03/10/2021
It wasn’t a long time ago,though it supposedly was.
Here I laid,in this same bed,hugging my covers as tightly as I could,
genuinely wishing to become one with them and vanish in that exact moment.
It felt like a void,the harshest and heaviest one could experience within their bodily existence.
My mind,an abyss.
My body,an havoc.
Somewhere,somehow,I envisioned a version of me which could grasp that forlorn warmth.
She welcomed it in the most easy-going manner,very-well knowing how fleeting that emotion would be.
It was not light,nor was it fuzzy,or bubbling or anything at all.
It just was.
It was right.
May it be precognition or the strength of my will,I do know that THAT was the precursor to who I am now.
I’m alive,living who I yearned to be.
And a lot more than than that as well.
When I was young, I used to admire intelligent people; as I grow older, I admire kind people.
Abraham Joshua Heschel (via perfeqt)
Love is actually truly beautiful…weird, painful, but beautiful. And I think that’s nice. You know, we INTPs aren’t unfeeling robots, we truly feel emotions extremely intensely. It is just more rare for us to feel something than it might be for others. But that’s exactly what makes our emotions maybe a little more special, at least for us. They are the proof of our life, of the fact that we’re breathing and living, the proof that we actually don’t just fake all of what we are. My true emotions, the way they overwhelm me, the way I can’t understand them, they bring me comfort. They are something I cannot understand or grasp, and I absolutely love it. Finally something else takes control over me, and somehow it brings me rest. At those moments I stop thinking. I just stop. And I had no idea I needed it as much as I do. But it’s so peaceful. And so complex. And so depressing, yet uplifting, living in a blue euphoria. Sometimes, emotions become a drug for me. They throw you into a dream, that will never become true, and yet, I think sometimes it is good and important to live in that dream. And it’s okay to feed that dream, to add more moments that meant nothing in reality, but meant the world for you. Emotions are beautiful. Emotions are something that should be loved, and something that should be feared. They are extremely powerful, and I believe in the strength of emotions more than I believe in the strength of intellect. Emotions are able to show you the truth through the lies they say. And I’m amazed by that.
“Because a song can take you back instantly to a moment, or a place, or even a person. No matter what else has changed in you or the world, that one song stays the same, just like that moment. Which is pretty amazing, when you actually think about it.”
— Sarah Dessen
I can't live as I once did, telling people that I was doing fine and desperately wanting them to wade through the language and see that I was in pain.
Hanif Abdurraqib, A Little Devil in America: Notes in Praise of Black Performance
I need a father. I need a mother. I need some older, wiser being to cry to. I talk to God, but the sky is empty.
Sylvia Plath
ɴᴏᴍ ɴᴏᴍ 😋
You take in the image; the bed that I sit in is a throne of safety. Your eyes are disappointed. Mine are enthralled. You ask, "what's the matter?" I tell you, "you know." You ask, "what can I do?" I tell you, "you know." The crescendo of metal from the chair excites me, and you are on your knees begging, "what can I do?" I rest my palm on your sweat soaked crown, and my final response - "you need to get your shit together." The echo of your cries mix with my empty laughter as the wolves remove you. It is followed by silence broken only by the dull dripping sound of saline against nylon. Ah, it's time for meal number five.
January 19, 2021
~Some Thoughts on Fantasy, Music, and Resonation~
I was recently listening to a friend talk about why philosophy was pointless, the idea that it was just discussion and no real change came of it. Unreal, impractical, useless. Overall, his reasons were undeveloped, underthought, and devoid of any real conviction and it seemed to me that he was far more confused as to why it was a source of study and the purpose it served than he was actually critical of the practice as a whole. But it got me thinking about the "unreal" and the impossible.
And it caused 2 thoughts to spring into my mind. First, fantasy at its core is the unreal. It is so magnificent because it simply cannot be. We explore the worlds made of a different yarn than our world. There are similarities, some things that are shared, but the rules of nature itself is the difference. A new world is made by using the mysterious pieces of our own world. Yet, the interesting thing about this phenomenon isn't the created thing, but rather the reaction to it. People love it, obsess over it, delve deeper into the lore and history of these unreal worlds. The feeling of exploration and the other feelings that those worlds inspire, the auras, the "vibes" are what pull people in.
Which brings me to my second thought, which is what those vibes invoke in me from other forms and mediums. Music, for instance.
Most people who I have spoken to listening to music are far more drawn to the lyrics of the song, than its ambiance, or its emotion in the music. Music draws forth an emotion in it's own right, which the lyrics add voice and thought to. Both are of immense importance to a song's creation, and neither can be of lesser value. Yet, those emotions which are incited by the music still exist, even if unrecognized. Thus, the musical vibe and the lyrical emotions are not only separate, but also shift how we resonate with the songs themselves.
All of this brings me to 2 unanswerable questions.
1. Does fantasy invoke the emotional response of a uniquely philosophical need for limitless potential?
And by that, I mean that as fantasy is outside of the realm of possibility, is it due to our natural inclination of creation? Or our need to explore the unknowns? The exploration of a new limitless-ness, rather than the confines of our universe?
2. Does our individual resonation with music reflect our adherence or non-adherence to artistic intentions? (In other words, is the way we enjoy the song predicated on how the author wanted us to interpret the song?)