Nct Ship Directory

get you a man who can do both

Netflix likes to cancel and blame us for “not enough people watching” when they blatantly choose not to promote/advertise/hype up shows like ODaaT and Sense8 and The Get Down, etc, meanwhile I can’t go on anything without seeing shit about 13*rw , which didn’t need a first season let alone a fucking second

Not to mention there always seems to be a LARGE group of fans for ODaaT and Sense8 and even Shadowhunters….??

@ Netflix just admit you’re trash and don’t give a fuck about your viewers or diversity or LGBTQ etc

“YOU SHOULDN’T SHIP THAT BECAUSE-”

"Kpop is weird" "You can't even understand what they're saying" "They look like girls"

Linear Multi-Doctor/Rose’s Timeline

fic rec list masterpost | docxrose fanfic 101

These are stories that generally follow the linear progression of Rose’s canon timeline while spanning the Doctor’s regenerations. (Not necessarily canon-compliant, but might be.) 

Weiterlesen

thor being a billion years old and marvel not making him a music snob for the shits of it is the real tragedy here

this might be a dumb thing to get worked up over and this text post ended up being WAY to long for a topic this stupid, but americans deciding to make a movie about eurovision, having it be written and directed by americans, casting an american and a canadian actor to play the lead roles of two icelandic musicians and having a few british actors as “european representation” and having them play russian and icelandic people is… so symbolic for how americans see other cultures.

I’ve seen americans (tumblr bloggers and celebrities) be passive aggressive about america not being in eurovision and acting like its specifically excluding them… despite there being multiple other continents who dont participate in esc.

and so these people see this phenomenon that many europeans seem to be passionate about and they see that they are not a part of it and then they get the idea that hey! this could be a movie! and who better to produce this movie than us americans. because we’re just better at that.

NOBODY ASKED FOR A EUROVISION MOVIE. MUCH LESS A EUROVISION MOVIE PRODUCED BY AMERICANS STARRING WILL FERRELL AS AN ICELANDIC PERSON.

This isn’t cultural appropriation in the sense of taking an idea from a marginalised community and passing it off as your own (although europe is not entirely “white/privileged” and includes many marginalised, ignored and looked down upon nations and ethnicities), but its still (white) americans thinking they get to make money off of a thing that wasnt their idea and that doesnt include them.

Yes, this is not a grave transgression, but it once again shows that americans think theyre better at telling stories than the people in these stories.

You could have had this movie written by a european. you could have cast actual icelandic singers. you could have used this opportunity to put the spotlight on more marginalised groups in europe. but you chose to have it all be done by americans. because you’re just better at it right?

Season 3 is for the overthinkers. The ones who always had the crush but were never the crushes. The ones who only see flaws when they look in the mirror. The ones who throw themselves into books because those worlds treat them better than life ever has. The ones who are just so goddamn tired.

Wanda would rather let half of the population of the universe die to save a Microwave Oven.

Supernatural had the opportunity to do something great. To send a message of love and validation to a whole community. Not only to the part of the community that liked their show, but to all of us. But instead they decided to pander to the people, who never had to fight for their representation.

I support #TheySilencedYou, #TheySilencedThem and #TheyWillNeverSilenceUs and I'm in awe of all of you. Of your eloquence, passion, coordination and decisiveness. And I feel like your message goes beyond this particular TV show and the CW.

It's about protesting a pattern of disrespect towards otherness in Mainstream Media. It's about demanding meaningful, unmistakably queer representation, that enables discourse and furthers understanding in a heterogenic Audience. It's about asking Networks to not only hire diverse staff but to also give them the freedom to tell their stories the way they want to. It's about telling creators to own up to the inherent messages they leave us with in the end.

And that's inspiring and should be celebrated.

Stories matter.