2 Really Good Mystery Thrillers About Mother/daughter Relationships That I Really Enjoyed. Happy Mother’s

Two sentence horror story

Scary warning! 😨 ⚠️

Hey guys, it's me, Jeff, Jeff said.

Little did they know, he was ... the killer

subscribe if you screamed 😱

If you’re itching for strange macabre and gorey short horror stories may I recommend this anthology by Adam Cesare, author of my favorite book series ever. Some of these stories definitely made me feel a little queasy

No story today, appreciate this artwork

Art by Vincenzo Lamolinara

Wasn’t expecting that fs but a good read c:

Condemned

Paul loved escape rooms. 

He just loved them. The lovingly-crafted set designs and props, the electric buzz that came from finding hidden items and putting together puzzle pieces, the euphoria of cracking a code, the adrenaline of the ticking clock, and most importantly, the thrill of the escape. 

His friends had long ago stopped accompanying him every week, sometimes more than once a week, to escape rooms in his area. Especially once he started driving hours out of town just to try new escape game centers for a fresh hit of that delicious escape puzzle challenge.

Paul now preferred to go alone anyway. People just bogged him down. He didn’t come to make friends, he came to win. 

Months of hot anticipation finally bore fruit when the “Great American Escape” opened its doors to him, at long last. Great American, according to the billboards and posters strewn around town, was the primary attraction of an entertainment mega-complex which took the place of a long-disused waterpark hotel. It would be huge, he knew. Not just physically. His great fear was that it would blow up on social media– maybe even on his feed– and then the solutions would be spoiled for him. So he had to be first.

Great American Escape was so new the day he strode in there that there were still “CONDEMNED” notices stuffed into the recycling bins and old lists of health & safety violations stuck in the vents. 

“One ticket for Mystery Escape,” Paul, slapped his money on the counter and smiled at the teen boy working behind it. He was a short, lithe, wide-eyed man in his thirties with dark greasy hair and one navy blue university sweater he’d kept in moderate repair for a decade and a half.

“No group?” The boy asked. When Paul confirmed this, the boy said, “You’ll have to wait until a group comes in. You need three people at least.”

“When is the next group coming?” Paul asked.

“We don’t have any groups booked today,” the boy replied.

“... So, you’re not gonna let me in?” 

“... Um… yeah. I can’t. Sorry.”

Paul put down another handful of bills. This wasn’t his first rodeo.

“I’ll buy three tickets,” he said. He made sure to draw the boy’s attention to the extra $20, a little tip for a helpful front deskman. 

The boy, who was thin and bored-looking with a patchy teen mustache and his elbow resting on top of a stack of I Escaped stickers, glanced at the security camera which flickered in the corner, its blinking red eye frosted over with a decade of dust. The boy took the $20 and shrugged. 

“You won’t be able to escape,” the boy said. “It’s impossible by yourself. But if you want to try… I guess you can try.”

The boy led Paul towards a set of slightly rusty elevator doors, past posters and cardboard cut-outs of characters from “Rattlesnake Gulch Treasure Hunt,” “Escape From Venus,” and “King’s Dungeon Jailbreak.” Paul planned to return to these, but he’d start by going straight for the crown jewel– Mystery Escape, which had been advertised exclusively with nothing but an open doorframe leading to darkness. 

The boy went over basic safety guidelines. The door wouldn’t really be locked, red things were real alarms, things that said “staff only” were really for staff only, etc., blah blah blah, boring stuff.  Paul listened impatiently, but carefully, only because knowing what was “real” (and therefore inconsequential) would give him a leg up in the game. 

“The game starts when the elevator door opens,” the boy finally said. “Floor 3. Good luck.”

The elevator bell dinged, and the doors slid open. The light flickered. Paul stepped inside. 

He waved to the boy as the doors shut. He pressed 3. 

The light above flickered. Paul could almost see his reflection in the red-rusted metal doors. 

The elevator began its ascent, and right away, Paul could tell something was strange. There was a creaking noise, like a train braking. The light flickered. The light sputtered out. 

The elevator stopped.

Paul was trapped. It was pitch black inside the tiny car, which made no sound or movement. 

The first thing Paul did in any escape room was to check around for hidden props. Keys, ciphers, and puzzle pieces were often hidden around a room for players to find, which would then give them a clue as to what to do next. Paul checked around the elevator car for hidden tools. He pulled up the mildewy carpet by its frayed edge– nothing under there but more mildew. But wait! On the bottom of the carpet there were numbers and letters: EL1. What could that possibly mean? 

The next thing Paul did in an escape room was to interact with anything interactable he could see. In front of him was a series of numbers, 1-5, a “door open” and “door close” button, and “emergency.” But “emergency” was red, and red things were inconsequential. 

Paul pushed all the buttons but the last. To his surprise, the door began to open slightly– then jammed. 

Paul mused about the possible meanings of “EL1.” E was the fifth letter, and there were five numbers… But L? 

Maybe it was a cipher. Paul thought on this. 

He started trying combinations of buttons. The cipher thing was the key somehow, he knew it. A cipher worked with a code. Where was the code? Maybe it had to do with the symbols, not the numbers…

Suddenly, it all made sense to him. He pressed a set of numbers and then hit the door open button.

To his delight and satisfaction, the elevator doors creaked open. And with them came light.

Paul could see well enough now to see that he faced a concrete wall, which took up the whole lower half of the exit. But above that half, Paul could see a hallway of a hotel, so tantalizingly close. 

Paul had beaten escape rooms that had physical components to them before, so this was cake. He gripped the edge of the concrete ledge in front of him and pulled himself up. He let out a grunt as his head and arms made it over the threshold. He just had to find something to grip so he could drag the rest of himself through the gap, and then it was on to the next puzzle.

The elevator lurched.

There was a sound. A scrape, a crash, a wet squelch, a snap. It all happened at once, and it was the loudest sound he ever heard.

When Paul finally sat up, he was somewhere completely different. It was dark here. Darker than the elevator car. The darkness of this place was crushing, like the depths of the deep ocean. There was a smell of meat all around. Paul quickly dismissed the idea of trying to adjust his eyes– he’d navigate by feel.

Paul reached out into the darkness and felt nothing. He stood. His hands pushed him up from a strangely soft, lumpy floor. He noticed something strange about the sound of his movements, and let out an inquisitive “Hey!” to check the echo. It did not bounce. He was… outside?

No– he must be in the disused waterpark proper. The building was huge. Paul was delighted by this thought. He’d chosen the right room.

Paul felt around for a wall, a light switch, a puzzle. Anything. 

“Abandon all hope, ye who enter here,” said a deep voice.

“Hello?” Paul said after a moment. 

“You lived a selfish life, Paul. You cared for nothing and no one but yourself and your own pleasure. You were an idolater, a heretic. You raised the Escape Game to the heights of a god. Pity that from this place, there is no escape.”

Paul listened carefully to the monologue. Selfish. Idolater. Raised. Heights. These things might be clues. 

“Paul,” said the deep voice, which seemed to come from above, below, and all around him, “You died a foolish death. Pity that you did not suffer. But now, you will suffer for eternity.”

Paul was already climbing up a staircase he’d found. It was the disused waterpark. Raise, he thought. Heights. The key was to go up. 

He found a craggy, warm wall. There was something under his hand– a button? He pushed it in, hard.

Under his hand, a huge glowing red eye flew open. 

“OOOOOOOOOOOOOOOOOOOOHHHH!” 

The eye blinked in pain and fury, welling up with tears. A thousand more eyes flew open along the wall before him, and Paul saw that it was not a wall at all, but some kind of enormous creature. It stirred, its red gaze illuminating the space around them.

“Stupid man. You woke something up.”

But now Paul could see the entire room– or space, or whatever it was. What he’d taken to be the “floor” was a mass of flesh– human hands, it looked like, reaching up stiffly. The hands started to stir as the creature woke from its slumber. What Paul had taken for a staircase was not that. 

Paul was making some real progress. As the hands clamored over each other, rising like tentacles from around the immense eyes, Paul hopped onto the face of the thing and started using the eyes as hand-and-footholds, which was their obvious use. Paul could spare no time on figuring out little things like that the honest way, he was on a clock. As he stepped on the creature’s eyes, it let out another unearthly roar and started to rise. 

There was a hole in the ceiling. Yes– this was meant to be a cave of some sort, and it had an exit. 

“You idiot,” the voice boomed. “You–”

Paul kicked the creature in the eye a few more times to make it rise faster. A tsunami of pale, writhing hands on wiggling stems shot up towards him to slap him away, but by the time they reached him, he was already through the hole. 

Paul scurried through the tunnel as fast as he could. If it was a three-person puzzle, you couldn’t waste any time.

He came to the next room, which was well-lit– a nice reprieve. In this room, a sweltering cave, some props department had gone all-out carving little demon faces that stuck out from the sides. These gargoyle-like stone structures leered at him and grinned in anticipation.

“The flametongue is coming, kindling,” the demon voices hissed. “Ready or not!” Paul heard a splashing, gurgling sound up ahead. He took quick note of some of the quirks of the gargoyle faces– most of them had black scorch marks on them, but some didn’t. That was a clue. The light from the other end of the tunnel grew brighter, as did the gurgling. Paul realized what he was meant to do, climbed up the protesting gargoyles, and found a set on the ceiling which had no scorching on them. Below, a wave of red-hot boiling sulferous-smelling magma flowed down, passing over the other gargoyles, who screeched and sputtered in it. Another puzzle solved. Paul dropped down once the stones cooled, and hurried up the tunnel– no time to spare. Only one more wave of “fire” passed before he solved the gargoyle pattern and pulled the right ones out of the wall in sequence to reveal a hidden exit.

This escape room was huge. He made his way through a room which featured a river of moving knives, which he was able to avoid by memorizing the timing and patterns, and climbed up into a room full of blistering ice and animatronic zombies which lurched toward him, their bodies crackling as they froze just as soon as they’d moved, their lips split by the cold. This puzzle was a simple matter of lining up the giant shards of ice in the room so that the light concentrated and blasted a hole through the glacial wall. 

Paul’s own body was profoundly frostbitten by this point, but he didn’t notice. He was on a timer. 

By the time Paul finally made it past the “three-headed-dog on a chain” puzzle, that subterranean voice from the first room had caught up with him.

“Paul,” the voice said. “There is no hope. There is no escape. Do you understand? You are dead, Paul–”

“Ssh,” Paul said, gazing at the puzzle before him. 

The door was immense. It seemed to stretch above him and beyond for miles. It was carved from stone older than the bedrock of earth, and above it, in an arch as large as the firmament, there was carved a phrase:

Abandon all hope, ye who enter here.

This was clearly important, because the deep voice had already voiced it earlier in the game. After checking the area for tools, Paul ran through anagrams. There were a lot of little props around the big door– lots of discarded holy texts, some bones, some strange bits of giant insectoid carapaces which Paul could not immediately identify. The bibles and such had bits burned and torn off of them in places. Abandon all hope, ye who enter here. That was a ciper, maybe. He was sweating. He had to be at nearly an hour already. He started arranging the bones.

“What you are doing is futile nonsense,” the deep voice said.

Aha! By turning the phrase above the gate into numbers and then matching those numbers to the non-burned sections of each holy text, organized by the printing date, Paul had discovered an anagram which, when re-ordered, spelled out skeleton key prop, ds flo knemb yyuq. Paul had only bothered to spell out the first three words, however, due to the time crunch. That was all he needed to understand what to do, and he had done it: he had connected all the bones into one big key.

“I don’t think you understand, Paul. This is not a game. You cannot escape your fate. You cannot escape your death. You cannot escape damnation. You cannot escape from Hell.”

Paul slid the giant skeleton key into the lock. It took all of his strength to shove it to the back. Behind him, the host of hell scrambled over each other up the lip of the abyss– the thousand hands and eyes, the fire-spitting gargoyles, the lurching ice zombies, the great black dog, and many others, come to claim him for their own special torment.

Paul turned the key. There was a click. 

Well– more of a thunderous clunk.

The deep, gravelly noise of the stone door opening reverberated all throughout Hell.

“What the–”

“Hell yeah!” Paul shouted. He ducked through the door.

The red eye of the security camera caught it all. The man, crawling through the gap in the elevator. The lurch. The fall. The split.

The hopeless paramedics, the traumatized front desk boy, the shaking venue manager, the anxious lawyers, the dozens of police putting up brand-new yellow “do not cross” signage around the old hotel. 

The red eye of the security camera watched on as people in grim uniforms put the larger piece of what had been paul into a black bodybag and fetched the rest from the third story floor. 

“Used to love this waterpark when I was a little kid,” said one of the paramedics to another. “Now I hope they tear it down.”

“Wasn’t this place a lawsuit magnet back in the day?” said the other. “I remember a kid–”

The paramedics both noticed at the same moment that the body bag was moving. A lot. 

“Is he alive in there?” The first paramedic choked out, even though he understood that the answer had to be no. But then the zipper started sliding down. The bag was opening from the inside.

The headless body of Paul Gibson sat up. It reached out with its stumps of fingers, covered in cool dark blood, and rolled out onto the hotel lobby floor. Both paramedics screamed and leapt away as the decapitated Paul stumbled to its feet and lurched forward. It felt around without its fingers, leaving smears of blood on the front desk, the wall, the table, the “do not cross” tape, until it found the small white cooler on the floor. He pried it open with his mangled hands and lifted his own iced head out. 

Paul put his head on top of the gristle that was his neck. He had it the wrong way around, but his eyes opened and he smiled through bloody teeth. 

“I ss-ss-olved the b-a-ag puzzle,” the formerly dead man sputtered. “Did it a-all mys-self.”

He turned around to face both paramedics, so that his front side faced away. 

“Uh… congratulations,” the second paramedic said.

Paul choked up more blood and grinned wider. He stumbled toward the front desk, toward the paramedics. They backed away from him in horror as he reached out the wrong way and grabbed a commemorative I Escaped! sticker from the top of the pile.

“Th-a-ank you,” Paul said. “I’ll be su-ure to come back soon!”

If you haven’t heard of it, the Clown in a Cornfield movie comes out this May!

I’ve mentioned Adam Cesare before. This YA slasher trilogy is my all-time favorite book series. Seriously, if you haven’t read it already, I recommend checking it out. And there’s high hopes for a fourth book next year.

Favorite book is currently book 2, which takes place during Halloween. Makes it the perfect October read.

Just ignore it

One of the first stories I posted on wattpad.

On there I'm at 71 short horror stories right now, I'm not sure if I will ever post all of the stories I wrote before on tumblr, but here is one.

Word count: 1105

TW: Psychological horror

I look up at the old school building, just for a second I see the cracks. The surrounding plants around it have started growing inside. Some of the windows are broken.

The broken bell goes off and it almost sounds like a muffled scream.

I quickly go inside.

Inside the right classroom I take a seat at my table, it is a scratched old table with graffiti, not done by me.

Slowly the classroom fills with my 'classmates', these dolls with keys in their backs. They enter with their rattling keys and stiff movements. Opening and closing their wooden mouths, like they are talking to one another. I can't hear them, but I'm not interested anyway.

Lastly, the 'teacher' enters leaving its books on the desk and 'starting the lesson'.

I don't care to listen to the clacking of its mouth. It doesn't matter anyway, ignoring is for the best and pretending.

At some point the 'teacher' points at me and stops.

Carefully I stand and walk towards it, followed by the empty stares of the other painted wooden faces.

It is quiet.

It has always been quiet.

My 'teacher' seems to have stopped working, so I stand behind it and gently turn it's key until it starts working again.

Then just as quietly as before, I return to my seat.

I stare out of the window, without actually observing what is happening. Well nothing is happening really. Nothing ever is.

Just nature taking over this school, this empty building.

Even during break I just stare outside, while those dolls are clacking to each other.

If I go anywhere the dolls will be mean to me, they will sometimes throw things at me or clack mean things about me. So it is better just to remain in one place. They are defective.

I return home without looking back.

I live in an old dollhouse, it's almost completely empty and always silent.

I love the silence.

I enjoy the emptiness.

The rest of the house is just like the city with plants growing everywhere, inside and outside the buildings.

All buildings are slowly breaking apart and I just ignore it.

It's all fake anyway.

It's all useless anyway.

Nothing matters here, just that I do what I have to do and return 'home'.

The next day when I go to 'school', something strange happens.

The 'teacher' introduces a new 'classmate', another doll.

With a key and a painted face, just like any other.

It takes the empty seat next to me.

The new student seems to try to get my attention, but I just start doodling in my workbooks. Pretending I don't see or hear her.

The day passes by quite quickly, and I return to my old dollhouse.

I walk up the creaking stairs and past the rotting woodwork.

In my room I stare out of the hole in the roof, at the dark, starless abyss, most people call the sky.

And just like always, another day has passed.

The next day I do the same as all the previous days.

Stare out of the window, turn a key and return to my seat.

Then lunch comes around.

The new student is getting more annoying.

It has even started jumping in front of me to get my attention, which made the other dolls clack their mouths like they were laughing.

It's becoming more and more difficult.

Then suddenly it locks it's wooden hands around my wrist.

No matter how hard I struggle, It won't let me go.

Then it started walking and I am forced to follow.

We go up to the rooftop.

"I need you to listen." The voice coming out of the doll sounds vaguely human.

While blocking the only exit, it let's go of my wrist.

What does this thing want from me? None of them ever try to contact me as long as I ignore them, why does this one do?

The new student puts a hand under its chin, then a short click could be heard.

She removes her face, I guess she was wearing a mask.

I look at her face, her nose, her eyes, her eyebrows... Everything about her looks too familiar.

She looks like...

me...

Why does she look like me?

"I need to speak with you, please listen." She pleads with my voice.

I don't like where this is going and I take a step back. She doesn't seem to mind though.

"I need you to start looking around you and not ignore everything."

I remain silent.

"Remember what the doctor told us, about the ignoring of bullies and unfortunate situations? Well he was wrong."

I stay quiet and stare past her at the door, so close yet so far away. I just want to ignore her and continue my day.

"You can't ignore everything, you've already done that too much. You need help. You need to tell others about what's going on and learn not to just take everything."

So annoying.

"I don't care... I can just ignore it." I mumble to myself.

"Please don't." the other me pleads, her eyes starting to look red and watery.

I don't answer and take a few steps closer to the door.

"No you can't leave!" She yells.

I glare at her: "You're not supposed to exist. The doctor wasn't the only one who told me to just ignore it. Everything is better this way."

Defeated, she moves aside, her head hanging down: "S-so it has already gone this far... I see, it really is too late."

In silence I continue towards the door.

As my hand brushes the door handle she suddenly seems to want to give it one more try: "This whole city will collapse on top of us! It will kill us!"

"Then let it collapse. I can't go back to the time, when I still observed, when I still listened and I still felt everything. That time was hell. It was worse than death."

"But it is not too late. You can still get the help you need, before your world will collapse!"

"I don't want it."

I shove her aside and return to class.

The classroom looks more in disrepair than before we left, but I ignore it.

As school continues on, more cracks start appearing and I haven't seen the other me since I left her.

She probably won't return.

She must have left.

Given up entirely.

Well it's not like she could change my mind or anything.

She has no power over this place, unlike me.

I don't want to leave this place.

Yes, it's empty and it's lonely.

It might all be breaking apart, but this is my only safe haven. My own place of peace and quiet.

My own safe little world.

When the teacher stops working while pointing it's finger at me again, I turn the key on his back and return to my seat.

See, it all works perfectly fine.

I'm perfectly fine.

Nothing is wrong.

As long as I just ignore it all

And then at last the cracked walls can't hold the ceiling anymore.

I can hear its creaking.

But like always... I just ignore it.

I can’t go home. There are only a few places open this late and I am walking. I leave a trail of footprints in the powdery snow. The music hall in the middle of town is playing a local band no one has heard of and a single popup store sits outside. I go to the window. The clerk is on her phone in the small cramped cart. Her screen goes dark and she looks up. Her hair is deep brown and tied back so neat and boxy you’d think it was a nun’s habit.

“Hot chocolate,” I say.

The clerk is nonplussed. She takes my money. Her habit-like-hair is stiff and doesn’t shift as she nods and counts my ones. She moves from one end of the little cart to the other with a Styrofoam cup. 

She carries the sugar-thick hot chocolate in one hand and it lets out a thick steam. I am sure she made it too hot. She stops. Her gaze draws up and over my shoulder. Her pupils expand and shoulders rise almost to her ears.

She glances at my face and then away again. Her lips are thin and uncolored. She mouths the words like an unskilled ventriloquist, “do you need me to call someone?”

I shake my head and take the cup and the texture is squeaky and flakes off in my grip. I walk. My footprints mark the powder-white snow and my city only has a few places open at this time of night. My legs are numb with cold and my eyes ache from lack of sleep. I am grateful for the street lights which are all a pale blue color that is supposed to help the birds. I am a bird person, I think, if I was going to be anything.

Cars pass and I am grateful for those too. I reach the street of little cramped stores, one after the next. A fabric store. A second-hand book store. Florists and boutique shoe shops. All too charming to be supportive. The Walmart is just outside our small town limits and I can’t go home.

Across the street, the pub has lowlights on and voices rumble like a thunderstorm from within. I don’t think the rest of the town likes the pub. The bar has one long window made up of colored glass in muted reds and blues and yellows. It reminds me of church windows and leaves the impression of making up for it. Making up for being what it is.

I square my shoulders and push my way in. The air is warm and floor a good type of dark wood. The tables are full enough to be considered a party–or, what I imagine a party to be like. I hadn’t noticed the dusting of snow on my hoodie, and shook it off like dandruff.

The man behind the counter gives me a cursory look. He is a big man with a large mouth and wears frowns like he’s making up for something too. “Mark isn’t here,” he says in a further cursory manner. I shake my head and make my way to the counter. I hadn’t finished my hot chocolate and clutch the Styrofoam cup in both hands.

“Warm up?” I ask but Steven Plyer, the barkeep, is looking over my shoulder. He mouths to himself silently like he’s working out a math problem under his breath.

Two men, big and strapping, move away from the bar’s church-like window. They take seats at the end of the bar and Steven Plyer, the barkeep, leans over the counter. His pupils are ink-dipped coins. I fiddle with the ends of my sleeves. He looks over my shoulder just as I push my hot chocolate closer over the counter.

“There’s a whole world out there,” he says.

I close my eyes. “I know.”

“You don’t have to go.”

I shake my head and Steven Plyer takes my hot chocolate and disappears behind the swinging doors to the back. The rest of the men have moved away from the window and sit on either side of me. They murmur in voices too low to hear.

The oldest of them, a man that smells like leather, stands. His voice has a vibrating quality, unsmooth, dragging out the “a’s” like a regal sheep. “Do your parents know?”

Steven Plyer returns with my hot chocolate steaming and passes it to me with both hands. I get up because the old man needs my seat, I think. The first two men huddle by the front door, coats on and heads bent together like prayer, and I leave without them. The snow is no longer powder but inch-thick fluff. I kick up the fluff with each step and the silver hangs about me like fairy lights, I imagine. I take a sip of hot chocolate and it is too hot and too sweet and you can be grateful for that too.

The sidewalk ends and I walk alongside the side of the road just on the edge of the white line. I think I can see the lights of the Walmart beyond the lights of the city. Trees gather on either side and I miss the blue glow of the street lights and the concerned gaze of the clerk in her tiny cart. I wish she had come with me. I wish Steven Plyer had called me by name.

A solitary car passes and its stark white headlights blare against the night, more violent than kind, and I have to shield my eyes. The car is red and large and pulls to stop on the other side of the road. The window rolls down and a curly-haired woman sticks her head out. Her face is small and elfish and mouth pinches together at the corners. She wears a tight shirt buttoned up all the way to her throat like it might hold her in.

The head beams glow perpendicular to me and I regard the woman as she regards me. She is slow to speak. Slower than the men at the bar had been.

“Get in,” she says, buttoned-up to the throat and with eyes more tired than sad.

“No,” I say and take a sip from the hot chocolate. It’s cold.

Her windshields wipe away the snow and she looks over her dashboard. Her voice is breathy in the way of a Hollywood actress from a bygone era. “I’m worried.”

I nod. They all are. “That can be enough.”

Her mouth zips together into an angry line. She sticks her head out the window, close to a snarl, looking past me, and honks her horn in one long blast. I shy away from the noise and the too-brightness of her head beams. She drives with her head out the window, honking her horn over and over again as loud as she can.

I walk and there are no more cars. The snow settles over my shoulders and I don’t bother to dust off my hood or warm my hands. I leave the white line and walk in the middle of the road. The lights of the Walmart warm the night just outside of town and I can make out the outline of parked cars in the distance. They’re aren’t that many places open this late at night. 

I slow to a stop and sway a bit, like I'm drunk, I think, if this is what that's like. A second pair of footprints mark the snow in front of me. When had that happened? I tilt my head all the way back. The clouds are bright like daylight and snow growing heavy. I think it will all be glittering when the morning comes.

FIN

My book! 🐈 Newsletter

For a super unique twist on the haunted house trope, I’d recommend this short read, Haunt Sweet Home, by Sarah Pinsker. It’s specifically about a woman working for a reality TV show, whose goal is to make a house seem haunted for new buyers.

Read this r/nosleep recently called The Arkansas Experiment by Jared Robberts. I think there’s something so uniquely charming about r/nosleep stories and I thought this one was pretty good.

Here’s neat story by PriorityHuge7544 on reddit titled Promises Kept.