.

“You can tune him out,” Derek whispers. “When his voice drops an octave, he’s about to ask a question.”

Tim nods, but he wasn’t listening to begin with. His mind keeps drifting to thoughts of you. He watched you talk to your team, has worked with you, and knows the depth of your talent and potential. Yet he continues to wonder how you truly came to work at such an elite division in the FBI and what you’re hiding.

“Do any of you have experience with crime scene investigation?” Spencer asks.

Several officers raise their hands, including Angela. Tim has guarded scenes and looked around on his own time, but he isn’t sure when his unique skills will be required for this case.

“Morgan,” Hotch calls from the doorway. “Take an officer to gather the literary evidence. Someone with a station ID has to sign it out for us.” He looks towards the front of the room and sighs. “And tell Spencer to wrap it up.”

“Doctor Morgan,” Derek calls as he stands. “Perhaps we should move on to the evidence snapshots and physical profile?”

Spencer nods and shifts his attention to the tools and proposed appearance of the killer.

“I’ve got a station ID,” Tim tells Derek. “If you need that evidence now.”

Derek sighs but waves for Tim to join him. He remains quiet while they walk to the evidence lockers, largely because he’s evaluating Tim. Derek knows about your time in Los Angeles, and even if he did encourage you to talk to Tim, he isn’t sure if Tim deserves your time.

“You were military?” Derek asks as they wait for the evidence to be thoroughly signed out and accounted for.

“Army,” Tim responds. “FBI always the goal for you?”

“Oh, nah, I started as a cop up in Chicago. Things just happened.”

“Seems to be a lot of that,” Tim murmurs, remembering your ‘fell into place’ excuse.

“Why be a TO?”

Tim shrugs. He’s never had a good answer for that question, and if he starts thinking, he might get caught up on his fifth washout.

“Special Agent Morgan,” the evidence officer says as he places a large box on the ledge. “Your supervisor has to sign this form upon evidence return.”

“Got it. Thank you.”

Derek picks up the box and steps back, but the officer places another box behind it. Tim takes it without a word and follows Derek to an office with a closed door.

He taps his foot against the door and calls, “Open up, pretty girl, these muscles are just for show!”

You smile as you open the door, and Tim clenches his jaw at the realization that Derek Morgan just called you ‘pretty girl.’

“I fear you’ve mistaken me for Penelope,” you tell him as you hold the door. “Thank you so much.”

Tim nods as he places the box down, and then looks at the case board.

“Oh, Tim,” Lucy says. “Do you know if ME Daniella Smith is still working?”

“She retired,” Tim replies.

You drop your shoulders and nod. “Thanks.”

“I can get her address and phone number, though,” he offers, partially to help and partially because he hates how disappointed you look.

“That would be amazing!” you reply happily. “Lucy, feel free to go with him, move around for a few minutes.”

Lucy follows Tim, and you close the door to talk to Derek. You explain that the literature points toward class structure, abuse of power, or socialism.

“Maybe he should move to Canada instead of killing then,” Derek muses. “Have you told Hotch?”

“Not yet. There’s also the string of violence in the literature. At first, it was metaphorical violence, a symbolic representation of the dangers of power in society, but it’s gotten more blatant, more Victorian in its realism.”

“The novellas?” he guesses.

“I haven’t gotten to read them in their entirety yet, I’ll start that now, but I’d guess he’s outlining his preferred method of violence as well as the reason.”

“Think it will shed some light on the explosives schematics? Which, by the way, are pretty weak. A bomb like that would be hard pressed to flip a Prius, it wouldn’t do major damage unless it was an incredibly confined space.”

“Ask Spencer what he thinks about the space,” you suggest. “The killings have been in relatively open spaces, but he’d know better than me if it means anything.”

“I’ll run it by him if I can get a word in.”

You laugh at Derek’s joke, but he turns serious again to ask, “Are you okay? I know this can’t be easy for you, working a case here after seven years.”

“I’m okay,” you promise. “I’ll let you know if that changes and I need a Morgan hug.”

Derek smiles as he opens the door, and Tim and Lucy return soon after.

“She lives three miles from here and said she’d talk to you,” Lucy relays.

“Let me tell my team.”

Tim raises a hand to stop you as you gather your things and repeats, “She said she’d talk to you. She recognized your name.”

“Oh.” Hotch walks by the door, and you step out quickly to explain, “I found the ME who couldn’t determine Janice Davis’s cause of death. She’s retired, but lives nearby and agreed to talk to me, but only me.”

Hotch weighs his options, but when he sees Tim behind you, he suggests, “Then you should probably take your TO.”

Your eyes widen in shock, but you trust Hotch, so you nod and step back into the office.

“You don’t have to,” you begin as Tim asks, “Ready?”

You fail to find the right words for several moments, then say, “Lucy, do you want to help Derek Morgan review crime scenes for construction and security?”

“Sure! Let me know if you need more help with this stuff when you get back,” she responds. “Good luck!”

“Thanks,” you say, though you think I’ll need it.

“Do you want to drive or should I?” Tim asks once you’re alone.

You lift keys from your pocket and say, “I will. Do you think Smith will be any help?”

“We can hope.”

“Can I address the elephant in the room?” Sergeant Grey asks.

“Be my guest,” Hotch answers, not looking up from his improved profile.

“Bradford isn’t operating at his usual level.”

“She is.”

“Which is why I think there may be more to his side of the story.”

Hotch looks up to propose, “You think he had something to do with Adamson’s misconduct?”

“No,” Wade assures, “nothing like that. But two days of fire-able offenses and not a single correction from her TO? Bradford either didn’t care that she gave up or, for some reason, he wasn’t in a position to.”

“The corruption we found ran deep. There’s a chance he was hoping to get a piece of the takeaway… or he was in a similar position to her.” Hotch reaches for his phone quickly after he speaks and raises it to his ear. “Garcia, I need you to run the badge numbers again. Tell me how many of them had a direct connection to Keith Adamson.”

“One second,” Penelope requests. “Software’s running it now. Oh, the medical examiner, Smith, she resigned less than an hour after the charges against Adamson came in. Thought that was interesting.”

“That’s one connection.”

“Okay, yep, all ten of the badge numbers embedded in the coding have connections to Adamson. Seven subordinates, his captain, and two IA investigators.”

“Thanks, Garcia.” Hotch ends the call and tells Wade, “Whatever Adamson did, it wasn’t just skimming the evidence pile, it pushed our killer over the edge.”

“I remember Janice Davis,” Daniella Smith says as she passes you a mug of hot tea. “She was young, twenty-six, I believe, and had a construction staple in her sternum.”

“Your official report listed the cause of death as indiscernible,” you reply, wrapping your hands around the mug as your thigh presses against Tim’s on the small settee. “Do you remember if you may have had any hypotheses?”

Daniella sighs as she lowers into a chair across from you. “It was asphyxiation. Her mouth was sealed with superglue, and she couldn't get enough air after a few hours of lying horizontally.”

Tim looks at you before demanding, “Why didn’t you put that in the report?”

“I was scared.”

“And you think the people living here weren’t?”

“Tim,” you whisper harshly. You shake your head as Daniella shrinks in her seat. “Why were you scared, Ms. Harris?” She shakes slightly, and you give her a moment to breathe before you ask, “Did someone at the police station ask you to lie?”

She laughs once, a sad sound before she wipes her nose and corrects, “He threatened me if I didn’t.”

“Who?” Tim asks.

“Sergeant Keith Adamson. He was the watch commander at the time. My career, my life, my marriage, he threatened to ruin it all if I didn’t cover up how she was killed.”

“Was there residue?” you inquire. “From the superglue?”

“There were trace amounts, and the lab was able to identify it easily.”

“It was the only death to be covered up, why do you think that is?”

Daniella looks up quickly, her eyes wide as she states, “Because it was an experiment. The others were killed more conventional, faster: a slit throat, hammer to the temple. Her death would have taken time.”

“Was the time of death in your report accurate?” you ask. “Because it was around the same time as the others even with the changed MO.”

“It was,” she explains, “he must have taken her earlier to get a head start.”

“You said it was an experiment,” Tim repeats. “She was victim number one. If it didn’t go well, wouldn’t the others have just been an improved, or changed, MO?”

Daniella frowns, and you lean forward to ask, “How many more were there?”

Tim slams the passenger door as you return to the car. Daniella disappears from the front window, crying as you start the engine.

“The FBI will charge me if this car gets damaged,” you mumble as you shift into reverse.

“Thirty deaths that she knows of!” Tim exclaims. “How could she cover all of those up?”

“Pretty easily. Self-preservation is a powerful motivator.”

“This monster has been at it for years. You were probably on the job for some of his murders, how can you say that?”

“It’s not my place to judge everyone involved in this case, Tim. Not yours either.”

Tim scoffs, but he’s interrupted by your phone ringing. You answer by saying your last name and Hotch’s voice fills the car as he speaks.

“There’s been another murder,” he says. You slap the steering wheel before he continues, “A double murder. I’m sending you the address. Drop Bradford at the station and meet us there.”

“Yes, sir.”

After the call ends, you grit your teeth to keep yourself from yelling. You spent too much time with the retired ME, and two more people are dead now.

“I’m going with you,” Tim states.

“No, you’re not. You heard him, you’re going back to the station.”

“You need me-“

“Actually, we don’t. We have jurisdiction now, Tim,” you snap.

“Do they know about everything you did your last week on the job?” Tim challenges. “How you ignored calls, put yourself, and me, in danger just to let the clearly guilty criminals go? I mean, you let a guy get away with assault and your handcuffs!”

You don’t reply because your mind begins racing. You had forgotten about that specific incident. Your last two days on the job were a blur, just forty-eight hours you have done everything you could to forget.

“Alexander Riley,” you murmur.

“What?” Tim snaps.

“Nothing, Tim. I’m sorry you’re not happy, but you don’t have authorization to join me, and I’m done breaking the rules.”

“Convenient.”

You hit the brakes too hard as you stop outside the back entrance of the station. Tim slams the door again before he walks inside, and you shift into park to call Derek.

“Are you still at the station?” you ask when he answers.

“We’re about to leave,” he replies. “Did you beat us to the scene? You know speed limits still apply to federal agents, right?”

“No, I’m at the station too. I need you to - without raising suspicion - get Hotch and Sergeant Grey out here.”

“Okay,” he agrees slowly. “Why?”

“Because I think I know who the killer is. Bring the novella from the ninth scene, it’s Heralded Angels.”

“You got it.”

You can hear the strain in Derek’s voice, but there’s too much on your mind to dwell on his reaction right now. After Hotch, JJ, Derek, and Spencer join you in the FBI-issued SUV, you follow Sergeant Grey, driving an unmarked car, to the double murder scene.

“You had something for me?” Grey asks as you approach the townhouse.

“I do. Trust me for a few more minutes and I’ll tell you everything?”

Wade nods, and you enter the bloody living room with your team. JJ waits outside, and as you squat beside a bookcase covered in blood splatter, you know you’re right.

“Alexander Riley,” you announce, pushing against your knees to stand. “I think he’s our killer.”

“Why?” Spencer asks. “Wait, who?”

“Alexander Riley is one of the men I should have arrested my last week as a rookie.” You look toward Wade as you continue, “He assaulted a store owner while looting during a flood, and I let him get away. He ran away with my handcuffs, but I didn’t try to stop him because I was sure Sergeant Adamson would have used it against me.”

“Abuse of power,” Hotch deduces.

“Right, and class system. You know, cop doesn’t do what cop is supposed to do. So, he may have taken his escape as a sign that something needed to change.”

“Based on his killings, I’d agree that he saw a wrong that needed to be fixed, but why murder?” Wade asks. “How does that fit his idea of making things right, evening everything?”

“He chose victims he viewed as outliers,” Spencer explains. “The first two victims were romantically involved, and then she got a job in his company.”

“The fifth victim was a single man with adopted children, and he left a copy of T.S. Eliot’s ‘The Hollow Men,’” you add. “He went after people who didn’t fit into our traditional class system or who benefitted from misused power. And, if that isn’t enough… there’s an extra novella in here.”

“What?” Hotch and Wade say, stepping toward you simultaneously.

“It’s a little bloody, but the words cop, dirty, and corrected system are showing up pretty well. My name’s on the first page, and I’d guess it’s on the last, too.”

“He’s going to target you?” Derek translates. “That’s not okay.”

“We need to find him first,” you reply. “He’s not going to press pause until he can get to me, he thinks he has to fix the entire world.”

“I’ll get a BOLO out,” Wade offers.

“Wait, Sergeant Grey,” Hotch calls. “I think this should come from us.” He turns toward you and adds, “It would mean more from you.”

“I’ll do it. Although, some of those cops aren’t going to like hearing that I had something to do with it.”

“Just send ‘em my way,” Derek jokes.

“Our profile is complete,” you begin, looking at the entire task force. “And we’ve used that profile, along with scene evidence, literary analysis, and previous arrest records to identify Alexander Riley as our killer. Sergeant Grey has posted a BOLO, and we’d like to send you out in patrol teams to assist in the search for Riley.”

Tim has his folder open, and you’re sure he’s reading the incident report filed after you let Riley get away.

“Maybe you should get out there and find him instead of sitting in our station and reading,” he snarks, closing his folder.

“Bradford,” Wade begins.

“No, it’s okay,” you assure. “I will be assisting in the search, and I will admit that my incompetence likely played a role in Mr. Riley’s progression from petty thief to serial killer. However, we have reason to believe he was killing in private long before he felt the need to leave his victims in plain view for Los Angeles and all of America to see.”

“Officer Bradford, he listed you by name in the novella left at Liza Renner’s murder,” Hotch interjects. “Do you know why he may have done that?”

“No idea. Sir.”

“I’d appreciate if you would stay and help review the story to find an idea, then.”

You look between Hotch and Tim quickly, but their icy stares make you look away before you continue explaining what the manhunt entails and how the FBI will assist.

“Be safe out there,” you conclude.

As officers stand and leave, Hotch and Wade walk to Tim’s side, and then all three of them exit through a different exit.

“That was fun,” you mumble to Derek.

“On the bright side, no one has been publicly executed in the US since 1936, so it’s unlikely you’ll be burned at the stake,” Spencer says.

“That is bright,” you respond. “Thanks, Reid.”

An officer asks for your assistance and leads you to an observation room. Your eyes widen when you realize Tim and Hotch are on the other side of the glass in an interview room. Rushing into the room, you’re surprised when Hotch invites you to take a seat. As the door closes, Tim clenches his fists and begins to stand.

“Sit down,” Hotch demands, unmoving as Tim rises from his chair. Tim turns, face-to-face with Hotch. “Sit down,” Hotch repeats, quieter yet firmer.

Tim falls back into his seat and crosses his arms to stare at you.

“You can blame me if you want,” you offer. “But it won’t change anything. Twelve people are dead because of me.”

“Then why is my rookie still patrolling the streets of LA looking for the man your team decided did this? Hotch here covering for you again?” Tim challenges.

“Shut up,” Hotch says as he sits beside you, across the Table from Tim.

“Kenneth Adamson,” you say. “Do you have any idea of what he did?”

“Fired you for taking the easy way out when you decided you didn’t want to be a cop anymore?”

“Intimidated me,” you reply. “Got indicted for it, but it was never made public knowledge because ‘he was facing enough personal and professional issues for the widespread results of his corruption.’ Good excuse, right? Tim, I happened to be the person who put cuffs on Alexander Riley and allowed his delusion to take over. I didn’t mean to turn him into a serial killer, but I still feel like I have blood on my hands.”

“Wait,” Tim requests, raising his hand. “Adamson intimidated you?”

“Yes.”

“You could have told me.”

You scoff, and Hotch raises his brows. “Like you would have believed me,” you reply.

Tim leans across the table, ignoring how Hotch moves closer to you, protective and ready to finish this case.

“He intimidated me too,” Tim confesses. “We should have told each other, but we messed up, and I’m sorry for that. Adamson was going to tell IA about something I did in the Army and twist it to get me fired if I didn’t find a way to get you off the force. Then you suddenly stopped trying and I thought… I guess I didn’t think about it, or I would’ve seen it.”

You look at Hotch, who shrugs. There likely isn’t proof that Adamson did to Tim what he did to you, but you have to make a choice. You can believe Tim Bradford or walk away.

“I caught him stealing evidence,” you say. “Skimming money from scenes before CSI got there, pulling jewelry from robbed houses, little things he didn’t think anyone would miss. When I saw him outright lie to a victim who only wanted her late mother’s locket back, I said something. And he was going to make my life a waking hell for it. So, I did what he asked and threw away my career.”

“I’m sorry.”

“I don’t want your apologies, Tim. I want you to help me find Alexander Riley and put cuffs on him before he goes after another innocent person, because there is nothing to stop him from progressing to killing cops he sees as corrupt. We kept it from the other officers because of that, so please don’t make me regret trusting you.”

Tim nods and murmurs another apology. You read his lips as he says it, and when Hotch stands, you’re prepared to accept it.

“One more out of line comment and you’re off this task force, Officer Bradford,” Hotch says as he buttons his blazer.

“Yes, sir. I’ll do everything I can to assist you.”

“Do you know why Riley would have used your name as a cursed wanderer in Liza Renner’s novella?” you ask, standing beside Hotch.

“Cursed wanderer?” Tim repeats.

“Remorseful, unabsolved character tormented by their fate and their actions.”

“He must not remember you well,” Hotch tells Tim.

“He’s not a very good writer,” Spencer mutters as he flips the page of one of Alexander Riley’s novellas.

“Maybe we should find a way to charge him for that too,” Derek grumbles. “I mean, ‘Tim Bradford carried the weight of his sins, heavier than the Kevlar on his chest. Each day he was forced to face the memories of how he’d failed his partner, the only woman he may ever love, but would never deserve.’ That’s awful.”

You and Tim turn to face each other quickly, each wondering if you heard what Derek read correctly.

“Derek, does that- when you read it, does it seem like he’s saying his partner is the only woman he’d ever love? Same person?” you ask.

“Yeah. You.”

“That’s what I got too,” JJ agrees. “There’s characters in the third novella that look exactly like the two of you, but they’re married. Doomed by the narrative to watch each other die, but…”

“Are there characters like that in all of them?” Hotch asks.

The sound of papers flipping precedes several firm answers of “Yes.”

“They always die?” you add. “But he doesn’t know. He sees a relationship that isn’t there.”

Tim doesn’t say anything, but you ignore him as you ask JJ to use her laptop. After signing in to your email, you pull up the scans Penelope sent you from the books in your office.

“In the clutch of circumstance I have not winced nor cried aloud. Under the bludgeoning of chance my head is bloody, but unbowed,” you read. “Black as the pit from pole to pole.”

“Are you gonna explain it or is this like Jeopardy?” Derek questions.

“He doesn’t portray our characters as corrupt,” you cheer. “We’re unfortunate, ‘doomed by the narrative’ players in a bigger game. I need the newest novella, the extra one from the double homicide scene.”

Wade knocks on the open door as you look through the evidence boxes on the table. He glances between you and Bradford before he asks, “Have any of you heard from Lopez and West?”

“They’re revisiting the last scene,” Hotch says. “They haven’t checked in?”

“Not recently.”

Tim looks at you, and when you meet his eyes, he offers, “We’ll find them.”

“Be careful,” Wade implores. “And keep me updated.”

“Can you do me a favor?” you ask.

“Anything,” JJ and Derek answer together.

“Look for any sign of restoration or avenging. It’ll probably be in the first novella, but I need to know if my character in his story is avenged somehow.”

“Revenge is a psychological response to wounds from others,” Spencer says. “Why would he be motivated to retaliate and justify this level of violence for you, if you’re the one who did wrong?”

“I think he may have changed his motives after Keith Adamson was indicted. If you find something, let me know, if not, Hotch probably has a better idea.”

You follow Tim to an unmarked car and ride in the passenger seat like you’ve pressed play after seven long years of having this part of your life on pause. Somehow, it feels better than before.

Tim's radio crackles as he makes the last turn to reach the crime scene.

“07-Adam-07,” Angela radios. “Sergeant Bradford, contact on channel 3.”

Tim changes the dial to channel 5 as he slows on the curb. You point to the dial, and he raises a thumb to tell you it wasn’t an accident.

“07-Adam-19,” he replies. “Go ahead, Lopez.”

“I think we found something that might be helpful to the detectives. Meet me at the scene and see if you agree?”

“I was already on the way. To tell you the truth, I don’t trust the feds. ETA two minutes.”

Tim returns his radio to the dash and then sits back to wait.

“Don’t trust the feds, huh?” you ask, smiling as he rolls his eyes.

“You really think he realized we were just as aggrieved as him?” Tim asks.

“Big word,” you murmur before dodging Tim’s weak backhand. “Why else would he keep us in the grand story he’s trying to write?”

“You said your character died in the new one.”

“All I saw was my name. I made an assumption without enough evidence. It was stupid.”

“Welcome to the club.”

Your phone buzzes, and you shake your head as you read the message from Penelope. “FBI tech guru Garcia hacked into the house’s security system. She’s got cameras inside. Riley has Lopez and West holed up in the master bathroom. My team and your watch commander are watching, ready to breach if this doesn’t go well.”

“You think it will?”

“I think Derek is going to be very mad after I do something reckless. That’s how it usually goes.”

Tim clears his throat awkwardly, then asks, “Are you and Morgan…?”

“No,” you answer with a laugh. “He’s just one of the many protective men I work with.”

“It’s been a minute and a half,” Tim says, changing the subject and breathing a little easier. “Are you ready?”

“I hope so.”

You exit the passenger seat as Tim pops the trunk. He passes you an LAPD bulletproof vest and a standard-issue belt to help you look more like a cop and less like a fed. After pulling the vest over your head, you struggle to get the belt in place beneath it. Tim gently takes it from you, his hands moving carefully around your waist as he clips the tactical buckle and slides the gun holster to its correct position.

“Thanks,” you whisper as he straightens, mere inches from you.

Tim drops his hands away from your sides but doesn’t move away. “Channel 3 is Lopez’s code,” he explains. “She only uses it when something’s wrong.”

Your phone buzzes again, and you turn away from Tim to answer it. “Hello?”

“Riley is armed,” Hotch says. “He’s got Lopez and West in the master bedroom on the ground floor. They’re uninjured, but he’s fidgety.”

“Did Derek ask Spencer about the bomb?”

“He did,” Spencer replies. Hotch’s phone is likely on speaker, and you turn your phone to allow Tim to hear too. “The bomb schematics were for a very closed-in space… like the townhouse you’re about to go into. It’s not incredibly enclosed, but given that Riley has issues with control, it could be a manifestation of claustrophobia. If his anxiety has caused a fear of enclosed spaces, based on the fear of losing control in those spaces, then he may be attempting to overcome that by giving himself power in the situation.”

“Could he be a cleithrophobe?” Tim wonders.

“What is that?” Derek asks, and you can imagine him looking around Wade’s office.

“I haven’t seen evidence of it,” Spencer answers. “He doesn’t seem to mind being closed in; the murders in the townhouse didn’t seem to affect him, but he is clearly concerned with power, control, and the hierarchy of those. It relates more to claustrophobia. Though I wouldn’t advise locking any doors to test it.”

You hang up suddenly and gesture to the townhouse. Tim looks up in time to see the curtain in an upstairs room fall back into place. He takes the lead, walking to the door with purpose and his hand on his gun. You follow him and look around the front porch for any sign that Riley is planning to kill anyone today.

Tim pushes the door open carefully, nodding to tell you it is unlocked before Angela calls his name. The novella with your name in it is still by the bookcase, and you remove it from the evidence bag and slide it under your vest. You trade places with Tim, going up the stairs first as he covers you. At the top of the landing, Alexander Riley steps out into the hallway with a gun strapped around his shoulders.

“You made it,” he says.

“We’re here to help, Riley,” you explain softly, holding your hands where he can see them. “You know that.”

He nods before jerking his head toward the doorway. You walk past him and stop in the center of the bedroom, scanning Angela and Jackson for any wounds. Luckily, they appear to be fine other than the handcuffs secured around their wrists.

“What’s the plan here?” Tim asks. “Not much room for error, Mr. Riley.”

“Give me your gun,” Alexander replies, holding his rifle with one hand as he extends the other toward Tim.

Tim complies, but his glance at you is a clear communication to not surrender your FBI-issued piece.

“Against the wall,” Alexander tells Tim. “You’re right, there isn’t room for error. But I’m prepared. I’ve been preparing since I lost everything.”

Tim sits against the wall, less than a foot from Angela. Alexander turns toward you, and his gaze softens. You were right, it seems. Alexander Riley has a soft spot for you; he thinks you’re like him, wronged by corruption and abused power, and you’re going to work that soft spot until he’s in cuffs.

“Take your vest off,” he requests. “Please.”

You don’t move but look pointedly at his gun before raising your eyes to his face.

“I won’t hurt you.”

Despite your instinct to refuse, to call in the cavalry and help Tim incapacitate the killer before you, there is too much at stake, and the longer you’re compliant, the longer Riley will keep everyone alive. So, you pull the vest over your head, not bothering to catch the novella as it falls to the floor, the blood on the cover contrasting the neutral carpet below your feet.

Back at the station, Hotch clenches his jaw as you open yourself to Riley, and Derek says, “Don’t do it… I might kill her for that.”

“You wrote it, right?” you ask, gesturing toward the stapled manuscript. “You wrote all of them.”

Riley fidgets, then nods.

You step toward him, keeping your expression soft and conveying understanding as you add, “I read some of them. They’re good, Alex. Can I call you Alex, or do you go by something else?”

“Alex is fine,” he replies, whispering your name under his breath like a prayer.

Tim shifts as Alexander’s attention changes slightly, morphing from a fierce protector into someone who wants to be by your side after you’ve been saved. You don’t spare a glance toward Tim, and for a brief moment, he wonders where you learned to do this. Then reality crashes back in like a wave that knocks Tim off his feet, the reminder that he could have taught you if he hadn’t let Keith Adamson get to him.

“In Brightest Day, you wrote a character who was a young cop, naïve and desperate to do the best thing,” you continue. “Who was she?”

“You know who,” Alex mutters.

You smile and ask, “Was I in all of them?”

“Of course.”

“That’s why you went to my old apartment before you sent the message to my friend in the FBI? Because I’m part of this? No, because you’re improving the character, right?”

“You were so far away,” he whispers.

“Alex, did you learn how to code just to talk to me?” you inquire softly.

He nods, then looks to the novella at your feet. The toes of your boots are inches from the paper, and his mouth twitches like he wants you away from it.

“Kick it,” he demands.

“Why? It’s art, it’s part of your soul,” you argue.

“Kick it.”

Tim nods in your peripheral, and you swallow before kicking it toward the door. Alex doesn’t hesitate to shoot the paper. You turn away from the noise, covering your ears even though it’s too late to keep your head from pounding. As the noise fades and your hearing returns, you see the shredded paper surrounding the hole in the floor.

“How does the story end, Alex?” you ask, stepping toward him again. “Are you like the truck drivers in Animal Farm? The cursed wanderer in Render Down you wrote for Liza? Or are you some new character that only cares about usurping the power for yourself?”

“It was never about me!” he replies, louder than you’ve heard him before. He softens his voice to repeat, “Never.”

“She was mine first,” Tim interjects suddenly.

Alex spins on his heel, the barrel of his rifle rising as he faces Tim. You shake your head wildly, desperate to stop him from saying something that will make Alex pull the trigger again. Angela looks down quickly, and you see her gun beneath the bed. As Alex’s chest heaves, his eyes locked unblinking on Tim’s, you move closer to the weapon, to Alex, and to freedom where you all walk out of here alive.

“I was saving her!” Alex roars. “From corruption, from Adamson, from you!”

“Adamson is the only one who hurt her,” Tim argues.

“February 17, 2017. You took your rookie to a noise disturbance call, and when you got there, four stupid young men were looting a flooded store during a break in the storms. She handcuffed one of them, but the rest ran. Then… then you started yelling at her, blaming her for all of it. While you were busy berating her, the other man ran with the handcuffs. I got away, but the power, the corruption, the greed was all getting to be too much. We hurt the owner because she was too worried about not getting insurance money for the water damage to empty out the register.”

“Something changed,” you say from beside Riley.

He doesn’t move away from Tim but stops talking to listen.

“In the first novella, it was you and me, wasn’t it? You wanted to make a new world together, save me from the love you thought would corrupt me.”

“Adamson used you too,” Alex tells Tim. “I made room for you to come with us and this is how you repay me? Chasing me for making things better. You’re back where you started.”

“Maybe now isn’t the time to act,” Jackson West says. “What if the world could’ve healed on its own and the people you killed might have helped?”

“Fool! They’ve gotten to you, too.”

As Alex’s finger slides onto the trigger, he turns toward Jackson. You don’t hesitate to lunge forward, closing the distance between yourself and Alexander. While you tackle him to the floor, he squeezes the trigger, and the shot rings through the now-silent townhouse and seems to echo for hours as your team watches in horror.

Tim pulls the handcuff key from his belt and passes it to Angela before he crawls on his hands and knees to reach you.

“I hope somebody got scans of that novella before he shot it,” you groan as you sit up.

Tim sighs, taking your face in his hands as he wipes blood from your temple.

“Is his writing really that good?” Jackson asks as he stands.

“It’s a little preachy,” you reply with a smile.

Your phone rings, and you swipe the screen to answer, then immediately hang up.

“That was your boss,” Tim points out.

“He can yell at me when he gets here.”

“Alexander Riley has been charged in the deaths of twelve Los Angeles residents,” JJ says at the press conference the morning after your encounter with Alex. “His victims include Janice Davis, Gregory Hunter, Bryce Keller, Hank Sheller, Peter Bristol, Liza Renner, Mel Houghton, Destiny Crest, Angelica Thomson, Alissa Alvarez, and Jack and Cassidy Wilson. Nearly three dozen cold cases are now being reopened, and the FBI’s Behavioral Analysis Unit supports the LAPD’s claim that Riley could have committed these crimes as well. I’ll welcome any questions at this time.”

You scrunch your nose from the side, resisting the urge to remove the bandage on your forehead. Tim stands beside you, watching you.

Tim notices that the bandage is loose but doesn’t move before Hotch warns, “Don’t do anything in the public view that you don’t want to get out and give Riley a chance at walking.”

When the conference ends, Derek sighs and walks past Hotch to return to the hotel and pack. As he approaches you, he smiles and says, “And you didn’t want to come because I can’t help, and LA is too sunny.”

You try to punch Derek for his poor impression of you but miss as he breaks into a jog. Shaking your head, you turn to Tim and prepare a joke about how you don’t sound like that. Tim’s serious expression stops you, though.

“You didn’t think you could help?” he asks. “You were going to be an amazing cop, and I regret playing a part in taking that opportunity from you.”

You shrug and respond, “I like the FBI, and I got to tackle a murderer, so it all worked out.”

“Yeah,” Lucy interrupts, walking to your side. “But now you have to go back to Virginia.”

“Thank you,” Wade says, stopping at your side. “Come back soon, okay?”

You smile as he hands you a paper. As you read it, you sigh, then shove it into your pocket. The email came in this morning telling all active FBI agents about the new tactical unit, one which will work closely with the BAU. They’re actively recruiting, but if you tell Tim, you’re asking him to choose between you and the job again, and you can’t do that to him. Asking Tim to leave LA would be cruel, you think, so you force a smile onto your face.

“Thank you for everything,” you tell him. “Especially the part where you saved my life and the apology. I’ll try not to stay gone so long this time.”

Tim nods, and you smile at Lucy before following your team. He watches you walk away, ignores Lucy’s encouragement for him to chase you, and waits until you leave to whisper what he wants to say. But Tim lost his chance again. Worse, he lost you again.

Two Weeks Later

“Which one of you wants to die first?” the armed suspect asks, swinging his curved meat hook between you and Spencer.

“Probably you, right?” you whisper. “You know, my blood’ll be on it if he kills me first.”

“The mean value of Staphylococcus aureus in raw meat is 3.84 in a butcher shop,” Spencer replies. “I don’t know where that thing has been. At least your blood has been relatively well contained. And any amount of water on that thing increases the number of bacterial specimens transferred from the meat surface.”

The metal door of the meat locker blows open suddenly, and when the butcher before you turns to see what caused the noise, two men in tactical uniforms subdue him and confiscate the meat hook. Spencer rushes out of the facility, and you watch as the new FBI team takes your suspect into custody.

“I could have done that,” you complain.

“Sure you could, boot,” one of the men says, his voice muffled by the helmet.

You look toward him with your eyebrows raised. He takes his helmet off, and your jaw drops. Tim Bradford.

Smiling, you step toward him with questions racing in your mind, but he extends a gloved hand, holding it against your waist to stop you as he whispers, “Morgan has cameras everywhere.”

As you walk into the BAU bullpen together, Hotch looks up from a paper. He looks at you, then Tim, then back to you, and smiles. With wide eyes, you hide behind Tim’s shoulder, unsure what a Hotch smile could mean in this particular circumstance.

“We’re wheels up to Los Angeles in forty-five,” Hotch says.

“Why?” you ask, stepping out from behind Tim.

“There’s a domestic terrorist leaving Shakespeare at foreign-owned businesses hours before they’re bombed or become mass murder scenes.”

You nod, but before you can speak, Derek calls, “Bring Bradford! We could use the Army experience.”

Hotch narrows his eyes at Tim, then shrugs and agrees.

“Good, good,” you mumble, wrapping your hands around Tim’s arms. “I’ll show him the ropes then and we’ll be back in thirty.”

“Please do.”

You quickly forget the ropes as you drag Tim into Penelope’s empty office. He smiles and prepares to ask what this has to do with terrorism, but you slide your hands onto his jaw and kiss Tim. Finally. Tim's hands meet your waist, and he pulls you closer as he kisses you, both of you melting into one another and getting lost in the moment you’ve waited so long for. When you pull back, Tim keeps you close, smiling like he’s seeing you clearly for the first time, though he’s known your heart and potential for nearly a decade.

A quiet gasp draws your attention, and you both look to the door as Penelope says, “I’m telling Chocolate Thunder!”


Warnings : intruder at elementary school

Summary: You have to respond to a dangerous situation at your kid’s school and some rookies have something not so pleasant to say.

Word Count: 1600ish

Unfortunate visitor from the past

Now you are engaged, and Tim is now a Metro Liaison Sergeant. Both of you keep your personal lives very private, so only Sergeant Grey and Angela know about Jasper.

You and Tim walk into the precinct to the smell of stale coffee and printer ink. The station is filled with the soft shuffling of papers and soft morning chatter amongst the other officers before roll call. You both head to the locker rooms where Tim changes into his uniform, and you get ready with Harper, Lopez, Chen, and Jaurez. You all chat about cases you've been working on and discuss plans for girls night.

"Y/L/N, come see me in my office for a second," Sargeant Grey calls across the bullpen from his office door.

You walk over and step into his glass office. "What can I do for you, sir? you ask politely.

"Officer Wrigley called out sick, and I need someone to train Officer Daniels today. I know you haven't been a T.O. for years, but you're all I got." He explains from behind his desk.

"Don't worry about it; I got it, sir." You say with reassurance.

"Thank you. You're dismissed." He says, and you walk out to change into your patrol uniform.

30 minutes later you're walking into the roll call room. You walk down the aisle and sit next to Nolan.

"Hey Y/N, are you riding patrol today?" He asks, noticing that you're in uniform today.

"Yeah, Grey's got me filing in for Wrigley today." You replied as Sergeant Grey walks up to the podium at the front of the room.

Sergeant Grey then leads roll call, and Tim discusses a suspect that Metro is tracking. His facial expression slightly changes once he notices you’re in uniform, but he remains professional during the briefing.

“Why are you in uniform?” Tim asks in an unamused tone as he walks up to you after Grey dismissed everyone.

“Grey needs me to train Daniels today because Wrigley called out,” you explain to him.

“You haven’t been a T.O. for at least ten years,” he protests. He doesn’t like the idea of you riding patrol, much less with a “toddler with a gun.”

“It’s just for today, Tim; I’ll be ok,“ you say with a reassuring smile while looking up at him.

“Alright, if there are any problems, call me,” he says.

Later that day, while you’re riding with Officer Daniels, you get a call from Tim.

“Hey Tim,” you say once you answer your phone from the holder in the shop.

“Y/N, you need to come back to the station; it’s about Jasper.” He says in a soft but serious tone.

“Why is he ok? Is something wrong?” you ask while your face heats up and your heart starts beating fast.

“We’ll talk when you get here; I love you,” he says calmly.

“I love you too. We’ll be there in 5 minutes,” you reply before ending the call.

"May I ask who Jasper is?" Officer Daniels asks next to you.

“My son,” you reply in a stern voice.

"Is he— " he starts, but you cut him off.

"No more questions, boot," you bark, sounding a little too much like Tim.

You pull into the garage area of the station and park.

“Get the gear squared away, then come find me when you’re done.” You say as you round the front of the shop and stand next to the passenger side to make sure Officer Daniels understands.

“Yes ma’am,” he responds as he starts grabbing the war bags from the back of the shop.

You turn away from the shop and walk through the glass doors and enter the station. With heavy limbs and an anxious feeling, you look around for Tim.You walk into the bullpen and see him in Grey’s office. You take a breath and walk over to the glass door and step in. Tim is sitting in front of Grey in his Metro uniform with his sleeves pushed up.

“What happened? Is he ok?“ you ask in a shaky, uneven tone.

“Sit, Y/N,” Tim says calmly while gesturing to the chair next to him.

Despite wanting to remain standing, you slide into the seat next to Tim.

“We got a call about someone trying to break into Jasper’s school. They’re on lockdown until we can identify the suspect.” Grey says slowly with concern written across his face.

Tim reaches over and holds your hand to provide reassurance.

“Do we know if he’s ok?” You ask, concerned.

“As far as we know, he’s perfectly fine. I sent Metro there on standby.” Tim says in a soft tone.

“Do we have visual on the suspect?” You ask about switching from being a worried mother to a cop.

“Yes, Metro got a shot of him.” Grey says, passing over a tablet.

Your eyes widen as you focus on the man in front of you. You know this man, if you can even call him a man. You never thought you’d see or hear from him again.

“You look like you’ve seen a ghost, Y/N,” Grey says, breaking the silence.

“I know who this is. It’s Jasper’s biological father,“ you exclaim.

“Has he ever tried contacting you before in the past?” Grey asks.

You shake your head. “Nopenever. He said he didn’t want anything to do with him once I told him I was pregnant.” You reply.

Just then Tim’s phone rings.

“Suspect has broken into the building; do you want us to go in after him?” Wells, one of Tim’s buddies from Metro, says on the other side.

Tim looks up to Grey for confirmation, and Grey nods.

“Yes be advised that he is the father of one of the students, “ Tim says to Wells.

You abruptly stand up and head to the door.

Tim immediately gets up after you. "Where are you going?" He asks worriedly.

"To go help," you say.

"No, you're too close to this. I don't want you to do something irrational you'll regret." Sargeant Grey says.

"Then what am I supposed to do? I won't be able to focus on anything else." You exclaim worriedly while messing with your engagement ring.

"Then I will have you sit in a shop out of sight during the operation. Bradford, you can give orders from there." Sergeant Grey compromises reluctantly. He wants to protect his children as much as possible.

Meanwhile...

A couple of the rookies sit in the bullpen doing paperwork with their T. Os are sitting at a nearby table.

"I found out Detective Y/L/N has a son today." Officer Daniels shares with the group.

"She does?" Another rookie named Brooks asks.

"Is it with Bradford?" Another asks.

"Can't be. He was married before Y/L/N." A nearby P2 says.

"Wait, he was?" Brooks exclaims.

"Yeah, to a UC. Got hooked on drugs, though going undercover." The P2 explains.

Just as the P2 finishes their sentence, Tim clears his throat. "Are you idiots done?" He barks at them.

The group looks back at him in shock. They are too stunned to respond to Tim. You stand next to him, just as shocked as they are that someone would talk about a fellow officer like that.

"You all should know better than to talk about another officer's personal business like that, let alone a senior officer." He yells at them.

He looks directly at the P2 standing next to where Officer Brooks is sitting. "You've been a cop longer than them; you should have corrected them. Now if I hear talk like this again, you'll be getting a blue page," Tim says finally.

"Come on, baby, let's go see about Jasper, Tim says to you while putting his arm around your shoulders and leading you to the door to the garage area.

10 minutes later, you and Tim pull up to Jasper's school right as you hear Metro call in a code four. A few ambulances pull up a few minutes later to make sure there aren't any injuries.

Tim steps out of the car and gestures for you to get out after him. He walks over to where Wells is, with you walking closely next to him. His fingers lightly brush against yours as you walk.

“Hi Sir, we didn’t have any casualties, and your son is perfectly safe. Only a few staff members were slightly injured. The suspect is in that shop over there if you would like to question him." Wells explains to both of you.

"Thank you," Tim says before turning to you.

"What do you want to do?" He asks.

"I don't want to talk to his father, but I would like to see Jasper," you say to Tim.

"I'll go talk to the principal and see if you guys can take him now,“ Wells suggests.

"Thank you,” you say.

10 minutes later, Wells brings Jasper out with his things.

"Mom! Dad!" Jasper calls while running straight to you and Tim.

"Hi baby, did you get scared?" You ask while you squat down to hug him.

He lets go of you and moves over to hug Tim.

"I was at first, but I knew you guys would be here to help." He leans against Tim's leg while Tim pats his head.

"Are you ready to go home, buddy?" Tim says while bending down to his level.

"Yeah, I miss Kojo," Jasper says, and Tim and you both giggle.

You watch as Tim holds Jasper's hand as they walk over the shop. You're very proud of Tim for sticking with you and being such a good dad to Jasper when his wasn't around.

2000 Leagues

Pairing: Adam Karadec x fem!Coast Guard!reader

Summary: Karadec is searching for a stolen yacht and a missing person. You assist him and his team in finding the ship, but you land yourself in the middle of a dangerous case.

Warnings: angst, yearning, character death, drowning, murder, fluff and a happy ending!!

Word Count: 4.6k+ words

A/N: 2000.

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“Karadec.”

Daphne and Oz lock eyes when Karadec answers the phone, sharing a silent hope that it’s a quick case and they can leave on time today.

“Why assign it to us?” Karadec questions. “Wouldn’t that fall to Robbery/Homicide?”

“One can hope,” Daphne mumbles.

“Yes,” Karadec says. “I understand. My team and I will be there. Thanks.”

He sighs as he turns toward his team.

“We working a robbery or a homicide?” Oz asks.

Shaking his head, Karadec answers, “A stolen yacht.”

“That is not in our purview,” Oz argues after blinking several times.

“It is when the owner was reported missing three days before the yacht was removed from its spot at the marina.”

“Who’s the owner?” Daphne inquires.

“Local millionaire named Ashton Weatherford.”

“Of Weatherford Water Sports?” Morgan interjects.

Karadec doesn’t look surprised but sounds utterly exasperated as he asks, “How did you get here so fast? I just texted you.”

“I was nearby.”

“Of course you were,” Karadec sighs.

“And, yes,” Oz replies. “Ashton is the CEO of Weatherford Water Sports, but his brother Simon is the owner. Has been since their father’s death three years ago.”

“If he wanted the company to himself,” Daphne muses. “That’s good motive.”

“But we’re not sure Ashton’s disappearance has anything to do with the stolen yacht,” Karadec points out.

“How would one steal a yacht?” Morgan asks. “It’s not exactly the most inconspicuous of the vehicles.”

“That’s a good question,” Daphne agrees. “How do we go about looking for it, Karadec?”

He crosses his arms over his chest, tilting his chin as he thinks. They’ve worked robberies, homicides, missing persons, and every combination of major crimes; the stolen item has never been as grand as a yacht.

“The federal government has jurisdiction in territorial seas,” Morgan begins. “Within 12 nautical miles. The US Exclusive Economic Zone, however, has 200 nautical miles. The state has certain authorities in the EEZ, but that usually has to do with resources and marine life. If that yacht went out to sea…”

“We don’t have time to jump through hoops with the feds or the EEZ,” Daphne says.

“Not with our missing person coming up on six days,” Oz adds. “He’s already not likely to be recovered alive.”

“Especially if he’s on the yacht,” Morgan whispers.

“I can call in a favor,” Karadec interjects. He takes a deep breath and pulls his cell phone out of his pocket. “Let me see if I can get an assist a little faster. Oz, start pulling warrants for the yacht’s GPS, and somebody find me footage from the marina the day before the yacht was reported stolen.

“On it,” Daphne replies.

“Who are you calling?” Morgan inquires, perching on the corner of Karadec’s desk. “Ronnie? Another FBI agent who likes you a little more?”

“Hello,” Karadec greets, ignoring Morgan. “I’m Detective Adam Karadec, LAPD. I’d like to speak to CMC- Thank you.”

“You know a Command Master Chief Petty Officer of the United States Coast Guard?” Morgan asks.

“Hopefully it’s enough,” Karadec murmurs.

You stretch your hands above your head and look out of your office window. The Pacific is calm today, with 3-foot waves rolling in every 18 seconds and a steady temperature of 54 degrees. You aren’t supposed to be at work today, but you were called in to complete some paperwork from a recent expedition. Now that you’re finished, you have to decide if you want to get ahead on next week’s work or go home and enjoy the rest of the day.

“Ma’am, there’s a detective from the LAPD calling for you on line three,” an officer alerts, standing at attention in your doorway.

“Thank you,” you reply. After he steps away, you lift the phone and pull it to your ear. “Good morning,” you greet.

“Good morning,” Detective Karadec responds.

You smile, leaning back in your chair. “What can I do for you today, Detective?”

“I’m investigating a missing person’s case,” he explains. “It seems that the man’s yacht was reported stolen a few days after his disappearance, and we’ve been tasked with finding it.”

“So, you want my team and me to assist you in locating the yacht, which you believe is at sea.”

“Right. We’re trying to recover the GPS data from the ship, but we have reason to believe it hasn’t gone far.”

“Where was it taken from?” you ask, reaching for a map on the side of your desk.

“Long-term dockage contract listed Marina Del Ray,” he answers. “The LA DBH was less than helpful, but they’re looking for video.”

“If the slip was rented long-term, there’s likely bills for electricity, water, and Internet,” you explain. “I’d get a warrant for those to try to nail down the time those services were discontinued.”

“I’ll do that. Thank you.”

“The yacht was reported stolen, what, two days ago?” Karadec hums affirmatively, and you look at the list of ocean conditions for the past week. “Assuming that it was taken some time the night before… conditions have been mild. Waves were higher last night and some patchy fog, but they could still be 200 nautical miles from the coast by now.”

“Ask if she thinks the ship could be docked at a different slip,” someone whispers.

“Have a new lady friend, Karadec?” you tease. “Is she at your desk for business or pleasure?”

“She’s a consultant,” Karadec says flatly. “Could the yacht be taken to a different slip?”

“If someone already had it rented or had a private slip, then possibly. They couldn’t rent out a new one without providing owner documentation and identification,” you explain. “If you think someone close to the victim took the vessel, then absolutely.”

“We’ll see if Simon has a slip,” Karadec murmurs. “And the other thing?”

“I’ll have a boat and a crew ready to sail from Marina del Rey,” you offer. “Give me an hour.”

“Thank you,” Karadec says.

“Of course. I owe you a lot more than this. See you soon.”

“You have a contact in the Coast Guard?” Morgan explains after Karadec ends the call. “Why didn’t you tell me?”

“Why would I have told you that, Morgan?” he questions. “It’s my contact, and believe it or not, we don’t have to call in military favors often.”

“Are we going out to sea?”

“We are not. Daph, Oz, and I are,” Karadec corrects.

“You need my help,” Morgan argues. “This guy isn’t just floating over the continental shelf thinking about the best route to get two thousand leagues away.”

“That’s six thousand miles, Morgan,” Karadec says. “He isn’t going to Russia.”

Morgan stops, pinching her brows as she considers Karadec’s statement. “You know leagues?” she asks.

“Yes. We’re not completely incompetent.”

“We’ve got the GPS records,” Oz announces.

“Great,” Karadec says, pushing out of his chair. “Find Daphne and meet me outside. We’re going to Marina del Rey.”

“Shotgun!” Morgan calls.

“Good…” you hesitate and look at your watch before finishing, “morning, detectives.”

“Oh, I like the sound of that,” the blonde woman in the iridescent leopard print skirt murmurs.

“This is Morgan Gillory,” Karadec introduces. “She’s a consultant.”

“It’s nice to meet you,” you say, offering your hand as you introduce yourself. “And a pleasure as always, Daphne, Oz.”

“Same to you,” Daphne says, pulling you into a quick hug.

“How do you all know each other?” Morgan asks.

“Lot of water under the bridge,” you answer, smiling. “If you’ll excuse my lack of uniform, today was supposed to be my day off. So, no titles or ma’ams or anything like that required.”

“As long as you show us the same courtesy,” Oz replies.

“Deal. Anyone need anything before we board? Dramamine? Sunscreen?”

“Depends on how you helm the boat,” Karadec murmurs.

“What happened to no secrets, partner?” Morgan asks.

You walk down the dock beside Karadec, and smile as you look at him and whisper, “Partner?”

“Something like that,” he answers. “Thanks for your help.”

“Oh, blessing my eyes with those sunglasses is all the thanks I need. Now put on your lifejacket and keep an eye out for a ten-meter yacht with a red jet ski decal on the port side, correct?”

“That’s the one,” Daphne answers, pulling a yellow life jacket over her head.

“Seaman Quinn and Seaman Jefferson will be able to assist you in boarding the vessel should we find it,” you say, introducing the two other members of your team.

“Why isn’t every case like this?” Morgan asks, sitting back in the seat as you accelerate out into the Pacific.

“We’re looking for Ashton Weatherford, not tanning,” Karadec snaps. “Show a little respect.”

You catch a glimpse of something about a mile ahead. The sun reflects off a red strip, then glints a bright white before the light dims.

“A- Karadec,” you call.

He stands from the seats lining the side of the boat and walks carefully to your side. You point over the boat screen.

“That look familiar?” you ask. “Big white ship, bright red accent?”

“You found it,” Karadec applauds, standing up straighter. “How far out is it?”

“Just under a mile, I’d guess. We can reach it in two minutes if you’re ready.”

“Daph, Oz,” he says over his shoulder. “Get ready.”

You nod to your subordinates, and they prepare the rope and grappling devices needed to go from your boat to the yacht’s deck. As you approach the yacht, you slow the speedboat. The yacht isn’t moving and doesn’t appear to be anchored; it’s simply floating in the sea. While you instruct your team, Karadec, Daphne, and Oz prepare to board the stolen yacht.

“I’m going first,” you say, connecting the carabiner on your belt to the rope.

“This is LAPD’s case,” Karadec argues. “We don’t know what we’re walking into.”

“And you brought the case to the Coast Guard,” you remind him. “I’m not going in alone.”

You plant your feet on the side of the yacht before you begin the ascent. The rope shifts slightly as Karadec follows you. Having him behind you gives you more comfort and a stronger sense of security than you get from your own team. At the top of the front deck, you carefully climb over and land soundlessly on the teak floorboards. Pulling your weapon from your holster, you cover the detectives behind you as they imitate your movements.

“I don’t hear anything,” you whisper.

“Why steal a ship like this to abandon it?” Oz wonders.

You signal to Karadec before you go in different directions, each approaching a door on either side of the deck. As soon as you push the door open, you step back.

“I know why they left the ship,” you murmur.

Karadec nods, motions to Daphne and Oz to wait, then follows you down the stairs. In the galley, you round a corner with your weapon raised. Immediately, you see coagulated blood on the floor, the source of the unmistakable smell you encountered at the door. While Karadec covers you, you walk through the galley and clear the rest of the cabin.

“We found your missing person,” you say when you return to Karadec’s side.

“Rest of the ship is clear,” Oz calls down the stairs. "What's unlocked, at least."

You follow Karadec back to the main deck, take a deep breath, and attempt to calm your stomach. Unfortunately, it’s not the first time you’ve been so near a dead body, but the sights and smells of death will never become easier to deal with.

“Ashton Weatherford was murdered,” Karadec says. He glances toward you, but you’ve recovered before he can ask if you’re alright. This isn’t your first time encountering the evil of the world, he knows, but he cares about you.

“So,” Morgan begins, leaning against the rail. “How do we solve a murder at sea? Which, by the way, is more Agatha Christie-esque than I anticipated.”

“LAPD still has jurisdiction,” you begin. “But if you need any more assistance, please let me know. My team can extract data from the ship’s computer, examine it’s body, anything you may need.”

“We’ll head back to the station and get the proper warrants. Oz, call it in?”

Oz nods and turns away to call Lieutenant Soto. You also make a call, and with the guarantee that a tug ship is on its way out to recover the murder scene, you relax. The case is far from over, but the answers Karadec seeks now have a physical representation. He’s a good detective, so you have no doubt he will solve the case. It may be too late to save the yacht's owner, but he’ll get justice. That you know.

“Is there fuel in this?” you ask suddenly.

“I didn’t think to look,” Daphne answers.

Karadec nods, so you travel to the bridge and turn the key enough to see the gauges without starting the engine. You snap a picture before returning the key to the OFF position. As you walk through the ship, you look at the picture and try to make sense of the mismatched information displayed.

“Help!” someone yells.

You stop, looking around as you slide your phone into your pocket and retrieve your gun. The sound was muffled, but the intended word was hard to misunderstand. You push into a closet, but it’s empty. Turning, you look for any other place where someone might be hiding or stuck.

“US Coast Guard!” you call. “Where are you?”

“In here!” the muffled voice answers. “The bag! Help!”

There’s no bag in sight, so you prepare to call Karadec. Before you can, a metallic screeching causes you to jerk to the right. The lifeboat extended over the edge of the boat drops rapidly. Leaning over the rail, you see the large black duffel bag in the lifeboat. The deflated lifeboat, you realize.

“Karadec!” you scream, pointing your gun up as you twist to look at the balcony deck above you. It’s clear, so you holster your weapon and watch the raft crash into the ocean.

You push yourself onto the rail, keeping one foot on it as you watch the person in the bag flail wildly.

“What are you doing?” Karadec demands, running around the corner.

“There was somebody else on board!” you answer. “I’m going in.”

Karadec moves faster than you, wrapping his hand around your arm and pulling you back onto the deck.

“Let me go,” you plead, pushing against his chest.

“That dive could kill you!” he exclaims.

You stop, your hands spread against his shirt. “And whoever is in the bag could die. Please, let me go. Tell my team which side of the ship we’re on. And find whoever put that person in there to die; they’re probably still on board.”

“Daph!” Karadec calls. “There’s someone else on board. Find him.”

Daphne nods, then leads Oz away. Karadec’s grip on you loosens, so you pull away from him and return to the rail.

“You owe me dinner if I survive this,” you say, smiling before you jump off the rail. As you near the water, you tense your muscles, point your toes, and enter the water in one tight line. It hurts, and your limbs feel heavy as you’re submerged in the cool water. Opening your eyes, you ignore the burn of the salt water as you search for the sinking black bag. Your head feels like it’s shrinking, and your vision begins to narrow, blackening around the edges as your fingers wrap around the end of the bag.

“Go!” Karadec yells. “Now!”

Morgan holds on to the back of her seat, looking out into the ocean as the speedboat accelerates quickly around the bow to the starboard side of the yacht. The deflated life raft is still rising and falling with the waves, but there’s no sign of you or the person in the bag you claimed to have seen. Karadec leans over the stern, looking for you, but the water is too dark to see anything.

“Karadec!” Oz calls from the main deck of the yacht. “We’ve got Simon in custody!”

“She’s been under too long,” Karadec decides, shedding his blazer. “I’m going in.”

“We can’t let you do that, sir,” Seaman Quinn argues.

“And I can’t sit here and let her drown!”

“You can’t stop both of us,” Morgan adds, standing beside Karadec.

“She is my CMC,” Jefferson says. “You think this isn’t killing me?”

“Clearly it isn’t, or you would’ve jumped in already!” Morgan argues. She steps between the officers and Karadec, and he takes the opportunity to jump over the edge and into the water.

“Man overboard,” Jefferson says. “We have to pull him back in.”

“Actually, you need to help Detectives Forrester and Ozdil secure the prisoner, no?” Morgan challenges.

“Come on,” Karadec pleads. He inhales deeply, then flips to go under the waves. Without any thought for his safety, he stays under until he sees the black bag. After resurfacing for one more breath, he grips the strap with both hands and pulls as hard as possible while kicking himself back up toward the surface.

Karadec coughs, sputtering water as he breaks through the waves. As he attempts to regain control of his breaths, the officers who refused to let him enter the water assist him in pulling the bag into the speed boat.

“Start compressions, Morgan,” he instructs.

Karadec lowers back into the water, treading for a single breath before he goes under again. This time, he realizes that a long black thread-like trail extends from the bag, now above him, into the darkness beneath the boat. He uses his arms and legs to dive deeper into the water, ignorant of the lowering temperature and increasing pressure as he follows the line.

He feels you before he sees you. The line is attached to your belt, and Karadec hooks his fingers under it to pull you up against his chest. Then, he wraps his left arm under your arms and holds you tightly as he pulls with his right arm and kicks his legs to save your life.

When his own vision begins dimming, and his lungs burn for oxygen, Karadec swims harder, tightening his grip on you as he reaches for the light above you. He remembers gasping, pushing himself onto his back to get your head above the water, and then everything goes black.

“… still no pulse,” Daphne says, but it’s strained, full of terror and heartbreak.

Karadec realizes she’s crying as his senses return one at a time. When he remembers that there were three people in the water, he sits up quickly. He coughs, heaving water from his lungs before he can look around.

The wind whips harshly around him as Seaman Quinn pushes the boat as hard and fast as it will go. Karadec feels the bite of the breeze on his wet skin but forgets about his pounding head as he reaches for you.

“Hey, hey, there you are,” Morgan soothes someone over their retches.

But it’s not you, Karadec knows. He crawls to you on his hands and knees. On your other side, Daphne is kneeling as she counts chest compressions through her tears.

“Come on,” Daphne begs, slowing as she drops her head to your chest to listen for your heartbeat.

“You’re okay,” Morgan says.

Karadec pulls his eyes from your lifeless body just long enough to see that the unknown victim in Morgan’s arms is a child. He can’t be more than 10 or 11, and he clings to Morgan out of relief, terror, and likely confusion.

“It’s been too long,” Karadec mumbles.

“No, it hasn’t,” Daphne argues, her face tear-streaked as she looks up at him.

“Daph,” Oz says softly, pulling her back. “Let me take over.”

Oz begins more compressions and blows air into your lungs. Karadec owes you dinner, but as he holds your cold hand and stares out at the passing waves, he feels like he’ll never eat again. You wanted to save someone, and exchanging your own blood and fury to do so took you to depths Karadec couldn’t pull you back from.

When Oz tips your head back to breathe into your mouth again, you twitch. It’s not enough to be promising, but Karadec pulls his attention back to you, holding your hand as you near the Coast Guard port at Marina del Rey. Emergency services are waiting by, but if Oz can get a sign of life now, Karadec might be able to breathe again. He wishes the water in your lungs could be transferred to his. He’d breathe past it for eternity if it meant another minute with you.

“Got a pulse!” Oz exclaims as he renews chest compressions.

You gag, so Karadec shifts to keep your head straight and avoid worsening your condition. As Oz finishes the round of compressions and Jefferson announces that he’s docking, you cough harshly and sit up. Before you can choke on the water in your airways, Karadec pats your back firmly. You cough again, spitting water onto the deck as you heave.

“Breathe, breathe,” Karadec mutters, holding you tightly.

You look up at him, take a shaky breath, then look around the boat. When you see the boy in Morgan’s arms, you collapse against Karadec’s chest. You begin shaking, and Karadec pushes you away, fearing that something else has happened. He sees the tears trailing down your face and pulls you into his lap to hold you.

You’re both wet and injured, but the feeling of your heart beating against Karadec’s is more than proof you were revived. As the paramedics pull you apart, you let yourself lose consciousness once more. What was supposed to be an easy day helping Karadec find a stolen yacht has taken a turn, and the last thing you hear is Karadec’s demand to be taken to the same hospital as you.

“It’s not good,” the doctor says under her breath. “The physical injuries are the most promising part of this.”

“Where is she?” Karadec asks. His voice is rough and it hurts to talk. The lights above him hurt his head even though his eyes are closed.

“Who?” you question.

Karadec turns his head toward your voice. He opens his eyes slowly. You send him a close-lipped smile from your hospital bed – which has been moved to be directly beside his. Your lips are chapped, you’re wearing an oxygen mask, and an IV is taped to your hand to deliver medication and liquids. Karadec realizes then that he’s wearing a mask as well.

“Who is the doctor talking about?” he rasps.

“The boy: Kevin Weatherford,” you answer. “Simon was worried Ashton was raising him to take over when he turned 18. Decided to get both of them out of the way.”

“Kevin?”

“He’ll be alright, eventually. The water damaged his lungs, but there’s hope that it can be surgically repaired. From what I understood, the doc’s biggest concern is his mental health.” You cough, folding in on yourself to mitigate the pain.

“I’m sorry,” Karadec offers, brushing his fingers against yours.

“For what? You saved my life, Adam.”

“I shouldn’t have let you jump.”

“Then Kevin might not be here. I made a choice, and I would do it again.”

“You’re awake!” Daphne says softly, stepping into the room. “It’s good to see you both again.”

“Thank you,” you and Karadec say together. Your sternum is fractured because of the CPR you received from Daphne and Oz, but you’re breathing because of it, and, over time, you’ll heal. The thanks you can offer will never be enough.

“How are you?” you ask.

“I’m not answering that,” Daphne replies. “You… we thought we lost you.”

“Does Kevin have anyone?” Karadec inquires.

“His mom and grandmother are here,” she answers. “Morgan’s been at his side the entire time, too.”

“Good.”

Karadec looks at you again, and you move your fingers over his. This morning, you told Karadec you owed him more than one favor, but now you owe him and his team your entire life.

“Room for one more?” Lieutenant Soto asks, knocking lightly on the open door.

“Always,” Karadec answers.

She enters and closes the door, then pulls the cord on the blinds to block the light and the eyes in the hallway.

“Are you really going to fire me while I’m still in the hospital?” Karadec grumbles.

“Quite the opposite. Although there is some internal discussion about why the LAPD and the Coast Guard were out in the Pacific without notification, we’re too happy you’re both alive, so we’re not going to deal with that right now.”

“We radioed,” you reply.

“Several times,” Daphne adds.

“You did?” Soto asks. “To LAPD or Marina del Rey?”

“Both,” you, Karadec, and Daphne answer together.

“He had a jammer on the yacht,” you realize, remembering the odd readings on the gauges.

“That’s why the GPS pinged randomly, and we didn’t get confirmation from a medic until we were a mile out,” Daphne adds.

“That yacht will be ripped apart,” Soto assures you. “And Simon is lawyered up, but there’s more than enough evidence to charge him with murder, grand larceny, several counts of attempted murder, and much more.”

You feel your blinks grow heavy and squeeze Karadec’s hand. “Can we have one minute before you give us the good news?” you request.

“Of course,” Soto answers. “In fact, I’ll come back tomorrow. Get some rest and feel better.”

“Thank you,” Karadec calls after her.

When you’re alone, with the door closed and the room darkened, you pull your oxygen mask off your face and look at the man beside you.

“I should’ve told you before,” you say. “Before I jumped, before I hung up the phone this morning. Every chance I had.”

“Don’t think about what you didn’t do,” Karadec encourages. “Not after the heroics you displayed today.”

You wipe the first tear off your face harshly, startled by the feeling of water on your face.

“I should have said it, too,” he replies. “But, what’s stopping us from saying it now?”

“The life-saving equipment between us, mostly.”

Karadec smiles, and you hear it, even if you don’t say it. You’ve missed opportunities to say it, but have seized every opportunity to show it.

Three Months Later

“Front page,” you muse, looking over Karadec’s shoulder. “Not bad.”

“Soto’s going to frame this,” he complains.

You bend at the waist and kiss his jaw, laughing as you stand before he can turn and return the affection. Karadec catches your wrist, pulling you back toward him. Your hands land on his shoulders, and you smile down at him. The front-page picture of you, both in uniform with your newly awarded medals of valor, is forgotten as you lean against Karadec’s desk and wrap your arms around his shoulders.

His hand ghosts over a scar on your abdomen from the wire that saved your life, and you use your pointer finger to lift his chin. When your eyes meet, his smile grows to match yours. Karadec stands, pulling you against him and into a hug that warms you from the inside out. You’ve both been required to attend therapy following your accident. Though some moments are worse than others, you think you can do anything together. This is the place where you feel most capable: in Karadec's strong, loving arms.

“Kevin is coming by the station today,” Karadec says against your shoulder. “If you want to come.”

“I’ll be there,” you promise, tightening your grip on him as your cheek squishes against his shoulder and distorts your voice.

“I love you,” he whispers.

“I love you,” you promise.

Karadec sways gently, then releases you, dragging his hands down your arms as you prepare to spend time together before he returns to work. His phone buzzes during breakfast, and he shakes his head before he shows you the message.

“‘Name your first kid Morgan, it’s unisex,’” you read. You hum, then say, “Not the name I was thinking.”

Karadec drops his phone at your admission of thinking about it, and your breakfast grows cold as he holds you in his arms, the place that has become home.

𝐬𝐭𝐢𝐥𝐞𝐬 𝐬𝐭𝐢𝐥𝐢𝐧𝐬𝐤𝐢 𝐱 𝐫𝐞𝐚𝐝𝐞𝐫

summary; stiles lets it slip that he hasn't had his first kiss yet and, as his friend, you're more than happy to remedy that.

warnings; no use of y/n, fluff, established friendship, some pretty intense kissing, one instance of reader being referred to as a girl

word count; +3.5k

a/n; no smut here, but i am currently planning a couple nsfw pieces to work on between bouts of writing my ongoing (long suffering) stiles fic.

please think about leaving a comment/reblogging if you enjoy! it would actually mean the world to me

“-And it was just.. So wet. Way, way too much spit, y’know? And there was entirely too much tongue on his part considering the fact that his hands, like, never even left his pockets-”

You’re not entirely sure how, nor at what point, the conversation devolved into a mostly one-sided and incredibly detailed analysis of Mark Hagan’s kissing technique, or lack thereof, but by the time your eyes fall to the boy sitting in the driver’s seat, you realize that you’ve been rambling for at least a full minute in the patchy darkness of the parked car.

“-And I’m not saying I wanted to be groped or anything but, I mean, it’s a little awkward when a guy just-”

You falter suddenly, when you notice the awkward slump in Stiles’ posture, and your words taper out without warning. He has one hand white-knuckled on the steering wheel and the other gripped tightly on the back of the seat where he’d turned to face you when he first asked how your date had gone the night before. And- God. That had been minutes ago, now.

“Sorry,” You apologize immediately with a grimace, “Was that, like, way too much information? Sorry.”

“No, I, uh,” He releases the steering wheel and shakes out his hand as if only just realizing how tight his grip had truly been. Your eyes are embarrassingly distracted by the long line of his fingers as he continues, “I guess I just didn’t realize how many things you could do wrong, y’know? I assumed it’d be more straight forward than that. You lean in, press your lips together, kiss, done. Right?”

You laugh softly at his rushed response, “I mean, I guess. I’d like to think there’s a little more skill that goes into it than that.”

“And, uh, Mark..” Stiles has been seemingly overwhelmed with reasons to dislike the other boy since you’d announced your upcoming date the week before, and he nearly spits the name with disdain when he says it now. “No skill, huh? Not quite, uh.. Not up to your standards?” He’s fiddling with the straw from his long-finished milkshake as he speaks, eyes downcast and determinedly focussed on his fingers, “Considering the overabundance of tongue, the lack of groping, and the, uh.. All-around wetness-?”

Another small huff of laugher escapes you as you drop your own empty cup into the greasy paper bag the diner had stuffed your to-go order into a half hour before, your socked feet returning to the Jeep’s dashboard only a moment later.

“Yeah, I guess you could say that.” You fight back a cringe at the mere memory of the drool that coated Mark’s chin when you’d finally decided you’d had enough and pulled away.

“What about you?”

His question catches you off guard and your brows furrow as you meet his gaze, “What about me?”

He twists and folds the straw of his drink with more vigor, nose crinkling before he elaborates, “What would you say your, uh.. Your skill level.. is?”

You pitch forward to grab one of the few remaining curly fries from the container perched by your feet on the dash, falling back into your seat and munching slowly as you genuinely ponder the question.

“I think I’m probably alright,” You shrug after a moment, “I mean, it’s hard to say, right? But I’ve never had any complaints. And considering Lydia is, like, the queen of complaining-”

You’re caught off guard by the entirely inhuman squawk of disbelief and surprise that escapes him. He’s scrambling in his seat with no real purpose before he slowly comes back to a standstill, now sitting just a few inches closer to the passenger side than he was before.

“Lydia? You.. You and Lydia have-?”

You shrug again as you wipe your greasy fingertips on the leg of your jeans, “Yeah, like, twice. Maybe three times?”

“Three-?”

“What about you?” You interrupt.

You tip your head against the backrest to look at him in the dim light of the parking lot as you await his response. The Jeep is barely getting hit with the residual light from the windows of the diner, but the bright neon sign on the roof of the building casts a pretty red hue over Stiles’ face. His mole-dotted skin is flushed with it, the only bits safe from the red-tinted glow are the shadows beneath his brows and the tiny divot in the tip of his nose that extends up from his cupid’s bow. You want to trace the darkness on his skin with the tip of your finger — with your lips.

You find yourself getting lost in just how gorgeous he is, not for the first time.

“Huh?” Stiles asks dumbly.

“Skill level,” You elaborate with a grin, lifting one foot from the dash to poke your toes into his knee, “What about you? Are the girls positively swooning? Melting under your touch? ‘Oh, Stiles. You’re the best kisser on this side of the Rockies-’”

Your teasing is silenced when his hand comes out to cover your mouth, long fingers trapping the words beneath your lips. Your knee is squished awkwardly between you, but he’s so warm you can feel the heat of his body seeping into your own, and the scent of his body wash fills your nose now rather than the lingering smell of grease from your shared dinner. You can hardly focus on his words as the smell of teakwood and pine invades your senses.

“No one in their right mind would ever say something like that after being kissed,” He tells you, face pinched in a cringe, “Like, not even something remotely along those lines. Not even in those weird old-timey romance movies you make me w-”

You grab ahold of his fingers to pull his palm from your lips with a small giggle, “Oh, c’mon, the suspense is killing me! Are you a good kisser or not?” Your mind is reeling a bit as you think about it. You can’t help but wonder what it would be like to kiss Stiles, to feel his lips on your own, his hands on you. “I feel like you probably are. Just the right about of enthusiasm but you’re also a total perfectionist so it’d-”

“I don’t know!”

His exclamation is entirely too loud for the confined space of the car, his voice ricocheting sharply off the metal shell of the vehicle and causing you both to flinch a little. Stiles looks as if he wishes he could stuff the words back into his mouth and try again. You’re simply looking him over with a more critical eye, searching for the reason for his recent outburst as if it might be written plainly on his face, like you might find big emboldened letters of explanation etched across his skin.

“What’d’you mean you don’t know?” You scoff in amusement, “Y’know what? Fine-” You shuffle closer as an idea pops into your head — a brilliant, glorious, heaven-sent idea. His fingertips are still trapped within the palm of your hand and your knee slips over the top of his thigh as you slide closer and move into the center seat, “C’mere. I’ll give you review-”

Your face edges closer and closer to his own until your noses bump and the delicate touch seems to zap Stiles into alertness, sending him jolting back as if he’s been electrocuted.

The sourness that erupts in your belly at his reaction isn’t wholly unexpected, but a small flicker of shame joins it and burns like acid in your chest.

“Well, shit..” You murmur with an awkward chuckle.

It’s difficult to bite back the nagging feeling of embarrassment that swirls through your veins in response to being shot down by your best friend — your best friend that you’ve desperately been wanting to kiss since middle school.

You swallow harshly before continuing with a self-deprecating laugh, “I didn’t realize the thought of kissing me was quite so.. Horrifying. My bad.. I.. I’m sorry. You don’t- I didn’t think and I just- Sorry.” The last bit comes out quieter, the sound of it buried beneath the sudden tightness in your throat.

You find yourself avoiding his eyes, but that only means that your gaze is drawn to the smooth expanse of his neck — and there’s that glow from the diner’s neon sign again. His skin is cast in that red hue, smooth expanses of scarlet broken up by the speckles of dark moles and beauty marks scattered here, there, everywhere. You can almost make out his jumping pulse beneath the hollow of his throat, the dark crimson shadow twitching nearly imperceptibly with each too-quick beat of his heart.

They’re all spots that you’ve only dreamt of having your lips touch.

On rainy days when he shakes his hair out like a dog with the sole purpose of hearing the way you squeal in surprise, the drops of water finding their way down his temple and filling you with the urge to kiss it away.

When you slip into daydreams from the desk behind him during class, your eyes stuck on the exposed curve of his shoulder where his shirt collar is stretched just a little too loose, your lips tingling with the all-too vivid phantom feeling of his skin beneath them.

Trapped in his embrace, his height just enough that your face is smushed into his collarbones, nose crushed against him and pulling in the woodsy scent of his cologne, your mouth pressed limply to the soft cotton over his chest but aching with the desire to pucker and leave behind a gentle peck.

“No! No, it’s not that!” Stiles denies immediately. He’s already reaching out to drag you closer again, hands curling into your waist the moment you attempt to slip backwards into a bubble of shame in the passenger seat. “Kissing you would be the opposite of horrifying! It would be, like, a dream come true or- Or-”

Your eyebrows creep up your forehead at that, the barely there curve of a nervous smile pulling at the corners of your lips as his words seem to tumble out faster, growing increasingly difficult to understand as he rambles in a way that you’re all-too familiar with.

“-Because if I was going to kiss anyone, I’d want it to be you, but if I do kiss you and I’m horrible at it and you’re, like, repulsed-”

You’re still trying to piece things together despite the jumbled bits you seem to have missed. Your lips part in astonishment and his fingers tighten where they’ve begun to anxiously dig into your hips as he continues.

“-What if I’m worse than Mark? What if.. What if I’m so bad that you kiss me once and then you never, ever want to kiss me again because I was so unbelievably-”

“Stiles!”

You cut him off, already scooting closer until your left thigh is practically in his lap. His words cut off, a sharp inhale tearing past his lips as your hands find his shoulders, your thumb dragging over the freckled skin of his neck. You can feel his pulse jumping wildly against the pad of your finger as you finally voice your question.

“Are you telling me you’ve never kissed anyone before?” You ask the question as delicately as you can manage, but he still winces as an embarrassed flush colors his cheeks further.

“Not.. Not technically.” He admits quietly, big brown eyes still tinted beneath the crimson glow from outside the Jeep.

“Not technically?” You repeat slowly.

“I don’t know why I thought saying it like that would make it sound better,” He says weakly, “It didn’t. It was still just as mortifying. And so, so lame.”

Your heart flutters, cracks, and then ticks up in quick succession as your flooded with a wide array of conflicting emotions. You can’t quite believe what it is you’re hearing.

“You haven’t had your first kiss?” The words come out a bit more heartbroken than you intended.

Stiles looks horrified at the bluntness of your statement for a moment before he’s swallowing harshly, eyes dropping from your own for a fleeting second.

“No,” He says in a quiet voice, nearly a whisper as his eyes flick back up to yours, “But, um, if- If you’re still offering.. I mean-”

Your heart is positively hammering in your chest, so hard you worry he might be able to hear it, but then your thumb drags up and brushes over his own racing pulse again and his nerves seem to somehow calm yours. Your lean forward until the tip of your nose catches on the bridge of his again, eyes not leaving his as you move achingly slow, giving him time in case he decides to change his mind.

“You’re sure?” You ask softly, the whispered question little more than a breath of warm air against the bow of his upper lip.

“Uh huh.” He just manages the quiet sound of affirmation, a small nod of his head has your lips brushing lightly and the barely-there touch pulls a sharp breath of anticipation from him.

“Okay,” You say quietly, dragging one hand to the back of his neck so you can guide the angle of his head just a touch to one side.

His grip on your hips readjusts and tightens further, one of his clammy palms slipping beneath the hem of your shirt, and the warmth of skin on skin has you breathing out harshly in the sliver of space between your lips again. Your eyes flick slow between his, wide pools of scarlet-tinted whiskey watching you with rapt attention. Your mouth curves up with the hint of a smile, a soft breath of laughter falling into his parted lips as your fingers dig into the thick muscle of his neck.

“Close your eyes, weirdo.” You whisper fondly.

“Shit, fuck. Sorry, yeah. Eyes closed.” He rambles off quickly, eyes pinching shut immediately and hands squeezing your hips as if silently promising that he’s ready.

Endeared. You’re so fucking endeared your organs feel as if they’ve gone warm and syrupy beneath your skin.

Despite your admonishment of his eyes being open, you find yourself unable to pull your own away from watching every small tick in his features. Your hand on his shoulder tightens as you brush your nose across his and when the tight pinch of his eyes slackens and he takes a small nervous breath of anticipation, you finally press your lips to his.

It starts with just a small peck as your brain whites out for just a second. His lips are soft and chapped and plush against your own. You linger for a brief moment before you’re separating just enough to slot your mouths back together a little better.

His lower lip finds itself between yours and he gravitates toward you when you make like you’re about to draw back a second time, his mouth blindly searching for yours. He applies more pressure as he seems to become more sure of himself, one of his hands sliding to the base of your spine to drag you closer.

Impressed, you guide the angle of his head to tip just a hair further, your lips parting to exhale a hot breath into the gap between his own. A small sound rumbles from his chest as he tries to replicate the heat of your kiss on the next meeting. His lips fall open just enough that his breath mingles with your own and your brain goes a little heady with it, thighs tensing as blood rushes in your ears and heat pools in your gut.

You draw back and you’re forced to tangle your fingers in his hair to hold him in place when he tries to chase your mouth again. His eyes crack open to meet your own when he finds himself unable to catch you in another kiss and his pupils are blown a little wide, black overtaking brown until only a small ring of rich chocolate remains. You’re sure you don’t look much better, with the way our chest is threatening to heave with excitement, your fingers trembling where they’re gripping onto the muscle of his shoulder and woven into his hair.

“That was.. That was good.” You tell him after a moment, voice embarrassingly shaky, “What.. What’d you think?”

“Good.” He returns just as weak, “Great. That- Mhm. Awesome.”

His eyes are on your lips again and he looks downright hungry, but then, so are you.

“You’re a natural,” You praise breathlessly, eyes flicking between his rapidly as your fingers unconsciously tighten in his hair, “I’d never guess that was your first kiss – It was.. You learn fast.”

“We- You should probably show me more,” He insists, already leaning back in until his forehead finds your own, “That way I won’t end up like Mark, y’know? With pretty girls complaining to their friends about how wet and gross and bad it-”

“You think I’m pretty?”

He blinks at you as his lips curve up at the corners, the tip of his nose catching against yours to shoot sparks down your spine when he replies, “I think you’re beautiful.”

“Oh.” Is all you manage to get out as a smile tugs at your own lips.

“You want to maybe show me how to use tongue without, being completely repulsive and, like, drowning you or whatever?”

“Mhm,” You agree easily through a breathless laugh. You can’t quite help the quick press of your lips to his and you feel the relieved exhale that falls from his nose and fans out in a warm puff against your face. “Just for the record, though-” You feel the need to elaborate, “There is a time and a place for wet. When things are really hot and heavy and you’re in the throes of passion or whatever — a little too much tongue is great. It can be really, really hot. But- Like I said, time and place.”

The information leaves Stiles looking mildly overwhelmed and severely aroused, but he’s nodding dutifully, “Uh huh. Got it. Noted. I’ll remember that.”

“Okay.”

“Okay.”

His mouth is claiming yours again before the word is even fully out, the sound of it lost in your lips and what remains is smothered by your gasp of surprise. You let him control the pace for a moment before remembering that you’re supposed to be the one guiding him.

You bring one hand up to his face, thumb catching his chin so you can guide his jaw to drop open a bit further as your tongue teases against the inside of his lip. His groan meets your ears, the sound of it sending a shockwave through your body that you’re still reeling from as he repeats your action with truly startling ease. The warm wetness of his tongue has you feeling hot all over, and when it catches against the tip of your own before retreating, you nearly whimper in protest at the loss.

He effortlessly settles into the pattern of give and take, hot brushes of tongues broken up by soft pecks against slick lips. His fingertips dig into your skin like he’s afraid you might slip away into nothing if he doesn’t hold you tight enough and you find your own fingers scraping at his scalp in response.

You’re both making soft little noises between the quiet smack of lips, the leather seats creaking every time your weight shifts in an attempt to get closer.

The lack of oxygen has your head a little fuzzy at the edges when you finally pull back and each of your exhales mingle warmly in the small sliver of space between your mouths as you both fight to catch your breath.

“I, um. I don’t think you have to worry about your kissing technique.” You tell him breathlessly just to break the silence, “You’re all good. A, uh, a great kisser. Eleven out of ten.”

“Cool. Cool. That’s great, I, um-” He coughs quietly, nervously, as he leans back to put a bit more space between you, “Would you maybe want to do it again sometime?”

He’s looking at you with pretty brown eyes blown wide and bleeding earnestness. The hand around your back has fallen to your upper thigh, the grip of it tightening as if punctuating certain words as he speaks. It’s entirely possible that your brain sort-circuits, because a moment of silence passes before he’s barreling on.

“-because I, for one, would really like to do that again sometime. Maybe.. Maybe after a date? Or during a date — that part doesn’t really matter. I just really like you and I have pretty much since forever and now that I’ve kissed you-”

“You like me?” Is all you manage past the heavy thumping of your heart in your chest, your ears — Shit, you’re pretty sure you can feel every pump of it in each trembling twitch of your fingers.

“So much that’s borderline embarrassing, yeah.” He admits, throat bobbing as he swallows nervously.

A breath whooshes past your lips, filled with relief and surprise and elation.

“I like you too.” You say after a beat too long, “Holy shit. Stiles, are you kidding me? I’ve liked you since the fifth grade.”

“Really?” He looks mildly shocked.

A giddy laugh escapes you as you drag him forward again to bring your lips back together. The kiss is chaste, but filled with so much emotion it makes your head swim a bit.

“Damn,” Stiles mutters suddenly, the frustrated curse puffing out against your cheek, “Does that mean we could’ve been doing this the whole time? Like, years of kissing-?”

His words cut off when your lips find his once more and he gives in easily, his train of thought thoroughly derailed.

“I guess we’ve got a lot of time to make up for then, Stilinski.. You up for the challenge?”

Stiles nods wildly and he’s pulling you back in before you can say anything else.

Charlie Gets Over the Waitress (charlie kelly x afab reader oneshot)(SMUT!)

*it’s always sunny intro music plays*

pairing: charlie kelly x afab! reader (gender neutral up until the cut i’m pretty sure)

tags: smut!, age difference mentioned but vague (mostly just for a bit with dennis lmao i couldn’t resist), slight size difference, very cliche and weak plot, charlie has soft dom vibes, praise, slight possessiveness, cunnilingus, fingering, p in v, some dirty talk, some fluff

i tried to make the intro kinda read like a typical iasip episode. the nsfw starts after the cut! this story is very self-indulgent lmao but thanks for reading!

charlie comes into the bar one day where dennis and mac, who were bored out of their minds, turn their heads to greet him. dennis was behind the bar while mac sat in front of him nursing a beer.

“nice of you to show up for work, charlie,” dennis says dryly. but as charlie sits down on a stool with a small pout, dennis knows exactly why he’s been gone all day so far. “been catching up with the waitress again, huh?” dennis guesses, putting charlie’s stalking problem lightly. charlie huffs and rolls his eyes dramatically, confirming his suspicions.

“man, you’ve got to get over that girl.” mac chimes in.

“yeah, she’s crazy.” dennis scoffs.

“and not even that hot..” mac adds.

“ugh, shut up.” charlie interrupts them and buries his head in his arms on the counter. after a pause, he speaks again, his voice muffled and soft. “i know.. i know i have to get over her.” charlie agrees, taking his friends by surprise. not that they cared that much..

“you know, maybe you could try finding someone else? someone who actually likes you back. or at least, like, get laid.” mac suggests and dennis nods, neither of them really thinking much of the comment or expecting charlie to change his ways. but mac’s words make charlie pause.

“maybe.. you’re right.” charlie lifts his head up, a gleam in his eyes all of a sudden as he looks between dennis and mac. as if they’re reading his mind, they instantly try to backtrack, talking over each other and saying no. charlie interrupts them again.

“no, no guys! you’ve got to help me. set me up on a date!” charlie stands up now and approaches mac and dennis enthusiastically, giving a desperate look to both of them.

“bro..” mac sighs, hanging his head in his hand in exasperation.

“no way, charlie. it was just a suggestion.” dennis shakes his head. the two men are clearly not interested. they share a look, both of them thinking it would be nearly impossible to get any sane person to date charlie.

“oh, come on!” charlie yells, gesturing wildly with his arms. “i.. i’ll..” he stammers, trying to think of something he could do to reward them. “i’ll give you guys the week off. i’ll do all the work, including charlie work.” he finally promises, looking between them hopefully.

mac gives another dramatic sigh while dennis looks annoyed, but thoughtful.

“fine. i’m in.” mac says, standing from his seat.

“fine. but this better work,” dennis huffs, coming around the bar to point sternly at charlie. “you have to promise us that this is worth our time, that you’re actually going to try and get over that waitress.”

“i promise!” charlie celebrates as soon as they accept, pumping his fists in the air as his two friends head toward the front door of the pub. “oh yeah! just come find me whenever you got the goooods. i’ll be here.” he smiles and does finger guns at them, trying and failing to act cool. dennis grimaces, the weight of their task starting to weigh heavily on his shoulders.

“right, just.. take a shower or something, charlie.” he grumbles on the way out, slamming the door. but charlie doesn’t care at all about how irritated his friends are with him. all he’s thinking about is possibly getting lucky tonight. it wouldn’t be the waitress.. but for once a distraction, at least, is welcome.

“where the hell are we going to find someone crazy enough to go on a date with charlie? he’s a freak!” mac yells as he and dennis get in the range rover. “seriously, i love the dude. but anybody could spot that a mile away.”

“i don’t know, man. just forget about the ‘charlie’ of it all for now. we’ll go on the prowl, find ourselves a candidate and butter ‘em up. then we can throw them at charlie and just hope things work out somehow.” dennis suggests with a shrug. “sure, we’ll do our best. but we’re not miracle workers. we just gotta look for someone desperate. or stupid. or both, preferably.” he sighs. being able to find a serious companion for charlie didn’t even cross his mind as a possibility. “if all else fails, i’ll get frank to buy him a hooker or something.”

with that, they head to the mall and decide to pop into the first trendy clothing store they see. dennis scans the area for potential options while mac follows. “just leave it to me, buddy. i know exactly how to find the person we’re looking for.” he says with his typical air of superiority, both of them trying to act casual as they pass through the clothing. they wander around for a bit, but then, dennis spots one person in particular.

“ah, ah, ah. i think we might have a candidate,” he stops mac and leans in close for only him to hear, pointing at someone who was minding their own business looking through the t-shirts. “not bad, a little on the plain side. but i think that’s exactly what we want, way higher chance of being desperate. plus, they’re here all alone, probably lonely.” dennis analyzes them as if he was a genius, but really he was just being creepy and making assumptions. but mac, of course, goes along with it without question, looking impressed.

“man, you are good! they look a little young, though..”

“even better,” dennis comments, almost forgetting he wasn’t the one looking for a date. mac gives him a look. dennis clears his throat and quickly clarifies. “naive.” mac’s stern expression softens and he nods thoughtfully in understanding. with that, they approach.

“hi there,” dennis gives a charming grin. “i’m dennis. this is my buddy, mac.” he introduces him and mac and you look at them, a little confused.

“um, hello. i’m (y/n),” you reply, waiting for them to say what they’re approaching you for. dennis breaks the silence.

“ah, nice to meet you, (y/n). beautiful name. well, me and my friend here just wanted to say hi. we were both saying how good-looking you are, right mac?”

“right! you’re super hot-” dennis elbows his side. “i mean, uh, attractive!” mac gives a big smile, both of them pausing to see how you react. this is the real test. if you fall for this, you might just give charlie a chance.

“r-really?” not used to this kind of attention, your lips curl into a bashful smile, looking a little like a schoolgirl. the boys’ eyes light up. this is what they want to see.

“oh, yeah. most beautiful in the mall, hands down,” dennis winks, turning up the charm. “but hey.. listen, we’ve got a good friend named charlie. he’s been having a real rough time trying to get over this one girl. he’s a real sweetheart, and it hurts seeing him so down, you know?”

falling for the sympathy card, you frown. “oh, that’s horrible..” you reply.

“right? it sucks.. but we were thinking it might be nice to set him up with a date, get his mind off things. show him that there’s other fish in the sea, so to speak,” mac continues, easing you into their true purpose here. “would you be willing to meet him?”

your eyes widen, not expecting the request. a date for yourself was long overdue, not to mention whoever this mystery man was that they spoke of. and it’s not like you had anything better to do. and hey, if you didn’t like him you could back out, right? after considering for a moment, you slowly nod. “yeah, i guess so. why not?”

with that, the three of you leave the mall, going to a hole-in-the-wall bar they apparently own in south philly called paddy’s pub. you all walk in, and when you don’t immediately see charlie the two men instruct you to sit in a booth while they go find him.

but when dennis walks into the office, he finds charlie sitting behind the desk flipping through photos on a camera. dennis already has a feeling he knows what he’s doing, but charlie’s suspicious jump when he comes into the room says all he needs to know.

“what are you looking at there, charlie?” dennis asks pointedly, putting his hands on his hips.

mac comes in behind him. “what, what’s he got?”

“nothing!” charlie says quickly. “it’s nothing, man, just some random pictures. nothing special-“ he tries to brush it off before dennis snatches the camera away and quickly flips through the photos to see blurry, far-away photos of what looked to be the waitress. not even bothering to give charlie the benefit of the doubt, too annoyed after trying to find a date for him, he storms out of the room completely giving up.

“well, i’m sorry, but this man is a lost cause!” dennis rages while charlie gets up in a panic and follows him into the bar, not even processing yet that dennis was talking to someone else. mac rolls his eyes and goes to pour himself another beer.

“hey, hey, wait man! it’s not what it looks like!” charlie yells after him, lying poorly as he tries to get the camera back. that’s when his eyes catch you sitting in the booth. he stops and stares, forgetting all about the pictures for a moment, taking immediate interest.

“listen here, this man stalks the girls he likes. and that position is already filled. sorry to waste your time.” dennis announces to you, his anger pointed at charlie.

you just sit there, completely confused and unable to do anything but watch the chaos unfold.

“hey! i’m not a stalker, and l-let’s not jump to conclusions, man!” charlie tries his best to backtrack what dennis has unveiled, caring about your impression of him despite not even knowing you. stalking tendencies he may have had, but now that he’s looking at you it could be that that ‘position’ dennis spoke of just opened up.

as this strange interaction goes on before your eyes, you study the shorter man. he’s really handsome. definitely weird, a little disheveled. but funny, animated. cute. you probably should be running away, but the seriousness of their conversation starts to go right over your (possibly sick) head.

“you can stalk me if you want. i don’t mind,” you blurt out in a flirty, joking sort of way, looking right at charlie with a smile. this makes everyone in the room take pause. dennis eyes you incredulously as if he’s realizing you’re crazy. mac just raises his eyebrows and takes a swig of his drink. but charlie, he looks strangely flattered.

“really? i mean! i-i.. you got it all wrong. i’m not a stalker,” charlie says, raising his hands up at his sides.

“he is.” mac and dennis say in unison, making charlie grit his teeth.

“would you get out of here?!” he snaps. mac and dennis actually listen and head towards the door, not knowing what to think but happy that their job is over.

“see you in a week, bud.” mac says before the door to the bar slams. you just watch, not thinking much of it before turning your attention back to charlie.

“charlie, right? i’m (y/n).”

“uh..yeah, hi (y/n).” he replies, scratching the back of his neck in an awkward sort of way. “you don’t have to stay if you don’t want to..” he mumbles, not expecting you to want to be anywhere near him after hearing about his problems. he glances in your direction, wanting to kick himself for ruining another potential relationship. for some reason the waitress falls off of his mind when he looks at you.

“i’d like to stay. i think you’re cute.” you reply, making his ears turn rosy. “is that okay?”

“u-uh, um..” his eyes widen and it takes him a second to recover, not expecting this response at all. “y-yeah! that’s fine.. great, actually. would you, uh, would you like a drink? on me.” he smiles, remembering his manners and getting a sudden burst of joy now that his plan is actually coming to fruition. maybe he’ll be able to get over the waitress after all. and if not, maybe he’ll have a good night this with new person anyway.

you tell him your drink of choice and he makes it for you, taking a beer himself. he sits down across from you at the booth and you get to talking, the conversation flowing easily between you, an instant chemistry blooming. you both just met, but right off the bat there is a lot he really likes about you, and you can say the same for him. you like his scruffy beard and his smile. you like his quirky demeanor. the way his eyes brighten when he laughs and the expressiveness he has when he talks. his fluffy hair. and his hands. they’re soft yet manly. you start to imagine what they would feel like on you. this leads to wondering what he’s like in bed. he is a goofy sort of guy, but something tells you that he knows what he’s doing.

and as the alcohol blooms in your systems, these kinds of thoughts start to dominate both of your minds. you’re both starting to slur your words and giggle at everything. someway or another, you start comparing your heights.

“well, you know, i’m shorter than dennis and mac.. they always call me a little guy.” he says, shrugging. neither of you know how you got to this topic.

“how tall are you? i wanna see,” you say, suddenly getting out of your seat and motioning him to follow. you make him stand right in front of you, putting your hand on top of your head and moving it towards him to see where it lands.

“you’re taller than me.” you say with a small smile, your face inches away from his. oh, he likes that. he just nods. then you reach for his arm and start to compare your hand to his. hand to hand, your fingertips barely reach the first knuckles of his fingers. he swallows hard.

“you’re a little pipsqueak, aren’t you?” he smirks, teasing you. you pout slightly but he continues before you can reply. “don’t deny it. i’m one of the smallest guys i know. and you, my friend, don’t even compare.” he chuckles, enjoying the soft blush that colors your cheeks.

“yeah, yeah. whatever..” you roll your eyes, looking away.

“you’re cute.” he says.

“i am?”

“mhm.”

your hands still connected, he slowly interlocks your fingers. when you look at him he’s looking right into your eyes. his mind is running wild with all the thoughts of what he wants to do with you. to do to you. and by the look in your eyes, you feel the same. but he wants to hear you admit it first.

“whatcha thinking about?” he asks in a nonchalant way, a teasing look in his eye as he watches your face.

“i want to kiss you.”

“oh?” he raises his eyebrows playfully, pretending to be shocked. “how much have you had to drink?” he jokes as if you weren’t both knee deep in liquor.

“just- just a couple..” you pout again, the buzz making you easily embarrassed.

“you’re so cute.” he repeats with a laugh. this time, he brings his free hand up to your cheek as if he couldn’t resist.

“please?” you murmur when he doesn’t immediately kiss you. he smirks at this, before giving you a nod.

____________________________________________

he leans in, connecting your lips with his. it’s gentle, soft, and warm. your linked hands disconnect, his going to your waist while yours go around his shoulders, the action bringing your bodies closer together. feeling your curves underneath his hands and pressing against his body, he growls lightly and kisses you deeper.

things heat up fast, he’s walking you backwards until your butt meets the booth table, and he’s helping you to hop up and sit on it. one hand plants itself on your thigh, encouraging you to spread your legs so he can step between them and be all that much closer to you.

you break the kiss only to catch your breath. his free hand goes up to tangle in your hair while his mouth purposefully moves from your lips to your jawline and down your neck, angling you to give him better access. you’re beginning to think that your earlier suspicions about him are dead-on.

you let out a gasp as he sucks the sensitive skin beneath your ear into his mouth, nibbling there and leaving a small mark. he does the same around your pulse point, copying the action at multiple areas until you’re breathless and practically grinding against him.

“pretty,” he murmurs as he pulls away and admires his work, his voice taking on a husky quality that makes your stomach flip. he pulls away from your neck and his fingertips tease just beneath the hem of your shirt as he looks down at your flushed face.

“can i?”

you nod. he slides his palms underneath the fabric, feeling your soft skin as he helps you out of your shirt, tossing it aside. he sucks in a breath when he sees you in your lacy bra, before helping you out of that next.

freed from the fabric, your breasts spill out and into view. you shiver slightly, your nipples already hardening in the cool air.

he stares, entranced for a moment, licking his lips. his fingers twitch with the urge to touch but he forces himself to hold off, a mission in mind.

“i wanna see all of you.” his eyes flit back to yours, silently asking your approval, to which you nod eagerly once again.

with that, he moves to undo the button and zipper of your jeans in a flash, helping you lift your hips and wiggle out of them. when he catches sight of your panties, the gusset already damp with arousal, he bites back a groan.

“fuck, (y/n),” he rasps before bringing a hand to tease you through the thin fabric. you let out a whimper when his thumb catches your clit, and he looks like he can barely contain himself from devouring you whole right then and there. his other hand cups one of your tits, tweaking the nipple between his fingertips as your hips start to grind into his hand.

“you’re so responsive,” he chuckles softly, almost in amazement. he can hardly believe that this is all happening. you’re so sexy. you almost make him forget about his own needs, his cock hard and straining against his jeans. “feel good?”

“yeah,” you breathe out, in shambles already. he can tell you want, need more. and oh, he’s going to give it to you.

he leans in and presses a kiss to each breast before kissing down your stomach. to your surprise he kneels, now face-level with your clothed pussy.

“charlie..” you whine, the sight of him so close to where you need him most driving you crazy. you feel shy and desperate all at once.

he just hums in response, spreading your legs wider and beginning to plant soft kisses up your inner thighs, alternating between them. they’re meant to soothe but they just rile you up even more. you can feel his beard lightly scratching your skin on the way and it makes you nearly tremble with need.

this continues until he reaches your center, where he kisses at either side of your panties. you whine again and he grins to himself, satisfied, before finally taking the waistband between his fingers and pulling the last thing that’s covering you down your legs, revealing your soaked slit.

he takes hold of your legs, guiding them to rest over his shoulders and he brings a hand up to your pussy, gently spreading you out with his thumb. you can feel his breath fanning over your sensitive flesh before he gives you what you want.

his lips meet your cunt, his warm tongue sampling your wetness with one broad lick from bottom to top. you shudder at the sudden contact, letting out a gasp. he takes a firm hold of your hips, holding you in place before devouring you with gusto. lewd sounds fill the air along with your moans. he alternates between pressing his tongue inside you and sucking your clit, swirling his tongue around it in a way that makes your hips buck and your hands grip the table for dear life.

fuck, he could eat you out all night. listen to the sounds you make, savor your sweetness, feel you grind against his face. but that wouldn’t help the throbbing happening in his pants. getting a little selfish, he decides to move things along in a way he knows you won’t complain.

at the same time he draws your clit between his lips, he shifts slightly. bringing a hand down, he traces a finger between your folds, wetting the digit in your abundant slick before pushing in slowly but surely. you nearly squeak from the sudden combination of his mouth and fingers, your back arching off the table.

he soon adds another finger and pumps them in and out. when his fingers curl upwards and graze that spongy spot inside of you, you let out a high-pitched cry and begin to tighten. you’re getting close. he lifts his head for a moment, still fingering you steadily.

“(y/n),” he breathes, pupils dilating as he takes in your blissful state, head lolled back and skin flushed with pleasure. “can you cum twice for me?” he asks, eager to push you over the edge.

you look down at him, the hunger in his eyes and the evidence of your arousal on his lips nearly making you finish right there. you nod, mouth dry.

“good.” he hums, eyes flitting down to watch your pussy soak his fingers before looking back up at you. “want you to cum on my fingers and then on my cock. sound good?” he asks, making your head spin.

“yes, please,” you reply breathlessly. his fingers start to fuck you faster and deeper.

“mm,” he just grunts, biting his lip as if in a trance as he savors the sight of you before diving back in.

his lips pull your clit back into his mouth, sucking and flicking his tongue over the sensitive bundle of nerves while his fingers fuck you open. it doesn’t take you long at all to reach the edge, his name on your lips and your hands in his hair.

“oh fuck, charlie-” you whimper, your thighs quivering on either side of his head. he groans his approval against your pussy, the vibrations making your eyes roll back, and drapes a firm arm over your pelvis to keep you in place.

before you know it you’re moaning uncontrollably and writhing on the table as your orgasm crashes over you. he continues to stroke your fluttering walls and gently lap and suckle at your clit, letting you ride it out, in no rush at all. when you finally settle, he pulls back to see the aftermath.

he gently pulls out his fingers, bringing them to his mouth to clean them off before getting to his feet and leaning forward against the table, hovering over you.

“all good?” he asks, confidence clear in his voice as he takes in your dazed expression.

“absolutely.”

he grins. “you taste delicious,” he watches with satisfaction as you blush. “ready for more?”

you’re a bit winded, but still beyond aroused. “yes.”

he starts to undo his pants, but when he’s about to pull them down he pauses, looking down at you.

“are you comfortable?” he asks randomly.

you’re laying on a cheap bar table, so the answer is probably obvious. but you don’t really care about that sort of thing at a time like this.

“i’m okay.” you reply. but he clicks his tongue, not convinced.

“nah, come on. get up.” he instructs, taking you by the waist and guiding you up.

once you’re on your feet again, he sits down in the booth. you watch as he shimmies his pants and boxers down.

“c’mere.” he calls, motioning you over. and god, he looks sexy.

you do as he says, not really knowing what his plan is. but as he helps you to straddle his lap, you understand.

“there you go. perfect.” he murmurs, his encouragement in that soft, raspy voice making you melt. his hands find your hips, kneading lovingly at them before bringing one hand down to position himself underneath you.

“ready?” he grins, his eyes sparkling as they meet yours.

“mhm,” you nod, your breath catching a bit when you feel the head of his cock seek out your entrance.

“good girl, just let me in.” he coos as you start to lower yourself onto him. the praise makes your pussy flutter around him briefly and he bites back a growl at the feeling, his grip on your hips tightening ever so slightly.

eventually you sink all the way down and he bottoms out deep inside of you. the stretch, the fullness, it’s divine. you can feel every ridge, every vein, every curve molding your insides into his unique shape. you curse softly, savoring the feeling as you melt against him, your hands going to shoulders for support.

charlie feels your cunt pulse around him again and he groans. “god, you’re so sensitive aren’t you?” he teases, though he’s genuinely a bit amazed at how well you’re milking him already.

you nod with a light pout, cheeks flushed and eyes glassy. he’s not sure how you look so cute at a time like this. “you feel so good,” you whimper, rolling your hips on his lap. he chuckles at this, watching you with half-lidded eyes.

charlie’s content with letting you grind and cockwarm him like this, enjoying the feeling of himself deep inside of you. but the more selfish side of him wants to push you a bit, see how much you can take. plus, he doesn’t know if he can control himself much longer if you don’t move.

“i know, i know.. but, i believe we had a deal..” his lips curve into a small smirk as his eyes dance with yours. “you want to cum on my cock, don’t you?” he asks bluntly. you didn’t think you could get more turned on but you stood (or sat??) corrected.

“..yes.” you nod shyly. he chuckles lowly again and grabs your hips more purposefully.

“then ride me, baby. c’mon, i’ll help you.” he coaxes sweetly, his hands gently urging you to move. when you do, lifting your hips and sinking back down in one smooth motion, both of you moan. “fuck, that’s it. tight, wet, perfect little pussy..” he mutters between gritted teeth as his head falls back, his composure faltering.

as you build up the pace mewls fall past your lips. he lets you ride him by yourself for a little while, enjoying watching your tits bounce and your hair fall in your face before he can’t resist stepping in, unable to resist the urge to fuck you any longer. and so he starts to help you up and down, meeting your downward motions with his own upward thrusts. you gasp sharply, knowing instantly you won’t last long at this rate.

“that good?” charlie bites out cockily between panting breaths. he knows the answer, but he wants to hear you say it.

“god, yes.” you reply quickly, your face scrunching up from the pleasure. when you tighten around him he knows he’s on the right track, a primal, determined gleam in his eye as you start to fall apart. his cock twitches at the thought of you convulsing around him.

“can you rub your clit for me?” he asks.

“y-yeah..”

“go on.”

you reach down to do as he says, and this combined with him fucking up into you makes you see stars. your breath hitches and you let out a series of pornographic noises. you’re climbing rapidly to your peak for the second time of the night.

“mm, you look like heaven..” charlie rasps, his eyes raking over you greedily, so lost in pleasure and taking it so well. there’s no way he’s letting you go after this. “let go for me, baby. you can do it, i know you can.” he encourages, snapping his hips up a bit faster.

your fingers dig into his shoulder as you reach the edge. you cum with a broken cry and a string of curses and his name, riding it out until your head falls forward into the crook of his neck and you’re panting for breath, your arms wrapping around him as your orgasm settles.

“perfect, so perfect,” he grunts, still pulling you up and down on his cock. it was his turn to reach his peak, and he earned it. you whine into his neck, overstimulated and officially brainless, and he gently soothes you, contradicting the way he’s absolutely wrecking you. “shh, sweetness, it’s okay. just a little longer, you can take it.” he whispers, his voice turning to a low, possessive growl as he continues. “so fucking tight around me, jesus.. made for me..”

he fucks you a bit longer, mumbled words of praise and filth slipping out between grunts of pleasure. the veins in his neck pop out and his grip on your hips becomes tight enough to leave bruises. but soon he tenses up, cursing as he buries himself to the hilt one final time and finishes.

“fuck..” he pants as he comes down from his high, his hands immediately softening on your sides. his arms wrap around you and his lips graze your temple. “you okay?”

“mm..” you just hum, completely satisfied and exhausted.

“what’s that?” his lips quirk upwards, pulling back to look at your face. he’s looking for a full answer.

“i’m more than okay.” you tell him.

“good. same here.” there’s a gleam in his eyes as he looks at you, affection in his gaze. he didn’t want to let you go, but you couldn’t exactly stay like this in the middle of paddy’s pub. “let’s get you dressed and home safe, m’kay?”

he taps your hip gently, helping you off of his lap. he tries hard not to stare at the mess of your juices and his cum between your legs, the sight nearly making him hard all over again. he slips his pants back on and stands, finding your articles of clothing scattered on the floor and handing each to you.

once you’re dressed he walks you to your apartment which happened to not be that far away. at your door, both of you pause.

“you, uh.. you have a number or something?” charlie asks you, leaning against your doorframe. you smile and nod, pulling out a scrap of paper from your bag and writing it for him. he takes it and puts it in his pocket.

“alright, cool, well.. goodnight, (y/n)..” he smiles back, but doesn’t immediately move to leave. neither do you move to head inside your apartment. instead, you frown slightly, unwilling to say goodbye.

“would you want to stay the night?” you ask, looking at him hopefully.

“really?” a night away from his crappy futon sounds great, and the idea of sharing a bed with such a lovely companion instead of frank for once sounds heavenly. you nod and he happily accepts with a “hell yeah!”