One thing that's not discussed much in 2ha fandom is the tragedy of 0.5 Xue Meng. He lost his family, his home, his friends and brother and then the only hope he had was that Chu Wanning was alive still somewhere.
Imagine you're 0.5 Xue Meng. Now imagine you run around for eight years wanting to get the support of some still powerful sects to fight your cousin who has now become a tyrant and has destroyed the cultivation world and sits on a throne to rule whatever's left. You've lost everyone and the only hope you have is that your shizun is somewhere alive because surely Mo Ran won't kill him. You have immense guilt because the last time you saw your shizun he was fighting against Mo Ran on his own to save your life.
So you finally see your shizun after eight years and he saves your life once again and then again disappears. There's no news of him and you have heard from questionable sources that the emperor seems to have lost his shit now a days and you again are afraid. You run around again and find some people who are willing to stand up with you though are very prone to flee or hide at the tiniest problem.
Now, two years after you again go to the place you once called home. You find the tyrant emperor dying and you don't have time to think about it before he tells you that you can see your shizun for the last time and you run with all your strength.
You find him, he is dead but preserved so he still looks the same as if just sleeping. Though he seems thinner and paler but his aura is still graceful and you fall on your knees perhaps in grief or in relief to have finally found him and you think that you can take his body and give him a proper burial. You at least have a chance to fulfill your duty. At least this one.
But before you could touch the body, it starts to crumble right before your eyes. Your shizun disappears right before your eyes once again but this time without any hope. You don't grasp the situation fully until nothing remains anymore of his and then even the ashes disappear.
What do you do now? How do you fight now? For what do you fight now?
Some recent hades doodles :^)
Sir Knight… that's not...
re: mainsto 2 ch 16.7
Orgel Box
a couple of beetles
My little meow meow🤏🤏🤏
MAJOR SPOILERS for book 7 chapter 1-5
I hope everyone remembers the lullaby Malleus sang for everyone when he overblotted because that motif came back FOUR times in chapter 5 and I am going to analyze them all because they make me way too emotional 😭
Please feel free to find the lullaby motifs in this post and this post if necessary (although one of them is not included).
A warm cradle
Starlight and joy
My eyes are watching over you still, let's be together
With no fear, even if we wake from this dream
Sleep, sleep, my beloved child
In dreams, I pray you would be guided to walk toward the light
(Analysis begins under the cut:)
The melody of the lullaby has been used 5 times at least in the story, they include:
When Malleus hummed it to everyone he put to sleep during his OB
When Meleanor sang it to Malleus
When Lilia sang it to Silver
When Malleus sang it to Silver
In the bgm when Sebek was helping come out of the darkness
The themes of this piece of music are love and farewell.
Motif use 2 is chronologically when the lullaby was first sung, it’s a song of love from a mother to her child when she knows they must part. I believe that when Meleanor sang this lullaby, she had already made up her mind to fight and let her guards escape with her child. She was taking the last moments she had with her child to name him "Malleus" and sing him this lullaby (7-75). Lyrics include sth like “I will be watching over you even if we wake up from this dream” and “may you be guided and walk towards the light”. But the beauty that comes with the theme of farewell is the theme of legacy. Because even though Meleanor is now gone, her song, and thus her love, never died.
Because Lilia remembers it. Motif 3 is Lilia singing it to Silver, and he’s also sung it to Malleus before. In a musical story, even if the characters lie or don’t have perfect information, the music never lies. Even if Lilia once doubted whether he could love Malleus and hatch him properly (7-77), and even if Lilia may still doubt whether he could love Silver, a human, properly (7-81), the motif symbolises love which tells us the truth — Lilia is capable of giving love. And the legacy is not just that Lilia passed the song to Malleus, it’s that Lilia internalized the song and sang it to his own son. He has seen what kind of mother Meleanor was, and he’s learnt from her kindness, her pride, her love and he has put that into how he raise his own child. Lilia has Meleanor’s legacy too.
And then to address the two Malleus motifs. First of all Malleus never sings it with lyrics, which would imply Malleus himself doesn’t fully know the true meaning of the song. However, he knows that he’s felt happiness and protection from hearing this song, so he sings it to Silver when Lilia asks him to as motif 4 (7-81). When he sang it to Silver he sounded confused, it must’ve been a long time since he’s heard the song. But he still remembers it, which means Meleanor’s love never died because Malleus remembers it all the same. It’s still in Malleus. It’s still there.
But when Malleus overblots, the song gets twisted a little bit (motif 1). However, in Malleus’s mind, it’s still a song of happiness and protection, because he overblotted trying to protect everyone’s happiness forever. But the music sounds creepy to show you the true nature of the song is not like this. The nature of the song is that "even though I cannot be with you always, I will still love you and wish for your happiness". This is the part that Malleus did not understand and did not cope with. It’s also interesting to note that Malleus sang motif 1 with a smile and no hesitation, he was completely confident and sure in what he was doing. Meanwhile, in all other three sung versions, each singer had their own different emotions in their singing, and those emotions were a lot softer, a lot less certain.
And the fifth and final use of the motif is used in the bgm when Sebek yells at Silver for him to get a grip (7-86). The song is arranged into a victorious piece with certainty and assurance. The use of the motif reminds us of the themes: love and legacy. It calls attention to these themes and entrenchs the truth that Silver IS Lilia’s legacy, and that’s only possible because of the love that Lilia has given him. The exact part where the bgm starts playing was when Silver said "Even in the darkness, I could always hear it. 'Stand up' 'Don't give in' 'Live'... it's father's voice. [...] All that he taught me, that's the proof that he had loved me. It's not a dream and not an illusion... it's true love." (I'm serious he really said "true love" for real this IS a translation T^T). When Silver saw Lilia's memories of the song, he denied the love, he said he should not deserve it. The motif had to come back because this is the moment when Silver can finally realize “Ah. This song is full of love and father sang it for me.” The motif HAD to come back because Silver has to come to accept it.
But the bgm arrangement is also made for Sebek. The bgm is full of certainty because Sebek has no doubts in what he’s telling Silver. Sebek, who has grown up alongside Silver, has witness all the love between Lilia and Silver. He KNOWS Lilia’s love is true and he’s conveying that to Silver with certainty. This bgm summarises what Sebek was doing so well, Sebek sees the love Lilia has for Silver and was literally blasting it in Silver’s ears.
As Disney's Sleeping Beauty (1959) puts it, "true love conquers all". And we've been shown that there's love in every direction among our Diasomnia found family. Let's hope that, soon enough, Silver and Sebek would wake Lilia up, and they can finally show Malleus the true meaning of his mother's lullaby and the wish she entrusted to it — that he would walk towards the light, even if she cannot be the one guiding him...
Fandom: Haikyuu!!
Rating: Teen
Archive Warning: No Archive Warnings Apply
Chapters: 1/1
Word Count: 17,779
Relationship: KageHina | Kageyama Tobio/Hinata Shouyou
Additional Tags: Canon Compliant, Post-Time Skip, 5+1 Things, Slowburn, Feelings Realization, Developing Relationship, Hurt/Comfort Getting Together, Confessions, Idiots in Love
Summary:
“You know, speaking of honesty,” Hinata starts, slowly and carefully, as if to calm an incoming surge of waves. “You never told me why you didn’t tell me that you were going to sign with a professional team.”
Kageyama bites the bait. “You also never told me that you were going to Brazil.”
“Not everything’s a competition, Bakageyama. And stop trying to change the topic; we were talking about you,” Hinata instantly snaps back.
Kageyama believes it was and will never be easy once he steps into a whole different side of volleyball for the entire world to glue their eyes on him. It gets even difficult when all he could think of is Hinata, Hinata, Hinata.
Or, Five times Kageyama references Hinata in his interviews and the one time Hinata interviews him.
Art by: @mulberrymallard (Thank you so so much🧡💙)
Here is my work for @kagehinabigbang in all honesty, i struggled with writing this as i was juggling academics and whole other bunch of personal life stuff, but i really enjoyed writing this! it's my first time writing something over 10,000 words (and it was a personal goal of mine that i wanted to achieve this year so yay!)
and thank you to the kghn bb mod team for being so accommodating and patient with me 🥲 big, big thanks to cindy as well for creating this beautiful art (check it out here)
"it's all in the eyes i was once told"
catching the stare of someone across a crowded room
subtle furrowing of eyebrows beyond a blank facade
coldness easing into warmth
a fond mothering gaze
corner of the lip nudged upward
forced glower/glare as they break underneath
batting their lashes, playful
a boisterous laugh
intrigue piercing the stoic
proud smugness at the other's success
lingering glances
a childish joy bursting through
pupils dilate
eyelids shut in a look of peace, calm and trust
"there was once a time when they were mine"
terseness
features fold into a scowl
an urgent flinching back
coldness returns (as though the warmth had never come)
lips part then purse
invasion of shock
slow stare at the floor
the ripple effect of a swallow
frustrated breath/sigh
bitter laugh in reminiscence
dread tearing through the seams of their composure
"darkness"
mean smirk- teeth bared grimace- scowl
dismissive gaze
gaze of contempt/impatience
threat lowering the voice
sardonic goading grins verging on manic
rolling one's eyes
flicker of irritation in the eyes
stares stubbornly ahead despite distraction
gritted teeth, clenched jaw
fierce biting remarks
even measured complexions betraying no thought
strangling oneself back from violence
utter apathy
murderous silence hanging in the stare
snobbish laughter
smiling at another's downfall
part one - a fateful meeting
chapter one・chapter two・chapter three・chapter four
chapter five・chapter six・chapter seven・chapter eight
chapter nine・chapter ten・ chapter eleven・chapter twelve
chapter thirteen
part two - the ball
chapter one・chapter two・chapter three・chapter four
chapter five ・chapter six・chapter seven・chapter eight
chapter nine・chapter ten・chapter eleven・chapter twelve
chapter thirteen・chapter fourteen・chapter fifteen
chapter sixteen・chapter seventeen
chapter eighteen・chapter nineteen・chapter twenty
chapter twenty one・chapter twenty two・chapter twenty three
chapter twenty four・chapter twenty five・chapter twenty six
chapter twenty seven・chapter twenty eight・chapter twenty nine
chapter thirty・chapter thirty one・chapter thirty two
part three - the grim reaper incident
chapter one・chapter two・chapter three・chapter four
chapter five ・chapter six・chapter seven・chapter eight
chapter nine・chapter ten・chapter eleven・chapter twelve
chapter thirteen・chapter fourteen・chapter fifteen
chapter sixteen・chapter seventeen
chapter eighteen・chapter nineteen・chapter twenty
chapter twenty one・chapter twenty two・chapter twenty three
chapter twenty four・chapter twenty five・chapter twenty six
chapter twenty seven・chapter twenty eight・chapter twenty nine
part four - thanksgiving
chapter one・chapter two・chapter three・chapter four
chapter five・chapter six・chapter seven・chapter eight
chapter nine・chapter ten・ chapter eleven・chapter twelve
part five - devil butlers
chapter one・chapter two・chapter three・chapter four
chapter five ・chapter six・chapter seven・chapter eight
chapter nine・chapter ten・chapter eleven・chapter twelve
chapter thirteen・chapter fourteen・chapter fifteen
chapter sixteen・chapter seventeen
chapter eighteen・chapter nineteen・chapter twenty
chapter twenty one・chapter twenty two・chapter twenty three
chapter twenty four・chapter twenty five・chapter twenty six
chapter twenty seven・chapter twenty eight・chapter twenty nine
chapter thirty・chapter thirty one・chapter thirty two
chapter thirty three・chapter thirty four・chapter thirty five
chapter thirty six・chapter thirty seven
EVENT STORIES
the black tea party
chapter one・chapter two・chapter three・chapter four
chapter five・chapter six・chapter seven・chapter eight
chapter nine・chapter ten・chapter eleven
butlers valentine
chapter one・chapter two・chapter three・chapter four
chapter five・chapter six・chapter seven
white worship
chapter one・chapter two・chapter three・chapter four
chapter five・chapter six・chapter seven・chapter eight
chapter nine・chapter ten・chapter eleven・chapter twelve
doll town
chapter one・chapter two・chapter three・chapter four
chapter five・chapter six・chapter seven・chapter eight
chapter nine・chapter ten・chapter eleven・chapter twelve
BUTLER STORIES
fennesz
the mediator
flure
i’ll risk my life
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