MALE HEAD LIGHT REFERENCE TOOL By William Nguyen

산책

Some Photoshop Tips

I’ve been getting quite a few asks about the process for the patterns in my stylized artworks, so I decided to put together a couple of tips regarding them. 

Firstly, what you need are

—  CUSTOM BRUSHES  —

Most of the patterns I use are custom brushes I made, such as those:

For the longest time I was convinced making brushes must be super extra complicated. I was super extra wrong. All you need to start is a transparent canvas (2500px x 2500px max):

This will be your brush tip. When you’re satisfied how it looks, click Ctrl+A to select the whole canvas and go to ‘define brush preset’ under the edit menu

You will be asked to name your new glorious creation. Choose something that describes it well, so you can easily find it between all the ‘asfsfgdgd’ brushes you’ve created to be only used once

This is it. Look at it, you have just created a photoshop brush. First time i did I felt like I was cheated my whole life. IT’S SO EASY WHY HASN’T ANYONE TOLD ME 

Time to edit the Good Boi to be more random, so it can be used as a Cool Fancy Pattern. Go into brush settings and change whatever you’d like. Here’s a list of what I do for patterns:

- under Shape Dynamics, I increase Size Jitter and Angle jitter by 5%-15% 

- under Brush Tip Shape, I increase spacing by a shitload. Sometimes it’s like 150%, the point is to get the initial brush tip we painted to be visible.

- If I want it to look random and noisy, I enable the Dual Brush option, which acts like another brush was put on top of the one we’ve created. You can adjust all of the Dual Brush options (Size, Spacing, Scatter, Count) as you wish to get a very nice random brush to smear on your  backgrounds

The result is as above. You can follow the same steps to create whatever brush you need: evenly spaced dots that look like you painted them by hand, geometric pattern to fill the background, a line of perfectly drawn XDs and so on. 

BUT WAIT, THERE’S MORE

—  PATHS  —

But what if you want to get lots of circles made of tiny dots? Or you need rows of triangles for your cool background? Photoshop can do all of that for you, thanks to the magic of paths.

Typically, paths window can be found right next to Layers:

Draw whatever path you want, the Shape Tool has quite a bit of options. Remember, paths are completely different from brush strokes and they won’t show up in the navigator. To move a path around, click A to enable path selection tool. You can use Ctrl+T to transform it, and if you move a path while pressing Alt it will be duplicated.

Now, pick a brush you wish really was in place of that path you’ve drawn and go to layers, then choose the layer you want it to be drawn on. Then, click this tiny circle under the Paths window:

Then witness the magic of photoshop doing the drawing for you while you wonder how tf have you managed to forget about this option for the past 2 years 

You can combine special brushes and paths for all sorts of cool effects. I mostly use them in backgrounds for my cards, but you can do whatever you want with them.

I hope that answers the questions for all of the people who were sending me inquires about the patterns. If you have any questions regarding this or any other Photoshop matter feel free to message me, I’m always up for complaining about how great and terrible Photoshop is C’:

Cleaning out my filing cabinet, I found this handout that I made for my mini-comics class.  Hope it’s helpful!  Remember, it ain’t only for comics.  Self-publish short stories, collections of drawings or sketches, or blank for journals/sketchbooks, etc.

a quick grass tutorial

I’ve never really wrote a tutorial before so apologies if this is bad

1. okay first thing I do is pick three colors, a mid, dark, and light. I like to check the colors in greyscale to make sure there’s enough contrast between each one.

I then plop down a blob of whatever my middle tone color is.

2. next, I take my dark color and just sort of randomly place it around. I try to make sure there’s a good amount of both the mid and dark tones spread throughout. I personally like to keep it kinda messy. I also have pen pressure on for both brush size and opacity, so I can have some blending action going on.

3. for the next step I do the exact same thing as before, except with the light color.

4. aight this is where we start adding details. see how you just have a bunch of colors and edges where two colors meet? use the eyedropper and go to an area where two colors meet, eyedrop a color, and then use that color to draw in your grass blades. I do this at every point where colors meet. should note I personally like to use a square brush, but you can really just use anything.

5. you can technically stop at the last step if you’re going for a more simple look, but to add more details I go to the “empty” areas of solid color and just draw in random strokes using a color nearby. it’s just a way to fill up the empty space.

6. basically more of the same idea of eyedropping and drawing. for more variety so things look interesting, I like to add random plant shapes.

7. and so the grass doesn’t look too plain, I add random dots of color and pretend it’s flowers and stuff.

and there you have it, this is how I approach drawing grass.

Some advice for drawing people who have both hair… and horns!! :O

Also, you may feel more comfortable drawing the whole horn first, and that’s fine too! Mostly the point is just to try to draw the hair growing around the horn, rather than under it.

Hope this helps!

More symbabies please? I love your ficlets!

The gravel beside the hedge crunches and two worn trainers shuffle into view. Sleeper tenses, trying to scoot back further under the hedge.

The shoes shift, one threadbare knee comes into view, and then a large dark eye.

Sleeper whimpers softly to himself, tensing to run-

The eye blinks, then drops down a bit further- the dirty face of a young boy. He makes soft little squeak-kissing noises, rubs his fingers together.

It’s not- threatening. Not yet, anyway. Sleeper shivers, it’s still raining outside. He doesn’t want to run.

“Here bunny.” The boy reaches very slowly under the hedge, still rubbing his fingers together. “It’s okay.”

Sleeper’s nose twitches, it don’t mean anything to him- but the host wants to come closer- the little fingers suggest the boy has food, and the rabbit is hungry.

He hesitates, but when the boy’s hands stretch in almost far enough to touch his fur, he scuttles back into the roots of the bush.

“Okay.” The hand pulls away. “Just stay here.”

He stands up, and the tatter trainers crunch away. Sleeper huffs in relief, suddenly aware of how fast his little rabbit’s heart is beating. The host stirs fretfully in the back of their mind. It’s hungry, it’s never gone so long without hay.

There’s a little wispy grass under the bush. Sleeper gives it a tentative nibble, it’s tasteless and stringy, and the rabbit looks longingly at the thick lawn just beyond the hedge.

There’s a clatter of pebbles, and the trainers are back. Sleeper shoots back into the roots, huddling down in the shadows.

“I’m here.” The boy sounds out of breath. “Just thought- you might be hungry? And rabbits like vegetables?”

He kneels down again, and reaches his hand out- not as far in as before, but Sleeper’s nose twitches at the strange, faintly alien smell.

But not alien to the host’s mind.

Food.

The boy opens his hand, revealing a few slightly crushed lettuce leaves. “We didn’t have any carrots.” Apologetic.

The host desperately wants to lean in and nibble. Sleeper hovers; is this safe? People wouldn’t be giving food to animals they wanted to kill, right? But what about- poison?

He really wants his parents here.

“It’s okay.” The boy whispers, “You can eat, it’s safe.”

He remembers Eddie gently moving him out of the way of a cluster of bottles- ‘ah-ah, that’s poisonous. Not safe, not for kiddies.’

Poison isn’t for children to use, so the lettuce is probably safe. Sleeper shuffles forwards, far enough to lean in and snatch a mouthful.

It’s wet and floppy, slippery between his teeth. Sleeper grimaces, but the rabbit is delighted, munching and munching, and when the boy’s hand moves away, just a little, they shift forwards to keep eating.

Back and back and suddenly Sleeper stops. They’re out in the open, on the gravel. The boy is squatted beside them, adding little strips of lettuce to the pile in his hand.

“It’s okay.” And his voice is soft, gentle. He’s not his parents, but- it’s soothing all the same, and Sleeper really, really wants to believe everything is okay right now.

The boy’s free hand lowers, and touches them on the shoulders. Both Sleeper and the rabbit freeze, but the boy doesn’t grab them, doesn’t hurt. His hand is gentle, running through their fur in gentle strokes.

“‘m not gonna hurt you.” The boy continues, stroking them over and over, pausing the scratch behind their ears. It feels so good, almost like being held by Venom and Eddie, Sleeper slumps down, rolls on his side and closes his eyes. The panic is fading, and under it, he’s exhausted.

They hear the coming rain before they feel it, a low rhythmic beat on the roofs and tree leaves. The heavy drops splash on their ears, on the soft coat of underfur at their belly. Sleeper starts up, trying to fluff up his rapidly soaking fur.

The boy pulls up his coat to shield them. “Hey,” he whispers. “Want to come in with me? It’s dry in there, and I can get you more food.”

Sleeper looks up and down the street. A car passes in a haze of rain, slashing up a wave of gutterwater. No Venom, no Eddie. They can’t stay here all night.

He hops closer to the boy, and when he reaches down, doesn’t try to run. The boy picks them up gently, one arm under their bottom, bracing all four paws on his chest. It’s- not great, but okay, and the boy is warm and dry.

“Well done.” The boy whispers, and hurries into the house.

They clatter in through the front door, and Sleeper catches a glimpse of a dark room, a chair and the shimmering screen of a TV- then they’re going up the stairs at top speed. The boy ducks through a door, and quickly closes it behind them.

“Okay.” He whispers, and switches on the light. Sleeper blinks as the sudden blaze of light hurts their eyes.

It’s a small bedroom, a bed half hidden under old clothes, more clothes strewn over the floor. A little desk is huddled by the window, buried in books. The boy shoves the clothes off his bed, and makes a little nest in the blankets. “Here, it’s warm, I’ll just go and-”

“BOY!” A roar from downstairs.

The boy tenses, “Just- stay here, okay? I’ll- sort something out-”

“GET DOWN HERE!”

The boy puts them in the nest, strokes them again quickly. “I’ll be right back. I’ll get you more lettuce, okay?”

“DO YOU WANT ME TO FETCH YOU?”

“NO, DAD!” The boy yells back. “Just- don’t move, please. If he sees you-” he winces. “I won’t be long-”

“GET THE FUCK DOWN HERE DYLAN.”

Venom: First Host #3

The Venom baby is so cute; I’m dying

what brushes did you use for the baby twinyards

for those drawings i used SAI, here are the brush settings, the line art was done with my ink pen, and the spots on aaron were done with idgaf (it’s a pencil) while most of the coloring was done with the first brush except for the eyes which i did with the bottom left fill pen.

ELI SHOWED ME A COOL THING where it generates a skeleton in various angles for you !!!!!!

Tumblr Dashboard Image Sizes:

Photo post: 500 by 750 pixels for dashboard view; 1280 by 1920 pixels for high-res version (except for superwide panoramas).

Photoset: 500-pixel width for one image in a photoset row. 245-pixel width for two images in a photoset row. 160-pixel width for three images in a photoset row. Gutters are 10 pixels.

Audio Post: 169 by 169 pixels for album art.

Link Post: 130 by 130 pixels for the thumbnail image grabbed by Tumblr from web link (if available).

Text Post: 125-pixel width for images added to a text post, which expand when clicked. As of July 2014, inline images appear as 500 by 750 pixels for dashboard view.

Avatar: 64-by-64-pixel icon next to posts.