Dead Poets Society (1989) Dir. Peter Weir

AU where Sokka’s high-on-cactus-juice encounter with the giant mushroom takes a dark turn. (Also he has a gun)

based on this beautiful tumblr post

bonus:

Finally some good fucking news

What do you mean "You'll be in my heart" was not written with Lilia and Silver in mind?? It is literally a song about them!! WHAT DO YOU MEAN-?!!!

“NO HE IS NOT DEAD AND HE IS COMING BACK AT THE WORST MOMENT..” WHAT WTF NOOOooooooooooo oh god please no. I thought I would fine with whether Jeanist is dead or not BUT NOW I just want him dead and to stay dead damn it!

Finally, I will not wait for the “official” translation or whatever because I need to speak about that but the thing is, this whole chapter is a symptom of the “cul entre deux chaises” effect that I was talking about (and yes, I will continue to use the French expression because I like very much the image and the rhythm of it, sorry not sorry). Of course, what I will talk about will be a lot of assumptions on how the author works but I think I’m not too far from the truth given that I saw it coming - the BJ thing when we learned he was alive. 

I think MHA’s main problem is that instead of having one nuanced guiding line for its narration, it has two of them. Because it’s not very clear like that, I will try to explain it further. While reading MHA, I have always had the impression that I was reading two different mangas in one. 

World 1: The Heroes with the kids

World 2: The Villains with the League

You are going to tell me that it is normal and that they can exist at the same time. And given how it is written, I don’t think so. Here is why:

What I call “World 1″ is extremely simplistic in its view of the world, the society. The Heroes are the good guys, the Villains are the bad guys. You have to stop the bad guys. It is easy as that. No question asked. It is a black and white world. There is an idealization of this world by the characters living in this “world”.

What I call “World 2″ is nuanced in how the world works. Most of the Villains in it know that what they are doing IS wrong. They do not pretend that their actions are morally right. But, they point out why they are doing this and how they came to do this. They are not blind to the society they live in. It is a grey world.

And the problem is: they can’t live together well because in general, when you have a black and white version of a fact, it can’t win against a grey version. Why? Because a black and white version is weak and fragile. It can't hold the questions when the grey version can because it accepts that the answers are not clear-cut. For example, Hawks’ actions invalidate “World 1″ because he is a Hero. Thus he should be Good. But it is not the case: it is not clear-cut evil (he can use the greater good justification) but not clear-cut good either (he killed someone for a crime he had not committed yet + it wasn’t his place to be judge and jury and executioner). How to deal with that when you divide the world into GOOD HEROES vs EVIL VILLAINS? You can’t. But it can live in the “Grey” world because his actions are neither entirely good, neither entirely bad. He is a Pro-Hero who had done at best questionable things. It is not possible to just close your eyes and put him in the Good Hero case (nor in the Evil Villain, btw).

So, in this situation, you would think that World 2 has to slowly bleed onto World 1 to paint a complex and not easy world to live in, leaving the whole thing as “the Bad Side is not necessarily utterly bad, pure evil and the Good Side is not necessarily utterly good”... which is normal. Characters with simple views of world have to evolve when said world is not simple. Especially when it is the main protagonists we are talking about.

But it is not the case in this manga: not only World 1 resists but, in the end, it seems to have the last word.

If World 2 was not here being nuanced, it would be okay. But it is not. And because of that, it forces us to have a selective memory. We have to forget that Heroes sent minors to war (yes, it was to evacuate but I am not sure that you can defend that without being of very bad faith) without their parents’ consent (when it was a huge point that they were children and that they had parents, you know - in another manga, you would not care, but not here) because it does not fit in the “Good” case where it should be in World 1 vision. When it could have easily lived in World 2′s vision.

And you are going to tell me that I am negative. That the author is doing this to make a huge reveal and make the Heroes change their mind... It’s nice to be positive but I don’t believe it. Not after so many chapters. Not after so many occasions. Not after a pattern appeared. And chapter 291 is a big example of this pattern.

The author undermines the nuanced speech to sweeten the pill that yes, the Heroes are not Good without questions. Dabi is making a speech on how Hawks killed Twice and Best Jeanist? No, finally Best Jeanist is not dead so he is wrong. No matter that there was still a corpse in the bad. No matter that he killed Twice. There is something not right in his speech so, it is the proof needed to consider it wholly wrong in-universe and undermine its impact for the readers too. I am sorry but it is the case. Of course, it will cause a huge problem in society but still, it is not innocent. It is a conscious choice from the author and ignoring it is not a solution. 

The same technic is also used when it comes to Toya’s backstory. Of course, we have his point of view, but then we have Endeavor’s memory. Why, if not to undermine Toya’s speech? I am not at all against Endeavor’s redemption (or having his point of view btw). I dislike the character but it can be interesting to see. However, it seems to be done at the expense of Toya’s own traumatic experience. Again, just like for Best Jeanist, it is not to say that Toya’s story will not have an impact, but to have the abuser’s point of view just after who lessens significantly Toya’s bad experience (just look at how Dabi says that he was crying every day and how Endeavor’s memories are way nicer)? The place where it was put in the narrative is not innocent. It can’t be.

Is it because the author doesn’t want to destroy the Heroes’ image? But it is too late for that. It is already destroyed if you take attention to what the villains are saying or what some people in the Heroes’ society lived/are living. Is it because the author wants to reassure everyone on Endeavor’s redemption? But it is a redemption: the fact that he has done bad things IS the point. He can still be redeemed even if you don’t lessen the negative perception of what he had done to the readers (in this case, it mostly impacts the readers, not necessarily the characters in-universe, imo... at least for now). We know that Endeavor wants to do better. We do. I even believe it. But if the author really wanted to show the entire truth in its full terrible impact, he would not have done that. It is just done kind of deceitfully because Endeavor’s vision is not inconceivable given that he is responsible for his family situation (it is easy to conceive that he would lessen the problem, even inconsciously, to save himself some guilt). The problem is not that Endeavor sees the past like that. It is really where it is put in the narrative. The timing does a lot.

What Horikoshi is doing is safe in the way that he can still choose what he will do in the end. However, the more it progresses, the more it is dangerous in terms of writing quality. Because he will have to purposely ignore a lot of what had been told and even retcon some important (and morally grey) things. He will have to choose between World 1 and World 2 because they cannot live together. The Heroes Society can not be flawed and flawless at the same time. Of course, it could still change... but after 290 chapters and the tendency to put everything under the carpet... let me be negative.

(I hope what I said was clear. Not sure but here I go anyway. This platform is not meant to write pages and pages anyway.

And I will come back to talk about how this tendency I mentioned is here since the FIRST chapter. The premise of this writing flaw was here since day one. Just hoped it would be more complex than this.)

here's all three of them

Folks, friends, y’all…. esk*mo is a slur. I understand a lot of people don’t know that, I don’t want to be a dick about it, but I’ve been seeing it in fics. Wanna write “esk*mo kisses”? Just say “nuzzled noses” or something.

I’m not here to call anybody out, it’s been in multiple fics, I’m not vague posting. This is just a psa. 👍🏻

Patron🇺🇦 and Rex🇵🇱

The character of the cult Polish cartoon series dog Rex greeted Ukrainian star sapper Patron 🐕🏆

The picture was published by the Lechoslaw Marshalek Foundation, a Polish director and "father" of Rex.

Brotherlove and Support

adult animation appreciation post bc we've got some good shows lately

Bojack Horseman

a lot of us know it and love it, but for the ones who never got around to it, PLEASE watch it at some point in your life. it has so many good storylines centered around depression, addiction, sexism, repercussions of child abuse, and the daily struggles of living in this messed up world that we all know and can relate to. it'll punch you in the gut with some of the most unique storytelling you'll see in your life

Tuca & Bertie

created by the lead character designer of Bojack, this show may seem like a spinoff from the look but it isn't in the slightest. created and starring amazing women and letting women be funny in their own unique way that feels so genuine and following the story of these two crazy bird friends, I cannot tell you the emotional rollercoaster this one took me on. our mains struggle with anxiety and sexual harassment, with some great queer rep, and the stories are so fun and inventive that you can't help but have a blast

Final Space

I could talk about this show for DAYS, but I already have in this post so I won't go on a massive rant rn. it may look like a normal little scifi comedy show at the beginning, but this show'll blow you away with plot for days. if you want an action show that has consistent storylines, here ya go. it's so heartfelt, and it has stories revolving around coping with loss and loneliness by building new connections and new families, and it rips your heart out while leaving you shook over how great the animation and the soundtrack is

Castlevania

this one is insane. it is super gorey and violent with tons of swearing, but if you like that stuff you'll love this one. vampires and action with some stunning animation drags you in quickly, and the plotline is actually really good and you'll end up feeling for the characters so hard. their struggles are so investing and even if there's blood every second, it still manages to hook you quickly and wanna know what happens next. still haven't seen the new season yet, but I bet it's great

Primal

created by Genndy Tartakovsky, the legend behind Samurai Jack, so you already know this one is good. it's a short miniseries but whoo boy is it good. the animation is so nice, and this one is so unique. following the story of a caveman and a dinosaur becoming unlikely companions after loss, there is no dialogue. that makes it such a unique experience and it gets so emotional with some pure raw emotions that just crush you

The Midnight Gospel

the newest addition to the family, created by Pendleton War, the genius behind Adventure Time, this one messed me up in ways that I can't even put into words yet. it's an animated podcast with crazy trippy animation behind it and holy shit it is so unique. it takes time to process everything going on, but once in you get in the flow of it it hits you with emotions. following a guy who goes into a simulator to different worlds to interview people for his spacecast, expect for some great discussions of the struggles of hoping, coping with loss, and meditation. take your time with this one, it is so beautiful and funny

adult western animation is finally swinging up, and these are only some of the good ones. thought it would be good to advertise how not adult animation is ugly and just gross humor all the time, because people are finally telling stories that only adults can understand and relate to and feel, and I for one am absolutely here for it