Kaanha-ki-barkat - There Is No Charm Equal To Tenderness Of Heart.

Just curious-- what makes the 2009 Emma adaptation a work of art?

*cracks knuckles* *pulls out color coded binder* I’m so glad you asked.

I’ve seen a lot of Emma adaptations: Clueless, Emma (1996), Aisha, the other BBC series (the one with Kate Beckinsdale and Mark Strong), Emma Approved, and of course, the 2009 BBC Miniseries. The 2009 version is my favorite, it always has been, and it always will be. Most of that comes down to characterization, but it is also about the way it captures Austen’s story magnificently though language, set design, costuming, and music.

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second hand pride

Couldn’t you just pause it

So answer is yes we do want an Indian Cinderella next

It is different in browser, but not my fandoms!

Welcome to Tumblr.

Most shows with overpowered supernatural characters always try to come up with elaborate excuses to explain why the characters can’t just magic themselves out of every situation. Good Omens doesn’t really do that, but you don’t really question it because you completely buy that these morons are so unequivocally incompetent that they straight up forget that they have the powers of fucking demigods. They’re like high-level d&d characters who only use the same three moves and have completely forgotten about the 73 magic items sitting in their inventory. 

“i have ended wars singlehandedly, brought gods broken to their knees, dragged the very lights of heaven down to the sand, but my greatest victory was always that i was what sparked your smiles.”

— i no longer wish to be remembered for my battles or my blood (via wearealsoboats)

David Tennant with his wife

David Tennant without his wife

She’s back!

or alternatively, ”Aziraphale, look! look at what what i did! i did the thing that you want me to do, Aziraphale! be proud of me! please come back now!”)