Even Worse, You Form A Stronger Attachment To The Side Character Than The Main Character.

sometimes intimacy is a field standing between you and the person you want most.

What the hell even is intimacy anymore? It feels like that word is everywhere. ‘The intimacy of this, the intimacy of that’. It’s a little funny, how I seem to complain of that wording in spite of the opener of this post. But truth be told— I’m not complaining. Not about the core value and notion of the sentiment. Sure, I think people could be more original with titles— but that’s just a nitpick. I’m glad people are realising there’s an intimacy in almost everything. An intimacy in life’s small pleasures, an intimacy in perhaps a breakup or a falling out. Intimacy is a word that triggers the human psyche— brings intrigue and sometimes, I think, for a lot of us— it can bring a sense of anxiety. And with that being said— if your idea and sense of intimacy is not much beyond something like physical relations, well— then maybe you won’t understand the nuance of what I and a lot of other people are saying and coming to realise. Intimacy, in my eyes, goes so much beyond the physical. To be intimate— to look into the eyes of someone, to laugh, to cry, to be perceived. It’s all sickly intimate. Oh, as I type this in my late afternoon, I’m coming to realise how much I am hating that word. Simply because it has bern dulled down to nothing. Nothing everything has to be euphemistic, my possibly close-minded reader. Not everything in life is chalked up to a human hunger, lust.

For me? There’s nothing more intimate than distance. Between me and this hypothetical person, stands a field. And what is in that field? Well, it’s whatever I want it to be. Maybe it’s empty and sun bleached, maybe it’s lovely and green with a small pond and that long grass that snakes seem to love to hide in. Maybe it’s full of flowers— yellow ones. Because I know that they’re her favourite colour. What stands between this person is something only myself and they know. It’s between us— between two souls whom shall not utter a single word to eachother, for one reason or another. However, actions always weighed more than words. A glance to me may feel more intimate than a kiss— a kiss can only portray one or two things. But a glance? A glance is a glance into the soul of the other person. A glance can mean a million things? Is it the look of love? Lust? (Seeing how my generation seems to care about not much else)— or maybe it’s one or anger? Unspoken words that stay unspoken like a sin? Maybe you’ll look at me and I’ll have to wonder why it is you looked at me that way. What it is about me that caused the twitch of your left eye. I doubt I’ll ever know. But it’s intimate. I’d be exploring and guessing the inner workings of a brain that is not mine— my calloused fingers (probably calloused from doing this a million times over, mind you) shall run their course along the curves and crevices of one’s brain, perhaps one’s soul, should I want to look that deep. Maybe I’ll run my index and middle fingers along the valve of your heart. My curiosities metaphysical body will touch your unknown soul— isn’t that intimacy? For those who chalk intimacy up to physicalities, think of it metaphorically. There is an intimacy in everything. So much so that the word holds so little weight. But because it’s so humane— so every-day— that’s why it’s so important. That’s why it’s important to appreciate it. Breathing air is normal, but losing oxygen will kill you. Appreciate things. Appreciate the intimacy of life.

I have two, but my retellings are like hadestown in which they use Greek mythology as a mode of storytelling to explore themes of ptsd and trauma and how that affects individuals (and those they love) and for the other themes of identity and love and trying to figure out who you are in a world that tries to tell you who you are.

I’m very excited to finish them :>

in my opinion, many modern greek retellings/stories inspired by greek mythology don't fail because they're inaccurate. they fail because they have nothing new to say.

i don't mind changes to the original myths, as long as they make sense and they have a narrative purpose! i understand that making changes is sometimes necessary to convey a certain narrative, especially to modern audiences.

is epic the musical mythologically accurate? hell no! but the changes serve to tell a specific story and to convey a certain message. also, epic the musical is self aware about its "inaccuracies". and the music just bangs.

is hadestown accurate? no! does it make the change that I always dread, removing the kidnapping from the hades/persephone myth? yeah. but hadestown is barely about them, and it uses greek mythology as a "narrative frame" to tell a certain story. it has a point. it has a message.

what are stories like lore olympus trying to say? what is the messagge of the hundredth persephone/hades retelling? what are we supposed to take from them? "don't listen to your mother she's a bitch"? "mothers are irrational and you should forsake her for a man"? very feminist.

why are we still doing the medusa "feminist" retellings? it's BEEN done. too many times. and they're ALL the same. it's a worse crime than being bad: they are boring.

i'm tired of retellings that are just "what if this very famous story was THE OPPOSITE and the protagonist was an ASSHOLE the whole time and the villain was MISUNDERSTOOD and the real VICTIM" okay but why. why would that be the case. what's the point of the story you want to tell. or do you just want to use shock value.

of course, i dislike retellings that are so different from the myth that they go AGAINST the spirit/message of the original, because in that case what's even the point of retelling the myth? just tell an original story. but i would take stabbed poseidon and capitalist hades any day over the same basic story of medusa being a girlboss or demeter being bad because of... reasons?

tl;dr: stop being unoriginal and tell a good story. or at least an entertaining one. i beg you

Writing Prompt #6

I’m lost, I’m so lost. How could I ever be seen as lovable in your eyes?

Being an old school romantic in a hookup culture is a special kind of hell.

It also really bothers me when teachers see an em-dash and decide that “ah yes this student used ai—“

Like leave me and my comfort punctuation alone pls 😭

how i'm handling my students using AI to write papers:

-don't accuse them on using AI from the get-go and instead ask them to informally define all the huge words that they used in their essay which i know they don't know the meaning of

-ask to see their original file where they "wrote" the essay. go to version history to see if it was just copy and pasted and then just edited a bit. i keep an eye out for the shit like "certainly! here's an essay about...."

-if they own up to it, they can re-do the assignment for a higher grade even if there will be an automatic penalty. if they don't, i process it like plagiarism and get my supervisor involved.

If you don't Like pedophiles, why do you use the language of consent to advocate for making it easier for them to rape children?

First off, I ABHOR pedophiles. I don't just dislike them.

Second, I'm not sure exactly what you're saying but I believe children should be children.

Don't stress them out with the talks of the birds and the bees. Don't try and force them to understand something they won't understand or might scare them.

Traditionally, we have learned about sex ed around 13 - 16

Any earlier and it might actually frighten them

And why should they know? They aren't having sex and sick fucks shouldn't even be thinking about them having sex.

Don't ever let anybody talk you out of writing or pursuing your passions. Every time you write, you're improving your craft. Every time you read, you're also improving your knowledge of the craft you love. Keep at it, give yourself and your art some grace, and some room to breathe. The only person who can ever stop you from writing is you, and wouldn't that be a shame? You'll never know who might be touched by your work if you give up on it now.

need more “guish” words. anguish. extinguish. languish. great for when a character is bleeding out on the floor

Overused Words in Writing & How to Avoid Them

We’ve all got our comfort words—those trusty adjectives, verbs, or phrases we lean on like a crutch. But when certain words show up too often, they lose their impact, leaving your writing feeling repetitive or uninspired.

1. “Very” and Its Cousins

Why It’s Overused: It’s easy to tack on “very” for emphasis, but it’s vague and doesn’t pull its weight.

Instead of: “She was very tired.” Try: “She was exhausted.” / “She dragged her feet like lead weights.”

💡 Tip: Use precise, vivid descriptions rather than vague intensifiers.

2. “Looked” and “Saw”

Why It’s Overused: It’s functional but flat, and it often tells instead of shows.

Instead of: “He looked at her in disbelief.” Try: “His eyebrows shot up, his lips parting as if words had failed him.”

💡 Tip: Focus on body language or sensory details instead of relying on generic verbs.

3. “Suddenly”

Why It’s Overused: It’s often used to create surprise, but it tells readers how to feel instead of letting the scene deliver the shock.

Instead of: “Suddenly, the door slammed shut.” Try: “The door slammed shut, the sound ricocheting through the empty room.”

💡 Tip: Let the action or pacing create urgency without needing to announce it.

4. “Said” (When Overdone or Misused)

Why It’s Overused: While “said” is often invisible and functional, using it in every dialogue tag can feel robotic.

Instead of: “I can’t believe it,” she said. “Me neither,” he said. Try: Replace with an action: “I can’t believe it.” She ran a hand through her hair, pacing. “Me neither.” He leaned against the counter, arms crossed.

💡 Tip: Don’t ditch “said” entirely; just mix it up with context clues or action beats.

5. “Felt”

Why It’s Overused: It’s a shortcut that tells instead of showing emotions.

Instead of: “She felt nervous.” Try: “Her palms slicked with sweat, and she couldn’t stop her leg from bouncing.”

💡 Tip: Let readers infer emotions through sensory details or behavior.

6. “Really” and “Actually”

Why It’s Overused: They add little to your sentences and can dilute the impact of stronger words.

Instead of: “I really don’t think that’s a good idea.” Try: “I don’t think that’s a good idea.”

💡 Tip: If a sentence works without these words, cut them.

7. “Walked” or “Ran”

Why It’s Overused: These are go-to movement words, but they can feel bland when used repeatedly.

Instead of: “He walked into the room.” Try: “He strolled in like he owned the place.” / “He shuffled in, avoiding everyone’s eyes.”

💡 Tip: Use verbs that convey mood, speed, or attitude.

8. “Just”

Why It’s Overused: It sneaks into sentences unnecessarily, weakening your prose.

Instead of: “I just wanted to say I’m sorry.” Try: “I wanted to say I’m sorry.”

💡 Tip: Delete “just” unless it adds essential nuance.

9. “Thought”

Why It’s Overused: It tells readers what a character is thinking instead of showing it through internal dialogue or action.

Instead of: “She thought he might be lying.” Try: “His story didn’t add up. The timelines didn’t match, and he wouldn’t meet her eyes.”

💡 Tip: Immerse readers in the character’s perspective without announcing their thoughts.

10. “Nice” and Other Vague Adjectives

Why It’s Overused: It’s generic and doesn’t give readers a clear picture.

Instead of: “He was a nice guy.” Try: “He always remembered her coffee order and held the door open, even when his arms were full.”

💡 Tip: Show qualities through actions instead of relying on vague descriptors.

Final Tips for Avoiding Overused Words:

1. Use a thesaurus wisely: Swap overused words for synonyms, but stay true to your character’s voice and the scene’s tone.

2. Read your work aloud: You’ll catch repetitive patterns and clunky phrases more easily.

3. Edit in layers: Focus on eliminating overused words during your second or third pass, not your first draft.

Pondering my orbs.