Grief Finds You On A Stupid Tuesday Afternoon As You Walk Around The Bustling Streets Of The City And

Editing Your Novel Part 2: The Plot Pass

Okay, it's finally time to edit. You've got all your materials sorted, it's time to dive right in. You want to start with the big edits first, aka the plot pass.

Now listen. You're going to want to linger and fix those little bits of grammar or dialogue, and I know it's so hard not to, but letting yourself get off-track might mean wasting hours on a scene you realize later you have to delete. Fix a few spelling errors, leave a note, and stay plot-focused.

Making Sense (Of the Plot)

In the plot pass, you're asking yourself some basic questions:

Do events follow a clear order? - When you're getting everything down on the page for the first time, scenes might get jumbled up or events might not have clear causes. Maybe you have a car crashing into the cafe pages before, but in a writing haze, you wrote your main characters having a casual conversation moments later. If the bad guy beats your heroes to treasure, is it clear how they got there? (Not everyone can be Yzma.)

Do circumstances feel contrived? If there are any problems that can be solved by your characters sitting down and talking to each other, it may be better to lean into their motivation for not speaking to each other, rather than coming up with bad romcom scenarios. If the plot can be resolved by the mcguffin the grandma had the whole time, it might be better to make finding that mcguffin part of the plot instead.

It doesn't have to be perfect, and you don't have to reinvent the wheel. If someone gets bitten by a werewolf, it's perfectly fine to have them turn into one at the worst possible moment. When it comes to contrived, you're looking for problems that seem easy to solve and look for more interesting ways to complicate them.

Are your character motivations consistent to the characters throughout the story? - They can change throughout the story, but character motivations do need to be linked to the actions they take. An out-of-nowhere betrayal is way more satisfying if you lay the groundwork for it ahead of time.

Take a moment to list out the motivations of the characters in a scene you're not quite sure of can help you figure how to fix it. Having an outline helps with this a lot!

Are you following an "if... then" format? - My brain doesn't work like this when I'm writing, because as a writer you know how A got to Z, and it seems (in your head) obvious how it happened. This is where my scene card outline come in handy, because I can look at my overview of what should happen and why, and then compare it to what actually happens in the scene. I've discovered so many threads I forgot to connect that way, like why a character had a certain device (I forgot to have him pick it up two scenes earlier), or adding a few simmering dialogue bits that make the big fight pay off much better.

Can you fix the "Because the Plot Demands It" scenes? - Look, sometimes your character needs to be in that haunted house to see that damn ghost, but your character isn't the type to set foot in such a place. It's really easy, especially in the first draft, to contrive a way in there (she took a wrong turn on her way to grandma's!), but retooling these scenes to connect them to the characters motivations and needs is the way to go. The main character doesn't want to go into that obviously cursed place, but her best friend hasn't shown up for school in three days and now she's crying for help from the second floor window. Your character's strong desire to be there for her friend is a much better way to get her into that house.

This is not always easy - it took me six fricken drafts to realize a critical part of a character's motivation was because his father blamed him for his mother's death - but it is going to be worth putting in the work to hammer down.

Do you have a solid timeline? - This might not seem as important, but it's super easy to accidentally fit two weeks worth of activities in three days. Make sure you have that on reference, even if you don't mention it in the book. Also make sure to gauge your distances if your characters are on a trip, because if you do accidentally say it takes two hours to drive from Seattle to Spokane instead of five, someone will dive down your throat for it. Not me. Just someone.

Okay, maybe me. Slow down, you maniacs.

Next post we'll dive into the structure pass. See you then!

Do you ever look at this?

And see this?

And doesn’t it just make you want to go like this?

Sebek, you know what to do.

No because what is this endless cycle of “I can love them but they can’t love me?”

I know I talked about their self-hatred a bit here.

I know the apple doesn’t fall far from the tree but this is ridiculous??

Always seeing it as a lens of giving to others but not recieving.

Lilia -> hatches Malleus and wakes Silver but runs away from them.

Malleus -> wants to make Lilia proud and helps raise Silver but doesn’t see the happiness his birth brought and calls himself useless in front of Silver who took comfort in him enough to be vulnerable with him.

Silver -> loves Lilia and Malleus but believes he doesn’t deserve that love given his heritage.

Sebek is out here just: 🧍‍♂️ “I’m surrounded by idiots”

It’s just so frustrating?? I know there’s learned habits of love but it’s ridiculous when you have learned habits of sacrifice too.

Because if you are always thinking about love this way, aren’t you diminishing the love given to you?

In return, does that not continue this cycle? That we see? Over and over? Because you are not receiving it as was intended hence the one who gives it to you freely…feels it’s not enough. Will never be enough. So they try harder and feel this self-depreciation because of it.

When that is not true!! It is enough! Always enough!! Ahhhhhh *hugs Sebek* 😭😭😭

(There are many more moments that show this cycle between the three but I chose these moments because they are the most well known and tumblr 10 limit image on the app my beloathed.)

[Translation credit to Gasmask01]

screaming, crying, throwing up, as I force myself to write a story i'm very passionate about and love writing and have no obligation to write except that i want to

New art from volume 5 of the CN version

How to write angst ?

@urfriendlywriter | req by @everynowandthenihaveacrisis @aidyaiden :)

know your character. from their deepest fears to what they cherish the most. know your deepest fear, ask yourself how you will react and feel at that moment. "oh shit, if this happened to me I'll lose my mind" what's that type of scenario for you? write it. :)

decide on the type of angst you are going for!

major, minor, physical, emotional, paranormal, spiritual, verbal, abusive, quarrel, misunderstanding, etc.

and then, decide on--what reaction you can take out of your character by doing what to them.

are they gonna be, held at a gunpoint to give something up? or have their soul wrecked by whom they thought were close to them? or is it going be horror, or etctec, decide on it.

moving on to actually writing it-

Tip 1 - Use sensory details.

her eyes brimmed with tears

his chest heaved

pain clawed at his heart, as his face twisted with hurt

his scream pierced my heart

her lips quivered

she dug her nails into her palms (to distract herself, to stop it from shaking, etc)

show what is happening to ur MC, instead of telling it.

Tip 2 - how to actually write it.

If they're panicking, make them notice too many things at once, show every detail that they're seeing, feeling, from touch, to that burning sensation on their eyes, the blood on the ground, that dryness of their throat, the buzzing in their head and their parted lips unable to trust their own sight, and--and, boom! have them register that they're really really in trouble. and that they've to act fast.

use short, very minimal type of writing for this. make it long, but not long enough that it feels like it's being dragged.

the readers should hold themselves back from skimming the page out of curiousity, they should be in their toes to find out what happens next.

what does your MC do in times of panic? do they chant calm down to themselves, do they get angry, or start crying.. or?? what makes your character genuinely feel an emotion so hard that they'll burst?

there's always something, someone that'll always give them love and easily can be that something or someone to take it away. yk.

Tip 3 - crying.

what is close to your character that u can deprive them of? will it make them cry? beg for it?

what will make ur character cry so hard, that their scream fills everyone's ear, stays in their minds like ghosts and always haunts them?

make a character who never cries, burst out with tears.

while writing crying, focus on the 5 senses, one after the other.

focus it on their breath, make them run out of breath, gasp for air, feel like they're being choked, cry so scrutinizingly. it shud punch the reader's gut.

have them replay what had just happened over and over again in their head

best books and writing styles (for angst) to analyse and learn from (in my opinion);

3rd book in the AGGTM series (yk it hit hard like a truck. it got me depressed in bed the entire time lmao)

Five Survive by Holly Jackson. The moments of red outside of the truck, and moments leading to it.

there's this book called " Warm by @untalentedwriter127 " in wattpad. the author served angst for breakfast, lunch anddd dinner.

and if there's more angsty ones, drop em in the comments! :)

Hope this helps, tag me when yall write a masterpiece! ;)

silver and malleus know each other and I think it’s not talked about enough

they know each other better than Lilia know them

Malleus knows silvers emotions and can read him easier than even Lilia

silver knows malleus feelings

“silver is pitiful; no one understands his feelings”

Lies!! malleus and silver know each other. They know how to read the other.

their connection goes beyond “jealously” or “one is loved more than the other” (neither of these statements are true ever)

their love is unconditional

not selfish or favoritism.

boyfriend hoodie

My cat knocked over these two yesterday and I had to do something about it