Image By Bharat S Raj, CC BY-SA 3.0

There's at least as much Hermetic and/or Merkabah imagery in Evangelion as Christian imagery, if not more.

@is-it-a-man But... if Amaury Guichon makes himself a really, really good pair of wings out of chocolate...

I swear to god one of these days were going to see a video of Amaury Guichon and he's going to be making some wings and they are going to look dope as hell, the detail of each feather will be breathtaking, he'll spray paint them to perfection, but as the video goes on, he's not building any sort of winged creature, just the wings. And then there's a human-sized harness (also made of chocolate, somehow, he can do it). And he's attaching the wings to the harness. And he's putting the harness on and he demonstrates how he can flap the wings. And then he'll be off. Out the window and up and up and up. And we'll be looking at the livestream (it's a livestream now) and we'll scream "No, Amaury, the sun! It's going to melt the wings!". But he knows this already. And he is free.

I call the seagull Frank Abigull, Jr.

He walks around the cruise terminal with one wing folded up crooked, so the wingtip sticks out and nearly drags on the ground. He looks like he has a broken wing.

If I eat on a seagull's patch, I'll share. I'm that used to paying rent for every damn thing. Same for crows.

Anyway, I don't know if his wing was ever really broken or not, but when he needs to, Frank can fly just fine.

It may be that he's learned to drag his wing in order to con the tourists and event-goers.

I've expanded the instructions I gave for apologizing into a detailed listicle. I hope it'll be helpful. Some of the points, however, are very specific to the English language.

1. Don't explain what happened, it will sound like you're justifying your actions. And because of the way our brains work, you're likely to actually start justifying your actions. At that point, you're no longer apologizing. Remind yourself that the apology needs to have priority right now, and that there will be time later to identify causes and solutions.

2. Be specific, or at least use more words than "I'm sorry." "Sorry" is used so often as a polite noise, nearly meaningless, that it's difficult to be sincere, or even sound sincere when using it for a formal apology. Again, this ties into what @theconcealedweapon wrote: we're trained to say "sorry" when we don't mean it, so that becomes the core of the word's meaning, without our even realizing it. And if you're Australian, it gets even worse!

Personally, I use "I apologize" or "My apologies," or in dire circumstances, "Please accept my apology." This allows me to break my conditioning and focus on my genuine contrition, as well as making it clear to others that I'm taking the apology seriously.

3. Apologize for what you did, and absolutely NOT how it made someone feel. The latter is often used for manipulation.

Other things not to apologize for:

that the consequences of your actions happened

what you don't like about the person or group you're apologizing to

being right

being better than the people you're apologizing to

allegedly not having any idea what you're supposed to be apologizing for

...you'd think all this would go without saying, but it can be subtler than you might expect, and sometimes we do it without thinking, because we picked it up as children, from the nastier adults around us.

Instead, take a moment to focus on what you did, and how to describe it clearly in a way that accepts your fault and/or responsibility for the situation. Again, don't bring anything else into the apology, lest you make it seem less of an apology. People are so used to hearing the above crap from unrepentant people, that they will not give you the benefit of the doubt.

4. Watch your tone of voice. This is actually two separate points.

First, yet another thing we unconsciously pick up as children is the obviously sarcastic mock apology. It's not always a bad thing, it can be a joke or a verbal gesture, but you have to make sure you don't let that habit find its way into a genuine apology, and ruin it. This is where the bit about "Say it like you mean it" comes from. The easiest way to say it like you mean it is to mean it. See next paragraph.

Second, if you can't be respectful and express regret, you shouldn't be apologizing just yet. You're not ready. Leave the art of convincingly faking an apology to the con artists and cult leaders. You will probably need to just keep your mouth shut for a while. Acknowledge (to yourself) the possibility that you might change your mind later. In some rare cases, it may be possible to tell people, "I'm not ready to apologize just yet," but don't count on it.

5. (optional) If necessary and you can do it honestly, either characterize what you did, or agree with others' characterization of it, or promise to/ask how to not do it again, or multiple of the above. Say that it was wrong or inappropriate or a failure or whatever. Name people who called you out, say they were right, and repeat what they said about what you're apologizing for. If you promise not to do it again, don't pivot to talking about how great you will be in the future, keep it focused on the apology.

This might be a bit too much for less dire apologies, and you may not be able to manage this if you apologize the minute you can bring yourself to be sincere, but otherwise, you can build yourself some credibility by immediately seeking to improve yourself and make sure that YOU never do whatever-it-was again. It's more for privately apologizing to your direct supervisor, or to a friend.

On the other hand, beware of doing this if you're the authority figure, or are apologizing to a large group, because politicians routinely pivot away from making actual apologies by making big promises for the future. People are wise to this, though, and your whole apology is liable to be dismissed as bullshit if you try to use it for self-promotion.

So many people seem completely unaware of what a genuine apology is.

And that's because children are forced to say sorry on command.

Before they ever had a chance to process what they did, why they did it, what effect it had on others, or what they should have done instead, they're expected to say that they're sorry. And they're expected to "say it like you mean it" with no indication of what that even means and with no time to figure out how to phrase it correctly.

Sometimes, even when the child's actions are justified by any logical reasoning, they're expected to apologize because an authority figure demands it.

The goal of saying sorry ends up being solely to avoid punishment. And they phrase the apology in whatever way the authority figure will accept.

The result is an entire society filled with people who give completely useless apologies that appear like they're only trying to avoid punishment.

Well, folks, I'm starting to realize that maybe Bartleby the Scrivener might not have been the best role model for me to emulate...

Offbeat TTRPG adventure arc:

An adventurer NPC, who is known far and wide as an incorrigible chaos gremlin, has obtained a Ring of Wishing, and nobody in the known world trusts them with it. The players' heroes are just some of many people who are trying to stop this person and get the Ring of Wishing away from them before they blows up the entire world with it.

“I will always be on the side of those who have nothing and who are not even allowed to enjoy the nothing they have in peace.”

— Federico García Lorca

Full disclosure, I've never actually seen Melancholia, but from your video, I arrived at a very different interpretation of Justine's character… it occurred to me that, if someone was used to hearing that the world was doomed, and had both ruined their own life with their actions and come to full acceptance of the fact that they had nobody to blame but themselves for their situation, that discovering that the entire planet genuinely IS doomed, in short order and quite demonstrably… wouldn't that come as a great relief? None of the guilt or crises would matter any more, because the advent of Melancholia would be so much more immediate… and since nobody can do anything about it, there would be no pressure to try, no pressure to be "productive."

It doesn't quite meet the definition of sanity in the ordinary sense, but when inevitable doom is rushing towards the entire planet, I kind of think the definition of "sanity" would shift, as values and priorities shift, because most of what we think matters… would suddenly no longer matter.

On a weirder note, I used cosmic bliss-horror when I put unicorns into my original high-fantasy worldbuilding project. In that world, unicorns are fearsome interdimensional incursions that cannot abide the impurity of the world's setting… Mesmerizingly beautiful, but lethal without exception. But they also contain a Mr. Toots reference, because I simply cannot help myself. Yes, my unicorn's ultimate ability is a discharge of superheated, rainbow-colored plasma (B308), shot out of its ass. But it's magical plasma, and when it burns you right to the bone, you fall under the Ecstasy spell (M139) as an affliction.

Who's afraid of the big bad eldritch horror?

And what happens when you're not? We made a video on it!

It's easy to be "original" when there are no rules, no exceptions. But, under those circumstances, it's difficult to be interesting.

Also, my two cents, it's amazing what happens when I go and do a little light manual labor. Raking leaves, washing dishes, weeding the garden... and suddenly the ideas and solutions start moving again.

Hey, sorry if you’ve been asked this before, but I have ADHD and I’ve been following your comic for years and just now have started to write my own comic (partially because you really inspired me). But I’m really struggling with staying on the project even when it’s boring and getting myself to work on it in the first place. Do you have any tips on how to keep your brain invested or just to make yourself do the work at all?

I have excellent news, I literally just figured out something really important about this.

So when you're an ADHD kiddo or otherwise have difficulty staying on task in a structured environment where Task is the Priority, the main way people try to MAKE you stay on task is by removing your access to anything that is not The Task. No phone, no TV, no doodling, no going outside, etc. In practice, this just makes us miserable because it takes the boredom that's always simmering around a 2 or 3 and cranks it all the way up to 11. In the same way that you would have difficulty staying on task if you were in physical pain, this crushing existential monotony makes it very difficult to work. The work might get done simply because you have no other options, but it will not be done quickly or well, and it will take a while to recover from how much it hurt.

What I realized earlier this week is I caught myself doing this to myself. I had 42 pages of background colors to do, and I thought to myself "this sounds really tedious, but I suppose I have nothing better I can do." And I realized what I'd just thought, and got very alarmed.

Because back when I was an ADHD kiddo imprisoned by school scheduling and a million little factors that keep children immobile and restrained, I couldn't stop thinking about how big and exciting the world was, and how much I wanted to be anywhere but here. When I was feeling really crushed in I'd pick a random spot on the maps on my wall and just imagine being there instead of my bedroom. This was the impetus behind almost all of my creative energy. I've said it before - anything is a prison if you can't leave, and being in a prison makes it easy to imagine how amazing things could be outside of it. Aurora's initial worldbuilding was forged in the crucible of fifth grade misery. My enthusiasm for art and my creative drive are inextricable from my sense of wonder and yearning for excitement in the real world. Not escapism, but appreciation. Wonders unimaginable are out there, and I gain just as much joy seeking them out as I do conjuring them up in my head and sharing them with all of you.

So now that I'm a grown-up with actual freedom in every way I've been able to get, the idea that I was staying on task by making myself believe the world was small and not worth seeing was extremely alarming. It could keep me on task for an afternoon, but at the cost of slowly extinguishing the thing that made me want to make art in the first place - the hunger to experience and draw inspiration from all the myriad complexities in the world.

So what I've been doing is I've been purposefully and intentionally taking excursions whenever I catch myself thinking "I could take a break but it wouldn't be worth it, it's the same outdoors as always, I'll be uncomfy and unproductive and tired." Because that is never true. Every time I've put down the stylus and gone out, I've been renewed in one way or another, and when I come back to comfort fully recharged I get a lot of shit done. Because it is easier to work on anything if you remember why you wanted to make it in the first place, and it is self-defeating misery to just lock yourself in with it and tell yourself you're a bad person if you can't get it done.

I honestly don't know how widely applicable this is. I have worse wanderlust than anyone I know, so for me this has always been modeled as imprisonment vs freedom. I've also been extremely lucky to find myself in a profession that lets me set my own pace on literally everything I do. But I genuinely believe that when it comes to making art with ADHD, you need to give yourself freedom to move laterally, not just in the direction of obvious forward progress. We don't think linearly in any other part of our lives - art is no different.