“ummmmm Ur Bra Strap Is Showing :/ ”

if i see a single person. A SINGLE PERSON. speaking a WHISPER against wakanda forever i will throttle them and rip out their organs.

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I just saw Black Panther: Wakanda Forever and holy shit I am weeping

there's a translated scrap of plato that eventually found its way into a letter sent by emily dickinson: "i wish you a kinder sea."

seascape scenes in k-dramas can often be so trite — but love next door's characterization was beautiful. seunghyo pitching seokryu into the water might seem like an act of anger — but it's actually liberation. it's a rebirth; a re-emergence — a place of salt that can settle her tears. water is renewal: a washing place for wounds. a tincture to clear away the bitter and broken; and allow the touch of tenderness.

though seokryu is scared of water; in the sea she is safe: the waves hold the weight of her hurt and desperation as she screams at seungyo. he knows what she needs — he has always known what she needs. he stands still — takes the tips of her fingers striking him as what it is — finally, a surrender to all the emotions she refused to succumb to. a clearing of the air. an opening into a freer intimacy.

there were so many beautiful moments during this episode: the power of a simple "we'll hit rock bottom together." seokryu's ex was heartbreakingly right — what she needed wasn't someone to lift her up, but someone to fall down with her. when someone is in pain you sit with them in the dark; and look up at the impossibility of light together.

this is what seungyo has always understood so effortlessly about seokryu — that this is love: to climb down into the ravine of regret and raw hurt where the person you love has fallen — not to pull them out; but give them company. when people are in agony you must give them the dignity of their deep hurt — you must nurture the narrow, serrated edges of their sorrow. seunghyo taking seokryu to see off her ex — folding his coat around her to create a private hollow to express her heartache: it speaks of a man who understands that grief is not meant to be overcome; but gathered in the hands and given respect. attention. understanding.

this is love: to say "when you cry, it is my eyes that fill with salt. when you scream, it is my throat that burns. when you fall down, it is my knees that bruise in the color of your eyes."

this is love: to wish someone a kinder sea. a clearer day. a warmer hug.

this is seunghyo.

2025

BE A STUDENT OF WHAT YOU ADMIRE

DO IT BADLY RATHER THAN NOT AT ALL

TO DESPAIR IS TO CEDE VICTORY TO THOSE WHO DO NOT DESERVE IT

BROADEN YOUR CULTURAL HORIZONS

REVEL IN THE ANALOGUE

ACTION ABSORBS ANXIETY

GRIEF IS PRODUCTIVE; GUILT IS NOT

Jason would adopt a kid (or a kid would adopt Jason, let’s be real) and he would never outright tell anyone. It would be up to everyone ELSE to find out. Whether that be by accident or by suspicious snooping

Jason: hey guys, im gong to the store. anyone want anything? tim: uh some granola bars for patrol would be great. what are you going to the store for? jason: *non-chalantly* a night light tim: tim: are you . . . afraid of the dark? jason: no tim:

jason: *yanking a super sugary cereal out of dick's hands* that stunts growth and development dick: dick: i am,,,,, fully rown and developed?????? jason: well then you're setting a bad example for young and impressionable children dick: damian????????? jason: no dick: then who?????

cassandra: would you like to come to my ballet recital? everyone else is busy. jason: umm . . . can i bring a plus one? cassandra: sure. who? jason: my daughter cassandra: awww that's a great idea! later: cassandra: wait. you don't have a daughter. jason: yes i do? cassandra: okay then. *promptly never mentions it to anyone else*

steph: *visiting jason* uh . . . dude jason: *wearing a "my dad jokes are the price of my cooking" apron and cooking while holding a child on his hip* yea? steph: steph: what the FU- jason: LANGUAGE steph: -DGE

bruce: jason has been acting off. i need the two of you to tail him tonight and report back to me. stephanie: no. bruce: what do you mean no? duke: i wouldn't willingly tail jason todd if you told me you would pay for my college bruce: im already going to pay for your college duke: exactly. and i'm gonna to need my life to make use of that fact. so im not going to tail the murderous crime lord turned vigilante. no way. bruce: something's wrong, i'm telling you two. stephanie, who has alrady met her niece and is the first aunt to have been named: ask someone else dude. idk what else t' tell ya

bruce: tim, something's wrong with jason tim, who found out through steph the day previous and has since met his niece as well: he got a girl bruce: *wide-eyed* he has a girlfriend???? tim: that's not-- you know what, sure

10 Non-Lethal Injuries to Add Pain to Your Writing

If you need a simple way to make your characters feel pain, here are some ideas: 

1. Sprained Ankle

A common injury that can severely limit mobility. This is useful because your characters will have to experience a mild struggle and adapt their plans to their new lack of mobiliy. Perfect to add tension to a chase scene.

2. Rib Contusion

A painful bruise on the ribs can make breathing difficult, helping you sneak in those ragged wheezes during a fight scene. Could also be used for something sport-related! It's impactful enough to leave a lingering pain but not enough to hinder their overall movement.

3. Concussions

This common brain injury can lead to confusion, dizziness, and mood swings, affecting a character’s judgment heavily. It can also cause mild amnesia.

I enjoy using concussions when you need another character to subtly take over the fight/scene, it's an easy way to switch POVs. You could also use it if you need a 'cute' recovery moment with A and B.

4. Fractured Finger

A broken finger can complicate tasks that require fine motor skills. This would be perfect for characters like artists, writers, etc. Or, a fighter who brushes it off as nothing till they try to throw a punch and are hit with pain.

5. Road Rash

Road rash is an abrasion caused by friction. Aka scraping skin. The raw, painful sting resulting from a fall can be a quick but effective way to add pain to your writing. Tip: it's great if you need a mild injury for a child.

6. Shoulder Dislocation

This injury can be excruciating and often leads to an inability to use one arm, forcing characters to confront their limitations while adding urgency to their situation. Good for torture scenes.

7. Deep Laceration

A deep laceration is a cut that requires stitches. As someone who got stitches as a kid, they really aren't that bad! A 2-3 inch wound (in length) provides just enough pain and blood to add that dramatic flair to your writing while not severely deterring your character.

This is also a great wound to look back on since it often scars. Note: the deeper and wider the cut the worse your character's condition. Don't give them a 5 inch deep gash and call that mild.

8. Burns

Whether from fire, chemicals, or hot surfaces, burns can cause intense suffering and lingering trauma. Like the previous injury, the lasting physical and emotional trauma of a burn is a great wound for characters to look back on.

If you want to explore writing burns, read here.

9. Pulled Muscle

This can create ongoing pain and restrict movement, offering a window to force your character to lean on another. Note: I personally use muscle related injuries when I want to focus more on the pain and sprains to focus on a lack of mobility.

10. Tendonitis

Inflammation of a tendon can cause chronic pain and limit a character's ability to perform tasks they usually take for granted. When exploring tendonitis make sure you research well as this can easily turn into a more severe injury.

This is a quick, brief list of ideas to provide writers inspiration. Since it is a shorter blog, I have not covered the injuries in detail. This is inspiration, not a thorough guide. Happy writing! :)

Looking For More Writing Tips And Tricks? 

Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!

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Anyone else love the “Who did this to you” trope or is it just me?