alright gather round, enthusiasts of shakespeare’s words words words. i’m gonna learn you a fun research exercise you can do in lieu of switching between the same four websites or even include in your research for essays and creative stuff.
step 1. first up, you’re gonna need a play you like (or literally any work written between 1450 to let’s say 1700, but i baited you with shakespeare so.)
step 2. get you a word. it doesn’t have to necessarily be a difficult word that needs glosses. actually, it’s more fun if you take a word you think you know.
step 3: go here. see, you keep being told that the first dictionary was invented by samuel johnson in 1757. which isn’t wholly incorrect, this guy did set out to define all words. but lexicons and glossaries wayyyyyy predate johnson. the catch is, these were for difficult words. or words specific to a trade. this is actually interesting and tells us more than if all words were defined like the OED or smth. more on this soon. now type in your word and hit enter.
step 4: you will see a list of old, digitized, searchable lexicons. and it lists every instance your word is used. holy shit, you think.
step 5: now here are some things you can assume. if your word occurs in the headword (the word being defined), then it’s a difficult word. for speakers of that time. if your word is used in definitions and explanations of other words, they were common words that didn’t need to be explained. easy words may also be on spelling books for children but again, not defined.
step 6: okay, now what? you’ve learned the meaning of the word in context and its usage. now it’s time for conceptsssssssss. click on some translating dictionaries where this word occurs. these are more likely to have synonyms. now take a deep breath because you’ll see some wild connections. why is virginity the same as honesty of life? why does enjoy mean “to possess” something but also TO FUCK? co valences are so fun because essentially ON PURPOSE. THESE WORDS WERE CHOSEN ON PUPRPOSE.
step 7: wonder, and go back to your play.
[just to put my credentials on the table, this is my field of research. so it’s 100% okay if you have objectively a better idea of fun. but one of my friends said this was like carbon dating words, so i’m operating under that illusion, baby.]
I run my hand through the same old withered branches,
Drenched in the same old tired rain,
Far away the sunset harbours the lost gold of
Odysseys gone by, and if the wind were to hide
Within it some unremembered glow from the land
Of unknown secrets, the evening will gently
Whisk away the covers of the coquette,
And reveal to us a maiden under the bent willow,
Sweet as the apples from the orchards where our dreams
Were buried. She will beckon for the children
To gather around the fire and tell them the story
Of Zerah and Zulamith, whilst we twist the
Slender branches of the cherry tree into a throne
Fit for the brides of heaven to recline on,
Place at the altar a wreath of dead roses,
And hope that the silent fragrance borne to the shore
Is enough for the sea to give up the child
She drew to her heart in death’s storm.
…
And dare I tag anyone? @pollosky-in-blue perhaps you’ll like the story?
*hints at eternally vague intentions*
who needs a social life when you have followers who don’t talk to you and you run a blog no one cares about
I met an old centipede on the terrace today, slowly she crawled up to me. “Isn’t the sky beautiful today?” She remarks. I tilted my head forward and mumbled, “My aunt says she has seen finer ones, over Misty hilltops and pale dawns.”. She smiled, (I thought centipedes couldn’t smile?) “You’ll never find beauty or happiness in anything if you keep thinking there is something better.” Did she sound wistful? I don’t know. We sat there for a while, she crept near me and asked in a whisper, “Will you play something on that old guitar?” “Uh, sure.” I say and pick up my guitar and start strumming an old tune. I kept muting strings and tripping over notes. But as she showed no signs of noticing anything, I continued playing, until twilight gave way to the night sky and the music faded away in discord. “It was lovely”, she said. I raised an eyebrow. “It was lovely.” She repeated, as mosquitoes swarmed over my phone that had lit up at a notification from my math teacher.
My hands have grown tired of writing about you Though the scars long since have faded into skin Smooth, edge-less, no longer promising red, A mother's daughter through out and through in.
Sleep is less tiresome, and all my work once done Leaves me fiddling with spare hours at the table, Twisting them in and out of a ring that shines on My fourth finger - chipped from the old fable Where the kindest doves would nip down at the Lover who wore your shoes, and drive her out Barefoot into the night - where you only yesterday Curled up under, melting tears into silent clout.
But there, it is a fable other hands have written, An embrace where other shoulders found shelter, And many others yet found tranquilled lethe. Mine is not a story foretold, perhaps for the better.
It has been very long.
Perhaps the lack of a proper Farewell kept me from exiting the scene definitely, so here I am, properly clad in mourning white, clutching at a handkerchief and a bouquet of marigolds. Marigolds in our country are worn in the hair and as necklaces by the bride. Who am I being given away to? From where I stand, it looks like a pyre, where one is burnt with her dead lover. I began to write for you, dearest, and so I shall stop for you, for you are gone. Other fingers now are exploring the crook in your smile, the scar on your hip. Other hands hold yours as you gaze into the deathly moon on quiet summer nights. Other songs nest in your head, ones you and her share.
And here, here I am. Pinning myself to every chord you ever sang to me, but never will once again.
I shall not love again.
For those of you who asked, here’s a list of some of my favourite poems:
Soleil et Chair (Sun and Flesh), Arthur Rimbaud Litany, Rebecca Linderberg A Myth of Devotion, Louise Glück L’Après-Midi d’un Faune (The Afternoon of The Faun), Stéphane Mallarmé Fever 103°, Sylvia Plath It’s No Use, Sappho (tr. Barnard) Orpheus. Eurydice. Hermes, Rainer Maria Rilke The Glass Essay, Anne Carson Alchimie du Verbe (Alchemy of the Word), Arthur Rimbaud I Will Wade Out, E. E. Cummings Mrs. Beast, Carol Ann Duffy Elsa au Miroir (Elsa at The Mirror), Louis Aragon To Fanny, John Keats The First Elegy, Rainer Maria Rilke Persephone The Wanderer (I), Louise Glück Mad Girl Love Song, Sylvia Plath He Seems to Me, Sappho (tr. Carson) F. de Samara to A. G. A., Emily Brontë Pietà, Rainer Maria Rilke (and its many translations) To Proserpine (Orphic Hymn), Anonymous The Unicorn, Angela Carter Saying Your Names, Richard Siken Apparition, Stéphane Mallarmé The Tiger, Pablo Neruda Lady Lazarus, Sylvia Plath Clair de Lune, Roland Leighton I Like My Body When, E. E. Cummings When We With Sappho, Kenneth Rexroth Look On This Picture and On This, Christina Rossetti Nacciyar Tirumoli, Andal (tr. Sarukkai Chabria) Zuleikha, Rumi Marathon, Louise Glück The Red Poppy, Louise Glück The Concert of Hyacinths, Odysseus Elytis (tr. by Kimon Friar) Song for an Ancient City, Amal El-Mohtar Prayers in a Temple, Yusuf al-Khal (tr. by Abdullah al-Udhari) The Convent Threshold, Christina Rossetti Letter to Husband, Emily Berry my love, E. E. Cummings Glanmore Sonnet X, Seamus Heaney Plead for Me, Emily Brontë
“Is it better to be the reed in the spokes of a battle wheel which splinters the chariot of hope, or to be the reed of hope tugging away at the clench of the unrelenting mast of the sunken ship, lost to the world and leave the world to lose? Perhaps it finer to be the reed from which floats the soft and treacherous note of love, with the feathered footfall of the madman or the angel, and leave it to the mania of insanity to find out which.”
A fond insect hovering around your shoulder. I like Kafka, in case you're wondering.
160 posts