I Really Am A Sucker For Dual Male Lead Media Where They Appear As Complete Opposites Only To End Up

I am a WHORE for “the love is requited, they’re both just idiots”

yo han trying to flirt (it's working)

I had to make this post after seeing this amazing post because this needs to be said for all new viewers of TDJ. 

I can actually confirm that the writer did intend for Yohan and Gaon’s relationship to be gay. 

Ji Sung said their relationship was one of “seduction”. At the Devil Judge press-con, he confirmed that his role was that of Mephistopheles (around the 23 min mark but I’m at work and can’t pinpoint rn loL) who “seduces” Gaon who is Faust. I’ve analyzed this in more detail in this post. 

Writer Moon Yoo Seok has been very open about his influences in crafting Yohan and Gaon’s relationship being: Beauty and the Beast, Goethe’s Faust, and the movie Let The Right One In .

All these influences are either romantic or homoerotic. All of them. 

The writer has also confirmed that Gaon occupies a traditionally female character and feminine gender role. He’s used tropes that we normally only see in heterosexual romances for Yohan and Gaon’s romance. A non-exhaustive list:

living together

snooping through the mysterious house of the man who’s whisked you away

undressing your partner and wound-tending

making him food, refusing let anyone eat unless said man returns

understanding him like no other, being the only one who sees through his facade to the loneliness within

choosing him over everyone else (ep 8 and then end of 15)

trying to die for him (twice)

defending him to the het love/past love, everyone around really

PINING, yearning (Gaon literally looked at the bed in ep 16 and thought back to shirtless Yohan okay)

taking care of each other

being vulnerable before and for each other

oogling him shirtless (both of them did this)

hand holding

DEEP. STARES.

sexy bomb defusal

love triangles (K and Soohyun)

Homosexuality is so taboo in Korea that the closest we’ve gotten to proper rep is the wlw couple from Nevertheless and Kim Seo Hyung’s character from Mine, and even then that’s because men find it easier to see women in love with each other than men being in love. And men finance drama production.

Writer Moon Yooseok (who has 25 years of writing experience) has literally done everything he can to get a queer story out there. Heck he’s even including stuff in the TDJ comic (spanking, anyone?) that wouldn’t fly on TV because he has more freedom there. 

Ji Sung and Jinyoung have known this from the start as well (that poster photoshoot), and it’s hard not to know that your character is gay when they’re staring at another for 95% of the show and undressing and oogling each other, or when the ending is 2 minutes of sappy staring. They knew. 

The director in episode 8′s bts at 6:04 as Jinyoung and Jisung rehearse Gaon ditching Min Jung Ho: “Gaon’s become cute now that Yohan’s here”. 

Jinyoung: nods.

Me: Okay we’re all in agreement clearly. 

Rather than new fans being disappointed for it not being gay enough, I hope they can uplift this for what it is: a serious attempt to bring a gorgeous romance onscreen. Writer Moon Yoo Seok really said lawful husbands. He’s been saying it from the beginning. 

the most fun a girl can have is finding parallels, noticing patterns, making connections, contemplating

The political plotline of TDJ was lowkey out here endorsing (at the very least sympathizing with/explaining the logic behind) terrorism as a tactic against a fascist oligarchy which hides behind populism for legitimacy, and, as a political science/international relations student in the US, I’m kinda fascinated by that.

In the first episode, we see a lone-wolf terrorist attack against the Supreme Court building after the warrant for Joo Il-do’s arrest is dismissed, a sign that the government was likely to be lenient against this CEO despite the wishes of the people. Leaving out the actions taken by our main characters in response and what that tells us about the priorities of the protagonists, we then see in the same episode a complete reversal of that expectation that the government will disappoint the people, when Kang Yohan sentences the guy to 200-something years in prison.

A key part of the logic behind terrorism (please don’t put me on a watchlist I’m just currently taking a course on insurgency and terrorism for my major) is the cost-benefit analysis of whether or not you can 1. draw sympathizers and supporters to your cause through a violent action that sends a message to an audience beyond the actual victims, and 2. through that support, coerce the targeted government into changing policy or action.

Yohan demonstrates with his harsh ruling against Joo Il-do that, in a Korea under his interpretation of the rule of law, the government will respond to violence done on behalf of “the people.” It’s no wonder the far-right populists of their society — Jukchang TV and crew — immediately gravitate to him, hailing him as a savior and a man of the people. And it’s no wonder that public opinion sways in his favor, since he capitalizes on the very real and valid pain that they feel when he showed that he was sympathetic to the sort of cause (like the one upheld by the bus driver earlier in the episode) that they would feel sympathetic to, even if the majority of people would not act in the same way.

The key point that surrounds the at-least-perceived success of terrorism as a tactic here is that Heo Jung-se has enacted every populist tactic in the playbook to assert his leadership. He claims that his (oligarchic, fascist) country is a democracy, that he is a ruler “for the people.” A leader chosen by “dear, respectable citizens.” His use of in-groups and out-groups in condemning criminals (migrants, foreigners, etc. etc.) while placing the “true-blooded Korean people” as sovereign, and ultimately creating the impression that it is the common people who hold power in society. Kang Yohan reinforces the idealistic part of these populist ideas to the public with his performance in the Live Court Show: he adamantly takes the side of the people in each case, and harshly punishes all who the people deem guilty on their behalf — and the people eat it up because it feels like hope that they really control their government.

Another thing about terrorism: it’s most useful as a tactic in democracies where the people are able to place real pressure upon their governments, where the displeasure of the people will lead to policy change. Heo Jung-se created a perception of his society as one of that kind, and in Kang Yohan, we find a man who enables that belief — even if in reality it is, also, mostly for personal motives. And we see in Kim Gaon, by the last episode, a man who is desperate enough in his fight against the corrupt government (and also just, y’know, generally in his life) to use terrorism as a tactic once again to place pressure, in the context of how he’s developed under Yohan’s influence over the course of the show — followed by the final trial by Yohan, who has straight up been planning to resort to terrorism all along, apparently.

I’m still really quite curious as to why the writer chose (and was allowed to choose, frankly LMAO) to end the storyline there — with a story that has left off with messaging that essentially equates to Terrorism Works (but only in a society that is already so used to violence that it can see some types of motivated violence as gratifying and, therefore, Not Horrific), especially with the nod to Gaon sticking around in politics and bureaucracy — and Yohan encouraging him to do so — after the fact. It’s a nod to the reality that even for those who use terrorism as a tool, they know reconstruction will be done “legitimately,” that non-legal violence can only be used as a tactic for so long before the return to legal routes is necessary in order to rebuild. But it’s definitely really interesting to think about how TDJ points out the usefulness of terrorism as a tactic in democracy — though I’m still not completely certain why, or whether the writer intended this as a commentary for Korea, or for the rest of the world…

Could go on a whole other ramble on why this is relevant to modern politics but I’ll stop there tonight, I reckon.

TLDR:

The Devil Judge is an excellent study on how terrorism Can be used against a fascist + populist government, yes.

Is the moral of The Devil Judge that, in order to beat fascists, you have to blow them up? Because I’m down.

i love sieun so much as a main character because he tries so hard not to be one.

in the beginning of the season, all he wanted was to sit quietly in the background, exist in peace, and yearn for suho without the world clawing at him. but he’s a gravitational force. he doesn’t seek the world, the world seeks him. the good, the bad, all of it. and even though he never seeks human connection, insists that he doesn’t need friends, he loves having them. he loves loving them.

he’s not loud about it, he doesn’t know how to be, but his loyalty is violent, bone-deep, unwavering. he’ll fight for his friends, kill for them, stand up to their dads without blinking. he’ll set himself on fire to keep them warm.

and the most tragic part? he could’ve stayed invisible. he could've stayed out of it all. the bad guys didn’t even want him, they wanted baku. but sieun’s heart won't let him walk away. his instinct to protect always wins. always. something he learnt from suho.

he shows up (all four feet of him); no real fighting skills, no actual strength, just this terrifying cocktail of rage, stubbornness, desperation, and whatever object he can get his hands on to stab someone with.

but beneath all of that, he’s just a kid. a scared, tired, broken kid. he flinched when seongje first cornered him in the bathroom. he cried when his friends told him it wasn’t his fault. he carries the kind of guilt that rots you from the inside out, and he’s still trying to make sense of it. still trying to believe he deserves good things.

he’s just a teenage boy who’s been handed too much pain too early and still, still, he chooses to love.

The way that if you think hard enough about this, Gaon’s reaction to Yohan’s death could totally be interpreted as a parallel to how he perceives the deaths of his parents (one dies first and the other immediately follows)…

It is not like that with Suhyeon for him. It is, in fact, like that with Yohan though.

Can you please explain the part whereby Gaon said soohyun was his world, and how that doesn't mean he loves her despite the confession.?

Hey Anon!!

I poured out the bulk of my thoughts in this post here! But in essence, Soohyun to Gaon is as Isaac to Yohan (which Writer Moon Yoo Seok confirmed in this post). He definitely loved her; there's no denying that, but that love was very different from what he feels for Yohan. The latter was so all-encompassing and wild, and painful that after Cha Kyunghee's death, which itself harkens back to Gaon's parents' death, our man ran to what was familiar and soft and comfortable, all of which Soohyun represented to him.

He was swept up in a maelstrom of emotion: all the death, the Foundation nabbing people, Soohyun not wanting to talk to him. He was essentially adrift and he can't be faulted for latching onto the only anchor he's had since childhood. But even with those flashback scenes of them as children, what we see is Soohyun playing more of a caregiver role than anything else. She blows on his scrapes, he comforts him when he's sad. She might as well be his sister or his mother, because she truly is his Isaac.

On top of everything, Gaon was under the false belief that Soohyun rescued him from the thugs when it was really Yohan, all that gratitude, and his need for comfort, and the fact that she came back for him despite being angry with him, manifested in him confessing emotions that were long dead if he was being honest with himself.

But Gaon was too confused to be honest with himself and he just didn't want to think at that point. So he didn't.

But at the end of the day. Gaon brought a knife to avenge Soohyun and a bomb to avenge Yohan. Gaon tried to die for Yohan twice.

Gaon's reaction when Yohan was announced as dead is so so telling. While Sunah collapses, he's silent, frozen, then he leaves, because he knows he'll be joining Yohan in death.

And even when Yohan's alive, when Gaon no longer has reason to be guilty anymore, he still wants to die with Yohan because it's better than living without him. Soohyun might have had a pretty confession, and a wooden kiss (really wooden) but Yohan won in the end, because by word and deed, Kim Gaon vowed before all of Korea that he would die with his Chief.

Plus when he thought Yohan was gone for the second time, he went through Yohan's bedroom and reminisced about them ogling each other. That's gay. We love to see it!!

realizing that i actually was on the same wavelength🤞 as the whc2 writer was so surreal because tell me why sieun started becoming my mouthpiece from the very start of the season. the social applicability of newton’s third law (every action has an opposite and equal reaction) and the danger of perpetuating the cycle of violence were my Exact takeaways from the content of season 1 — sieun’s words were so incredibly familiar to me and that was SO Awesome.

reblog to give your headache to elon musk instead