This Has To Be One Of The Best-written Omori Rants I Have Ever Seen Holy Heck-

I think one reason Sunflower/Dandelion is so good as a ship is bc Sunny and Basil have literally seen the worst in each other and love each other regardless. Like we know Sunny feels affection towards Basil bc they hug in the good ending in Sunny’s dreams (showing what he wants to happen), in Headspace their power move is them holding hands and it’s literally op, Basil is literally the first person Sunny smiles at in over four years. Basil clearly still feels affection towards Sunny bc obvious reasons, including the fact that he held Sunny on such a high pedestal that when Sunny left him, it sent him into a spiral where he managed to convince himself that Sunny was completely innocent. they both have literally seen the worst in each other. But they still find it in themselves to smile at each other in the end- a small symbol of hope.

Holy heck this is the cutest thing to appear on my fyp ever thank you for this-

I would like to ship out a couple dozen of these Dwarf Bagels to you

<< < Ch1 Index

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Guess who’s been writing “My body, my choice” on sticky notes and taping them in bathroom stalls at my school bc they’re angry with the world? 🤪

update: when I checked at the end of the day, at least two were gone, and quite possibly a third. So I did another in one of the stalls where it had been taken down and promptly ran out of tape ✌️

As there is a tea mug, I now headcanon Basil as a tea-drinker, maybe even making his own tea from home :P

Aaand one of his favorites is chamomile, partially because of the fact that chamomile is good for relaxing, and partly because the chamomile flower is in the daisy family! :D

OMORI winter 2024 collection is now available!

E

Be not afraid.

🍉

THIS IS GOLDDD

I'm currently reposting some of my older art on here and it makes me so nostalgic seeing the art style I used at the time😭😭😭

They’re so toxic I love them sm

(one with tint, one without)

January 10th mcyt recap

An analysis of Rococo (OMORI), because he doesn't get enough love :)

This is an analysis of Rococo as a character, looking into almost every word he says and interpreting them. It's time to find out just how tragic this funny little artist man can be >:]

"I've been alone for so long... but after what feels like an eternity... At last... I have... an audience!"// "PLEASE LISTEN! I'M SO LONELY!!"

He's been alone for ages, judging by Sweetheart’s long-lasting relationship with Spaceboy, him falling in love and moving in with SWH when she got her castle 'as a young donut', and his loneliness . This is someone who hasn't spoken to anyone in years and is willing to beg for a bit of company. 

He also clearly thrives on attention, both from this quote and the grand flamboyance of others, so being without that for so long must have been terrible for him. While 'what feels like an eternity' could quite probably be a hyperbole, he's had no way to tell the time since he's been literally trapped inside the walls.

The poor guy's so lonely . :[ 

"In the beginning was me... crying in a pod in the middle of space... witnessing my home planet blow up right before my eyes." // "I can still remember it all so vividly... Fire... Fire... everywhere... and then darkness." // "Even as a baby, I knew I was the sole survivor of my species... the last elf in the entire universe."

I know this is a Superman reference, but I’m going to treat it as its own separate thing for the sake of the backstory :)

Immediately, this shows us that he's lost his home as a child (being a literal baby when his planet was destroyed) alongside any family, friends or even people of the same species. He was completely alone from the start, and there's no way that something like this wouldn't cause issues later on.

Also, the fact that he remembers this shows two things: A- this affected him so deeply that it remains with him to the present day; and B- he can remember it despite being incredibly young. This means that it's likely he remembers a lot more , having such an extensive memory– e.g. everything that happened with SWH, too: them being close, her claiming 'Sweetheart is for everyone', himself getting abducted by the guards, every moment of living in the walls... It may be a stretch, but it's a possibility, and his storytelling shows that he may overdramatise his past a lot, but there are still some key facts within it.

The repetition of 'fire' makes it seem like he's almost reliving it, caught up in his memories. This is a tragic backstory already , and this is just the first 2 lines.

""So this is how it ends..." I thought."

There's no panic, no regret. Just pure, depressing acceptance. He was ready to die, knowing that he couldn't do anything to stop it and having been exposed to death so early on.

(This is also likely just something he made up remembering for the effect, but that shows that either then or later on, he realised he could very well have died in that desert. Ouch)

"Yet... In a stroke of luck, I was found by none other than a young DONUT by the name of SWEETHEART. She brought me to her family and they took me in as one of their own."

He and Sweetheart grew up in the same house, the same area of Faraway, best friends. They seemed to be like siblings, judging by her taking him in, them fighting, and knowing and caring about each other incredibly well. This makes her later betrayal all the more heartbreaking because this isn't just a woman Rococo's pined for before, but rather his entire world . 

He never mentions Donut Grandma or any other relatives outside of this, just her. They don't mention him, either.

 He doesn't have any friends, or a close bond with anybody , except  for Sweetheart, who intentionally locked him in her walls for years. Again, Rococo's completely alone.

"It was a rough childhood. We fought frequently, but she would always win... If I fought back... Well... ..." // "Anyway! I learned to run! And I got quite good at running… But... there's only so far you can run." // "Yes, it was a hard time. But even through that suffering, I stood firm."

I have... A lot of feelings about this part.

He describes his childhood as 'rough' even after he was rescued, which is immediately a red flag. He says that he and Sweetheart fought frequently, and it doesn't seem like any adults broke up their arguments.

Then, Rococo says that SWH always won. They would get mad or disagree, but even as a child, Sweetheart refused to accept she was wrong. This says a lot about her character; Sweetheart's always been like this.

'Fought back' means that Sweetheart had to be fighting him in the first place, and Rococo just had to take it. He was getting hurt, either physically or verbally, on the regular.

The frequent ellipsis throughout show how difficult it is for him to remember and share this. He cuts himself off a few times, his voice trailing off, while never explicitly saying what Sweetheart did.

However, as a result of Sweetheart having different opinions to him, Rococo 'learned to run' . This means he had to be running from something, his forced cheer at the matter and determination to change subjects and make his story dramatic and lighthearted again demonstrated through the exclamation mark. 

Then, there's the phrase, '...there's only so far you can run'. He's speaking from experience here, and it really brings to question again just what he had to run from, and why. 

Furthermore, this is immediately followed by, 'Yes, it was a hard time', showing that he found simply growing up around her– and having reason to run– difficult. This is to be expected growing up with Sweetheart, but the fact that he didn’t seem to have anyone else means that she was his only company constantly. His childhood is far sadder than I initially realised.

'Suffering' again shows us just how much he endured as a child; I'll go back into this in the next point.

"Because even then, I knew everything had a purpose. I was sent to this planet and survived for one reason and one reason only... to repopulate my entire species."

Rococo ploughed through his 'suffering' for only one reason: he felt it was his obligation to repopulate his wiped-out species. That's... Actually really disturbing, when you think about it.

Rococo doesn't think he's alive for the sake of being alive. He doesn't think he was just fortunate enough to survive. He believes that he has been kept alive by the fates solely in order to procreate.

This is an impossible goal, too, since he is the only one left. There are no other elves for him to have kids with– even if they were, options for partners would be incredibly limited and based not on love, but necessity. At best, he could make hybrid elf-donut kids with Sweetheart, but he can't repopulate his species. What he views as his only purpose is one he isn't even able to fulfil.

This is also a huge weight on his shoulders. There would always be that sense of estrangement since he is the only one of his kind, his desire to make more showcasing even that hidden hope for those like him. Because people like to be around those of the same likes, interests and species , but for Rococo, that last bit's impossible.

Loneliness is the centre of his entire backstory, and has followed him relentlessly throughout. 

"There is a conspicuous gap in my memory after this, so I'll fast-forward a few years." // "At some point... SWEETHEART and I fell deeply in love, became engaged, and moved to this giant castle together!"

This has some truly horrible implications. 

Rococo, having remembered his time as a literal baby, lost an entire chunk of his memories as a (presumable) adult? It doesn't seem likely, and 'conspicuous' only further supports this.

The fact that this is immediately followed by him and SWH falling in love seems wrong , to say the least. Rococo has just said he suffered at her hands, fought frequently with her, learned to run because of her, and now, he doesn't even remember falling in love with her.

One moment, he's living in Orange Oasis with his adoptive family. In the next, he's engaged to Sweetheart in a giant pink castle with no clue how he got there.

What seems more likely is that Sweetheart, who loves people loving her , got frustrated with Rococo's lack of blind adoration and decided to do something about it. 

It seems that here is when she encountered the Keeper of the Castle, who she begged to make the castle hers. In the Keeper's words: "That girl. She was an elaborate one.

This dwelling. It takes the shape of one's deepest desires. A place to return to. Somewhere to call home."

Her 'deepest desires' resulted in Rococo having a years-long gap in his memory before finding out he was apparently in love with and engaged to Sweetheart. He probably believed this, too, as by that point, he would have been affected by the Castle he now resided within. 

The Keeper said he gave her "A castle full of riches, servants for her to command, a stage for her to flaunt her power". He does not mention Rococo, but this tells us about SWH's desire for power and reveals that the sprout moles are either of Sweetheart’s creation/wants or were tricked into loving her.

If it is the latter, the same would have likely applied to Rococo.

"We were inseparable, her and I... and we loved each other dearly! I would do anything for her, and I mean anything!"

The ellipsis here indicates either that Rococo looks back on this fondly or with unease. The following exclamation mark again shows that he's trying to make his story seem happy, trying to convince himself that the only person he was close to genuinely cared about him as a person.

The emphasis on 'anything' once again contradicts his feelings prior to the memory gap, suggesting that Rococo's mind has, in fact, been tampered with. There is no mention of SWH doing anything for him– only the Keeper' remark on her hunger for power.

Needless to say, this doesn't suggest that their relationship was particularly healthy .

"I was ready to spend the rest of our lives together... to grow old... and to raise hundreds upon hundreds of children!" // "Hmm... Thinking about it now, I wonder if I ever made that clear to her."

Again, he longs for people of the same type and is excited to fulfil what he believes is his purpose. He made it clear quite early on that he's always wanted to be a father, so him not mentioning this to Sweetheart ever seems unlikely. 

Knowing SWH, she was probably far more focused on her own wants than Rococo's, regardless of his feelings. Their relationship was based off of what she wanted– and it seemed that Rococo grew a little too attached for her liking.

"Alas, all good times must come to an end. As SWEETHEART's fan base grew, she and I grew apart as well."

He views their relationship as 'good times', despite what he's depicted being sudden and unequally reciprocated devotion. As Sweetheart became more centred on her fame and fans, Rococo grew more and more alone. 

Again .

"She began receiving gifts and letters from suitors from all over the universe... asking for a chance to prove their love to her."

The ellipsis once again shows his hesitation. He doesn't want to remember this, yet recounts it all the same as it is an integral part of his story. She’s the only person he has, and Rococo doesn’t want to lose her.

Don't forget that by this point, he and Sweetheart were engaged . 

"Being her one true love, I was vehemently against this notion! But she wouldn't have it!" // "“SWEETHEART is for sharing!” she would say!"

They are planning on getting married by this point. Sweetheart is all Rococo has, and he has said that he would have done anything for her.

And yet, that wasn't enough for Sweetheart. Rococo is being perfectly reasonable here, yet once again, he suffered as a result. This is a sad echo of their apparent fights as children.

"..." // "So... one night while I was asleep... SWEETHEART and her servants tied me up and sealed me inside the walls of her castle."

The pause here shows his sadness at this, seeming to have to take a moment for himself before speaking. Here, his grandeur is gone, replaced by pure misery.

Sweetheart assisted in tying him up, and as the guards were manifested from her desires, them helping her get rid of him shows that she simply no longer desired Rococo.

This would have been traumatising in itself– being kidnapped in the middle of the night and aware enough to see your attackers–, but the fact that Rococo knew and trusted her so much makes this even sadder.

He had nobody else, and Sweetheart sealed him away for what was probably intended to be forever. Rococo, once again, was alone .

"I have been wandering aimlessly through the darkness inside the walls ever since... surviving off old TOAST and TOFU." // "Yes... You four are the first living beings I have seen since that fateful day."

Firstly... Toast? As in, toast that people become if they lose a fight? As in, toast that is essentially dead bodies?

Considering all of Sweetheart’s skeletons in the dungeon, it would not be a surprise if the corpses of those she executed were also thrown into the walls– anything SWH didn't want, after all.

Rococo, potentially having never been exposed to the concept of toast=person, had to survive off of this. What's even worse is that he could have known what it was yet had no choice but to eat it, supported by the use of ‘living’ in the above quote. This also means he's been here for a while , long enough to start starving and for SWH to make through multiple seasons of a show and date Spaceboy.

If that isn't a horrifying thought, then what is?

Secondly, he became absolutely isolated after this. Left with no closure and no explanation, Rococo can only wonder what went so wrong for this to happen.

Living in the walls means he could have been able to hear everything SWH was doing– including her courtship of Spaceboy and 'Sweetheart Quest for Hearts'.

Either that, or he’s been exposed to no other form of human contact for years. He's also in a dungeon , with no natural light and a distinct lack of hygiene or, well, anything really.

"Sniff... Oh... SWEETHEART... Why did you do it? Was I not good enough for you?"

He doesn't blame her. He doesn't blame the fans.

Rococo blames himself .

His idea of 'not being good enough' for Sweetheart is equivalent to him being locked in her walls to rot for years. This is someone who is very much not okay.

He has to stop himself from crying here, sniffing as he laments what he views as his failure. Because Rococo has been alone for his entire life, and Sweetheart was the only exception.

He loved her more than anything, so it's hard for him even after he's found to view her as in the wrong. Sweetheart, after all, was always the one to win their arguments, to do something that caused Rococo to run if he fought back.

!

"Sigh... For the last few years, I've had a long time to think." // "I kind of gave up on my dreams and all that stuff now... It all seems so far away and pointless..." // "So... I've decided to drop everything and become an artist instead!"

He's given up on his dreams. Rococo's main one was to repopulate his species, but now, he can't think of anyone who loves him. It takes two people to make a child, and Rococo's all alone.

So, he's left without a purpose. He has nothing to do but utilise his surroundings– until Omori & co. find him, Rococo believes he's never going to leave the dungeon. So, he decides to use what he has available.

And that's painting supplies. He aspires to become an artist, waiting and waiting for anyone to make art for. He's desperate to be commissioned, to have a purpose again.

We never actually see him leave the dungeon, but he had to be getting those bed upgrades from somewhere . Imagine, after years of solitude, Rococo finally manages to leave the walls, only to retreat back to them at the first possible opportunity. He doesn't know how to live anymore, how to be around other people.

He feels incredibly lonely, but can't find the strength to interact with others anymore.

Art becomes his only reason for existing, Rococo devoting every bit of his time to it until he masters it. But then...

"Thank you, fellow living beings. Through these few commissions... I feel as if I had made great leaps in my quest of self-discovery in the process. I am also very rich now." // "I can do no more for you! I truly feel complete!"

'Fellow living beings'. Rococo's so socially awkward by this point that it's not even funny (okay, maybe it's a little funny). He feels the need to remind himself that he is, in fact, still alive.

He 'feels complete'. There's nothing more for him. He is ready to pass away.

Now, Rococo has managed to 'find his purpose', be it what he originally intended or not. He's become as good as he can at what he focused on doing, except...

...There's nowhere to go from there. 

Rococo will inevitably be left alone once again, trapped in a cycle of loneliness and purposelessness. If his purpose is to be an artist, how will he get any better than he already is? If he wants to spend his money, what will he use it on?

At the end of this story, just like the rest of the points throughout, Rococo is still alone. 

He has money, he has his art, he has a comfortable bed, but he still possesses a total of zero friends. Omori and co. are customers. Sweetheart is in Deeper Well, working for the Slime Girls and not giving a toss about him. None of his adoptive relatives in Orange Oasis seem to care about him.

Rococo always has been, and seemingly always will be, all by himself– all the way up until he dies, just like the rest of his kind. He was never able to complete his original goal, he is left with nothing more to do after completing his last commission, and he has nothing more to spend his money on.

Because Rococo is alone once again

The End :)

Huh, that turned out a little longer than I thought it would. Oh well :)

Rococo's such a fun character but I barely see anyone talking about him, so I hope you enjoyed this little look into him! He's so silly and dramatic and angsty :D

Thanks for getting this far lol

🌼

~

Fun fact about me is that one of my favorite fanfiction tropes is Hanahaki disease- For those of you who don’t know what that is, ‘Hanahaki’ translates to ‘flower-spitting’. It’s caused by unrequited love. A flowering plant will begin to grow in the victim’s lungs, and they cough up flowers as the plant slowly grows. The only cure is to confess, and if they don’t, or if they get rejected? The victim will succumb to the hanahaki. The time frame the person has between the start of the plant’s growth and death depends on the AU.

Overall it all just very much reminds me of Basil but I haven’t been able to find many fanfictions or fanarts with hanahaki Basil, though I may just be looking in the wrong places TvT