[Read here on AO3]
There are places [1] Crowley likes to go when it all gets to be a little much, like a snake seeking a hole for refuge from a storm. That Aziraphale is the storm is surprising, or maybe not surprising at all. These places are holy - lowercase h - in that they are undisturbed, protected, and treasured. A reprieve. An indrawn breath before drowning. They are places Crowley goes that Aziraphale does not visit. That’s not to say that the angel doesn’t know where they are, simply that he does not go where Crowley does not ask for him.
[1] A rooftop garden in New York City. A cozy nook inside St. Paul’s. A patch of red dirt outside Tuscon, Arizona. An old iron bench just outside Kensington Gardens. The bosom of Eden.The edge of the World. Others, dozens maybe, that Crowley knows by feel and not name.
He’s in New York two days after the Apocolypse-That-Wasn’t, high up in a humid class cage full of shivering plants that know both fear and reverence. The Orchids have become fussy in his absence refusing to stand straight out of pure defiance. The English Ivy, the oldest, grows thick and lovely in creeping vines along the ceiling and walls. It almost seems to sigh at Crowley as he brandishes a pair of shears menacingly at the disobedient Orchids.
“Not you as well,” Crowley sneers, shaking the shears at the wall, “I won’t hear it.”
In the corner a Snake Plant shakes almost fondly. Crowley hisses, terrible yellow eyes drawn into slits, and it stops moving, its tall leaves stretching skyward as if in surrender. Crowley clicks his tongue and goes back to fussing with the Orchids.
“Don’t know why I even bother. I should just bin the lot of you.”
He does not. Crowley has known these plants for a long time. He takes a seat on the floor amongst empty pots and potting soil, dirt on his hands and smudged along a sharp cheekbone because he allows it to be. There’s something satisfying about the mess. He wonders, vaguely and quite without meaning to, if that is how She feels about Her Creation. Crowley snarls and kicks out at the leg of a table. It wobbles, the pots atop it shuddering with the force, before going still.
An impossible Honeysuckle bush in the opposite corner blooms for him, sickly sweet in her smell. The orchids finally stand upright, maybe sensing the shift in their Master’s mood or maybe just tired of being contrary. Crowley is no longer looking at them, however. His eyes have drifted up, through the English Ivy curling sweetly along the ceiling, where gray skies hang fat and heavy in the sky. The rain starts first as a light pat and, as Crowley watches, works its way to a torrent. Between this and the overwhelming smell of sweet Earth, Crowley can almost fall asleep.
It’s tempting, and Crowley does love temptations. A hundred year nap after The-End-That-Almost-Was feels well deserved, but Aziraphale gets dreadfully worried if Crowley is gone for too long. He’s startled by a creeping vine tangling around his ankle. He shakes his leg. “Off with you, you annoying little bugger.”
The vine squeezes once before letting go and all at once Crowley misses Aziraphale so dearly it makes his stomach ache. In a wild fit of temper he reaches for an empty pot to throw and smashes it against the wall.
smash
Then another-
smash
And another-
smash smash smash
Until he is left empty and the wall of Ivy is bruised.
Crowley moves then, shaking, standing to shove the table aside with less care than it deserves, cutting his feet open upon broken terra cotta. He rests a hand, gently now, on the Ivy and pulls away green fingers like he’d made it bleed. He puts his hand to the wall again, burying his hand amongst the leaves and pushes . “Dreadfully sorry old chap.” Crowley says and feels the Ivy pulsate around his fingers. [2]
[2] Long ago Aziraphale had given Crowley a little cutting of Ivy from the side of his bookshoppe. “Perhaps you can take up gardening,” the angel said wryly. The Ivy had pulsed in Crowley’s hand then as well, like it was trying to hold him.
Crowley untangles his fingers from the Ivy and it shivers once before stilling. He moves the table back into place and waves a hand dismissively at the floor, clearing the pots. The storm outside rages on and he paces, leaving bloody footprints along the concrete. The garden suddenly feels stifling and Crowley leaves without a word, letting the door clap closed behind him.
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(Aries, Leo, Sagittarius)
-they know how to get the job done
-will absolutely astound you with their passion about that ONE thing they love
-always ready to build someone up when they need it
-will most definitely meet up with you for a 2am venting session if needed
-love that will set your heart on fire, literally
-very loyal, they never give up on people unless there is a SOLID reason
-very good w/ animals for some reason??
-honestly, all they every think about is loving something and being a power couple w/ them
WOW.
That rabbit/hare post is messing me up. I’d thought they were synonyms. Their development and social behavior are all different. They can’t even interbreed. They don’t have the same number of chromosomes. Dogs, wolves, jackals, and coyotes can mate with each other and have fertile offspring but rabbits and hares cant even make infertile ones bc they just die in the womb. Wack.
The notes for this post are GOLD!
little (100% canon) things i love about the end of pride & prejudice that don’t usually make adaptations:
Lizzy offers to burn The Letter because Darcy’s embarrassed about how bitter he probably sounded when he wrote it
Darcy tells Lizzy that he told Bingley he was wrong about how Jane felt. Lizzy (parphr): “Did you decide that for yourself or were you just going off what I told you at Hunsford?” Darcy, the stubbornest nerd: “No, I figured it out for myself” Lizzy, sarcastically: “okay, Darcy”
When Lizzy tells Jane she’s in love with Darcy, Jane asks her if she’s joking six times
Next day: Darcy and Bingley show up at the house. Mrs Bennet’s upset that Bingley always brings Darcy. To get rid of him, she tells Kitty and Lizzy to take him on a walk. Bingley: “Kitty looks sick. Maybe Lizzy and Darcy should go…….. by themselves” Mrs Bennet: “I’m sorry Lizzy you must find a way to survive this” Lizzy, sarcastically: “Oh nooooooo”
Direct quote, Mr. Bennet on Darcy saving Lydia: “It will save me a world of trouble and economy. Had it been your uncle’s doing, I must and would have paid him; but these violent young lovers carry every thing their own way. I shall offer to pay [Darcy] to-morrow; he will rant and storm about his love for you, and there will be an end of the matter.”
Lizzy writes a friendly, clever letter to her aunt and uncle that’s included in the text, the next line is “Darcy’s letter to Lady Catherine was in a different style”. The text of Darcy’s letter is omitted
Jane and Bingley move in next door to Lizzy and Darcy
Men in Black (1997) dir. Barry Sonnenfeld
Baahubali-Lion King parallels
@teambaahubali
(And yes, this probably fits better as a meta but I assume the cross over universe thing works too?)
Matilda (1996), dir. Danny DeVito
In 2009, the attorney general for the island state of Tasmania stated that Australian wallabies had been found creating crop circles in fields of opium poppies, which are grown legally for medicinal use, after consuming some of the opiate-laden poppies and running in circles
In case anyone is wondering, here is what said crop circles look like.
(Fact Source)
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Just finished watching this, and I can honestly say it’s the best Bollywood movie I’ve watched in the longest time. I wasn’t too impressed by the trailer when I watched it, but Nai Lagda came up on a random playlist I was listening to recently, and I’ve been obsessed with it since. So I decided to give the movie a try today (thanks to @chahat-ke-safar 💗💗💗) and it was completely worth it!
A gorgeously shot movie, sweetly written (the humour in the first half reminded me of Malayalam films), and the performances are pretty great too. I wasn’t expecting much from Bhai’s nepotism launches (especially considering the history *cough* Hero, Loveyaatri *cough cough*), but man, did they turn out to be a pleasant surprise. Pranutan has great screen presence, and I really liked her dialogue delivery in particular. (I dislike the dialogue delivery of almost all Bollywood actresses launched post 2007 and at most, tolerate them in their movies.) Zaheer is a little wooden, but likable, and has a nice chemistry with the children. Oh, the children were another reason I was wary of watching the movie, coz I tend to dislike the precociousness they’re forced to perform; but the children in this movie were all great actors, and adorable to boot (especially that one little girl who takes her pet fish Dingu everywhere!) Another notable factor: movies set in J&K always have that stereotypical conflict angle looming, but this movie thankfully subverts that trope. There are mentions of the Kashmiri Pandit exodus and other conflicts in the area as character-building background details, but not in a gratuitous manner that most showcase in “a Kashmir movie”.
I just cannot believe a wonderful little movie like this; focusing on a simpler life and the joy of little things; with a smart, strong, empowering female lead; and a heartwarming bond based on respect; is so woefully ignored, while toxic, misogynist bullshit like Kabir Singh is going on to make 250 crores. Please rectify that, and watch this if you’re in the mood for something that’s sweet, and simple, and fills you with warm, happy feelz!
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