This classic scene from A Goofy Movie is a wonderful example of building cinematic tension. Notice how as the car gets closer to the freeway junction, the shots not only get shorter and shorter, but the camera moves in closer for an almost claustrophobic effect, reflecting the pressure that Max is experiencing making his decision. On top of that, the camera angles become more and more dynamic as it all plays out, the music cresendos, and at the very end of the piece, the tension snaps right when Max makes his choice. See if you notice any of the implied symbolism among some of the imagery spliced throughout (the map, the signs, etc.).
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this is the only merchant on an island life simulation video game
mario is so funny as a character because he’s such a good person but that doesn’t stop him from regularly fighting a toddler
Lee Jordan’s commentary appreciation post
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working in a group where no one actually contributes to the project
me, sitting on a throne barechested but wearing ornately engraved plate armor on my arms and legs and cloaked in fine almost translucent silks with an enormous snake draped over my shoulders: i got lost in the fantasy of this dope outfit and forgot what kinda post i was gonna make
Stuff I like that I reblog, and stuff that I post .... Luke
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