This is my reminder to make a photoshoot of this kind. God, I need my tripod. đđ
The Essence of Silence by Anato Finnstark
This artist on Instagram // Tumblr (inactive)
I see myself in many things from this list. If I actually am a maladaptive daydreamer, I'm definitely not a severe case, I can mostly function, do my homeworks and chores and other stuff. My life is actually really good and I do have plans and hopes for future. But the daydreaming is always with me, since I was a child. Everywhere, everywhere I go, there it is.
I don't have my own OC's, they are always already existing characters from medias I consume... but I'm worried that I don't have control over it anymore. I feel exhausted at the end of the day from all the daydreaming, my brain hurts. Trigger can be literally anything: a movie, a TV show, books, situations in real life. The conversations with the characters are neverending, and even when I don't daydream, I have this icky feeling that someone is with me. I know they are not real, but I spend so much time in their presence, that it is hard to let them go.
When I'm watching a movie, I have to really focus to not imagine myself in it. I hate it, because it ruins the whole story, every character is suddenly me, I think about them all the time and then I don't even know, what actually happened in the story and what was just my daydream. I watch scenes from movies and random interviews on youtube, and act with them, because I already know them word by word, imagining that it's me whose actually talking. I always loved stories and now I don't know how to consume them normally anymore.
But the thing that is scaring me the most, is that I'm terrified that I will not be able to connect with other people in real life properly. For a couple of months now I feel like I'm losing my friends and they don't even know. I try to act normally, show them that I love them, but I feel weirdly dull inside. I'm so worried that I will not be able to create a meaningful romantic connection (eventho I want it soo badly) because of this yearning for some kind of thrill and passion that only fiction can give me and that I can't get anywhere else.
alright look since people donât seem to understand why maladaptive daydreaming is a big deal hereâs a grand list of some of the reasons why.
first off: yes, you little babies, maladaptive daydreaming is often characterized by:
zoning out
âsnapping backâ to reality
which is often followed by mild alarm and confusion like âwhat where am i what am i doing whats going onâ
seeking emotional satisfaction in daydreams that you didnât get from real life
itâs often developed due to childhood isolation, not having a lot of friends, having too much time to yourself as a youngling
yep also those bless-ed long car rides
being deeply comforted by music and/or alone time because it means yay daydreaming time
intricate stories that exist inside vivid imaginary worlds (called paracosms) with their own highly developed âcharactersâ (which are called paras, and i hope youâre taking notes)Â
constantly looking for an âescapeâ so you can daydream
repetitive motions to stimulate daydreams such as swinging on a swingset, bouncing up and down, pacing, spinning, etc.
an idealized version of yourself through whose eyes you live out these daydream stories (called parames, like para-meâŠ)
BUT!!!! but but but but but but (and this is the stuff y'all seem to constantly be forgetting/overlooking/not taking seriously) maladaptive daydreaming is also characterized by:
deep and dependent emotional attachments to paras such as intimate friends, lovers, family, and pets that donât exist
deep guilt due to favoring paras over âreal lifeâ (called thisverse) people
a phobia that you will never be able to care about people in thisverse and will therefore be a terrible lover/spouse/parent, etc.
trancelike states where you lose time anywhere between a few minutes to several hours straight without even realizing it until youâve returned to reality
maladaptive daydreaming steals so. much. time.
withdrawal-like effects if you donât daydream for a long time (even a day), such as shaking, nausea, agitation, aggression, breakdowns, etc.
you donât control your daydreams, they do whatever they want to, they are invasive, intrusive, and often unwanted
intense absorption, so when the daydream is exciting you will get an adrenaline rush and your blood gets hot and starts to rush and you sweat and breathe weird and see red and your heart rate goes up. when the daydream is depressing you will cry with real tears and your limbs actually feel heavy
it steals an incredible amount of energy
daydreams are often violent, sexual, and/or disturbing
difficulty focusing, high anxiety
paranoia caused by a feeling that youâre under observation
compulsive behavior (like, âi have to pace right nowâ even when your feet feel like theyâre broken⊠Iâve often been afraid to look down because i thought i might see blood but i couldnât stop walking even when it hurt so much that i started crying)
sleeplessness, insomnia, nightmares
suicidal thoughts and tendencies (âmaybe if i die, iâll be with my parasâ, âi canât take it anymoreâ)
feeling uncomfortable in your body/with your identity (i often have trouble recalling my real name because iâm so used to be my parameâs name, i avoid mirrors because i expect to see my parameâs face and it always catches me off guard)
weight loss or weight gain
appetite loss or appetite gain
dissociation and âout of bodyâ experiences
avoidance and the death of your social life
not being able to feel anything either neg or pos about âreal lifeâ things because youâre only concerned with your paracosms
speaking the dialogue out loud or whispering, acting out daydreams
i have seriously been asked if iâm possessed when i got caught daydreaming
it is so painful and so detrimental and it makes our lives difficult, it is not âcuteâ, it is not âlol relatableâ, it  is not âcreativeâ, and it is not âfakeâ
Just remember. There is no such thing as a fake geek girl. There are only fake geek boys. Science fiction was invented by a woman.
Can some of you insanely talented snowflakes make a Destiel edit and use the "I Will Follow You into the Dark" cover by YUNGBLUD and Halsey? It is so haunting and pretty and always makes me think about Dean and Cas. I would do it myself but I have no idea how to work with videos. Thanks! â€ïžđ€Ąđ€Ą
Today I saw a girl from my balcony. There was a little creature on the pavement. I don't know what it was, maybe a frog or a lizard. She stopped, watched the creature for five minutes or more, until it disappeared in the safety of grass. I like girls so much.
Big Horses are a Very New Thing and they Likely Didnât Exist in your Historical and/or Fantasy Settings.
Youâve all seen it in every historical piece of media ever produced. Contrary to popular belief, a big black horse with long legs and long flowing mane is not a widespread or even a particularly old type of horse.
THIS IS NOT A MEDIEVAL THING. THIS IS NOT EVEN A BAROQUE THING. THIS IS A NINETEENTH CENTURY CITY CARRIAGE HORSE.
All the love to fancy Friesian horses, but your Roman general or Medieval country heroine just really couldnât, wouldnât, and for the sake of my mental health shouldnât have ridden one either.
Big warmblood horses are a Western European and British invention that started popping up somewhere around 1700s when agriculture and warfare changed, and when rich folks wanted Bigger Faster Stronger Thinner race horses. The modern warmblood and the big continental draught both had their first real rise to fame in the 1800s when people started driving Fancy Carriages everywhere, and having the Fanciest Carriage started to mean having the Tallest and Thinnest Horses in the town.
Before mechanised weaponry and heavy artillery all horses used to be small and hardy easy-feeders. Kinda like a donkey but easier to steer and with a back thatâs not as nasty and straight to sit on.
SOME REAL MEDIEVAL, ROMAN, OTTOMAN, MONGOL, VIKING, GREEK and WHATEVER HISTORICALLY PLAUSIBLE HORSES FOR YOU:
âPrimitiveâ, native breeds all over the globe tend to be only roughly 120-140 cm (12.0 - 13.3 hh) tall at the withers. They all also look a little something like this:
Mongolian native horse (Around 120-130 at the withers, and decendants of the first ever domesticated horses from central Asia. Still virtually unchanged from Chinggis Khanâs cavalry, ancestor to many Chinese, Japanese and Indian horses, and bred for speed racing and surviving outdoors without the help of humans.)
Carpathian native horse / Romanian and Polish Hucul Pony (Around 120-150 at the withers, first mentioned in writing during the 400s as wild mountain ponies, depicted before that in Trajanian Roman sculptures, used by the Austro-Hungarian cavalry in the 19th century)
Middle-Eastern native horse / Caspian Pony (Around 100-130 at the withers, ancestor of the Iranian Asil horse and its decendants, including the famous Arabian and Barb horses, likely been around since Darius I the Great, 5th century BC, and old Persian kings are often depicted riding these midgets)
Baltic Sea native horse / Icelandic, Finnish, Estonian, Gotland and Nordland horses (Around 120-150 at the withers, descendant of Mongolian horses, used by viking traders in 700-900 AD and taken to Iceland. Later used by the Swedish cavalry in the 30 years war and by the Finnish army in the Second World War, nowadays harness racing and draught horses)
Siberian native horse / Yakutian pony (Around 120-140 at the withers, related to Baltic and Mongolian horses and at least as old, as well-adapted to Siberian climate as woolly mammoths once were, the hairiest horse there is, used in draught work and herding)
Mediterranean native horse / Skyros pony, Sardinian Giara, Monterufolino (Around 100-140 at the Withers, used and bred by ancient Greeks for cavalry use, influenced by African and Eastern breeds, further had its own influence on Celtic breeds via Roman Empire, still used by park ranger officers in Italy)
British Islesâ native horse / various âMountain & Moorlandâ pony breeds (Around 100-150 at the withers, brought over and mixed by Celts, Romans and Vikings, base for almost every modern sport pony and the deserving main pony of all your British Medieval settings. Some populations still live as feral herds in the British countryside, used as war mounts, draught horses, mine pit ponies, hunting help and race horses)
So hey, now you know!
Queer kids are not allowed to be kids.
They arenât allowed to get angry when people bully them because by reacting people believe they justify the abuse. They are forced to deal with adult situations often without support from any of the actual adults around them. When they look for leaders in their community they often find no one who is like them and are left with only scraps of representation in media to look to. And they donât have the support system they deserve, the support system heterosexual/romantic cisgender kids are given without question. They are forced to hide parts of themselves from their family members and we pretend that it is normal. And if they decide to discuss that particular part of their identity it is picked apart and examined often before the kid even knows how to process it themselves. Their own identities is branded as âtoo adultâ for them when it is not their identities that is too adult, but how we treat them once we are informed of these parts of their identities.
Queer kids deserve so much better than they are given.Â
How are people able to love each other romantically so much? How are they able to fall in love since they are in kindergarten? How are they able to find humans that they want to hold and touch and kiss on a regular basis and how they don't think about being somewhere else while doing so... How? How? How...
Is everyone just pretending? Is it that... at some point, you just stop looking? Is it that you settle? Is it that you stop hoping for a great love and you let it go? Do you love the people that you fall asleep next to? How does it look like? How does it feel like?
Is it just luck...
Are some people conditioned to want, to yearn, to wish with no place to release theyre heart? Is wanting really everything there is for some?
Bring them back! Bring back the loose, low cut shirts!
You see this outfit?
The loose, low cut shirt? Yeah, could you not wear that anymore?
Some of us canât handle it
Cas: âVĆŸdy jsem pĆemĂœĆĄlel, od toho, co jsem na sebe vzal to bĆemeno, tu kletbu, pĆemĂœĆĄlel jsem, co by to mohlo bĂœt, jak⊠jak by mĂ© pravĂ© ĆĄtÄstĂ mohlo vĆŻbec vypadat. Nikdy jsem nenaĆĄel odpovÄÄ. ProtoĆŸe ta jedinĂĄ vÄc, kterou chci⊠je vÄc, o nĂĆŸ vĂm, ĆŸe ji nikdy nemohu mĂt. Ale myslĂm, ĆŸe vĂm⊠myslĂm, ĆŸe teÄ uĆŸ vĂm. Ć tÄstĂ se nenachĂĄzĂ ve vlastnÄnĂ. Je v bytĂ a ve vyĆÄenĂ vÄcĂ.â
Dean: âO Äem to mluvĂĆĄ?â
Cas: âJĂĄ vĂm, jĂĄ vĂm, jak vidĂĆĄ sĂĄm sebe, Deane. VidĂĆĄ se stejnÄ, jako tÄ vidĂ naĆĄi nepĆĂĄtelĂ©. Jsi destruktivnĂ a jsi zlostnĂœ a jsi zlomenĂœ. Jsi⊠jsi âtĂĄtĆŻv ztupenĂœ nĂĄstroj.â A myslĂĆĄ si, ĆŸe nenĂĄvist a hnÄv je toâŠ ĆŸe to tÄ pohĂĄnĂ. Ćœe to jsi ty. Ale nejsi. A kaĆŸdĂœ, kdo tÄ znĂĄ, to vidĂ. VĆĄechno, co jsi udÄlal, to dobrĂ© i to ĆĄpatnĂ©, jsi udÄlal z lĂĄsky. Vychoval jsi svĂ©ho malĂ©ho bratra z lĂĄsky. Bojoval jsi za celĂœ tento svÄt z lĂĄsky. TakovĂœ jsi. Jsi ten nejstarostlivÄjĆĄĂ muĆŸ na Zemi. Jsi ten nejobÄtavÄjĆĄĂ, nejvĂce milujĂcĂ ÄlovÄk, kterĂ©ho kdy poznĂĄm. VĂĆĄ, od tĂ© chvĂle, kdy jsme se potkali, kdy jsem tÄ vytĂĄhnul z Pekla, jsi mÄ zmÄnil. ProtoĆŸe ses staral, staral jsem se taky. ZĂĄleĆŸelo mi na tobÄ. ZĂĄleĆŸelo mi na Samovi. ZĂĄleĆŸelo mi na Jackovi. ZĂĄleĆŸelo mi na celĂ©m svÄtÄ, jen kvĆŻli tobÄ. ZmÄnil jsi mÄ, Deane.â
Dean: âProÄ mi to znĂ jako louÄenĂ?â
Cas: âProtoĆŸe je. Miluju tÄ.â
Dean: âNedÄlej to, Casi⊠Casi.â
Cas: âSbohem, Deane.â
Cas: âI always wondered, ever since I took that that burden, that curse, I wondered what it could be, what...what my true happiness could even look like. I never found an answer. Because the one thing I want...it's something I know I can't have. But I think i know...I think I know now. Happiness isn't in the having. It's in just being. It's in just saying it.â
Dean: âWhat are you talking about, man?â
Cas: âI know. I know how you see yourself, Dean. You see yourself the same way our enemies see you. You're destructive and you're angry and you're broken. You're...you're 'Daddy's Blunt Instrument.' And you think hate and anger, that's...that's what drives you. That's who you are. It's not. And everyone who knows you sees it. Everything you have ever done, the good and the bad, you have done for love.You raised your little brother for love. You fought for this whole world for love. That is who you are. You're the most caring man on Earth. You are the most selfless, loving human being I will ever know. You know, ever since we met and ever since I pulled you out of Hell, knowing you has changed me. Because you cared, I cared. I cared about you. I cared about Sam. I cared about Jack. I cared about the whole world because of you. You changed me, Dean.â
Dean: âWhy does this sound like a goodbye?â
Cas: âBecause it is. I love you.â
Dean: âDon't do this, Cas...Cas.â
Cas: âGoodbye, Dean.â
Cas: âSiempre me preguntĂ©, desde que tomĂ© esa carga, esa maldiciĂłn, me preguntaba quĂ© podrĂa ser, cĂłmo ... cĂłmo podrĂa verse mi verdadera felicidad. Nunca encontrĂ© una respuesta. Porque lo Ășnico que quiero ... es algo que sĂ© que no puedo tener. Pero creo que lo sĂ© ... Creo que lo sĂ© ahora. La felicidad no estĂĄ en tener. EstĂĄ solo en ser. Es simplemente decirlo ".
Dean: ¿Qué estås diciendo, amigo?
Cas: âLo sĂ©. SĂ© cĂłmo te ves a ti mismo, Dean. Te ves a ti mismo de la misma manera que te ven nuestros enemigos. Eres destructivo y estĂĄs enojado y roto. Eres ... eres el 'Instrumento contundente de papĂĄ'. Y piensas en el odio y la ira, eso es ... eso es lo que te impulsa. Eso es lo que eres. No es. Y todo el que te conoce lo ve. Todo lo que has hecho, lo bueno y lo malo, lo has hecho por amor. Criaste a tu hermano pequeño por amor. Luchaste por todo este mundo por amor. Eso es lo que eres. Eres el hombre mĂĄs cariñoso de la Tierra. Eres el ser humano mĂĄs desinteresado y amoroso que jamĂĄs conocerĂ©. Sabes, desde que nos conocimos y desde que te saquĂ© del infierno, saber que me has cambiado. Porque a ti te importaba, a mĂ me importaba. Me preocupo por ti Me preocupaba Sam. Me preocupaba por Jack. Me preocupĂ© por todo el mundo por ti. Me cambiaste, Dean ".
Dean: ¿Por qué suena esto como un adiós?
Cas: Porque lo es. Te amo.
Dean: No hagas esto, Cas⊠CasâŠ
Cas: AdiĂłs Dean.
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24 | czech | reader | writer in making | student | dark academia | cottagecore | royal core | piratecore | leo | ravenclaw
120 posts