L.A. goth boy Leo at Helter Skelter, L.A., 1992. From the late ‘80s to early ‘90s the club was at several different locations, and always boasted the biggest and best clientele of goths, rivet heads and dark wavers. It was run by Michael Stewart and Bruce Perdew, the latter of whom created the magnificent skeletal and cadaver artwork for the club’s fliers, advertisements and murals. This photo was published in an article about Helter Skelter in Propaganda Magazine Issue No. 19/Fall 1992. PHOTO BY FRED H. BERGER, 1992. (Posted June 20 ’18)
Avatar of the Spiral who goes by I/me/my pronouns in order to cause maximum confusion
Reading tarot:
Identify major patterns in the spread (start by looking at groupings of card types, such as element, number, court, majors, general vibe or emotion of the cards; use these concepts as a jumping-off point to form your own pattern. What if a lot of cards have horses on them? etc.).
Use patterns to establish flow (low # cards to high # cards; groups of solitary elements; every court is paired with a major; where is the interplay?). If the patterns are boulders, how does the water of narrative flow through this river?
Use flow to link cards. (This group seems disconnected from that group. This card is an outlier; a break must happen somewhere. Energy slowly builds in this series of cards. There is a sudden shift in pattern, a big change must occur).
Use links between cards to determine which book or picture meanings apply. (This outlier card only links up if it means there was a break in the good event. I will choose meanings that relate to surprise and disappointment, and discard contradictory meanings).
At any point in the process, you can stop and call it a day.
Identify major patterns only: "Well I drew a shit ton of Pentacles cards so I'm going to say that your problem right now is that work is taking up all your time, but also you feel like everything is going super slow. Hope this helps."
Also identify flow: "Well I drew a shit ton of Court cards so I'm going to say that your problem right now is a ton of people all competing to have a say in your life, but at the end you have the Tower and the Sun, so I guess this situation is probably fated towards disaster and then a decent outcome."
Also link cards: "These three court cards face the Tower, but they are also all either Sword or Wand cards. In my practice, Swords and Wand cards are most associated with conflict. These three people, whoever they are, will cause the most conflict."
Also read book and picture meanings: "Out of these three problematic people, this person will try to control how many responsibilities are on your plate. They probably make you feel bad for not being responsible enough."
If you are getting low on energy, or do not have the focus to complete the entire spread, start with broad overview (pattern) and slowly narrow it to flow, then linking. Last of all, if you still have the time/energy, use book and picture meanings to add fine detail to the reading.
No point in adding fine detail to a rough block of wood.
First, shape the reading with broad strokes by finding patterns, and slowly add shape.
Only when you have the smooth, polished shape of your reading should you add the fine detail.
Took me until about halfway through college before I realized “study” means “play with the material in a variety of ways until you understand it” and not just “read the assigned chapters and do the homework” and I think that probably should have been discussed at some point prior to that.