Something I’ve only occasionally seen mentioned is how Cauldron capes still have a degree of irony between their power and their trauma
Take Coil. While moments away from being rescued from Nilbog’s monsters, he is faced with a split-second choice: to kill his superior officer or to not. He didn’t know which was the right call, whether it was possible for them both to survive or whether letting his superior live would have doomed them both. And so, he made his choice, and was left to deal with the consequences of it. And then he drinks a vial and is given the ability to delay the making of any such decisions, until the consequences were known.
Or Battery. She wants powers to take down Madcap, and gets powers that operate similarly to his but perform better. Except, of course, only for a handful of moments, leaving her ultimately worse off than him. She loses to him 7 times, and only wins on the 8th because Legend is there
This discussion of superhero logistics reminds me of an element of Worm's background worldbuilding that I've always found really interesting, which is that the heroes are running out of teleporters. They had a cloak-style mass teleporter, Strider, who was apparently indispensable for troop deployment at Endbringer fights, but he didn't get the hell out of dodge in time so by the Behemoth fight they mention having to seriously kludge other not-as-good powers to get everyone on-site on time. No one dies forever in comics so the question of "what are the risks of one guy's powers becoming indispensable to our organization" isn't as salient, but here goes Worm, gesturing at the idea that you might just get super fucking unlucky because you became organizationally dependent on a couple golden gooses who you inexplicably keep bringing to live fire situations. If they weren't hard to replace, they wouldn't exactly be superheroes, would they?
Reread 19.y, and noticed something I hadn't caught before:
Parents. Plural. He makes such hay over being someone who really knows her like other people don't, but he doesn't know her mom died. That's not an unreasonable or unconscionable thing, you're not rude for not knowing everything about your classmates' circumstances. But also, it was a detail that we see the trio implicitly reference, and that Emma will be explicit about without visible shock from other classmates. People who know about Taylor enough to torment her know about it—but its not something Greg knows. It highlights how he's being kinda ridiculous, thinking he has some special connection to her. Good little detail.
“young witch trying to solve the mystery of her neighbor’s missing cat in a small village in the Alps” continues to be hilarious don’t get me wrong but it’s kind of making me want to take a crack at treating the concept seriously. In this insular rural community, a cat goes missing. A young woman who takes her community’s professed ideals of helpfulness and harmony in witchcraft seriously volunteers to try to find him. Realizes the more she searches and the more she asks around that everyone in this idyllic village is quietly seething with resentment against their neighbors and against the world, that the insularity of her village is harboring a festering social rot that no one is allowed to address. No one can leave. The hills have fallen silent. Something is eating the cats and no one is allowed to address this. Ötzi is there
NGL gang when I read Worm I was surprised how ultimately understandable Amy's actions were.
Keep in mind I haven't read Ward yet so I don't know all of it but in Worm Amy is clearly shown to have not been hardened enough to handle the high stakes situations that parahumans deal with everyday (y'know like a normal person) and parahumans are known to have their powers pop off without them wanting it. As well as how she was later being deliberately pushed by people who's probably some of the best non-master manipulators.
What I had heard was a repressed and predatory lesbian brainwashing and raping her sister. What I read was a frightened woman pulled too thin to think, being human, and failing because of that.
Have we talked about how Taylor has common themes with each teammate when she meets them and they foreshadow something about her final form as Khepri? (Also ship names being based on bug things makes me feel wickedly gleeful)
• Taylor + Lisa = SmugBug = uncanny insights, could be mistaken for precognition ; reckless self endangerment
• Taylor + Rachel = WolfSpider = sudden not-necessarily-proportional violence ; brain no longer maps to human interaction
• Taylor + Grue = Dark&Creepy = obfuscation, macho power displays ; power theft
• Taylor + Regent = QueenBee = false sense of emotional detachment ; controlling people but not their minds
• Taylor + Imp = Fly On The Wall = unobtrusively spies on others ; forgetting
I was about to make a post about the general stress of living in the world of the Power Fantasy caused indoor smoking to have a longer life, but it turns out bans on indoor smoking only really started after the turn of the millennium. They’re younger than me
I have to wonder what happened to Labrador when Newfoundland was destroyed. Is it still a province despite having less people than any of the Canadian territories? Was it turned into a territory? Did the Québécois irredentists win and annex it? I want to know
Cauldron’s funny in this regard, first because all of its members can fit in a minivan and because literally 90% of their capacity relies on Contessa; when she has to fake her death and can’t intervene Cauldron stops existing within a handful of hours.
And their plan is also based on the bus factor; they let the apocalypse happen early because every 2-3 months a bus crashes and every bus maybe contains the person who can kill Scion. And they are vindicated in this; Foil, Tattletale and Weaver all could have died in any of the 8+ Endbringer fights they went to, and very likely would have eventually died in one of the dozens they would have gone through if Cauldron stopped Jack from setting off Scion
This discussion of superhero logistics reminds me of an element of Worm's background worldbuilding that I've always found really interesting, which is that the heroes are running out of teleporters. They had a cloak-style mass teleporter, Strider, who was apparently indispensable for troop deployment at Endbringer fights, but he didn't get the hell out of dodge in time so by the Behemoth fight they mention having to seriously kludge other not-as-good powers to get everyone on-site on time. No one dies forever in comics so the question of "what are the risks of one guy's powers becoming indispensable to our organization" isn't as salient, but here goes Worm, gesturing at the idea that you might just get super fucking unlucky because you became organizationally dependent on a couple golden gooses who you inexplicably keep bringing to live fire situations. If they weren't hard to replace, they wouldn't exactly be superheroes, would they?
the devil is such a hilarious character, imagine rocking up to the cape scene super early and thinking you're hot shit, choosing or being given a name as big a deal as *that*, and then fucking around once and instantly finding out
Lisa's interactions with Taylor make a lot more sense if you believe she's never had a real friend in her life, even before her power started to whisper things in her ear. Taylor's experience got messed with by the bullying, but Lisa is starting from the bottom and has to pull from her interactions with the Undersiders and it shows
Mostly a Worm (and The Power Fantasy) blog. Unironic Chicago Wards time jump defenderShe/her
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