Nightfall, hushed and frozen stood the world on its tiptoes,
As the earth and sky together cajole to sleep the
little baby in the dark house, all lonesome and weeping,
Swaying on a broken cradle, has the house god
found a way to stop the sunrise yet? He watches the baby
rise and fall, the house empty and his heart emptier,
The creaks of a cradle fall on a headless ear,
The shrieks of the baby pierce through a stiller air,
The tree top will bend to the wind and
down will come baby, cradle and all.
In the incomprehensible maze of personhood, somewhere in me there is a tangle whose causal knot is you.
The lizard scurries back into its hole, as the sky above is wedded in a unison of coral and blue. The procession is clouded by a wreath of shadow, pockets of light gathering to pay homage to the departed. ‘Rainbow dreams’ call to be found.
Indigo roses, idyllic nights and stolen almosts’.
Winds of Hy-brasil fondle softly the body
stretched on the grave of the buried gods of music
and forlorn hands over the field of forget-me-nots,
held lovingly at the chasm’s precipice.
Forget your thorns, mon amour,
and you’ll see why you mustn’t gather dreams—loves—
that have been left to get lost and embedded
in crevasses between thwarted desire and the wistfulness of
a childhood unspoken. Your wandering eyes on the evening star
and your tired hands in my reluctant hold.
And for once the night isn’t marred by children entwining
and entangling her silent melody with their laughter.
.
.
.
…
Coherence as a virtue is praised too much
the song of achilles, madeline miller // 1 samuel 18:1, kjv translation of the bible // wuthering heights, emily brontë // memory, @aristosmusical // sonnet xvii, pablo neruda // [i carry your heart with me(i carry it in], e.e. cummings // “the origin of love”, hedwig and the angry inch // star trek iii: the search for spock, dir. leonard nimoy
I run my hand through the same old withered branches,
Drenched in the same old tired rain,
Far away the sunset harbours the lost gold of
Odysseys gone by, and if the wind were to hide
Within it some unremembered glow from the land
Of unknown secrets, the evening will gently
Whisk away the covers of the coquette,
And reveal to us a maiden under the bent willow,
Sweet as the apples from the orchards where our dreams
Were buried. She will beckon for the children
To gather around the fire and tell them the story
Of Zerah and Zulamith, whilst we twist the
Slender branches of the cherry tree into a throne
Fit for the brides of heaven to recline on,
Place at the altar a wreath of dead roses,
And hope that the silent fragrance borne to the shore
Is enough for the sea to give up the child
She drew to her heart in death’s storm.
…
And dare I tag anyone? @pollosky-in-blue perhaps you’ll like the story?
keep thinking about that richard siken interview where he's talking about simplifying the metaphor, by removing the "is" — and the moon, terrible. the distance between the object and the thing to which it is likened to falls away, it feels [it reads], smoother, unhindered by simplified vocabulary. and so, it becomes alive, breathing.
its the same way sally rooney has removed quotation marks, and her writing feels smoother from it, subtler, a more coherent story where there is no stepping in our out of characters. everything falls in line, the veil draws back: the distance between character/reader is removed and instead of having the feeling be cut up by speech marks – there is a greater intimacy. the boundary is gone. the feelings of the character no longer at a distance to yourself, the reader is immersed in the skin of the character. no longer a book away.
i see the same thing in the internets refusal to Capitalise. (realise how you just read that word differently? your internal tone of voice heightening at that C?) thats again, removing the distance [!], keeping a hold of that intimacy with the reader. cherishing that tender bond.
its interesting, because siken says he needs to rely on the reader to make the associative leap when the "is" is left out. the same is true for rooney, i think. the lack of quotation marks demands attention. with an unfocused an divided mind, the lack of speech marks can easily be more annoying than smooth, stopping the flow of which the text invites the reader into. the capitalization of words is a stop too, a poem with uneven syllables: an irregular heartbeat ruining the pulse of the rhythm.
comparative words, quotation marks, and capitalized words – they all stop the blood-flow of the text. disrupt the rhythm. cut the flow short. maybe im simply very sensitive to these things, maybe i think too much about literary devices, but i love this style of writing. this stripping down – this removal of boundary and convention. the moon, terrible [how incredible!!] more please <3
The wind calls, a worn tale
twisted with the wry smiles of damsels
bemused and the blossoms of enchantment a-plenty
in the hands of knights exalted.
A puzzling air settled about the spectacle,
as the child sought eternity’s ill traveled lane.
Elusive youth caught in vain at her fly-away ardor
And laid bare her fragmented joy.
The silence of the day startled her,
Frivolous and temporal. Of what poisoned lake of
transcendence had she drunk?
Morose and frightened the child grew,
Farther and farther he strayed after a wayward fancy.
Impermanence was the derisive echo of decadence
from the hearth of the abyss and
the nightfall of the heavens.
.
.
.
Eternity and impermanence are interchangeable in the verse.
cym as fav lyrics
Aaaaaaa anon you must forgive me for being so late about it, I had one hell of a ride choosing song lyrics *pants as if I'd been running*
But eeee it will be a long post-
• @shecriesalonemp3
"Listen close and don't be stoned
I'll be here in the morning
'Cause I'm just floating
Your cigarette still burns
Your messed up world will thrill me
...
Alison, I'll drink your wine
And wear your clothes when we're both high
Alison, I said we're sinking
But she laughs and tells me it's just fine
I guess she's out there somewhere"
- Alison (Slowdive)
• @its-toasted
"Take everything you have in front of you
Make every movement, do it to the groove
You will not be happy for long if you're working
And what would be the point if it did ever surface?
...
Wake up to the rhythm of the city and I try to remember
Even my brothers have some trouble with
Each other since since those things fell apart
It's the way that things are
It's the way that it is
...
Even when you split me up, groovin' to the sound of the laughter
And if I listen to it closely I can
Still hear all the love in his heart
Every time I take a look at the skyline it makes me feel better
'Cause I just miss you down here where the other people try to move on"
- Blue Coupe (Twin Peaks)
• @deviocat
"Oh, you can't hear me 'cause I sing to a different age
And you should fear me 'cause I believe in a different age
But I live in the city that lives in a different age
Oh, I live in a city that lives in a different age
Where all the poets are writing memoirs
And I'm still singing songs
Oh, all the poets are writing memoirs
And I'm still singing songs"
- A Different Age (Current Joys)
• @lacexleaves
"I used to think of ferris wheel light sounds
The Friday hum of neons and blue
But now they're like circular cages
Of grated tin and rusted wind
Hey, now, who really cares?
Hey, won't somebody listen
Let me say what's been on my mind
Can I bring it out to you
I need someone to talk to
And no one else will spare me the time"
- Hey, Who Really Cares? (Linda Perhacs)
• @francesco-bernoulli-gang
"Angels smoking cigarettes on rooftops in fishnets in the morning with the
Moon still glowing
And here comes Jesus in an Astrovan rolling down the strip again
He's stoned while Jerry plays
Life ain't ever what it seems
These dreams are more than paper things
And it's alright mama you're afraid
I'll be poor along the way
I don't wanna see those tears again
You know, Jesus drives an Astrovan
Yes, he does (I say woo)"
- Astrovan (Mt. Joy)
• @pani-puri
"Pulling up, getting down
This whole place is crazy town
Music bumping and the lights gone down
Never felt at home in any place I found
Oh, I live in a cold, white wind
And I feel the chill coming over me again"
- Butterfly (Adrianne Lenker)
• @anjo-umbra
"Put your hands on the wheel
Let the golden age begin
Let the window down
Feel the moonlight on your skin
Let the desert wind
Cool your aching head
Let the weight of the world
Drift away instead
These day I barely get by
I don't even try
It's a treacherous road
With a desolated view
There's distant lights
But here they're far and few
And the sun don't shine
Even when its day
You gotta drive all night
Just to feel like you're ok"
- The Golden Age (Beck)
• @roseusnoctua
"Satellite, headlines read
Someone's secrets you've seen
Eyes and ears have been
Satellite dish in my yard
Tell me more, tell me more
Who's the king of your satellite castle?
Winter's cold spring erases
And the calm away by the storm is chasing
Everything good needs replacing
Look up, look down all around, hey satellite
Rest high above the clouds no restrictions
Television we bounce 'round the world
And while I spend these hours
Five senses reeling
I laugh about this weatherman's satellite eyes"
- Satellite (Dave Matthews Band)
• @sidereusimber
"And though I may be getting older
Know that I'm going with you
Know that I'm hanging on
to the things that you said
The things that you said
...
I've felt my soul
Rise up from my body when
I look into your blue eyes
...
If cosmic force
Is real at all
It's come between you and I"
- Some Things Cosmic (Angel Olsen)
A fond insect hovering around your shoulder. I like Kafka, in case you're wondering.
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