I Understand People That Believe In A Religion. Isn't Every Sunset That's Partially Hidden By An Average

Robert Frank Nude (Marie) with Cat, 1950

Getting into the comic side of a fandom is so hard. Like, yeah I want to see Harley Quinn having divious fun with Cat and Ivy robbing Bruce, but I also want to see her murder the Joker! What do you mean it's not the same story!!!!

You want me to pay HOW MUCH for the entire time line?!

I had a vision

WE SHALL BE MONSTERS

Saptajit Banerjee What does it mean to be human? // 스위트홈 Sweet Home (2020-2024) dir. Jang Young-woo; Lee Eung-bok; Park So-hyun // Victoria Schwab Vicious // Melissa Broder Problem Area from "Last Sext" // Clarice Lispector The Hour of the Star // 스위트홈 Sweet Home (2020-2024) dir. Jang Young-woo; Lee Eung-bok; Park So-hyun // Ocean Vuong On Earth We're Briefly Gorgeous // George Seferis Collected Poems 1924-1955 // 스위트 홈 Sweet Home (2017-2020) cr. Kim Carnby & Hwang Young-chan // Fyodor Dostoyevsky The Brothers Karamazov // Frank Bidart Half-light: Collected Poems 1965-2016 // Florence + the Machine Rabbit Heart (Raise It Up) // 스위트홈 Sweet Home (2020-2024) dir. Jang Young-woo; Lee Eung-bok; Park So-hyun // John Flaxman Scylla

anon hate

Witty response

obsessed with mass market paperbacks. their pleasing rectangular proportions. how they fit badly in a hoodie pocket so you can drag them around everywhere with you like a temporary little buddy. the way they fit in your hand because they're MADE for human hands and not as bookshelf decoration. the way the pages feel when you riffle them gently with your thumb. How pristine and crisp they look when you get them and how creased and folded they look when you're done, even if you try to be nice to them. how that wear is okay, how that's correct actually, because they're made with the philosophy that books aren't meant to be PRETTY, they're meant to be read. that little ripple new ones get on the left side from where you hold them when you're reading, the way the ripple only goes as far as you've read, because u change stories by reading as they are changing you. how you can find thousands of these creased and folded and loved little dudes in every thrift store and used book shop and neighborhood library and you can instantly see the ones that someone carried around in a backpack for weeks or read to pieces or gave up on halfway through because they wear being read like fresh snow wears footprints. I love these poorly made, subpar little rectangles so much. truly the people's books.

you have to be sexy but you have to be sexy in a way that's kind of bloody. you learn this early because you are wearing a ruffled skirt and the snow around your ankles kicks little sand particles against your calves. baby's first catcall. welcome to sexiness! welcome to the eyesore of your own body!

you have to be sexy like high heels. like sculpted eyebrows. like lean stomach and highly treated hair. you have to be sexy like youth is sexy, which means you have to be sexy like boxtox and plastic. a 30 year old can be sexy but she's not going to be bloody, and they like the bloodiness of it. a 30 year old is sexy when she is a whiskey glass and a wooden desk.

but you need to be sexy like an open mouth. you need to be sexy like a bitten apple. like plucked skin and white-knuckling the waxing kit.

so sex is a performance, not an enjoyment. for a while, you just assumed everyone else was also in on the joke - nobody actually likes sex that much, right? like, some men probably do, but why would you? it is like a gender - your gender is sexy. your gender is the performance of sex. you are thigh highs and garter belts. which, to be fair, do make you feel sexy.

part of what does make sex good is that you can tell that other people want you, which means the performance of sexiness is both bloody and wanted, which is good, which means you are winning at having a body. being wanted is the prize. being wanted is the thing you are searching for, not hope. you think you are looking for a soft grave in easy loam, but that is bloody but not sexy. to be sexy you must be bloody like a red open sign. bloody like a handprint. this will make you wanted.

any wanted or unwanted body is subject to supply and demand, which is to say that the more demand, the better you are valued. you must be highly demanded to be valued. this is stated in matter-of-fact by some men. sometimes it is a priest that says it, and sometimes it is a podcaster, and sometimes it is the 45th president of the united states of america.

(if you do not have any experience with being told your value, i want you to grab the nearest bird to you and i want you to crush it into a thin paste in your hand. spit into the center, and then hold your fingers closed tight around it for days and days, long after the rot has set in. feel bones itch inside of your fist. this is only a fraction of what it actually feels like, but it will suffice for a moment.)

good sex feels like you have earned their desperation. you have earned your own value. for a while you operated under the understanding that everyone knew about the power structure, even him. that their desire to take you - the violence of it - means that you must desire to be caught. little prince, guardian fox - you would rather have cut your own arm off. you liked the secret, cunning little voice you keep tucked into a box. you think you are fucking me. i am not even here right now. you are fucking what i conned you into perceiving. this is a painting, not a person. dominion over the body before all things.

so you bend your body like a wheat shaft and learn the steps so perfectly that it almost seems graceful. (if you do not have experience faking your own connection to your body and sexuality, cut each of your articles of clothing just a little bit incorrectly. pour fishbones into each of your meals. this way, you will experience the average noon on a tuesday.)

you have to be sexy like light spilled over a desk, but not desperate. not a noose. you can't be sexy like an electric guitar, you are the acoustic. you have to be on top of the bull but you can't have control over the animal.

okay, okay. the little rabbit of your heart went to sleep so long ago that winter has ravaged your concept of the human soul. there's something very-bad inside you, something that has taken over, a little fetid and rabid animal, angry and hurting and willing to bite first.

oh but even that's a pain that's sexy. open your mouth. be careful not to let the canines show.

I bought a quarterly needlepoint magazine from 1991 today for $1 at an op shop, and there’s a four page spread about a woman who completely faithfully remakes samplers from the 1600s and the part that blows me away is that she was keeping women in history alive.

The original sampler maker was a teenaged girl called Loara she’s the only one known of seven siblings in that family. She was born approximately 1632 and had passed before her father had in 1656 which they know because it was mentioned in his will.

So in the 1630-40s a girl made a sampler, in 1991 a woman had put in years of research before recreating the sampler as Loara had 350 years earlier , and I’m reading about it in 2024.

Embroidery keeps women alive in history, and it’s part of why I love samplers so much.

Here’s a quote from samplers that I think about often:

This is it. This is my post that brings me so close to the rest of humanity I instinctively try to breathe shallowly.

quick what is everyone doing right now