Let’s meet again, Yoo Jonghyuk.
UGSHDHH i can finally draw again I ABSOLUTELY LOVE SILRID 🤝🤝❗️❗️take this doodle while i work on an upcoming animatic, i hope to draw much more now that i’m back home
queen of diamonds, upright + reversed 💎
I've redone this like eighty times, I have to just be done with it now and stop staring at all my mistakes oh no 🫠
"My Baby"
Silver & Lilia Animatic
Song: No More Birthday
"it's all in the eyes i was once told"
catching the stare of someone across a crowded room
subtle furrowing of eyebrows beyond a blank facade
coldness easing into warmth
a fond mothering gaze
corner of the lip nudged upward
forced glower/glare as they break underneath
batting their lashes, playful
a boisterous laugh
intrigue piercing the stoic
proud smugness at the other's success
lingering glances
a childish joy bursting through
pupils dilate
eyelids shut in a look of peace, calm and trust
"there was once a time when they were mine"
terseness
features fold into a scowl
an urgent flinching back
coldness returns (as though the warmth had never come)
lips part then purse
invasion of shock
slow stare at the floor
the ripple effect of a swallow
frustrated breath/sigh
bitter laugh in reminiscence
dread tearing through the seams of their composure
"darkness"
mean smirk- teeth bared grimace- scowl
dismissive gaze
gaze of contempt/impatience
threat lowering the voice
sardonic goading grins verging on manic
rolling one's eyes
flicker of irritation in the eyes
stares stubbornly ahead despite distraction
gritted teeth, clenched jaw
fierce biting remarks
even measured complexions betraying no thought
strangling oneself back from violence
utter apathy
murderous silence hanging in the stare
snobbish laughter
smiling at another's downfall
Haikyuu screencap redraw 🍊🫐
14072024
Ko-Fi
Chapter 1 Chapter 2 Chapter 3
'di ko pa nga nalagpasan chapter 50 ng yuwu pero mukhang minumulto talaga si mo xi!
😆 1
no i actually love that classism is made present and obvious in haikyuu so much, like it’s made to fit so well as an important theme
the difference between the public, private and state schools is so obvious and, imo, well done (e.g. shiratorizawa vs seijoh vs karasuno)
furudate also hits on the urban/rural divide in terms of resources, security, educational standards, etc, and how that affects the tokyo teams compared with the miyagi ones, as well as others
it gets a really good balance between “ppl from lower income backgrounds can and do succeed”, and “ppl from privileged backgrounds have a far higher chance of success” and i love that
some of my favourite examples under the cut, in no particular order
kageyama and ushijima in general, and in their relationships with everyone honestly, but especially hinata and oikawa
“what have you been doing the last three years”
ushijima’s metaphor with plants growing in the best soil (in which the best soil is an elite public school) vs “i am hinata shōyō, from the concrete”
that line is so. fucking good.
karasuno’s vb team struggling to get access to the gym and daichi competing with other teams for facilities
the whole “you should have come to shiratorizawa” thing, especially ushijima and oikawa’s conversation after aoba johsai loses to karasuno (it’s really well done in the stageplay, i can’t find the link rn)
actually i feel like a lot of the fandom’s memes and jokes with ushijima stem from lines that are some of the most poignant examples of class dynamics
hinata cycling over a mountain to get to school
karasuno’s coaching team compared with the other ones, and the patchiness in having reliable teaching supervisors in the past
the timeskip jobs. shiratorizawa, nekoma and karasuno come to mind for me as schools that illustrate this really well.
also the difference in types of schools (e.g. dateko being a technical college) is really interesting when it comes to timeskip. actually, i feel like this’ll end up a whole extra post
the parallels and differences between tanaka, kyōtani and yamamoto
team records of making it to nationals, e.g. shiratorizawa dominating the miyagi prefecture
the roles of parents and the notable absences in many instances
‘the lucky ones’, i think is the chapter title translation - the one focusing on ushijima and sakusa post-timeskip - it’s a really good chapter
nekoma’s motto being ‘connect’ - it’s a key team value, but also highlights the privilege of being well-connected and living in the capital city. it also affects their timeskips, facilities, ability to hold training camps, etc
the everyone-knows-everyone vibe of the town karasuno is in. really hits the nail on the head.
tokyo having an extra team in nationals as the event sponsor slot (i forget exactly what they call it)
it doesn’t diminish the impressive abilities of the players who went to public schools (like sakusa, reon, etc) but also acknowledges the ways class privilege helped them to get where they ended up and i just think that’s a really good balance
oh yeah i live in the uk so in case there’s confusion, us public school = uk state school. public schools here are an extra elite type of private school (eg. eton, harrow, etc)
today i found out i lost all my gendice drawings so in compensation i drew this new one
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