Fermions are weird about each other in a standoffish way. Integer-spin particles are weird about each other in a 'stand uncomfortably close while talking' kind of way.
Exclusion Principle [Explained]
Transcript Under the Cut
[Inside the panel, there is an underlined header and a numbered list, with the fifth and last item in red:] Fundamental Forces 1. Gravity 2. Electromagnetism 3. The Weak Interaction 4. The Strong Interaction 5. Electrons are weird about each other
[Caption below the panel:] Big news: Physicists have finally given up trying to explain about the "exchange interaction" and agreed to just make the exclusion principle a force.
Spending time alone with Allah, reading the Quran, calling upon His beautiful names, or making supplications, is the most comforting and healing form of therapy.
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'Physics for Cats' is my next collection of science cartoons. It'll be out in the autumn. More details and an excerpt are here: www.drawnandquarterly.com/books/physics-for-cats/
NGC 2244, Cosmic Rose
A Belousov–Zhabotinsky reaction, or BZ reaction, is one of a class of reactions that serve as a classical example of non-equilibrium thermodynamics, resulting in the establishment of a nonlinear chemical oscillator.
let today = new Date("December 1, 2022 22:34:00")
Today we officially ended our JS course at school, and I'm gonna miss our lecturer so much 😭 been prepping for tomorrow's assessment all day, i really hope i pass!! And I'm gna meet with some classmates before lunch to rehearse one last time 🌹🌹also lol in the last pic I'm having tea from the tea advent calendar i got from my mom, it was actually so good (yes i put milk in my tea...)
The Pleiades
1. Start with a false sense of security
• The best plot twists work because the audience feels confident they know what’s coming.
• How? Lay down a trail of clues that mislead without outright lying. Create a sense of inevitability.
• Example: A detective follows all the evidence to one suspect, only for the real criminal to be someone they completely overlooked.
2. Plant the seeds early
• A plot twist is most satisfying when it feels inevitable in hindsight. Subtly sprinkle clues throughout the narrative.
• How? Use small, seemingly insignificant details that take on new meaning after the reveal.
• Example: A side character is always conveniently absent during key events—later revealed to be orchestrating everything.
3. Subvert expectations without betraying logic
• A twist should surprise readers, but it must feel plausible within the story’s framework.
• How? Flip assumptions in a way that feels earned. Avoid twists that rely on coincidences or break the rules of your world.
• Example: A character who appears harmless and incompetent is revealed as the mastermind, with subtle foreshadowing tying everything together.
4. Exploit emotional investment
• Twists land harder when they involve characters the audience deeply cares about. Use relationships and personal stakes to heighten the impact.
• How? Create twists that change how readers perceive the characters they thought they knew.
• Example: The protagonist’s mentor is revealed to be the antagonist, making the betrayal personal and devastating.
5. Use red herrings strategically
• Mislead readers by planting false clues that draw attention away from the real twist.
• How? Make the red herrings believable but not overly obvious. They should enhance, not distract from, the story.
• Example: A mysterious object everyone believes is cursed turns out to be completely irrelevant, shifting focus from the true danger.
6. Timing is everything
• Reveal the twist at the moment it has the most dramatic or emotional weight. Too early, and it loses impact. Too late, and it feels rushed.
• How? Build tension to a breaking point before the twist shatters expectations.
• Example: A twist that flips the climax—when the hero thinks they’ve won, they realize they’ve fallen into the villain’s trap.
7. Allow for multiple interpretations
• A great twist makes readers rethink the entire story, encouraging them to revisit earlier scenes with new understanding.
• How? Design the twist so that the story works both before and after the reveal.
• Example: A character’s cryptic dialogue is recontextualized after the twist, revealing their hidden motives.
8. Pair the twist with consequences
• A twist shouldn’t just shock—it should change the trajectory of the story. Make it matter.
• How? Show how the twist raises the stakes or deepens the conflict, forcing the characters to adapt.
• Example: After discovering the villain is their ally, the protagonist must choose between loyalty and justice.
9. Keep the reader guessing
• A single twist is good, but layered twists create an unforgettable story. Just don’t overdo it.
• How? Build twists that complement each other rather than competing for attention.
• Example: A twist reveals the villain’s plan, followed by a second twist that the hero anticipated it and set a counter-trap.
10. Test the twist
• Before finalizing your twist, ensure it holds up under scrutiny. Does it fit the story’s logic? Does it enhance the narrative?
• How? Ask yourself if the twist creates a moment of genuine surprise while respecting your audience’s intelligence.
• Example: A shocking but clever reveal that leaves readers satisfied rather than feeling tricked.