In light of the disappointing shortlist of actors up for playing young Han Solo in the upcoming spin-off, we should be reminded of the brilliant internet talent Jamie Costa.
my mama got home today and she was so excited. she said she got me a present, so then i was excited too. i had no idea what she got me. she said ‘close your eyes and put your hands out’, so i did. and then i felt her put something in my hands. i opened my eyes and
“i saw it and it was chubby and you called a frog ‘big boy’ last night and i had to get it! it’s big boy!”
Since TV animation tends to have smaller budgets than feature animation, we are often times limited in the kind of animation we can do in terms of backgrounds. Here are a couple workarounds I have to show movement in a background.
The first is a tracking shot into cam where our Character is running without gaining away or from cam (but they could if you wanted) The foreground is the ground plane which is just a simple looping set of lines. The BG is actually a static image that would slowly drift down towards the horizon line imitating movement away from the background.
The second is also a tracking shot where the character is more in profile. This one requires some soft focus and low detail background drawings (usually not a lot, maybe 3 looping images. I only used 2 here but the theory holds.
The last one only requires a single background layout, but we use the camera to imitate action as it pulls out over a static image.
This is all based on my own experience rather than hard rulesets, so you know as usual take it with a grain of salt.
I didn’t say a name but he just popped into your head, didn’t he?
There seems to be this widely perceived notion that authors agree with everything they have their main protagonist say and do. I was just wondering if you knew where how this came about, seeing as you and hazel grace are so obviously the same exact person.
Well, authors invite this—or at least authors like me do, by putting so much of our personal selves online and engaging in conversations outside stories, so it’s a little unfair to be like, “Follow me on tumblr and twitter and youtube and instagram, but NEVER TRY TO FIND MY INSIDE MY NOVELS.” As a reader, I find it impossible to ignore the author when they’re someone I know, whether online or off.
Also, we live in a quote culture: We see quotes all day across the Internet, and those quotes almost never come with real context. Like, the protagonist of Katherines says, “What’s the point of being alive if you don’t at least try to do something remarkable?” Now, I don’t think that’s a problematic approach to life, and I hope during the course of the novel Colin comes around to the idea that there’s great meaning and joy in the so-called unremarkable life. (As if anything on this planet overflowing with life is unremarkable.) But as I get older, I find myself less and less annoyed about the inevitable decontextualization that accompanies quotation. If people find something useful, okay.
It’s so very hard to separate yourself as a person from your work, no matter what kind of work you do. (e.g.: As a high school student, I was disengaged and sloppy with occasional moments of promise, which to me meant that as a person I was disengaged and sloppy with moments of promise. But really, who you are in your job or education is not exactly who you are.) But I am not my work. It is up to other people, if they are so kind as to read and watch the stuff I make, to judge its quality and/or usefulness. The core things I am—a husband, a father, a brother, a son, a nerdfighter, a friend, etc.—are not dependent on my books being any good. Thank God for that.
I don’t think I answered your question. Sorry. The only answer I have to your question is that I believe books belong to their readers.
I literally cannot watch Harry Potter with my family bc I spend the whole time complaining about inconsistencies with the books
vines are legitimately turning into hollywood productions and i have no idea how to feel about oscar worthy performances in six second videos
me, with a gun to a mangakas head as their about to design a character: fucking go, designn a 50 year old woman i dare u
them, hands shaking:
me, tears streaming down my face as i pull the trigger: not like that
Fullmetal Alchemist Denial [SPOILERS]
When you think it might be different the next time.
i read the title of this post and was ready to be angry abt it but then i read the preview and that jst… completely obliterated my train of thought
Stuff I like that I reblog, and stuff that I post .... Luke
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