Loving Vincent (2017) Dir. Dorota Kobiela And Hugh Welchman

Loving Vincent (2017) Dir. Dorota Kobiela And Hugh Welchman
Loving Vincent (2017) Dir. Dorota Kobiela And Hugh Welchman
Loving Vincent (2017) Dir. Dorota Kobiela And Hugh Welchman
Loving Vincent (2017) Dir. Dorota Kobiela And Hugh Welchman

Loving Vincent (2017) dir. Dorota Kobiela and Hugh Welchman

More Posts from Luhuhul and Others

5 months ago

i just want to live in a rich family to spend my whole days draining my melancholy into white pages

6 years ago
Léon: The Professional (1994)
Léon: The Professional (1994)

Léon: The Professional (1994)

6 years ago
The Mystery Of Picasso | Henri-Georges Clouzot | 1956
The Mystery Of Picasso | Henri-Georges Clouzot | 1956
The Mystery Of Picasso | Henri-Georges Clouzot | 1956
The Mystery Of Picasso | Henri-Georges Clouzot | 1956
The Mystery Of Picasso | Henri-Georges Clouzot | 1956

The Mystery of Picasso | Henri-Georges Clouzot | 1956

Pablo Picasso

1 year ago
— Benjamin Alire Sáenz, From Aristotle And Dante Discover The Secrets Of The Universe (via Lunamonchtuna)

— Benjamin Alire Sáenz, from Aristotle And Dante Discover the Secrets of the Universe (via lunamonchtuna)

5 years ago
“Anybody Wanna Waste Some Time?”
“Anybody Wanna Waste Some Time?”
“Anybody Wanna Waste Some Time?”
“Anybody Wanna Waste Some Time?”
“Anybody Wanna Waste Some Time?”
“Anybody Wanna Waste Some Time?”
“Anybody Wanna Waste Some Time?”
“Anybody Wanna Waste Some Time?”
“Anybody Wanna Waste Some Time?”
“Anybody Wanna Waste Some Time?”

“Anybody wanna waste some time?”

6 years ago
Sinfonía De Los Adioses (Symphony Of Goodbyes), 2012 Maria Carrera (b. 1937)

Sinfonía de los Adioses (Symphony of Goodbyes), 2012 Maria Carrera (b. 1937)

6 years ago
Launch And Landing : A Composite Of Three Consecutive Exposures, This Night Skyscape Follows The January

Launch and Landing : A composite of three consecutive exposures, this night skyscape follows the January 7 launch and first stage landing of a Falcon 9 rocket from a beach on planet Earth’s space coast. With the launch from Cape Canaveral Air Force Station, the bright streak beginning farthest left traces the initial phase of the rocket’s flight. A visible upward hook marks the first stage beginning its return trajectory with a “boostback burn” near the top of the arc, while the second stage separates and continues toward orbit. Above the top of the launch arc due to perspective, a bright streak shows the returning first stage slowing and descending toward the Cape. Centered below, the streak at the horizon is a 17 second burn finally slowing the first stage to a successful vertical landing about 8 minutes after launch at Landing Zone 1. During the scene’s effective long exposure time, the background stars leave short trails in the night sky of the rotating planet. via NASA

1 year ago
For A Minute, Just For A Minute, You Made It Feel Like Home. Maren And Lee In Bones And All (2022)
For A Minute, Just For A Minute, You Made It Feel Like Home. Maren And Lee In Bones And All (2022)
For A Minute, Just For A Minute, You Made It Feel Like Home. Maren And Lee In Bones And All (2022)
For A Minute, Just For A Minute, You Made It Feel Like Home. Maren And Lee In Bones And All (2022)
For A Minute, Just For A Minute, You Made It Feel Like Home. Maren And Lee In Bones And All (2022)

For a minute, just for a minute, you made it feel like home. Maren and Lee in Bones and All (2022)

1 year ago
There’s This Feeling, Once You Leave Where You Grew Up, That You Don’t Totally Belong There Again.
There’s This Feeling, Once You Leave Where You Grew Up, That You Don’t Totally Belong There Again.
There’s This Feeling, Once You Leave Where You Grew Up, That You Don’t Totally Belong There Again.
There’s This Feeling, Once You Leave Where You Grew Up, That You Don’t Totally Belong There Again.
There’s This Feeling, Once You Leave Where You Grew Up, That You Don’t Totally Belong There Again.
There’s This Feeling, Once You Leave Where You Grew Up, That You Don’t Totally Belong There Again.

There’s this feeling, once you leave where you grew up, that you don’t totally belong there again.

Aftersun (2022) —dir. Charlotte Wells

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