All timestamps should be correct, give or take a gnat’s whisker on the seconds, and titles of individual scenes may occasionally be obtuse references to the book or fandom shenanigans. Feel free to save the list as a file on your word processor and rename or otherwise alter specific scenes as you see fit.
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no one:
Jane Austen heroes unexpectedly encountering the women they’re hopelessly in love with: ...is your family in good health?????
I’ll be locked in my room reading Letterboxd reviews of the Netflix original movie “The Knight Before Christmas”.
I mean... these are literally just the ones that show up at the top
They’re all like this
It’s just one giant roast
And endless shit posting
I’ve seen a lot of wonderful analyses on how Aziraphale played up the part of Crowley, but I haven’t seen much on Crowley’s portrayal of Aziraphale. This is the angel he’s been in love with for millennia, the angel he’s watched and guarded and adored since before written history began, and finally in the very last episode we get to see what Aziraphale looks like through his eyes.
Standing before the one thing in the universe that could actually destroy him, Crowley’s Aziraphale is resolute, unflinching, gracious to the very end. He talks about the greater good and how angels are meant to be the champions of that greater good even when it goes against how the Great Plan was written. He stands up and speaks his truth even in the face of total opposition. And when the Archangel Gabriel, the person Aziraphale has always tried to emulate, tried to impress, tells him in no uncertain terms that this is what heaven does to the people who fight for the right thing, Aziraphale straightens his shoulders and lifts his chin and says, “It’s been lovely knowing you all. May we meet on a better occasion.” And then he steps into the flames.
We’ve seen other sides of Aziraphale. We’ve seen him be selfish, gluttonous, desperate, closed minded, we’ve seen him be just enough of a bastard to be worth knowing, but when Crowley is asked to take the part of Aziraphale this is who he chooses. This is who he really believes Aziraphale is deep down: kind, chivalrous, compassionate, brave, the sort of angel that heaven ought to be peopled with. The sort of angel who smiles even though he’s broken. The sort of angel who doesn’t mind dying as long as he did the right thing.
“Besides, anyone can feel the way they want to, correct? You don’t have to worry about it at all. Okay?”
if someone makes you happy, make them happier
So I watched the first episode of Lucifer today, and it really made me realize the lack of male gaze and objectifying women in Good Omens.
(Disclaimer: I’m not trying to get into arguments with Lucifer fans or say that Good Omens is a better show - I have no opinion on Lucifer as a show. I’m just trying to compare and contrast on this one thing based on one episode).
So, Lucifer lays heavily into the “let’s show he’s the devil by having him surrounded by strippers and sleeping with women all the time.” The camera itself does a lot of sexy shots of women. There’s also a number of plot points that focus on female sexuality (including the male main character teasing the serious female main character, who’s trying to be taken seriously as a detective, for having previously been a nude actress.)
In contrast, Good Omens never feels like it’s sexualizing women. Like, not once. Not even the female characters you might expect it of. Anathema literally has a sex scene, and it still doesn’t feel male gaze-y; the camera doesn’t pan down her body or zoom in on parts. She doesn’t strip her clothes off, and when she puts her clothes back on it’s very matter-of-fact. Madame Tracy is literally a sex worker and you don’t see it on screen.
(It reminds me actually of Mad Max: Fury Road, and how it was notable that even though the plot was centered on sex slaves, there were no depictions of rape on screen, because the audience didn’t need to see it. Seeing that wouldn’t have empowered women. Seeing them escape and screw over the system *was* empowering).
We also don’t see Hell on screen using sex for their schemes. Hastur verbally recounts tempting a priest with lust, but we don’t see it. The absence of any sexual scenes involving Crowley is so notable that the Ineffable Husbands fans are left to wonder if he’s asexual.
Again, I’m not trying to put down Lucifer - it just made me realize how rare (and wonderful) it was to not have a sexualizing male gaze ever-present in Good Omens.
I also want to link this great post about gender presentation in Good Omens, with a great bit at the bottom from Neil Gaiman himself. Thank you, Neil and everyone else who made this show. Thank you so much.
Addition
To begin with,
In the first place,
Firstly,
The first reason
Additionally
Furthermore,
Another reason why
Secondly, Thirdly,
Next,
Pursuing this further,
Also
Lastly, Finally
In the same way,
Comparison
Similarly,
In the same way,
Likewise,
As with,
Equally,
Contrasting
On the same contrary,
However,
Nevertheless,
On the other hand,
Even so
Alternatively
At the same time
Otherwise
Instead
Conversely
Result
Hence
Therefore
Accordingly
Consequently
Thus
As a result
In consequence
For this reason
For this purpose
Time
Meanwhile
Presently
At last
Finally
Immediately
Thereafter
At that time
Eventually
Currently
Subsequently
In the meantime
Importance
Importantly
Especially
Above all
With attention to
Example
For example
For instance
That is
Such as
As revealed by
Illustrated by
Specifically
In particular
For one thing
This can be seen by
An instance of this
Literary
Clarifies
Conveys
Depicts
Demonstrates
Determines
Displays
Emphasizes
Establishes
Explains
Exemplifies
Highlights
Illustrates
Indicates
Potrays
Represents
Shows
Signifies
Suggests
Beginnings/Causes/Effects
Affects
Generates
Ignites
Impacts
Imposes
Influences
Initiates
Introduces
Involves
Launches
Leads to
Presents
Promotes
Prompts
Results in
Summary
In conclusion,
To sum it all up,
To summarize,
In the final analysis
You can see why …
Finally,
To wrap it all up,
Therefore,
In summary,
In short,
In brief,
My favorite thing is that Europe is spooky because it’s old and America is spooky because it’s big
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