To be fair, Largo goes through that anyway.
I've written Largo into enough of a genuinely mentally harmful situation over the past day that I think it's only fair I draw him all snuggled up and comfy at some point too. Give him a break.
I’m just going to leave this here
Very profound.
I got a bad grade in math (i still passed, so im happy about that lol) and i was feeling bad about that - mostly because i used to be awesome at math.
Then i was like 'Rincewind is a terrible wizard, but he's still a wizard' so maybe it's okay to not be the greatest at something, because at least you're doing it.
I may not be Van Gogh, but at least im actually creating something.
Maybe im not Pterry, but at least im writing.
And you know what? That's okay. That's enough for me
The thing is that I would absolutely play a video game about a young witch trying to solve the disappearance of her neighbour’s cat in a small village in the mountains if — and this is extremely important — it was a Discworld point and click adventure game and the cat was Greebo and the process of searching for him unearthed a secret invasion of some kind of malevolent supernatural force in the Ramtops.
I’m writing scenes which are good, and I don’t know where they are going to fit in the book. But it’s what I call ‘The Valley Filled With Clouds’ technique. You’re at the edge of the valley, and there is a church steeple, and there is a tree, and there is a rocky outcrop, but the rest of it is mist. But you know that because they exist, there must be ways of getting from one to the other that you cannot see. And so you start the journey. And when I write, I write a draft entirely for myself, just to walk the valley and find out what the book is going to be all about.
-- Terry Pratchett - A Slip Of The Keyboard: Collected Non-fiction
something interesting is happening on the nexus this week
Dude this page is a lifesaver Google is really bad for working out the order to read them in
sylens, the focus isn’t the only thing that’s projecting
ok so hear me out
It's such a shame too, the original version was a human-like group who had to change themselves into these cybernetic monsters just to survive. They wanted to convert humans as a mercy.
I feel like there's something valuable in the Moffat era in how often they independently crop up, and in the classic era for being able to see just a little bit of the actor.
Maybe there could be some kind of transhumanist story, where people actively become cybermen in an experiment to circumvent the need to terraform a planet so they can go out and collect resources on a struggling colony. It could have been going well for a while. These cybermen could have names, like the original, and eventually people decide to undergo conversion to reduce the resources needed to get by. Or the cybermen, seeing their people continuing to suffer, decide to remove that suffering by force.
IDK, just thought it'd be an interesting story idea.
the concept of the cybermen is magnificent. it's creepy. it's disturbing. it's the terror of undeath and the horror of coming back wrong. it's the endless march of capitalism, it's the commodification of disability aids, it's the ceaseless machinations of time. it's monopolisation. it's euthanasia as a substitute for healthcare. it's a lot of things. unfortunately many cyberman appearances can be boiled down to "scary army of robots invades" and frankly if i wanted to watch fiction about a robot and not the cybermen i'd just put on, well, robot.