We All Know Crowley Doesn’t Actually Shred The Plants, Right? Like He Takes Them Into The Other Room

just some little pride and prejudice (2005) things i love

the sense of chaotic female energy in the Bennet household

the sound of tinkling piano music and bird song and giggling 

when Jane tries to pull a ‘not all men’ on Lizzy but Lizzy is havin none of it and calls all men humourless poppycocks  

Lizzy’s satisfied smirk as she STRIDES away after sending mr darcy 2 his grave with ‘even if one’s partner is barely tolerable’ 

Lizzy and Jane giggling under the covers 😭

Mrs Bennet discussing Mr Bennets imposing death over the breakfast table and nobody bats an eyelid except to be like ‘its 10am’  like this obviously happens A Lot 

And then Mr Bennet and lizzy joke about Jane dying like why does this Regency era family have the humour of millennials  

when Darcy is listing all the things an accomplished woman should have and he says ‘she should expand her mind with extensive reading’ or w.e and lizzy SNAPS that book shut so fast

the Mrs Bennet Pig Testicle Scene Nobody Talks About 

the hand 

after Mr Collins proposal when Mrs Bennet goes to Mr Bennet for help and he’s just like up a ladder ? And all he does up there is pick up a pot plant? I’m thoroughly convinced he just climbed that ladder to avoid the drama ((he failed))

the dramatic ZOOM when Darcy bursts into the room just to stand around, make one line of polite conversation, and then leave

m not going to comment abt the rain scene bc theres too much to unpack but THE RAIN SCENE 

‘He’s so. he’s so… he’s so RICH’ i feel u girl 

The dreamy shots of Pemberley + dreamy music music layered with Darcy’s housekeeper saying lovely things about him like you know Lizzy was falling in love with him right then and there even tho he wasn’t even in the room

All the ripped statues probably help

 Shame that the scene where Darcy sees Lizzy at Pemberly for the first time will be forever ruined because all i can hear in my head is RUN 

Turns up in the middle of the night, invites self in, insults the size of the garden….. an icon 

The fact that the entire Bennet family listening in to private conversations at the door is a recurring theme 

“i love… i love… i love you”

the last scene of Lizzy and her dad laughing and crying at how in love she is is the goodest purest scene and in This House we don’t speak of the american alternate ending 

Just watched Good Omens. Very gay. Has witchcraft. Spits in the face of the false dichotomy between good and evil and shows the war between them as posing more a threat to humankind than the artificial labels of those desperate for power. Also, plants had emotions and lots of Queen playing.

9.5/10, did not feature any actual cats. Pretty good, @neil-gaiman

Read the notes 😂😂

a question to the skate board side of tumblr

how do you guys get the boards to stick to your feet when you jump?

When New Yorkers hear a violin 🤣🤣🕺🏾🔥

My favorite thing is that Europe is spooky because it’s old and America is spooky because it’s big

It's a Buffalo calf indeed! Nadia Afgan (Shahana) retweeted a gif in which someone was trying to catch hold and control a Buffalo, so it's actually funnier as you said 😂😂😂

Hey TT! I hope you are doing great. In nava katta, katta= buffalo calf. Love from Pakistan

Oh! Thanks for clarifying! I knew that “katta” meant buffalo (because lol Shahana explained “doobi katta” in the last season) but I thought it also meant something that could be tied and untied (coz BiJaan said “maayke bhej doongi toh, kholti aur baandti rehna apne katte wahaan”) So when they say “nawa katta khul gaya” it actually means that a buffalo calf has been untied and is running free? Lmao that’s even funnier! 🤣🤣🤣

“I decided early on,” Michael said, “that Aziraphale just loves Crowley. And that’s difficult for him because they’re on opposite sides and he doesn’t agree with him on stuff. But it does really help as an actor to go, my objective in this scene is to not show you how much I love you. And just gaze longingly at you.”

- Michael Sheen (New York Comic Con 2018)

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