When we look deeply at a flower, we can see the whole cosmos is contained in it - Thich Nhat Hanh
Glenn Gould’s Bach score surfaces, scrawls and all.
Glenn Gould’s heavily marked-up score for Bach’s “Goldberg” Variations, used in his 1981 recording to be sold at auction
Credit to Redditor NeokratosRed !!
Idea explanation:
Chopin: mixer because he reminds me of one sometimes. Example. Scriabin: he has written a lot of pieces for the left hand alone and he injured the right hand. Rachmaninoff: He had really big hands. Really big. Liszt: he sometimes reaches notes at the other side of the piano. Ravel: he has delicate, water hands and very often the left and right hand play on top of each other. Beethoven: he is powerful and this is also a reference to the hammerklavier Satie: his touch is very gentle and it sounds like he is playing with gloves. Boulez: Just to give you an idea. Cage: the 'no hands' is a joke for 4'33'' and the objects on the keyboard are a reference to his prepared pianos. Feldman: most of his compositions use just a few notes. Mozart: Rolling pins because of all the scales. Schubert: A lot of his pieces have very articulated right hand passages that go back and forth like a wheel and really easy left hand ones. Bach: robot hands because he was so structured and calculating in his pieces. (Side note: amazing book) Debussy: really soft touch, just like feathers. Glass: Pendulum and metronome because of his style that led him to be very technical, a bit like Bach, but it's more complicated than that. Bartok: drum beaters because of the power of some of his compositions.
Vivienne Westwood on sex appeal.
Elle m'a dit d'aller siffler là-haut sur la colline De l'attendre avec un petit bouquet d'églantines J'ai cueilli des fleurs et j'ai sifflé tant que j'ai pu J'ai attendu, attendu, elle n'est jamais venue.
Joe Dassin, Siffler sur la colline
As long as you’re going to be writing anyway, write impressive.
“Mycket folk skulle komma både från Lönneberga och andra håll.” (Emil i Lönneberga)
The wise delight in water; the benevolent delight in mountains. The wise take action; the benevolent remain still. The wise are joyful; the benevolent are long-lived. - “Trí giả nhạo thủy, nhân giả nhạo sơn. Trí giả động, nhân giả tĩnh. Trí giả lạc, nhân giả thọ.” - “知者乐水,仁者好山; 智者欲发,仁者静; 智者乐,仁者寿。
Confucius / Khổng Tử / 子曰