My favourite thing about the D&D movie is it never stops trying to be a D&D movie even down to the most minute, unsung details. There's initiative order gags (I'll go last!) there's rolling a 1 gags (setting off the trap on the bridge by inexplicably just walking up to it) there's stat gags (nobody had high enough Intelligence to be in danger from the Intellect Devourers). Almost every spell is identifiable, from Xenk using smite to Sofina whipping out Finger of Death. Simon's character arc is about his self-confidence being tied to his mastery of magic because Charisma is the spellcasting stat for sorcerers. The era of movies based on games being afraid of their source material is over.
i can’t decide if this is the single coolest girl in the world for making danger her middle name or the silliest for not seeing the raw power of “millipede danger” which is the greatest name i have ever heard
This is cinema actually
I was thinkin about what my palisman would be and I’m just here crackin up at the thought of it being an entire horse. But when it’s in staff-mode it’s one of these
*holds face tenderly*
Fellow Little Alchemy 2 enjoyers wya
Actually I wasn't born in the wrong body I was just born in my body and then it was up to me to decide what I want to do with that
Read Worm.
I think that more fanfiction should be written with the aim to tackle the original meaning of hanahaki. Because when the concept of hanahaki disease was originally created, it was intended to be a metaphor for suppressing one’s feelings.
Your feelings are this beautiful garden of flora inside of your chest. When you express how you feel honestly, you allow for it to grow freely. But when you hide how you feel out of fear of rejection, and try to make it smaller and smaller, the flowers become cramped inside of you, until you choke on your own feelings. Every flower you cough up is something you’ve felt, but refused to say.
The whole “dying” thing is intended to be more symbolic especially. You’re killing off bits and pieces of yourself and how you feel, because you’re afraid to express yourself.
It’s not really supposed to be, “The one I love doesn’t love me back, and I’m dying from it.” Rather, it’s more along the lines of, “Repressing your emotions is bad for you, and it’s better and healthier to express them freely, even when it’s scary.”
Which is to say that, one, the cure for the disease should be telling the person that you are in love with how you feel. How the other person feels about the person afflicted should have nothing to do with it, as the trope is meant to be about feeling your emotions unapologetically.
And that, two, it’s not an inherently romantic trope. Obviously, it has romantic applications, but it can be written for any situation where a character is hiding how they truly feel. This can include a refusal to address a specific trauma, a desire to indulge in something that they’re ashamed of, and even really practical things, like wanting to ask one’s boss for a higher position.
Although (as an aromantic person myself) I don’t agree with this conclusion about the trope, this application would also avoid people calling it arophobic. When the thing killing the character is a refusal to be honest with themselves, rather than an unrequited love, it’s on nobody’s hands but their own to save their life.
There are a ton of ways that this interpretation of the hanahaki disease could be applied in new and interesting ways in fanfiction, and I’d love to read what things people could come up with!
The Clatter
Lonesome entity made of discarded antlers of all shapes and sizes. Haunts rest stops, hunting blinds, and tourist traps in secluded woodsy areas. It’s named after the horrendous noises it makes when it moves, and its cry is like the wind blowing through bones.
wait, you don’t remember what he looks like?