This fabulous bitch
She makes a shit ton of poses (like 16,000 or some crazy nonsense). I used this lovely lady to draw so much as a teen. Whether it was some nerdy pose for my Mary Sue as fuck OCs
or for full on fight sequences
or for tragic deaths of my OCs in the arms of a totally OOC main protagonist.
this bitch hooked me up.
And with the wildest, craziest stuff that you could see in your head but had no way or resources to reasonably draw like
or this
or this
DUDE! INASNE SHIT!! So I was using her for a pose reference and decided, you know what, I owe this bitch some cash. Lemme dole it out for her. BUT then, I looked and saw she only has 286 fucking patrons!! This chick gives out free shit and spends countless hours arranging these shoots and setting this stuff up.
I’ll fork up the cash, SenshiStock. You’re worth it.
Check out this amazing woman’s stuff, and get knowledged: https://www.deviantart.com/senshistock
Inside Out but instead of having emotions there would be the 4 most prominent traits of the Myers–Briggs Type Indicator . So instead of the same set of emotions on every person,people would have one of the 16 sets of personalty that exist.
What do you think?
THIS SIGNLE HANDEDLY CURED MY DEPRESSION, CLEARED MY SKIN AND TOLD ME TO HAVE A GOOD DAY
So if we extrapolate from this one-off line in episode fifteen, as well as this tweet by the creator and the answers given at this comic con panel from 2014, we can infer that this character’s relationship with salad is more complex than it first appears …
*pulls down sunglasses and points a flamethrower at the source material* Death of the author, baby.
Cheat Sheets for Writing Body Language
We are always told to use body language in our writing. Sometimes, it’s easier said than written. I decided to create these cheat sheets to help you show a character’s state of mind. Obviously, a character may exhibit a number of these behaviours. For example, he may be shocked and angry, or shocked and happy. Use these combinations as needed.
by Amanda Patterson
Watching my neighbors across the street having a block party during a literal time of pandemic makes me wonder if several hundred years ago there was another person looking out their window watching their neighbors congregate during the black death like verily forsooth, thou art truly ass-headed knaves.
sorry what
If you genuinely enjoy being alone, do you ever wonder if it is an inherent part of your character or if it stems from feeling inescapably lonely in the first place until you taught yourself to enjoy the peace and happiness one can find in solitude? what if the reason you now prefer & choose solitude at every turn is because you were a very lonely child, or teenager, not by your own choice, and that’s how you learnt to thrive and grow, so you no longer know if you can do that around people? There might also be an element of personal pride, an unconscious “you can’t fire me I quit” point when your brain decided to switch your feelings about solitude from distress to relief. I often find myself defending my love of being alone, to people who worry that I can’t possibly be happy to live in an isolated house in the woods; I insist that I do! I really do specifically enjoy the isolated factor and chose to live here because of it, but then I wonder how to differentiate an ingrained love of solitude from an acquired ability to thrive off unchosen loneliness, to learn from it and be nourished by it; to what extent it might be a form of contentment built on a bedrock of resignation.
Some romantic subplots do not need conflict, per-say.
What do I mean?
I mean if you have a bigger story with a ton of stuff going on, a romance could be a place of rest to the character. A nice, stable relationship. That is only threatened when the big bad lobs a grenade at them and they need to fight over who jumps on it.
GUYS I’VE FOUND A VERY IMPORTANT WEBSITE FOR PEOPLE WHO CAN KNIT WITHOUT INJURING THEMSELVES!!!!