Adam told Keith to try pottery and to this day he swears it was the worst mistake of his life. Keith wedges (is that the right term? Its when you like beat up the clay so that all the air bubbles are gone i think) the clay within an inch of its life, my guy is literally just beating this clay up so he can make a hippo mug to match the fox one he made for Shiro. Slapping the clay down on that circle thing that spins is a favourite of his. The sound soothes his heart. Using the wire to cut the clay makes him feel like hes slitting someones jugular. The possibilities are endless when it comes to art and Keith
I love artist Keith because I think it's so silly. Like, Adam got worried about Keith's anger issues and encouraged Keith to find other ways to channel his anger. This is all cool and all until Keith's sitting in class, angrily scribbling James being crucified for his sins on his final exam. Or he's sitting in Shiro's apartment, aggressively stabbing a piece of fabric over and over only for the result to be a pretty little embroidered bouquet. Imagine Keith channeling all his rage into crocheting chicken nugget stuffed animals.
So many silly possibilities!!
New Part: 10 Lethal Injury Ideas
If you need a simple way to make your characters feel pain, here are some ideas:
1. Sprained Ankle
A common injury that can severely limit mobility. This is useful because your characters will have to experience a mild struggle and adapt their plans to their new lack of mobiliy. Perfect to add tension to a chase scene.
2. Rib Contusion
A painful bruise on the ribs can make breathing difficult, helping you sneak in those ragged wheezes during a fight scene. Could also be used for something sport-related! It's impactful enough to leave a lingering pain but not enough to hinder their overall movement.
3. Concussions
This common brain injury can lead to confusion, dizziness, and mood swings, affecting a character’s judgment heavily. It can also cause mild amnesia.
I enjoy using concussions when you need another character to subtly take over the fight/scene, it's an easy way to switch POVs. You could also use it if you need a 'cute' recovery moment with A and B.
4. Fractured Finger
A broken finger can complicate tasks that require fine motor skills. This would be perfect for characters like artists, writers, etc. Or, a fighter who brushes it off as nothing till they try to throw a punch and are hit with pain.
5. Road Rash
Road rash is an abrasion caused by friction. Aka scraping skin. The raw, painful sting resulting from a fall can be a quick but effective way to add pain to your writing. Tip: it's great if you need a mild injury for a child.
6. Shoulder Dislocation
This injury can be excruciating and often leads to an inability to use one arm, forcing characters to confront their limitations while adding urgency to their situation. Good for torture scenes.
7. Deep Laceration
A deep laceration is a cut that requires stitches. As someone who got stitches as a kid, they really aren't that bad! A 2-3 inch wound (in length) provides just enough pain and blood to add that dramatic flair to your writing while not severely deterring your character.
This is also a great wound to look back on since it often scars. Note: the deeper and wider the cut the worse your character's condition. Don't give them a 5 inch deep gash and call that mild.
8. Burns
Whether from fire, chemicals, or hot surfaces, burns can cause intense suffering and lingering trauma. Like the previous injury, the lasting physical and emotional trauma of a burn is a great wound for characters to look back on.
If you want to explore writing burns, read here.
9. Pulled Muscle
This can create ongoing pain and restrict movement, offering a window to force your character to lean on another. Note: I personally use muscle related injuries when I want to focus more on the pain and sprains to focus on a lack of mobility.
10. Tendonitis
Inflammation of a tendon can cause chronic pain and limit a character's ability to perform tasks they usually take for granted. When exploring tendonitis make sure you research well as this can easily turn into a more severe injury.
This is a quick, brief list of ideas to provide writers inspiration. Since it is a shorter blog, I have not covered the injuries in detail. This is inspiration, not a thorough guide. Happy writing! :)
Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!
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Someone ask this man if hes got a cuban bsf, a small red head bsf and an amazing tall girlfriend PLEASE
bro that’s hunk straight up
ohhhh i get it now. the little seed of loneliness i’ve carried with me since i was five will never go away
i never noticed that at Birdpersons and Tammy's wedding Tammy says "I am yours until YOUR death" and BirdPerson says "I am yours until MY death". Very subtle foreshadowing, nice
Keith's got a teddy. He's had it since he was eleven. He found it on the side of the road, and despite Shiro's protests, took it home with him. He fixed it up, patched it where there were holes and gave it at least three washes in soft detergant. Shiro wasn't impressed with it in the beginning but he liked it in the end. It was a hippo. Keith called it Mr. Hippo. He took it with him everywhere.
He got made fun of for it in the Garrison, his roommate saw it and told his friends, but Keith didn't care. Mr Hippo was his friend and he was going everywhere with him, no matter what. At sixteen years old, he still slept with the teddy and was unashamed of it. He couldn't sleep without it.
At seventeen years old, Keith flew away in a magical space lion and they had zero expectations of going back. Mr. Hippo was still in the shack. It was the main reason why he couldn't sleep on the castle, despite what Lance wanted to believe, and the main reason why he went to the training room and then passed out. If he couldn't sleep without it, then he could pass out without it.
Throughout the whole ordeal with Voltron, Keith didn't miss things on earth. He was exactly where he wanted to be, a pilot and in space and he had Shiro back. Everything was exactly where he wanted to be, where he was supposed to be. Keith wasn't made for life on Earth, he was made for the stars and now that he was here, he would never leave. But he did think about Mr. Hippo. He even thought about asking Lance to knit him a plushie to look like the hippo but he shut that down immediatly, unwilling to talk about his secret teddy that would no doubt be used to humanise him.
Shiro most likely wouldn't make fun of him for it, he probably would have smiled a little bitterly and reminisce on the life they used to have.
When Keith got back to earth, he visited the shack where he stayed for a year. Everything was the exact same as how he left it, conspiracy board up and string tied to it. Shiro's clothes that he arrived in lays on the ground in the makeshift bedroom, forgotten and deserving that position. He didn't dare to open the fridge, afraid of whatever would have formed in his oat milk. On Keith's bed, however, is something he could never forget.
Mr. Hippo.
A little dusty, but otherwise the same. Keith smiled softly and reached out to hold it gently, feeling something in him settle when he felt the familiar change of fabric on the back where he patched it with some pink curtains Shiro was throwing out. His stitching was bad then, and it had to be replaced many times over the years, but Mr. Hippo stayed the same. He stayed the same plushie Keith found on the side of the road, abandoned and left to rot in the dirt.
Keith brought him back to the Atlas where they were staying and Shiro did smile when he saw it. Lance didn't make fun of him for it when he brought it into the bed later on, and Keith slept better than he ever did.
his converse are literally just falling apart, he can take the soles off easy peasy and the heel support is just gone. he owns a shirt where the collar was ripped in a mosh pit or something and he just sewed another shirt collar onto it. those pants with patches? the one on his thigh keeps coming off, no matter how much extra fabric he puts on it, and he has zero idea how to fix it. those boots he's had since he was a kid are so worn they look brown even though the leather was a shiny black in the beginning
I think most of Keith’s clothes are worn down, he’s an amateur hand sewer and has patched his jacket multiple times. His favorite pants have ripped a thousand times and a thousand times he’s added patching so they last longer. He’s taped his shoes together, fixed holes in his belt pouches, saved fabric scraps. He’s very methodical about how he cares for his stuff.
i sent my application out so, please, please, please let me be employed 🤞🤞
Could i seriously use this for a fic? You said in the tags that people could steal it but just wanted to ask in case :)
Listen I’m not like a shipper but
THE FACT THAT BRUCE WAS A FAN OF GREEN LANTERN WHEN HE WAS A KID MEANS SOMETHING TO ME WHEN WE’RE TALKING ABOUT BRUCE/HAL
I remember reading this part of yj98 the first time and I actually cried from how hard I laughed the writers HAD to be on crack writing it. Its seriously so funny and (this is my opinion!) Seriously so much better than the tv show with the relationships and depth/growth the characters had
hate it when i find myself driving my car full speed at nuns in a station wagon loaded with high explosives it really puts a damper on my day