Behind the portraits
It was afternoon, a dark, wet afternoon. And I was sitting at the foot of the large oak wood bed, glaring at Marie Antoinette.
“Let them eat cake”
I glared more.
“I was a queen, and you took away my crown; a wife, and you killed my husband; a mother, and you deprived me of my children. My blood alone remains: take it, but do not make me suffer long.”
I sighed and turned to Sappho, as if to ask her to help me in my predicament. But Sappho wouldn’t speak, she never did. My gaze shifted to the fluttering white curtains which veiled a painting of the Bal des ardents, illuminated by the old fashioned candles on the mantle piece. My frown returned as my eyes fixated themselves on the crockery in the background.
“When?” I questioned.
“January 28, 1398.”
“Joan, the duchess …?”
“The duchess de berri.”
“D’orleans…1407, isn’t it?”
It nodded.
“How?”
“Assasinated.”
“For the throne of the mad king.” I murmured and sank my head into my knees. After a few moments, I threw up my head and exclaimed, “I cannot go on like this anymore, I live as in a nightmare! Freedom I want and Freedom I shall have!”.
“Happiness and freedom begin with a clear understanding of one principle: some things are within our control, and some things are not” The thing quoted.
Despair seized me; I let out a half wild, inarticulate cry and buried my head in my arms as tears drenched the sheaf of parchment in my lap. Out of the corner of my eyes, I saw the thing stare at me coldly. “Do you blame me?” I demanded. “Do you think me weak to shed tears like this?” It pursed up its dried, hag like mouth. “Tell me, Do you hold me responsible for all of this?”, I clenched its wrist and asked. It silently shook its head. “No”. I loosened my hold and let go as it gave me a look full of reproach. It shook its head again, “No, I do not place the blame entirely on anyone in this matter, but thou must know that thou hath not played an unimportant part in bringing this about.” “Oh, I know! I know! And that just makes my burden a hundred times more heavier to bear.” I said, as the picture of Andromeda’s anguished face as she watched Cetus ravage the coast of Aethiopia flashed across my eyes.
“Was she very beautiful?” My voice sounded wistful.
“Who?”
“Her. The daughter of Cepheus and Cassiopeia.”
“Yes.” The thing’s eyes lost focus. “Very.” It said.
I rolled the parchments and placed them in a small brass trunk underneath my bed. Marie Antoinette’s picture slipped inside too, but I was past caring.
“Why didn’t hope leave when it could have?” I enquired.
“Zeus willed it.”
“Didn’t Elpis want to leave?”
“Perhaps.”
“I am sure that the only reason the sprite stayed was because pandora shut the jar before it could escape. I wish it had.”
The thing shrugged.
“When do thy leave?”, It asked.
“Midnight.” I replied, trying not to let a suppressed paroxysm of sobs get the better of me.
Night fell, I lingered near Henry V’s portrait, fiddling with the tapestry. I looked out the window and saw the moon emerge from the shadow of a black cloud and throw light upon the vase of white roses upon the windowsill. “The moon looks like a careworn old face.” I remarked, more to myself than anyone else.
I looked about the room with a strange wistfulness as I drew the sheets close. Something seemed to warn me. “But about what?” I wondered. I was woken up at midnight by the thing knocking over the rose vase. “Is it time?” I asked, silently praying that it was not. It nodded. And then there I stood, beneath the elm tree and among the shadows.
Little did I know, that it was the last time I would set eyes upon the elm. I stepped inside the quaint carriage, huddling my trunk closer to me. I felt the chilly wind of the night nip my face. We had not made it ten feet across the old wooden bridge over the chasm, when I heard a sickening creak and felt the bridge collapse under us. The ropes had given way. The carriage toppled over, smashing my trunk open and spilling all of its contents. I plunged into the abyss along with the vehicle. Feeling that I was about to die, I frantically tried to hold onto something before we hit the ground. And what should be the thing my eyes finally beheld at the end of my life but the face of … Marie Antoinette?
The feeling of regained humanity pervades the maple grove,
As branches rustle in the evening light - glinting golden,
their music pleasing dissonance, a swift breeze blows
over the horizon, blotting out lurking shadows.
Knives of love cut wounds that bleed ambrosia,
for what is the taste of ambrosia but the derisive emptiness
of a secret forgotten?
Faded flowers lay waste, that once were wreaths of worship
on altars sacred. At sea one instant, fragmented and lost,
on an isle the waves break unforgiving, and by the shore,
Robed in the receding Mist of dawn, towering and dense stood
The Maple grove, an unremembered grave of forgotten secrets.
there is something so beautiful about hearing people speak in their first language, their mother tongue. it’s as if you’re hearing them truly speak for the first time and suddenly you see rolling fields, cliffs and mountains, wind running through a forest. every day i wish that i could understand every language of the universe so that it can be more than music to my ears.
It’s odd how the only time you are hit with a profound feeling of despair or any kind of hopelessness is when you either have nothing to do or when you are at least not actively engaged in something, I’ve had people tell me that that is why they keep themselves busy all the time, boredom breeds nihilism, etc. But isn’t that also implying - basically acknowledging, however unconscious that might be - that without the presence of an ever hovering distraction, everything is essentially arbitrary ? ( i.e the current state of matters is so terrible that you need a constant diversion to keep from falling into depression) How inattentive do you need to be to not notice that ? Maybe, just maybe, everyone is always in a hurry because of this need for their thoughts to revolve around some external thing ? Societal Indoctrination of behaviour ? Inadvertent familial conditioning ? What is it ?
I got a shivering hand and wet
Hugs from the clothes still hung
On the wind-up clothesline.
And it's night under the lamps,
And the moths are beating
Themselves up against the stars.
Three verses and I've run out of smoke.
Three verses and it still ain't been told.
We're tripping over each other,
Waiting for the other all the time
To ask for a light and to dig in.
There's not enough air for crickets
To bite into, so the chill bites into them
And me, always me. Watching
Them live from the window.
Yesterday evening they cut a cake
And someone brought a wreath.
It bled into the white-washed walls
Like my month would for some days,
And the baby was there when
The plates crashed and the sobs broke
After the party curled up to leave.
See, it unrolls like a film or a die
With the edges cut lose from hinges.
Tell me a number, gypsy, and I'll tell you
Why I would still see you snaked into it.
In the crook of seven, in the curve of two,
And a laced soixante neuf printed with
Brilliant blue - the sodium pricks
Like chalk in eyes when you close them
And an ultramarine demon is the halo I have
Beside me when I walk the path that
Is never there at daytime. Even though
Little squirrels have left mud-paw prints,
I doubt they trod the ground alive.
Tell me again, a line this time and I
Will roll it up and give you a light -
The smoke will incense the moon
So eat it up dear, served with the basalt
Hanging over the ravine.
I thought I could go through it like one
Slips to the bottom of a cumulonimbus.
And eventually there will be the earth,
Ready to take your bones and skin
And swallow you whole, as if they'd been
Starved of the seed a lover plants
To carve up another Matryoshka doll.
Empty to the very last case and cold
Where the tired paint flaked off.
Tell me a word and I will make a cloud
In the night with your breath.
- pollosky-in-blue
The days after school haven't met change
Since times seasons revolved round the sun
You still wait by the corner lane
And I walk up after the bells have rung.
We eat a mouthful of your smoke
And break off bits of corn to make cake
Before we slip into the deep red of the
Bell-cracked wine glass with a rake
On Wednesdays you say, my hair looks nice,
That's for the soap I needed to save till
The next month so we didn't run out of rice.
There is, you know, comfort in unwashed mill
And yet more softness in hands that are soiled
To the nails in lovers' mud and dust.
It is only the shortness of one arm that
Asks to be coupled to twos at first.
Still, your fingers are long enough
To meet both ends and still cup snow
For us to breathe in the iced snuff,
To keep awake among the rafters below
For a few moments more.
We laugh at eachother's smiles
Lie forgetting and run wilder than raccoons
In Philadelphian winters, though miles
Of shadow could never erase these monsoons.
Unless you make it so, these months
Don't hold weddings or coronations
Or those hourly bypasses to coffee haunts,
But as it is, the gaps are fit to ration.
It has always been the dry edge of monsoon
Since times the seasons revolved round the sun.
- pollosky-in-blue
The distance between us and the stars
Stardust, (2007) / Lady Windermere’s Fan, Oscar Wilde / Starry Night Over the Rhone, Vincent Van Gogh/ War and Peace by Leo Tolstoy, trans. Louise and Aylmer Maude/ Great Expectations, Charles Dickens/ Starry Night, Edvard Munch / Stars, Mary Oliver / Never Alone (an Expressionist interpretation of Starry Night), Mas.s
When Mahmoud Darwish said, "A University degree, four books and hundereds of articles and I still make mistakes when reading. You wrote me 'good morning' and I read it as 'I love you'."
the night is still young. i can do yoga and use my oil pastels. i can cut another fruit. i can write in my journal. i can make a poem. i can invite the figure outside my window in
smokeinsilence / sightofsea / young love by bts / nizar qabbani / abeba birhane / the waves by virginia woolf / franz kafka letters to milena / ratsandlilies.art / the butterflys burden by mahmoud darwish / underneath the stars by mariah carey
A fond insect hovering around your shoulder. I like Kafka, in case you're wondering.
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