BRRR I CAN BE COLD PLEASE GRIMA PLEHEHEHEEAAASEEEE

i really like in fiction when they're like oh no!!! the bad guys are about to win!!! and Character Who Keeps Trying To Sacrifice Themself For The Greater Good is like. gentlemen i have an idea

pretty pretty boss 💄✨

The concept of transformation and Will as Hannibal's muse, explored through La Primavera

I. Hannibal's Simonetta

So I remembered briefly seeing this reddit post a few years ago (pre-joining the fandom) about Simonetta and Hannibal. I remembered it just now and although I don't remember much of what it actually said, it got me thinking.

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In the scene above, Hannibala and Will are admiring a painting in the Uffizi Gallery in Italy. Hung up behind Will is a painting of a woman called Simonetta Vespucci, called Portrait of a young woman. It was created by Sandro Botticelli, an Italian painter who lived in Florence during the late 15th century. On the other side, hung up behind Hannibal, is another is a painting done by Botticelli.

The story goes that Botticelli was in love with Simonetta, a noblewoman, who was wed to another noble. Botticelli couldn't be with her, but he was still so infatuated with her that he painted her portrait multiple times (Portrait of a Young Woman, La Bella Simonetta) and incorporated her likeness into many of his famous works (The birth of Venus, La Primavera).

Simonetta had an important place in Botticelli's life. She couldn't be with him, but she still influenced him, and influenced his art - much like Will did with Hannibal, although in a slightly different way. Will is not yet "his", yet right from the beginning Hannibal starts to tailor his tableaus with Will in mind as a clear influence. Marissa Schurr, to show him what he was missing. The copycat kills and the judge from the courthouse, to free him from prison. Anthony Dimmond at the end, displayed as the broken heart Hannibal had torn out of his chest in an offer to Will.

All of them, in some way, were dedicated to Will. Will is incorporated into Hannibal's work - he is the art that which their deaths have been elevated to. Will, as seen through the scene's shot composition, is sitting on the side of Simonetta's portrait. He is the Simonetta to Hannibal's Botticelli.

II. Arriva La Primavera

The actual painting that Will and Hannibal admire in the scene above is called La Primavera, also painted by Botticelli. The rightmost side of the painting depicts Chloris, a nymph, and Zephyrus, the god of the west wind. Zephyrus is seen coming onto Chloris, who has flowers streaming from her mouth. They appear in the writing of Orvid's Metamorphoses, where it's said that Zephyrus, seeing her potential, fell in love with Chloris and won her heart. He then kidnaps and marries her, where he transforms her into Flora, the goddess of flowers. Flowers begin to stream out of her mouth, signifying the coming of spring and her transformation into a god.

Much like Zephyrus, Hannibal sees the potential of Will and comes onto him pretty intensely, starting with his psychoanalysis in Apéritif ("I imagine what you see and learn touches everything else in your mind,") where the script describes the scene as "Hannival has just described Will Graham to a letter..."

As the story progresses, we see Will undergoing transformation by Hannibal's hand, who we know wants to see him Become. Will descends into darkness, where his hands that grasp at the frayed edges of normalcy begin to slip. They start to slip at the very first instances of meeting Hannibal, where he states that he liked killing Hobbs in their first therapy session. Over time, we see him start to grow more comfortable with his darkness to the point where in Shiizakana he admits regret to not taking a life ("I regret what I did in the stables... Allowing you to stop me was a mistake.")

His transformation culminates in the acceptance of his dark nature, first by telling Hannibal "I don't know if I can save myself, and maybe that's fine," and then killing Dolarhyde with him, which he calls beautiful.

Hannibal transformed him into someone beautiful, someone he sees akin to a god. He transforms will into his Flora.

eczema

26 for the gummy worm

26) What's something the character has done you can't get over? Be it something funny, bad, good, serious, whatever?

I cannot get over him hitting pause on the fight with Star and Stripe to wonder if her quirk could bring his dog back to life.

thanks for the ask!

character ask game

It’s honestly so upsetting to see that the majority of people just don’t understand that Tomura doesn’t actually get enjoyment from killing people.

Tomura has literally felt so sick to his stomach that he has thrown up when he has killed people before.

The difference between all of the times Tomura has felt physically ill from killing people and all of the times that Tomura has gotten “enjoyment” from it (Tomura doesn’t feel enjoyment, he feels relief.) is that each time the person he killed had hurt him first.

Killing the people that hurt him is just genuinely the only thing that Tomura can think of to get them to finally stop so that they won’t hurt him anymore.

Tenko had originally reached out to his father for help, only for him to be struck by him with a gardening tool… and only then Tenko killed (with purpose) his father to stop him from hurting him again:

Tomura only wanted to kill the two drunk men after they had hurt him for literally just walking down the street:

Tomura wanting to kill the heroes that had hurt him (with the intention of killing him):

Tomura still doesn’t get enjoyment from killing people who hurt him, but he does experience relief from it…

((Edit: I would just like to clarify that the relief that Tomura feels from killing people that hurt him comes from knowing that they can’t hurt him anymore (relief that he is safe, even if temporarily) It does not come from him getting rid of the “itch” that he experiences (it always comes back, even after killing), like AFO groomed him into believing. I saw someone add that in the tags, and I realized that I never fully explained my thoughts on it. LOL.))

Not to mention, Tomura was literally GROOMED by All For One (which is something that people just like to ignore for some reason…) to even have this desire to kill people in the first place.

And even then Tomura doesn’t have the desire to kill people in the way that AFO wants!

His want for destruction stems from his inherent empathy for others, and his inability to understand how people are able to ignore the suffering of others. Not what All For One has groomed him into believing. (That Tomura’s want for destruction is an impulse that’s something inherent to him.)

Tomura has continued to have empathy for others despite AFO’s grooming, and has showed genuine kindness to the league on many occasions…

All of this is such an important aspect of Tomura’s character and being able to actually understand him, and it’s so disheartening constantly seeing people completely overlook this part of him.

Something something what if millions knives had a sword sickle

this is actually not okay what if i lost all hope for humanity right now right this second

I sob every time I read the last chapter of Frankenstein.

And it’s always the same exact thing that makes me sob.

Walton’s ship. Victor has just died. The creature is looking at his corpse. Walton sees him. The creature goes to run.

Walton asks him to stay

The creature had spent almost his entire life being so good and loving and was pushed to murder by the world turning him away. And now, after he has a kill count of 3, 5 if we include Victor and Justine, after he has committed atrocities. It is NOW- NOW that someone wants him to stay. Someone sees him as a person instead of a monster. Almost as if doing all these horrific things made him more human. In the beginning, he was too good to be a human. I adore humanity but we are deeply flawed. And the creature figured this out the hardest way possible.

finally rewatching 03. edward elric i will save you