In relation to this, of the three great failures of his that Lux lists in issue 1 - the Signal, the Second Summer of Love, and Tokyo - all are extra-dimensional or extraterrestrial. The Signal is an alien gestalt, the Queen arrived “from outside existence” and while Tokyo is the fault of Masumi, an atomic, her power is to control and summon an extra-dimensional creature that exists independently of her.
All the great problems, thus far, have been caused by out of pocket bullshit
Uniquely for superhero deconstructions, The Power Fantasy is largely in conversation first-and-foremost with X-Men rather than bog-standard targets of critique such as Superman and Batman; this is apparent both in the centrality of a millions-strong demographic of post-atomic-bomb superhumans as well as the interpersonal and ideological conflict between Ray "Heavy" Harris (analogous to Magneto) and Etienne Lux (analogous to Professor X.)
One underdiscussed element of how The Power Fantasy approaches the X-Men canon is that in addition to the mutant analogues of The Atomics and The Nuclear Family, the setting's worldbuilding also incorporates religious cosmology and functional magic; three of the six Superpowers in the main cast derive their power from divine intervention or accrued wizardly power, rather than whatever capepunk-standard unified power schema governs the Atomics. This reflects a truth of the X-men canon largely suppressed within the Fox Film canon- namely the absurd amount of time that the X-Men spend having to sideline the mutant metaphor in order to slap down Dracula or space aliens or wizards or Literal Demons from Hell or some such similar out of pocket bullshit
you know, the more i think about worm, the more i realize that aside from skitter, imp is one of the best fleshed out characters. and the amazing thing is how her characterization is all in the background where people don’t notice it. just like imp herself.
Keep reading
Everyone involved on this has done such a stellar job and it was such a joy to be a part of. If you care about the Power Fantasy you simply have to read it.
The Power Cut is a fanzine about The Power Fantasy. The Power Cut is a collection of meta essays, illustrations, and jokes. The Power Cut contains mature content and spoilers for The Power Fantasy #1-5. The Power Cut is available free at the links below. The Power Cut is so excited to meet you!
LINKS Google Drive Dropbox
CONTRIBUTORS @artbyblastweave @idonttakethislightly @jkjones21 @khepris-worst-soldier @meserach @rei-ismyname @tazmuth @the-joju-experience
Cover art by @tazmuth
Have we talked about how Taylor has common themes with each teammate when she meets them and they foreshadow something about her final form as Khepri? (Also ship names being based on bug things makes me feel wickedly gleeful)
• Taylor + Lisa = SmugBug = uncanny insights, could be mistaken for precognition ; reckless self endangerment
• Taylor + Rachel = WolfSpider = sudden not-necessarily-proportional violence ; brain no longer maps to human interaction
• Taylor + Grue = Dark&Creepy = obfuscation, macho power displays ; power theft
• Taylor + Regent = QueenBee = false sense of emotional detachment ; controlling people but not their minds
• Taylor + Imp = Fly On The Wall = unobtrusively spies on others ; forgetting
An alternative way Gillen has described TPF is “as if your idiot clique of friends had to stay civil or the whole world would end”, and yeah it’s hard to imagine, with ours and Tonya’s front row seat, the civility lasting much longer at all
What I like about Tonya in The Power Fantasy is that she's the journalist viewpoint character, right? The character who's asking questions and poking at the same kinds of things that the audience would be poking at. And over the course of the story she's developing the shell shock that any quote-unquote "normal" person from our world or one similar would have, if they got plunged into the deep end. But the thing is that this isn't some mysterious new paradigm shift she's investigating, she isn't new to this and it isn't new to her, she was doing a piece on one of the leading public figures of the last fifty years when she got caught up in this. What's new to her is that she's spent somewhere around a week in proximity to these six people when they're going through a fairly-eventful-but-still-within-parameters week of their own lives- not quite business as usual, but close- and she's getting a front row seat to how the six most famous people on earth are perpetually six seconds away from fucking up and destroying the whole planet, and how much everyone attendant to this messy friend group needs to constantly bust their asses to prevent that from happening. That's the big reveal of the setting, from her perspective, that's what's inculcating her issue-5 certainty that the world is going to end. It's neat.
This discussion of superhero logistics reminds me of an element of Worm's background worldbuilding that I've always found really interesting, which is that the heroes are running out of teleporters. They had a cloak-style mass teleporter, Strider, who was apparently indispensable for troop deployment at Endbringer fights, but he didn't get the hell out of dodge in time so by the Behemoth fight they mention having to seriously kludge other not-as-good powers to get everyone on-site on time. No one dies forever in comics so the question of "what are the risks of one guy's powers becoming indispensable to our organization" isn't as salient, but here goes Worm, gesturing at the idea that you might just get super fucking unlucky because you became organizationally dependent on a couple golden gooses who you inexplicably keep bringing to live fire situations. If they weren't hard to replace, they wouldn't exactly be superheroes, would they?
Essay and art previews for some more of the essays from The Power Cut, an upcoming The Power Fantasy fanzine! Check out our other previews here. The Power Cut is coming February 14!
Credits:
Introduction: essay @meserach, art @idonttakethislightly
Lux and Magus: essay @the-joju-experience, art @jkjones21
The Major: essay and art @artbyblastweave
Funnies: text and art @jkjones21
Afterword: essay @meserach, art @tazmuth
It’s left unsaid but during the timeskip when Taylor was in the Wards the CIA tried to poach her because of how good she is at radicalizing youth.
Every college speech class in America has a section dedicated to studying her “Arcadia address”
The PRT stopped letting her speak during her mandatory PR appearances because every time she gave a speech it resulted in large amounts of civil unrest.
She won Speaker of the Year but was too focused on preparing for Jack to care so she never actually picked up the award. Dragon has it pinned on the fridge in the Guild’s break room.
Mostly a Worm (and The Power Fantasy) blog. Unironic Chicago Wards time jump defenderShe/her
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