With The Raidou Remaster Coming Out Soon And How It Adds In New Demons Not Found In The Original, I Decided

YOU

It hasn’t even been two weeks into the year, and you throw a wildfire into my state?!

This your way of saying “expect more of this to come?” because I’m barely tolerating it now.

Here’s one more

I should keep drawing, these were the best ones, and even then they could use some work, mostly on the faces and limbs, but are fine.

@nathanwpyle

I literally love this.

I couldn't stop laughing for 20 minutes.

No joke.

I got the Shin Megami Tensei Chronology book as a Christmas present which focuses on Kyuuyaku Megami Tensei, SMTI, SMTII, if... and Devil Summoner thus I uploaded some screenshots for people who are interested in the content.

Blaze's Compendium Entry #10: The Khyah (Cyak, Kack, Khya)

Warning: Faith and religion are important real life topics, that tackles the culture and way of life of millions of real life people. It is a cultural expression, and must be respected by all means. Here, we use a video-game ( some times) and other media series only to ignite the flame of learning about the matter, using its art when well depicted, but we do this with all due respect to the cultures we talk here, grounded by real life sources, cultures and people. And i mean this with respect. Hope you all enjoy.

Also, please note that the Sources for this one will be a bit tricky, since we are talking about a regional and always developing urban legend and cosmology, which is not very well documented in traditional books. In this case we have to turn our attention to personal stories and every day people who lives in this culture.

The Khyah (ख्या) is a mythical creature that is part of the greater Nepali folklore and cosmology. Specifically from the Newar people from the Kathmandu Valley.

Some sources will say that its name means literally ''Ghost'' or ''Haunt'', ''Phantasm'', etc... However i was not able to confirm this. The language spoken by Newar people is the Nepal Bhasa, which is also written in the Devanagari script, just like Hindi. I do not speak this language, so please if you do, reach me out! But in any case, it seems that the word for ''Ghost'' in Newar is ''गुफा'' or ''gupha''. It may be the case that the name: ''Kyah'' got so used to general supernatural occurrences, that it got mixed up. Just like we talked about the Saci in my other post. -This is not uncommon to happen- I used regular online translators to reach this conclusion, but feel free to correct me if i am wrong because i could not consult any native to talk about this matter during my research.

For a bit of context, The Newar are people that historically inhabited the Kathmandu Valley, and the regions around Nepal. As we said before, they speak Newari (Nepal Bhasa). They have 3 major cities, those being Kathmandu, Patan and Bhatgaon. [1] The academic research on the Newar people just started at the early 20th century, the french anthropologist Sylvain, wrote a very famous and complete work called Le Nepal, that was one of the first western written works about the region, and its people. Their religion are mostly Hinduism, Buddhism and there are minorities from other beliefs.

The Newar live in this region since ancient times, way longer before Nepal even existed as a Estate. According to most history books, the Newar would live alone in the region, being sovereigns of the Kathmandu valley up until the Gorgkha Kingdom in 1769. It is very hard to know much about the Newar before that in details, since they are in the region for so long, and mixed so much with other people from around the Nepal, that even their history ends up blending with mythology.

For example: according to the sacred Swayambhu Purana, a Buddhist scripture, the Kathmandu Valley was once a huge lake, Inhabited by Nagas*. That is, until one day the Bodhisattva Manjusri with the help of a powerful sacred sword, sliced the surrounding hills, which in turn made the water flow away. This information is even on Kathmandu government official site!

This myth was later confirmed to have a basis, since NASA themselves found out clues that Kathmandu was in fact, once a huge lake. NASA did not reply me about the Naga thought. Bummer...

*The Swayambhu Purana is a Buddhist text essential to Newar Buddhism. However i sadly could not find a copy online, but there are some summarized versions translated to English, which i am using as guide. For instance the US Wikipedia article, sources books that i also could not find, but i could verify the authors! So... That's something, i guess.

This goes to show how the Newar people are rooted in their mythology, and how this is completely absorbed by even their space and surroundings. Even something as the very foundation of their lands is a hierophany.

This brings us to the Kyah, that we will see can show us a lot about this society.

About the Khyah

The Khyah are supernatural creatures that are hairy, looks like apes, sometimes extremely chubby and have their bodies are totally covered in hair. This description is corroborated my multiple sources, like ''Dietrich, Angela (1998). Tantric healing in the Kathmandu Valley: A comparative study of Hindu and Buddhist spiritual healing traditions in urban Nepalese society. Book Faith India.'' But not only that, the Khyah are also represented in multitudes of paintings and also in costumes for the Yenya Festival. The only thing that can sometimes be different, is that if it will be treated like a Ghost or a more physical creature.

The wealth goddess Lakshmi and two Khyah serving her, in a painting on a Kathmandu temple.

About this painting and sourcing the Khyah appearance:

I have made tireless efforts to pin down the origin of this painting. And many others! This one is present in most of the articles about the Khyah in the internet, even local articles from Nepal itself. However i was not able to pinpoint where it came from. All the sources i found either say this is from a ''temple'' or that it was taken by an individual named: Karrattul. This is not the photographer's name, but instead the name of the profile who uploaded it on the Wikipedia, where it was uploaded in 2012! I tried to reach to Nepali communities and other enthusiasts of History and Mythology, but no one could help me. If you know anything about this painting, please contact me!

For the same reason, it is almost impossible to find sourced materials about the khyah appearance. We know that there are traits like the hair, that keep intact from place to place, but i could not find a central work detailing the creature. We have those paintings from so called temples to trust, and the ceremonial suits used in the Khyah dance.

I will link here a video of a Khyah Dance performance, so you can see the physical traits of this creature are well agreed between the locals.

The Khyah is popular among children, or at least were at one point. This can be seen in a popular children song sang in Nepal. It depicts the Khyah as a cute and hungry little critter, as the kid in the song is encouraged to give food to it. The Kyah seems never to be satisfied sadly...

A banger...

The Khyah is indeed often treated like a type of ghost. In my personal opinion they are simmilar to Djinn, some kinds of yokai and can be classified generically as a type of monster or apparition, in my view at least. (This means a supernatural creature, that is in between a human and a god like being.) The Newar believe that the Khyah has active participation in events of their daily lives. But they also are not all bad or good, they are multiple entities, some good and some bad. Usually there are white colored Khyah who are good, and black colored Khyah who are bad.

They have their own lives, families, and friends. There are a lot of tales and works related to this creature, not counting personal tales of every day people and their encouters with this little devil. That's how ingrained in the Newar culture the Khyah is.

I was able to track the writings of a Kathmandu Valley denizen, which happened to write about the Kyahk! [3] This person was kind enough to provide a lot of personal information about the regional culture, in their personal website. According to the locals, the Khyah would often live in houses, squares, public spaces, and would regularly interfere with their existence. Not all Khyah are bad, some can protect the households they inhabit, they can bring fortune and good luck. Although, the Khyah fears light, so they have to live in dark corners of the house, like the attic or some empty room.

The Unitedstatian Wikipedia page for Khyah shares some unusual information, that we can not trace to any sources. For instance, they mention that this creature supposedly fears electricity. As interesting as it may seen, the source from this particular information goes to a book called: '' Asian folklore studies, Volume 55. Nanzan University Institute of Anthropology'' Which i was unable to find to read online, and was also unable to find it by its ISBN trackers: 9057890984, 9789057890987. Those took me to another book, called: ''Caturmāsa. Celebrations of Death in Kathmandu, Nepal’'

This one seems to exist, but i also could not find it anywhere online. Google Books has some samples, and it guarantees that the word ''Khyak'' or any variations of sorts, are not on it, which means this is a misinformation. Someone probably interpreted that the fact that Khyah fear light, can also apply to electricity as an energy source. I think you won't be letting your homie Khyah uncomfortable having electricity at your house, don't worry.

Again, according to locals [3] There are two variable Khyah: Black and White. The white are the ones who bring luck, and the Black ones gives you trouble. No matter what kind of this creature you have in your house, you should respect it. They are often revered and well treated. They have their own cozy dark place to hide, like the bhandar and dhkuti. Those are places of the house used to store grains and valuables.

There are other variations according to other local sources sources [3] [4] Those Khyah are usually described as:

-Bārāy Khyāh (बाराय् ख्याः) appears in rooms where girls are kept in seclusion during their rite of passage to adulthood (first period). [5] (Very documented, and easy to track on western sources)

-Bhakun Gwārā Khyāh (भकुं ग्वारा ख्याः), literally football, rolls on the ground to move around. (Most common Khyah, probably the one Kaneko tried to draw! Most commonly seen in regional urban legends. Not very documented in translated to English literature)

-Dhāpalān Khyāh (धापलां ख्याः) is a very hairy Khyah. (Very popular because of that children's song, still sang to this day.)

-Lanpan Khyāh (लँपं ख्याः) blocks people’s way on dark streets. (Not much about this one, really. At least not in western sources. It seems that, along with Bhakun Khyah is probably more of a word of mouth thing)

The relationship with Kawancha

The origin legend for the Khyah goes that, in the distant past, two gods had a baby. They fought to see who had the right to hold the baby, but ended up tearing the child apart. The skin peeled off, revealing just flesh and bones that would separate. The flesh became Khyak, and the bones Kawancha, a skeleton that would be the Anthitesis to the Khyak. This relationship is portrayed in paintings and regional dance festivals. [3]

Also known as Kavam, the skeleton monster seems to be the other half of the Khyah. It is extremely hard to find sources about this, not only because it is a very specific regional folk belief passed down orally, but also because the language barriers. One could in theory go there in person to collect sources about this part of the lore, but it is not an option for me. Someone at Reddit pointed out to me that in some regions, they are not related at all, being just monsters from the same sources. So, their lore seem to vary from place to place.

Painting depicting Kwancha/Kavam and Khyah in Kathmandu. Origin Unknown.

As much as I tried for months, I could not come with a source for this information besides literal oral tradition. But for sure these two are indeed connected in some places. You can see them in several paintings at Kathmandu, and they also have their own dance performance telling their story and painting their relationship. As the Reddit user mentioned, their connection will vary from place to place. Being more of a localized and oral tradition.

In the performance you can see Khyah and Kwancha performing together, as they show their relationship. Still according to [3], the instrument played in these performances is the Dhimay. Its made from tree bark, and the legend says the gods later created this tool to help control the beings, and communicate with them. In the author's perspective, this was meant to showcase the duality of our universe. This being the real nature of those beings.

Again, I lack written and traceable sources. While the Dhimay is indeed a real instrument, used on those performances, there are almost no mentions of it being related to Khyah or Kwancha in the western internet. This also falls in the category of facts I could not check because of being probably too of a localized oral tradition.

I could at least find some sourced paintings. Like this one, shared by the Twitter user Sanjib Chaudhary Who is an author himself on Nepalese culture.

Kwancha and Khyah are shown in this painting on Jaya Bageshwori temple, in Gaushala.

Also, while Khyah is very well documented in the west, the same can not be said about Kwancha. It is easy to find dances, masks, his Megami Tennsei design (being the most easy result) and paintings about the skeleton monster, but almost nothing on its nature and lore. This means I highly doubt everything the Megaten games say about it to be factual, although they do in fact exist in Nepalese culture.

One thing i noticed is that Kaneko himself could have watched a dance performance of Kwancha and Khyah, or at least seen pictures. Because his Kwancha design for Devil Summoner has the clothing in colors and shapes very similar to some Kwancha performers:

This specific clothing can be seen here: Kawancha (Skeleton) Dance of Bhaktapur कवांचा प्याखं , तौलाछें, भक्तपुर ll Part of Bharab Dance ll

The final point on this part is their origin: Which gods crated them? This rent a space in my brain for free for the last year or so. While I could not find it for sure, this does not mean it is wrong or not factually a belief in their tradition. Buddhism has many gods and entities, and i suspect the ones who created the Khyah accidentally, are just regular Devas.

Modern mentions?

Khyah tales are in the heart of Kathmandu people, and many other Nepal regions. For centuries they dominated the children's tales and late night scare stories of that region. In 1992, Jim Goodman published a book called ''Tales of Old Bhaktapur'' Which complied some folk tales from Nepal.

Sure enough, Khyah makes an appearance in it. At page 28, there is a story about a Khyah haunting a house, and how a boy deals with it. Sadly the book is not openly available on the internet, but google books have some parts readable:

There is also the book: Tales of Kathmandu: folktales from the Himalayan kingdom of Nepal (1980). This book was published by the authors Karna Sakya, Linda Griffith. This book seems to put together many popular folk tales from Nepal, and in the page 105 we have a story called ''The Khya of Marusata.''

Now, as this seems to be the case with every freaking material in this search, this book is not available online, but google books has many parts available. Sadly, we can only see the title of the story. What we can know by a quick google search, is that Marusata is some kind of square in central Kathmandu. I tried to search this tale online, but I could not find. Will try to keep searching for it eventually.

Also, in the books first pages, around 20 or so, Khyah are mentioned too:

It seems to classify Khyah as demons, just like their neighbors Rakshasas. Which is not exactly on the point here, but its interesting nonetheless.

The Khyah are still recognized today, and are well known in the community. But even if the western internet made a good job of preserving its lore and some of their character, their presence is very scarce. By going on Eirikr Kaneko Crib's notes I found that one of the most recent official appearances of the creature online was on the site Local Nepal Today. This seems to be a site dedicated to portray and preserve Nepalese culture and report on situations at the region. It is however, done by foreigners that went to Nepal afterwards. The site seems to be dead, but they do mention their hearings about the Khyah! Here they call it Kack.

The authors compare it to European elves and trolls, which is not exactly a good match. They are more akin to Brownies, Silkies and some kind of Kikimora.

In any way, their description matches most sources, and oral sources alike: They are shy, prefer dark and isolated places, and hate the light. They also comment on the duality between the white Khyah and the black Khyahk.

Most important thought, they mentions talking to an elderly woman in Kathmandu, who shared her own stories about meeting the creature:

''An elderly woman in Kathmandu who saw several kacks – all white ones. The closest encounter was with a quiet, furry fellow who came and sat on her lap! Many of those who’ve seen a kack will tell you how these “little people” would come and sit on the edge of their bed for a while, keeping them half amazed, half in shock the rest of the night. A white kack is friendly – but it can still be a bit scary.''

They also gathered information from old Kathmandu citizens on why the Khyahk tales are vanishing nowadays:

'''Well, old people who grew up in the heart of kack territory – Kathmandu – will usually tell you a simpler reason: kacks are shy creatures and so, since the capital has become crowded and noisy, many have left. Sure kacks can hide and move about by stealth, but there’s a limit. Either way, now it’s no-longer in Kathmandu but in the villages you’ll hear about kacks the most.''

In my personal view, its interesting to connect the vast and accelerated growth of Kathmandu, to the losing of traditions and oral folk tales, which ended up making the Khyah tales vanish bit by bit, becoming isolated to small nearby villages.

This makes me a bit sad, because if there is no one trying to preserve those traditions, it may very well disappear as the times goes on. The internet has this amazing tool to preserve culture, but we do not seem to be using it enough.

In this regard, I am glad that Kazuma Kaneko imortalized Kyahk in the Shin Megami Tensei series, even if they are not regular monsters on the newer games, many people probably had their first encounter with this critter through that.

And that is it! Everything I could gather! Hope you guys enjoyed!

Beware the Kyhak at the feet of your bed!

Thank you for reading through it all. I actually started this research more than 1 year ago, but postponed it multiple times, since I started doing scientific research at college, and other monsters looked way more easy to research.

Stick with me for more deep dives on critters from around the world.

Sources: [1]- "Elements of Newar Social Structure". Journal of the Royal Anthropological Institute. Royal Anthropological Institute of Great Britain and Ireland.’’ - Christoph Von Furer- Haimendorf, 1956.

[2]- Dietrich, Angela (1998). Tantric healing in the Kathmandu Valley: A comparative study of Hindu and Buddhist spiritual healing traditions in urban Nepalese society. Book Faith India.

[3]- Himalayancultures.com -Personal blog of a Kathmandu citzen that shares a bit about regional folklore and culture. Extremely interesting to see stuff from a personal point of view.

[4]-Archive My Sansar - Regional website about Nepali culture.

[5]- Growing Up: Hindu and Buddhist Initiation Rituals Among Newar Children in Bhaktapur, Nepal, 2008, Otto Harrassowitz Verlag. (Pag 174)

[6]- Tales of Old Bhaktapur'' - Jim Goodman (1992)

[7]- Tales of Kathmandu: folktales from the Himalayan kingdom of Nepal (1980)

[8]- Local Nepal Today

Something on my mind that seems funny to me is when any series has people making good ending AUs to offset the tragedy and then there’s a part where this one character that dies in canon still dies like,

“No no you in particular can’t have good things so you have to die”

Which would be funnier if there were others saved from their fate like it’s just you who has to suffer. Nobody else. Just that one guy in particular.

It’s even funnier if there’s no ill will in the AU creator’s eyes for that character, they just think that they HAVE to die or it feels wrong.

this is the money dog, repost in the next 24 hours and money will come your way!!

Black cats are lucky. (via leahweissmuller)

He “thinks” he’s doing a good job hiding it, but he couldn’t be any more obvious about what he really is. I’m surprised he lived this long without someone staking him

He smiles too wide and shows his fangs, he always talks in a way that makes people to invite him despite the automatic door, bats seem to follow him around (he tries to shoo or hide them away), he’s more lethargic during the day (doesn’t catch fire but does sunburn easy), counts whatever small things fall on the ground, when rain fell and the streets became a makeshift river, he want the long way to avoid it (wasn’t even that deep and he wore rain boots that day), a regular showed her new silver cross necklace and he had a look the was a very forced smile, I once saw a blood bag in his backpack and forgot it was open until breaktime, not to mention the many times he walked past a mirror.

Many vampires wouldn’t make these mistakes, they would were thick clothing, hid their pale skin with certain oils, use glasses or masks to hide their face, they would go to places with designated greeters, ect.

But he doesn’t do any of that, in fact his hiding attempts were more like a kid playing pretend.

So why don’t we throw him out or stake him? After all vampires in recent times have been very aggressive?

Number one, he’s harmless, he cries easy, apologizes absurdly for small mistakes, is amused with ants or ladybugs, and it’s done in a way so absurd that you can tell he isn’t lying.

Number two, I think he might be an outcast or an exile, vampires tend to stay together, but he’s always by himself and any vampires that see him try to avoid him or ignore him if they couldn’t. Because of this, he doesn’t know much about the more unsavory parts of vampire society, which may be a good thing.

And number three, he’s not the only one badly hiding who they are. I’m not the only human here, but I am the only one who know what they are and what to do if they became hostile, though I don’t think I need to.

The one outside chasing out solicitors with a stick is a cat… yokai I think is the term. I think specifically a Kasha. She hides her ears with a beanie that move with certain emotions, sometimes forgets a contact lens, and her “belt” seems to move at times. She’s always near the graveyard, but the church grim always scares her off.

The one restocking magazines while looking out the window is a Dullahan who isn’t seemingly trying hard to hide who they are. His head is slightly unaligned and usually a bit green, with his smile being too wide and too toothy. Not to mention the horse that he tries to hide in the nearby forest that never seems to stay put. There are stories in this area of a horse man with a whip chasing noisy bikers and crooks, so he’s at least doing some good.

The guy playing guitar in the break room was the one I didn’t know what he was until recently and only then it’s a guess. He looks the most human, but then you approach him and feel a divine presence. Not an angel because his songs talk about gods, plural. Always in the forest singing because he “feels at home.” When I looked up his songs, they were Hindu in nature, so I assumed he’s a Gandharva.

The one kicking the vending machine because his sunflower seeds got stuck is something called a Bilwis. There always a breeze whenever he’s around, he looks as corn and wheat products intensely, the cutting of tall grass on the forest, and he always talks in that German accent about his time in the fields. There aren’t any fields around here, so there isn’t much he could do, though I’m keeping an eye on him.

The one at the door is clearly a dragon or snake of a kind, maybe a Vouivre with the scales, the thin tail, the small wings, she isn’t even trying at all to hide. She’s acts like she’s above all and gets a bit prissy when others don’t join in. She’s so proud of herself that she actively wears things like rings, pearls, jewelry, things that attract muggers, which did happen a few times. She’s a nuisance, but all bark, so she’s fine.

That’s not mentioning the drivers which are an elf with the ears and how plants react to them and a gremlin with his small, goblinilke size and stories how he worked on(taking apart) planes.

None of them are doing a good job at hiding who they are, which is saying something considering I was one of the worse liars in my profession. I’m praying for them that these guys aren’t that dense for their sakes.

I am a part of a community of hunters of the supernatural who was sent to this big city to investigate and deal with an influx of supernatural visitors and crimes, though I was sent here to deal with a dealing of some kind of substance, one of the lowest priority jobs given.

(Just say we don’t trust you with anything higher to my face, I’ll understand better than dancing around it.)

They want to know why so may creatures came to the city, son decided to look for a long live species for info, leading to the vampire.

I thought I’d get something, but he knows nothing.

All of them know nothing due to ignorance, avoidance, or being too far in nature to care. I assumed their lives hid something, so I followed, but they’re all clean.

In the end, I tried some other monster I found, but someone didn’t like that, as my apartment was broken into and was left a threatening message to “stop my search or suffer” amidst the broken furniture.

They forced me to inaction because they knew of our plans and are willing to deal with us if we ignored them, like maybe out who we are, which was bad because I didn’t go out dressed like Van Helsing telling people I kill monsters for a living.

I hope to find a way out of this as I don’t want to get my superiors caught… and because I don’t want to leave my coworkers for their sake.

I’ve grown used to them, knowing them personally, actually being friends… maybe a family and I don’t want them to fear me, or worse, targeted by someone.

All I can do at the moment is wait for an opportunity to free myself.

A vampire has worked at the local 7-11 for the past 5 decades. No one has the heart to slay them—partly because they're a good employee, but mostly because they think the vampire is doing a "great job" hiding their vampirism (they're really not).