1. Start with a false sense of security
• The best plot twists work because the audience feels confident they know what’s coming.
• How? Lay down a trail of clues that mislead without outright lying. Create a sense of inevitability.
• Example: A detective follows all the evidence to one suspect, only for the real criminal to be someone they completely overlooked.
2. Plant the seeds early
• A plot twist is most satisfying when it feels inevitable in hindsight. Subtly sprinkle clues throughout the narrative.
• How? Use small, seemingly insignificant details that take on new meaning after the reveal.
• Example: A side character is always conveniently absent during key events—later revealed to be orchestrating everything.
3. Subvert expectations without betraying logic
• A twist should surprise readers, but it must feel plausible within the story’s framework.
• How? Flip assumptions in a way that feels earned. Avoid twists that rely on coincidences or break the rules of your world.
• Example: A character who appears harmless and incompetent is revealed as the mastermind, with subtle foreshadowing tying everything together.
4. Exploit emotional investment
• Twists land harder when they involve characters the audience deeply cares about. Use relationships and personal stakes to heighten the impact.
• How? Create twists that change how readers perceive the characters they thought they knew.
• Example: The protagonist’s mentor is revealed to be the antagonist, making the betrayal personal and devastating.
5. Use red herrings strategically
• Mislead readers by planting false clues that draw attention away from the real twist.
• How? Make the red herrings believable but not overly obvious. They should enhance, not distract from, the story.
• Example: A mysterious object everyone believes is cursed turns out to be completely irrelevant, shifting focus from the true danger.
6. Timing is everything
• Reveal the twist at the moment it has the most dramatic or emotional weight. Too early, and it loses impact. Too late, and it feels rushed.
• How? Build tension to a breaking point before the twist shatters expectations.
• Example: A twist that flips the climax—when the hero thinks they’ve won, they realize they’ve fallen into the villain’s trap.
7. Allow for multiple interpretations
• A great twist makes readers rethink the entire story, encouraging them to revisit earlier scenes with new understanding.
• How? Design the twist so that the story works both before and after the reveal.
• Example: A character’s cryptic dialogue is recontextualized after the twist, revealing their hidden motives.
8. Pair the twist with consequences
• A twist shouldn’t just shock—it should change the trajectory of the story. Make it matter.
• How? Show how the twist raises the stakes or deepens the conflict, forcing the characters to adapt.
• Example: After discovering the villain is their ally, the protagonist must choose between loyalty and justice.
9. Keep the reader guessing
• A single twist is good, but layered twists create an unforgettable story. Just don’t overdo it.
• How? Build twists that complement each other rather than competing for attention.
• Example: A twist reveals the villain’s plan, followed by a second twist that the hero anticipated it and set a counter-trap.
10. Test the twist
• Before finalizing your twist, ensure it holds up under scrutiny. Does it fit the story’s logic? Does it enhance the narrative?
• How? Ask yourself if the twist creates a moment of genuine surprise while respecting your audience’s intelligence.
• Example: A shocking but clever reveal that leaves readers satisfied rather than feeling tricked.
Appearing characters: Figaro, Cain, Faust, Rustica, Bradley, Fusetter
Keep The Secret of Tonight Under Lock and Key
Figaro: Is this the place?
Cain: I think so? That ball of light we saw should be around here somewhere… What was that anyway? It gave me the creeps…
Faust: I don’t sense anything ominous, and the barriers are intact, so I doubt it’s anything serious. We should investigate properly, though. Just in case.
Rustica: There’s something so mystifying about forests at nightfall. One can spot many different critters roaming about, guided by the light of glowing mushrooms and fruits.
Bradley: …Hm? Wuzzat over there, under the tree?
???: …
Bradley: Izzat a… dog?
Figaro: If it is, seeing this kind of breed is a first for me. Have you seen anything like it before, Faust?
Faust: Can’t say I have. It’s unusually long and… pudgy.
Cain: Doesn’t seem hurt or anything either. Heya, buddy, you good over there?
Bradley: Lessee… Giddy-up!
Bradley: …The hell?! It can’t be that long…
Rustica: Is it in the middle of taking a nap perhaps?
Strange dog: …Hruk…
Wizards: !
Strange dog: W-Wah! W-Where am I?!
Bradley & Figaro: It…
Faust, Cain & Rustica: Can talk?!
Strange dog: E-Erm…
Figaro: Well, you don’t see this every day. What’s your name, little guy?
Fusetter: I’m Fusetter!
Figaro: I hope you don’t mind me asking, but just to clarify, you are a dog, right?
Fusetter: Yep! …Whoa, it's the moon! And it’s so big!
Rustica: It’s always been this big. Does it perchance have something to do with your arrival?
Fusetter: Well, I remember looking up and admiring it.
Fusetter: I’d never seen a moon so big and pretty, so I decided to take a picture of it, but… Before I knew it, I ended up here.
Bradley: Where have I heard this story before…
Rustica: It’s easy to lose your way while following the moon.
Faust: I’m more curious how it managed to pass through the barrier. The capital and the market are a long distance away.
Faust: As for what it is… A magical beast or fey of sorts?
Figaro: Could he be from another world?
Cain: Maybe even the same one as the Master Sage?
Figaro: Well, we do live in a world riddled with mystery.
Figaro: It wouldn’t be a first.
Bradley: The Sage never said nothin’ about dogs bein’ able to talk in their world.
Bradley: Say, lil’ fella, where exactly were ya watchin’ the moon from? Got any name you can give us?
Fusetter: Of course, I was at ◯◯◯!
Bradley & Figaro: Come again?
Cain: Sorry, we didn’t quite catch that, can you say it again?
Fusetter: I was at ◯◯◯!
Faust: …Interesting. It’s as if the most important part is evading us.
Figaro: Are you using magic to do this?
Fusetter: I wouldn’t call it magic, but I do have this unique power…
Fusetter: It’s a bit difficult to explain.
Cain: Go on, we’re listening.
Fusetter: Okay, then, can you hold my paw for a moment?
Cain: Of course~ Ooh, you’re so squishy!
Fusetter: Hehe, thank you.
Fusetter: Now, think about something you’ve kept secret recently.
Fusetter: Once you’ve got your secret ready, go on and say it.
Cain: Oookay…
Cain: When I woke up yesterday, my pants were ◯◯◯◯.
Cain: What the…!
Bradley & Rustica: We…
Figaro: Couldn’t understand that last bit at all.
Faust: …Really interesting.
Fusetter: That’s my power: I can keep others’ secrets!
Rustica: Why, it’s just like a little spell. May I give it try as well, Fusetter?
Fusetter: Of course!
Rustica: Thank you. Now, to think of a secret… Oh, I got it.
Rustica: Two days ago, right as I was about to go to bed, I was heading towards ◯◯◯◯, and somehow ended up singing and dancing at ◯◯◯◯◯◯.
Bradley: That’s rad as hell! My turn, lil’ pup.
Bradley: I keep my ◯◯◯ at the manor.
Figaro: Me next.
Figaro: My ◯◯ is ◯◯◯◯◯◯.
Fusetter: Your secrets are safe with me, everyone!
Figaro: I can’t help but feel like we’d be living in a different universe if we’d met you earlier.
Fusetter: I’m happy to help as long as everyone’s getting along.
Faust: …
Fusetter: Would you like to try it too?
Faust: I think I’ll pass.
Rustica: But his paw is really soft.
Figaro: It’s a once-in-a-lifetime opportunity, you know. Don’t let it pass you by.
Fusetter: Please!
Faust: …Well, it wouldn’t hurt to try, I suppose.
Faust: …Oh, you really are fluffy all over. …Right, the secret. Let me think…
Faust: …I had ◯◯◯◯◯ for last night’s dinner.
Faust: Wow…
Bradley: Pretty sick, yeah?
Cain: But how are you doing that if you’re not a wizard?
Figaro: I don’t sense any magic, so maybe he’s not a wizard but a magician?
Fusetter: You’ve brought up the word ‘magic’ so many times now, so I have to ask… Are you all wizards?
Figaro: Yep, and we serve the Sage.
Figaro: They came from another world, just like you, and under their guidance, we save the world every year.
Fusetter: Woow, that sounds awesome!
Rustica: And we’re not the only ones. Say, Fusetter, would you like to go back to the manor with us?
Rustica: I’m positive the rest of our friends would be thrilled to witness this unique ability of yours.
Bradley: You Western bunch just wanna toss ‘im ‘round like a hot potato, don’tcha?
Fusetter: Please don’t do that…
Cain: Nah, don’t worry about it. They’re a bit of a special case but mean well.
Cain: But Rustica’s right, why don’t you come with us? I imagine you must be feeling quite lost in another world all by yourself.
Faust: And while your situation might be a bit strange, you don’t seem like you’re here to cause trouble.
Figaro: Yep, the Master Sage and kids will love you.
Fusetter: Aww, you’re all too kind!
Figaro: Nonsense. Maybe the twins will know something about you, so we should talk to them and see.
Figaro: Although, something tells me you’re going to keep all personal information to yourself.
Figaro: I would also like to perform a few check-ups on you.
Fusetter: …What’s a check-up? Will it hurt?
Figaro: No, not all. I’m a world-renowned doctor, you know? I’ll handle you with care.
Fusetter: Ooh, sounds good!
Fusetter: Let’s get along, everyone!
Noya & Kageyama spend a significant amount of time in Italy together when Kageyama joins Ali Roma. But one night during one of their stroll around the city, Noya announces: ‘‘I found my next stop, so I’ll be leaving in a couple of days.’’ Kageyama simply nods - he knew Noya would be leaving Italy eventually.
‘‘It’s about time that I visit the beaches in Brazil, and finally conquer beach volleyball. Don’t you think?’’
Kageyama’s eyes widen before Shouyou’s name escapes his lips - they haven’t seen each other in months, except in video calls.
Noya laughs at Kageyama’s expression.
‘‘You have a couple of days to gather everything that you want me to bring to Shouyou.’’
So, for the rest of Noya’s stay, they hunt for gifts and Kageyama gathers a package that hopefully feels like he’s sending a part of himself & a part of Italy to Shouyou.
The Coffin of TWST
(I’m sorry for my bastardazation of their style- I just thought it was so cute 😭)
Ahhh this has got to be my highest effort spoof- I told myself I’d just draw my faves in the style but no- I present to you coffined Ramshackle
[Ramble]
Okay… but talking more about the actual worldbuilding of TCOAAL? THERE’S MUCH POTENTIAL AS A DYSTOPIA! We got corrupt government, capitalism, cults, and demons! So much to dig into-
If I were to make an actual AU… I think it’d be interesting if it plays out as episode one. The setting of the apartment alone already has enough ideas to work with- Yuu, who was supposed to be visiting, gets quarantined into the apartment as others are convinced they have the parasite. Will the rest of the TWST cast be neighbours or guards? Both would be neat. (Grim’s just an entity a nearby cultist summoned that is demanding Yuu to give him their room for a shelter-)
more like personal time difference attack on my heart 🥹
my dog chased the afterlife. i chased the memories and bits of pieces he left for me in this world. i miss that big fella..
Cafuné/Baciami
2ha spoilers but i personally believe that 2ha was written so carefully.. like the attention to every detail is amazing. love you meatbun. like in ch 179 where mo ran taught chu wanning—who was afraid of heights—to ride a sword, then by ch 279, chu wanning FLIES across the skies on his paper dragon to save mo ran 🥲 his fear of heights faded, but his new fear became losing mo ran
i think it's very interesting that Malleus' name is a reference to the book Malleus Maleficarum, which outlined the dangers of sorcery and witchcraft, that was written by some guy name Heinrich Kramer. haha. not to be a lore nerd rn but........
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