If you and your partner practice frequent, non-sexual consent, your relationship will be healthier and easier.
“Are you comfortable with me ranting about my day for a few minutes?”
“Oh, this is your poetry? Would it be okay if I read it?”
“Do you mind if I use your phone for a few minutes?”
“Wow, your meal looks awesome. Could I try some?”
It will save a lot of grief, especially in a developing relationship. Eventually, with consistent “yes’s” and “no’s” you can figure out more permanent boundaries and guidelines.
“I need to ask before ranting about my day or taking their food, but my partner is okay with me using their phone whenever. However, my partner does not like me reading their poetry unless they offer first.”
ok universe, i’m ready to feel good things. make me feel good things.
Just curious-- what makes the 2009 Emma adaptation a work of art?
*cracks knuckles* *pulls out color coded binder* I’m so glad you asked.
I’ve seen a lot of Emma adaptations: Clueless, Emma (1996), Aisha, the other BBC series (the one with Kate Beckinsdale and Mark Strong), Emma Approved, and of course, the 2009 BBC Miniseries. The 2009 version is my favorite, it always has been, and it always will be. Most of that comes down to characterization, but it is also about the way it captures Austen’s story magnificently though language, set design, costuming, and music.
Keep reading
Michael Sheen: No one except those from Wales can pronounce this
David Tennant: Hold my whisky
Rama and Sita never overhear the dhobi before her pregnancy comes to term
1. Most of Kaikeyi’s power died with Dasharatha and his love with her, but still she has enough influence to overhear the rumors that spread through the city–and, more importantly, to ensure that the wells and taverns that Rama visits in disguise do not mention them.
Let him confront those ugly truths once his wife delivers Ayodhya its heirs and if he should object, then let him consider: she has done him so many offenses already; what is one more?
2. The child – no, children, and fine sons, too!–are born, and Kaikeyi lets it be known that to challenge their legitimacy would be to deprive Rama of the heirs he loves so well. For a time, it works: Ayodhya loves Rama enough to allow him his happiness.
But all too well she knows it will not last. Did she love him, too, and still prove the cause of fourteen years’ unhappiness? So too will they turn on him, and his blameless queen; unless Kaikeyi can seek to do otherwise.
3. Crowds always need a scapegoat, and too well Kaikeyi knows one that will suffice. Public opinion has forgiven only because of Rama’s request; and so it is all to easy to sow a word here, a suggestion there, that all the rage and mistrust they feel towards Sita ought to be directed towards the real instigator of mischief, who lives in the palace still, having escaped any punishment for her crimes.
It works; of course it does. Kaikeyi has lived in Ayodhya for almost forty years, and knows it like the palm of her hand; and just as in the palm of her hand, she can read the signs of her downfall in the crowds’ angry faces.
4. Before Rama must answer that he allows the criminal responsible for his father’s death to live simply because she is his stepmother, Kaikeyi volunteers herself to return to Kekaya. Too long she has lived apart from her mountains, she says wistfully; and her brother longs for her company.
She will listen to no protests, not from Rama, nor her fellow wives–and Ayodhya, pleased with itself, forgets its complaints against its queen entirely.
5. The night before she is to leave, Bharat comes to her for the first time in fifteen years. He knows, of course; any son of hers must. She managed to teach him at least that much.
“If you expect me to forgive you, simply for what you did for bhabhi-”
“I did nothing but act according to my own nature,” Kaikeyi interrupts coldly. As much as she longs for Bharat’s return, she does not want it to be under such terms. “Manipulation is my only skill; surely I must use it to relieve my own boredom.”
“You’ll never change,” he declares, and still his voice is thick with anger. But he touches her feet before he goes, and in the morning, stands on the stairs and watches Kaikeyi’s departing palanquin until it fades out of view.
Symbols of Lord Shiva & Their Meanings
Lord Shiva, one of the most complex gods of India, embodies seemingly contradictory qualities – He is the destroyer and the restorer; the great ascetic as well as the symbol of sensuality; the benevolent herdsman of souls and also the wrathful avenger.
Matted Hair: The matted hair represents Lord Shiva’s connection with the wind and Brahma’s “breathe of life”.
Unclad Body and Ash: The unclad body symbolizes the transcendental aspect of Lord Shiva. The ash smeared on Lord Shiva’s body signifies that He transcends physical phenomena and is not affected by it.
Third Eye: Lord Shiva is also known as Tryambaka Deva, which literally means ‘three-eyed Lord,’ and is often depicted as having three eyes. His right and left eyes are the sun and moon respectively, while His third eye is the eye of wisdom.
Ganga: The river Ganges, is the most sacred river in India and represents the causal waters from which the earth arises. By holding the Ganges in his matted hair, Lord Shiva allowed the holy river to traverse the earth and bring its purifying water to humans.
Crescent Moon: Often depicted on Lord Shiva’s head is a crescent moon, representing the cyclical nature of the universe.
Snake: Lord Shiva is often shown with a snake curled three times around His neck. The three coils of the snake represent the cycle of time – the past, present and future. The snake around Lord Shiva’s neck symbolizes his transcendence over the cycles of creation and time.
Trident: The three-pronged trident known as the Trishul shown with Lord Shiva symbolizes His three fundamental powers, or shakti, of iccha, kriya, and jnana (will, action and knowledge). The trident also represents Lord Shiva’s power to destroy evil and ignorance.
Tiger Skin: Lord Shiva is shown sitting on a tiger or wearing a tiger skin. The tiger is the vehicle of Shakti, the Goddess of power and force. The tiger skin that Lord Shiva wears symbolizes His victory over every force.
my favourite trope is when both people understand that they like each other but it’s still unsaid between them and they’re not quite 100% sure the other likes them back so they keep having awkward-flirty moments/interactions and don’t know what to do after it happens so they just ,,, look at each other for a moment before changing the subject…and then it happens again
Why are you determined to make me reread Pride and Prejudice for the umpteen-zillionth time?
Did someone say reread Pride and Prejudice for the umpteen-zillionth time?!
by me, a fool who doesnt wanna die anymore
never make a suicide joke again. yes this includes “i wanna die” as a figure of speech. swear off of it. actually make an effort to change how you think about things.
find something to compliment someone for at least 4 times a day. notice the little things about the world that make you happy, and use that to make other people happy.
talk to people. initiate conversation as often as you possibly can. keep your mind busy and you wont have to worry anymore
picture the bad intrusive thoughts in youe head as an edgy 13 year old and tell them to go be emo somewhere else
if someone makes you feel bad most of the time, stop talking to them. making yourself hang out with people who drain you is self harm. stop it.
@kaanhakisakhi, India :)
Agnijyotsna–Daughter of Fire [xxx].
Dear Mahabharat Fandom (and anyone else who may be interested in this post), I am conducting a survey on the worldwide influence of Mahabharat. If you have ever been impacted by anything or anyone related to the epic (books, shows, stories, Draupadi, etc.), please like/reblog this post. If you choose to reblog, do consider attaching your url and the country in which you reside to it.
For example: GhadiaKanya, USA.
I will dearly appreciate any and all help. Loads of love! -Surbhi
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