It’s Not Friday, But I Made It To Tuesday.

this is the most creative way to write a story and the writing is SOOO GOOD. i love the plot, the realism, the angst, the fluff, EVERYTHING.

am i the asshole?

"AITA for...?"

a series where tsukishima kei asks reddit users for their opinions on his problems.

warnings: english is not my first language so there may be some mistakes lol, you can read this as a stand alone or as a series, eventual smut????, fluff, angst, aged-up tsukki!

part 1 "AITA for pushing my best friend away?"

part 2 “AITA for asking my girlfriend to be quieter during a practice match?”

part 3 ""AITA for "stealing" photo booth pictures from my girlfriend?"

part 4 "AITA for telling my girlfriend I want to be with her for the rest of my life over the phone?"

part 5 "AITA for saying my 5-year anniverary is just another day, making my girlfriend mad?" “Hey Reddit, an update”

part 6 "AITA for telling my pregnant wife she should start wearing maternity clothes?"

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hey… don’t watch those sad dog videos. y’know you’re gonna cry. i just finished watching them and crying, so just… don’t.

on contrast, you need something to cry about? search up Laika the space dog on tiktok or just google.

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"it's all in your head" correct! unfortunately I am also in there

dealing with the worst case scenario

your condom breaks

you feel a lump on your breast

your friends are ignoring you

you’re stranded on an island 

you got rejected by a crush

you get into a car accident

you got stung by a bee/wasp

you got fired from your job

you’re in an earthquake

your tattoo gets infected

your house is on fire

you’re lost in the woods

you get arrested abroad

you get robbed

your partner cheated on you

you’re on a ship that’s sinking

you fall into ice

you’re stuck in an elevator

you hit a deer with your car

you have food poisoning

your pet passed away

you fall off of a horse

you or your friend has alcohol poisoning

you have toxic shock syndrome

your house has a gas leak

It's so nice being on tumblr because you don't even have to make your own post but people would still follow you anyways if you're good at rebloging posts they like

do u ever send smth in a chat thats not even risqué like “i luv salsa” but no one responds so u start overthinking it like…. maybe one of their parents died making salsa…… maybe they were all just talking abt how they hate salsa……. maybe salsa isnt evn real and they have no idea what im talking abt

hi im atrociously sobbing and i cannot stop

The Burden of Being

Summary: There was an Osamu who loved you once. Who loved Onigiri Miya so much he spent most of his waking hours there, supported loyally by the members of Hyogo Ward. A fire changes that and he and his twin brother adopt their old high school motto: we don’t need the memories. Now they’re gone and memories are all you have. So as an homage to the man you love, you reopen his restaurant back up for him.

Pairings: miya osamu x reader (romantic); miya atsumu x reader (familial); akaashi keiji x reader (platonic)

Content: angst; fluff; inaccurate portrayal of how amnesia works; there is a hospital scene; fem reader; reader eats meat; reader has depressive symptoms that are, for the most part, amateurly addressed; reader attends therapy; alcohol as a coping method; undiagnosed alcoholism; unhealthy coping mechanisms; cigarette smoker Akaashi; cigarette smoker Osamu; amnesiac Osamu; pro volleyball player Osamu; the characters are all in their mid to late twenties bc this fic covers the time span of 2+ years; long passages written within parentheses are memories; there is a mentionable size difference between Osamu and reader where reader can wear his clothes and it be too big for them

Word count: 22k+

A/n: the premise for this fic was born after binging The Bear; she's gone through 4 drafts, 2 of which were completely scrapped and rewritten, and strayed much further from the initial plot than I imagined, but she's here! Thank you The 1975 for writing About You which I binged just as hard and would rec listening to it while you read! Sets the vibe, you know? Anyways, I've talked too much (obviously) but if you read, know that I love you!

The day was Tuesday, the most unforgettably forgettable Tuesday to exist.

Your downstairs neighbor was doing laundry. Or upstairs. Someone was doing laundry that day because you remember the scent of down. It lifted into your bedroom, pressed into your sheets, and made it harder for you to wake up despite your phone’s incessant vibration.

A shounen ending song, the season finale. A matcha roll. A nurse who spoke with her fingers and head tilts. A walker with tennis balls at the bottom, an annoyed cab driver, and a tourist who smelled too strong of American deodorant.

They were all there. You remember.

The hospital was the same as ever. It had ample seating, not too busy, which you recall eased the burden on your heart (only slightly) if it weren’t for the reason you were in the hospital to begin with.

An elderly woman sat at the end in one of the chairs pushed against the wall, sucking on a candy that smelled like guava when you passed. Her walker was parked right next to the seat and someone, probably her daughter because she was younger but they looked alike –they shared the same nose– sat beside her on her phone.

There was a man in an obscenely large overcoat sitting in one of the middle aisle seats. You remember because you couldn’t help but be quietly jealous of his wear considering how cold it was in the lobby. And finally, a teenager who was crying on her phone, holding her stomach as she did. Her tears gave you courage, allowed you to slip them quietly down your cheeks and soaked them up with your sleeves when you got your moment alone, away from the rest of the family. 

You weren’t there when Osamu got hurt. He was by himself in the restaurant, opening it up and getting it ready before everyone else arrived just like how he always insisted.

You weren’t there. But you do remember.

Ma held you in her arms the moment you turned the hallways. She was on her way to the cafeteria, grabbing something for Atsumu to eat. Her head was downturned, a doleful cadence in her steps, and it was obvious that she’d spent ample time shedding tears, but there was a quiet peacefulness to her. Acceptance.

Her phone call had been quick like a debrief. She mentioned an accident. A fire, a gas leak, and despite your gasp, quickly told you not to worry because the doctors said Osamu would be fine. She said to come when you could, because she was there and Atsumu was on his way and he was going to be okay.

Then when you arrived, she immediately started crying. She had pulled you into a hug, devoured your body into hers as she pressed her head into your chest to weep.

She cried before she even got to say hello. And you didn’t know then, but there was a hierarchy for the pain.

Atsumu bore Osamu’s, Mama Miya, her sons’. And with you on the outside, with you being the last arrival, you held all of theirs.

And gods, do you remember the pain.

Ma had warned you that Atsumu was attached to his brother’s bedside. He was hunched over in a chair pushed back so he could burrow his head into the crooks of his elbows. The steady rise of his back meant he was asleep, probably cried himself to it. It had been a long journey from Osaka to Hyogo, and just the news of his brother’s incident, the weeping he must have done in public and bedside, you didn’t even question his exhaustion.

With your eyes on Osamu’s still figure, you moved to rub your hand soothingly along the length of Atsumu’s back. Comfort him was your thought process. Comfort your brother because Osamu would have wanted you to.

Was it bad to say that, inside, burrowed deep in your selfishness, you felt relief? There was a certain calmness that Osamu had been lacking lately, like a Tuesday morning where he finally, begrudgingly, gave himself an extra day off.

It wasn’t until you felt liquid dip down your neck that you realized you were crying.

Dark hair sweetly tussled to the side, one hand held in Atsumu’s and the other loosely laid over his chest. The scene was a rewind to the past, a replica of a childhood stored in the photo albums you’ve perused more than once in the Miya family home, when sharing beds and staying up until dawn led them to sleeping in until noon. When was the last time you’d seen him so… calm?

If only there weren’t any bandages on his head. If only it didn’t take these kinds of circumstances to finally close his eyes, to allow himself an unlabored breath.

You pulled up a chair and situated yourself amongst them. Atsumu at Osamu’s right, and you at Atsumu’s. Rolling a hand over Osamu’s thigh, you tucked the blankets in, pressed it into the crevices, his soft body heavy under your ministrations. Neither of them noticed you. Osamu only shuffled slightly, tilted his knee to the side and then clenched Atsumu harder. Atsumu responded immediately and scooted in. You stayed beside them, observed from the side.

There was no bitterness to your actions. What they have is something different and sincerely, for them to even love you so much that their bond bent, that they made themselves flexible to fit you in, it had always been enough.

Atsumu was who you called when you couldn’t talk sense into Osamu. And Osamu was who you turned to when Atsumu’s pride refused to allow him to fully run to his brother.

Ma came later. She brought a matcha swiss roll for the both of you to share and Atsumu a complete bento. It roused both of her boys up. Atsumu woke up first.

He rubbed his eyes with the back of his left hand, the one still joined with Osamu’s and though he woke with his nose in the air, his freehand started reaching for you the moment he recognized you were there.

Your tears brought on his. His yours. Yours Ma’s. You held each other close and you whispered, because Atsumu could not bring himself to speak, words of consolation.

“He looks okay,” you muttered, eyes closed because you couldn’t chance a glance to look at him, to really, really look at him. “He’s going to be fine. He’s so stubborn. He’s going to be okay.”

Whether the words were salt or sugar on wounds, it was hard to tell because all that emptied from anyone’s eyes were tears.

No one expected to be here. Who did? Even when you watched Osamu sign the insurance policy and signed your name next to his just in case something happened. Something could never happen to you or Atsumu or Ma or Osamu. These were precautions to ease the heart, not the premise of a tragedy.

But even then, it would be dishonest for you to admit that Osamu’s accident was the most devastating part. You’re only being truthful because true pain began when Osamu woke up.

Atsumu noticed first. Even with his back to his brother, it was instinct that forced him to turn around. His groggy eyes were barely open. You could only see a slit of gray, drowsy and clouded like an overcast morning as his hand patted the edges of his bed as if in search of something. Of Atsumu.

The dutiful brother forewent everything. You, his ma, his bento, and immediately bent down to reach for his brother with both hands. He was at his side immediately, a cup of water brought to Osamu’s parched lips without a word before you could even recognize that Osamu was awake and against all disbelief, that he looked okay.

You took the napkin that was neatly folded atop of Atsumu’s bento, the one that had somehow been passed onto you and quickly made your way to Osamu’s side. To Atsumu’s side. And when Atsumu’s hand pulled back and Osamu resigned himself to a weary groan, eyes shut to take a physical break from all the hurt you were sure he was feeling, you handed Atsumu the napkin. He wiped the corner of his brother’s mouth with a gentleness you had never seen him bear.

An eerie silence persisted in the room as everyone held their breath. Osamu did so because of the aches and everyone else as a life vest because one wrong exhale felt like this reality could slip away.

It did. Frighteningly quick. Relief dissolved from your chest like cotton candy in water and all was left was this cloying and overbearing feeling of inconsolable despondence and disbelief because how? How did you end up here?

Osamu flinched when you pressed your hand against his thigh, a quick jerk that you surmised had to do with the fact that he had his eyes closed. You twisted your palm and stroked up, a move that you had done many, many times before, a premise to sex, a plea for comfort, and instead of him falling prey to your touch, he jerked out of your reach. There wasn’t even enough time for you to react because Atsumu had gripped your hand away between clammy fingers.

You looked between the two boys with a heart going brittle.

“What’s wrong, Samu?”

Said man took one quick glance at you before settling his gaze on his brother and a foreign expression passed him. Insecurity. He pressed himself deeper into his pillows and it forced Atsumu forward and you back as Osamu passed a glance to his mother.

He looked like a boy. And between exchanging glances at his mother and brother, Osamu couldn’t seem to find it in himself to return his gaze back to you.

Atsumu gripped his brother’s shoulder, “Samu, Samu. It’s okay. I’m here. We’re here.”

Osamu responded silently with a glazed stare that made Atsumu sputter. “Samu? Ya feel okay? Can ya tell me how ya feeling right now?”

The question seemed far too much to handle because all that was received was silence. Atsumu was hardly holding himself together with the tears that spilled from his eyes onto blotted, pink cheeks but you couldn’t bring yourself to move forward. You wanted to help carry this burden, hold Osamu like you’d done many times before, but the world felt skewed. Instead of being at his bedside, you felt like you were standing outside a window, watching the scene from a distance.

“Do ya… do ya know who I am?”

Ma broke first. You remember reaching backwards and gripping a wet hand full of used tissues, the fibers sticking to your skin.

“Samu. Samu.” Atsumu repeated his name over and over again like prayer, an incantation meant for miracles. “Samu. Say my name.”

“Tsumu.” The small croak was accompanied by the mildest glare, a small fire of insult always and specifically reserved for his brother and Atsumu choked.

“Fuck. Yeah, yeah, yeah. That’s me. Ya remember our birthday?”

“October.”

“What day?”

His face pinched momentarily.

“What day, Samu?”

“What happened?”

“Nothing, nothing.” Atsumu tried to deflect, “just try to think about it. What day is our birthday, Samu?”

“Atsumu…” Ma finally gained the strength to speak, a tiny chide that she was too exhausted to actually give any weight.

“Fifth,” Osamu pushed himself to sound out, like the word was a foreign tongue.

“Yeah, that’s right.” Atsumu brushed his brother’s hair with his fingers and the sight was disconcerting because despite how close they were, how they were one part of a whole, they had never been so careful. A childhood of roughhousing and testing limits proved invincibility. 

Bruises and beatings and cuts that they wrought on eachother and yet there Atsumu was, tending to his brother as if he’d been his caretaker all his life.

“Ya recognize anyone else in the room?”

“Course I recognize Ma, ya idiot.” He coughed in between, stutters forming one worded sentences, but the attitude brought on the brightest smile on Atsumu’s face.

“Yeah, and who else?”

You remember moving to lift your hand, the one pressed against your lips to keep them from trembling, the one that wasn’t holding Ma’s, to provide a shy wave but thank the gods it stayed. Because when Osamu finally urged himself to look at you, instead of the ardor and the sweet groggy expression right before early morning kisses, he winced in pain. You muffled the sound of shock, but no one noticed with Atsumu’s screeching chair as he rushed to hover over Osamu’s anguished figure.

He writhed for an achingly long moment, though it must have been just seconds. You would have ran off if Ma didn’t force her grip on you tighter but once Osamu could melt back into his hospital bed, Atsumu turned his head.

His expression was tight and so desperately trying to be controlled despite himself. But you weren’t an idiot because beyond the glassy edge of hurt and worry and fear, if you dove deeper beneath the well of tears that pooled in his eyes, was blame.

Atsumu turned his back to you and pressed his brother’s head into his chest as he rubbed large strikes across his back. “It’s okay, Samu. Sorry I pushed ya. Ya did well. Ya did good. Ya gonna be okay.”

And before Ma could stop you, you ran out the door with the excuse that you were going to find a doctor. You turned down the hallways, heedless of direction, where you were able to find what you thought was a secluded cove. The torment was gushing, a pain that you’d never felt or could even begin to understand. No matter how you expelled the misery, in tears or heaves or wracked out sobs, the hurt never abated. It was limitless.

Because for some ridiculous reason, this felt like all your fault.

You were only able to spend minutes crouched in the privacy of your corner until a nurse found you. It must have been a usual sight because she hovered over you, a quiet calm in her voice, as she led you away with a bottle of juice in one hand and into a room where no one else was. She said nothing, only passed napkins your way and didn’t blame you when you couldn’t find it in yourself to express gratitude. Afterward, she pointed down a long hallway and told you that when you were ready, that’s where the waiting room was.

Ma came by maybe an hour later. The pain at that point had swelled into your marrow, aching at every movement you made, but the bubbling river of tears had turned shallow. Now they were silent streams. You had spent the last half hour in solidarity with the teen who cried to her mom over the phone, catching glances every time a sniffle turned wet, and seated in the spot with a lingering guava and menthol scent.

Ma sat where the grandmother had, you beside her. Without glancing up, she placed the matcha roll in your hands, half eaten but notably uneven because you had the larger half.

Her touch lingered. It stayed. When it prompted more crying, the reality that you were a pitiable sight, that this wasn’t just shared between you and the girl with her arm around her stomach and the wordless nurse, the swollen bones in your body bursted.

Ma’s cold hands easily maneuvered you into her bosom. She held like you’d seen her hold Osamu in pictures when he was sick, like how she held Aran when he cried after coming back home after being away for so long.

“We’ll get through this.”

It sounded like an empty sentiment but if anyone were able to make the impossibles come true, it was Ma and Ma alone. You barely believed her, but maybe. Most likely not, but maybe, she was right.

So you nodded into her chest but she only clicked her tongue behind her teeth.

“Together,” she told you sternly, “as a family. I don’t want to hear none of that.” Ma held you tighter when she felt you pull away. “Ya’ve been my daughter for a long time now. Even if the two of ya never got married.”

You’d been trying to be so strong. For Osamu because it was obvious. He was your partner for life, and though the vows were never spoken, you had lived them. For all the good, the bad, the happy, and the sick.

But Atsumu, his pain was tenfold and you had to do something, even if it was to tread the thorny footpath to be by his side, even if it was just your hands cupped open so you could help carry his misery.

Then Ma held you like she was strong enough to piece you together again and you trusted her. Your wails were muffled into her cardigan and she rocked you back and forth despite the arms of the uncomfortable chairs in the way.

“It doesn’t matter. He doesn’t–” your breath ceased, words lingering in the air because living it is already unbearable enough.

“He does.”

“He doesn’t.”

“Ya think a love like the two of ya had is that easy to forget?”

It wasn’t. Or at least, it wasn’t supposed to. But the way Osamu had winced in pain at the sight of you, and Atsumu’s imperceptible glare, maybe it was best to be forgotten.

Ma took your silence as agreement because the circle of her arms loosened. She pulled back so that she could wipe your tears with a bent index finger.

It was jarring seeing the puffy rise below her eyes. She had always been beautiful in your opinion. A simple charm for life and the zest derived from raising two wildly vivacious boys kept her young. In a single day, she aged a decade and you wondered how you compared.

“The doctor is on their way. Come on,” she tapped you the same way she did whenever Atsumu started an unnecessary argument, “let’s go see what they have to say.”

Atsumu’s expression flashed in your mind, hesitation clenched her cardigan tighter, “but Atsumu…”

“Don’t be mad at Atsumu,” your throat had lurched when she looked away from you, head tilted to the side as if you had just slapped her across the face. “He’s going through a lot. He doesn’t know what to do.”

And you remember how your grip relaxed, how your arms had fallen into your lap, diminutive and so, very exhausted. Never did it cross your mind to be angry at the way any of them ached. Not Ma, not Atsumu, and especially not Osamu. If there was anyone you hated, it was yourself for even being there.

Ma said you were family. But Atsumu and Osamu, of course, they would always be her boys.

Osamu was asleep when you reentered the room and Atsumu held your hand as if nothing had ever happened. He stood up immediately when the doctor stopped by, eyes forward. Something had changed that day. Atsumu was a different man.

He’d have neverending stories of when he was captain at Inarizaki, and he liked to pass time by retelling another instance where he had to wrangle control of Bokuto, or Sakusa, or Hinata. Atsumu’s passion and sense of righteousness were great qualities for a leader, but his clumsy delivery always made him the butt of Osamu’s (among others) jokes.

That day had changed him. His footfall was sure despite his blemished expression as he listened faithfully to the doctor, only ascertaining everything you had already deduced.

It all made sense, logically, scientifically, situationally.

The fire was still being investigated but from the report, it had loosened the foundation of Onigiri Miya and it caused a beam from the ceiling to strike him flat against the head. He’d been knocked unconscious before the flames could even consume the restaurant and if it hadn’t been for the regulars and the community that had memorized their favorite restauranteur’s habits, no one would have even known he was inside.

As you all waited for Osamu to come to again, you’d rationalized the incident repeatedly in your mind. Reality though, was never as kind.

Because even in the tepid fluorescent light, you couldn't convince yourself. This could not be real.

It’s not. You knew this, but Osamu spoke with such vindication, honesty in every breath that even he had you fooled.

“Ya traded out Kageyama when we were six points down in the second set.” Osamu recited to his brother at his bedside, in the same spot, in the same clothes, in the same battered expression. “And I remember cheering ya on from the bench when ya set the winning point to Aran against Russia.”

The silence that followed was cold. A shiver started at the dip of your shoulder blades, and wrung you out like a towel squeezed dry.

The doctors had said something like this would happen. Memories could return a little misplaced, as if you had just moved everything two inches to the left because it exactly was as Osamu said.

In the 2020 Olympics, Japan faced Russia in the first round. They won the first set, but struggled hard in the second. To prevent risking their lead, Kageyama was subbed out for Atsumu. The tides had turned and they won with Aran scoring the last point.

Yes, Osamu was there. But rather than on the bench, he was outside the arena. You were manning the register and he’d stepped outside the final moments of the match, standing there with his arms crossed like a dad, cap in one hand, and head tilted at the enormous screen that streamed the ongoing match inside.

Atsumu was the one who made the first sound. It was strangled and faded when his brother gave him a peculiar look. Then he glanced at his mother, urging answers out with his eyes, staring at everything before landing at you. His face contorted in pain, but Atsumu saved him. He grabbed his brother’s cheeks, hair glued to his skin, and he pressed his forehead against his brothers, and nodded. 

“Yeah, that’s exactly what happened.”

That was the extent of what you could take and you ran out of the room, droplets of your tears mingling with the tile’s speckled pattern, and when the door clicked again, you didn't have to look up to know who it was.

“I’m sorry.”

Through your blurry vision, the world graying, darkness descending right before your eyes, it was like you were speaking to Osamu himself.

“He looks happy for the first time and I’m so sorry.” The Atsumu-Osamu amalgamation held your hands desperately.

Their individualism had always been easy to parse, especially with you being devotedly in love with one and having developed a brotherly affection for the other, but you allowed yourself this. If your heart must break, let Osamu herald this pain. No one else.

“I’m sorry. I’m so, so sorry.” He pulled you in by the shoulders and hugged you. He sniveled wet breaths into your neck just as you darkened the cloth on his back. “It’s the first time I feel whole.”

The sting reappeared between your nose and you found it harder to breathe so you clutched him tighter in a feeble attempt to expel all the excess tension that had ballooned in your chest.

“I know.”

Though the fact did little to ease you, you'd never been able to compare. What is Osamu’s had always been Atsumu’s and vice versa, too. Joint custody in all things: pride, success, pain.

Memory.

“And I don’t want to break that yet. Not for him.” Not for me he said silently. “And I love ya and I know ya love him. Ya love him so much and he loves ya too but–”

But I love him more. I love him in a way you could never.

“I know.”

Osamu would pinch your lips shut if he were really here. He’d never stand for your way of thinking because comparing yourself to his brother was a thought he never entertained.

That’s like apples to oranges or whatever that saying is. I chose ya. I choose ya for the rest of my life and I just happen to be stuck with that guy for life.

You took Atsumu’s face in your hands. Wet cheeks stuck to your fingers as you collected tears along your lash line until the world blurred just enough that blonde turned dark brown and golden rays faded to gray.

“- but I don’t want to take this away from him yet. Ya heard the doctor. He said we could try some exposure therapy so that his memory can unwonk itself out again, but ya saw that didn’t ya?”

Tears burned down your chin when you gave a somber nod, “I did.”

“When he was talking about being in the Olympics, I… I just–” he bit his lip, the memory painful, “ –and he got all those details correct, I just couldn’t tell him no.”

“I know.”

You couldn’t either.

“We’ll start the therapy when everything settles down. Maybe he’ll start remembering things on his own but it’s been a lot for him to deal with. The injuries, his memory, the shop–”

You shook your head and the man before you paused. He looked surprised with his mouth open for breath, but the foremost expression did not hide how he felt yesterday.

Your thumb started at the plump of his face and swiped up to the ridges of his cheekbones. A clean slate.

“It’s okay. Osamu will be okay.”

Your love was Osamu’s choice. Atsumu’s will always be shared.

After that day, you kept your presence minimal. Only occasionally stopping by, slowly relinquishing the things that the old Osamu, the one that knew you, valued. Each time, he’d hold the item like it was foreign. You watched from the corner of the room, like a diminutive decoration, maybe even a broom, and spectated as Atsumu helped him pull item after item.

The black hoodie, stained at the cuffs, and chewed strings at the ends, the one he had first shared with you.

(The night descended softly, like the flutter of silk sheets, and before you knew it, you’d been in Osamu’s front seat talking nonsense and sharing an assortment of leftovers he’d brought from Onigiri Miya. You’d only been talking for a couple of weeks, slowly getting to know each other outside of customer and cook, but it’s been months of patronage. When Osamu texted you after his shift and found you still awake despite your early start the next morning, he invited you out for a drive.

You’d heard him before he arrived, the worn out truck of his announcing his presence. He had the audacity to apologize for the poor state his vehicle was in, as if it wasn’t endearing, as if he didn’t make you feel like a princess when he held his hand across the console for leverage.

And here you are now, at a hilltop overlooking a beautiful city you’d  moved to in a drowsy silence. His presence is calming, a knitted blanket that softens the bite of the night air. It doesn’t stop you from shivering though.

Osamu notices immediately, head snapping to you when you do.

“Ya cold?” he asks, but regardless of your answer, he’s taking action. The man braces a hand around your bare thigh since you’d only come out in sleep shorts and shirt (though you still made sure to check yourself in the mirror before heading out) and just the warmth beneath his touch makes you ache. You lean closer, just a slight movement over the console for any residual heat he has to offer, the seats of his vehicle a sharp contrast.

“Still working on fixing her,” Osamu explains, “she’s a little off in some spots. Her heater don’t work and she leaks some fluid every hundred kilometers but she’s still a beaut.”

Your smile makes Osamu pause. His body is turned as he tries to reach for something in the back, but just the sight of your expression makes him stop and fully face you so he can take it in.

You think it’s cute how he talks about his car, how despite all her flaws, he can see her value. The world has been hard on you, but he gives you hope. From the moment you met eyes on him at your office and when you walked into his shop months later, greeting you with a fond welcome because he remembered you, he makes you think that he can see your true value too.

And with the way he leans in, his eyes glancing between yours and your lips, his hand unknowingly dragging up and down for the feel of more skin, you think he does.

The kiss is chaste, so innocent like the first drop of sunlight in the winter. It warms you from the inside out with a crisp feeling that makes you feel renewed.

Barely a second, but Osamu has you wishing for more. You’ve noticed he has a tendency to do that, to have you eager and hungry for all that he has to offer. How from just one bite of his catered food to your office, you couldn’t help but visit his shop as well.

Though your lips have parted, your faces have not. Osamu’s lashes are long from this point of view, and his skin looks lovely in the moonlight. You’re so close that you can see the small veins, blue and greens below his eyes. The colors are so distracting, his breath so warm across your cheeks, you can’t help but stare, memorize everything before the chance to do so again is taken from you.

“Stop looking at me like that.”

His husky words create a vortex of desire, consuming you wholly. You can’t help but squirm in your seat.

“Like what?” You’re doing your best to keep it cool, but you can hear the fray in your voice, reedy and needy and wanting. It’s scary to even think of the power he has over you.

“Like,” his pause forces you to glance at him and you see it too, a mirrored expression of yearning. It’s so intense the way your barriers break. It’s scary. You want to pull away, escape the emotions that are hardly within your control but he tilts your chin with an index finger and thumb. The motion is so gentle, the slightest touch with the heaviest of meanings, and he continues to stare. Maybe even admire. “Yeah, like that. Ya gonna make me go insane.”

“Me too,” you whine. It’s unfair, so unfair what he can do just with his eyes.

His expression hardens. The corners of his eyes crinkles as he glares his sight down on you, “don’t. If I kiss ya again, I don’t know if I can control myself. Ya don’t know how bad I want ya.”

“I’m right here.”

Your reply induces a vexed response. He has to breathe heavily through his nose as he fully moves his fingers to cup your cheeks. You watch as his chest rises, the breadth of it expanding as the tendons in his neck protrude at the action. Then he looks down on you from a head that’s tilted back and you see it, the subdued hunger that you’re sure he’s trying to persuade back inside. It’s frighteningly beautiful. The attraction beckons you forward despite his grip on your face keeping you still in your spot.

“Why?” You have to ask. What is all this discipline for when clearly, it’s reciprocated.

“Because,” Osamu grits. His hand travels to the back of your head and you can feel the strength of his grip, the promise of more beneath his fingertips. “If I’m gonna wreck ya, I’m gonna wreck ya right. So quit being the devil’s little thing, and let me take ya out on a real date so I can have ya properly.”

You pout but his thumb moves to push the plump of your lips back in, “no, ya hear me? Ya keep those pretty lips in. Be good and I’ll promise I’ll treat ya even better. Ya okay with that?”

His dominance, the assuredness in his words but the ragged pitch in his voice, as if he’s hardly holding himself together, as if he wants this just as bad, or maybe even more than you do has you finally agreeing despite the fact that you’d give it all. Forget the shame or the ladylike propriety of saving yourself for when you’re sure. Lust is a persuasive speaker, but Osamu, he is a promise you want to ensure you’ll  have.

“Good,” Osamu is pleased with your ascent.

His attention returns to his back seat and he pulls out a black hoodie for you to put on. When you pop your head through the collar, you don’t expect the confident man to suddenly be so bewildered, mouth agape and wrist hanging dumbly from the 12 o’clock position of his steering wheel.

“What?” you ask though you know the answer. It’s a giddy feeling to know there is a power balance between the two of you.

“Ya, uhm, ya,” Osamu coughs into his hand, turning his head away before looking back at you. “That shit’s old. All stained up and ragged but. Ya make it look good.”

You look down, sleeves well past your hands where you notice blots littering the cuffs. You can’t help but bring the strings up to eye level. There are teeth marks indenting the aglet and you give Osamu a dubious stare.

He shuffles, a nervous chuckle, “like to chew on them sometimes. Keeps my mouth busy.”

Then without a second thought, you bring it to your mouth to chew it on your own. If he won’t kiss you, an indirect kiss has to suffice. His agonized groan is worth it.

Osamu takes you out on an official date the very next day.)

Osamu spared one second for the article of clothing and tossed it to his night stand. You pretended that he didn’t just break your heart.

The next item was Vabo-chan, but not the same one Osamu had brought into your shared apartment. That one faced its demise after a neighbor’s dog ran inside when you accidentally left the door open and used it as a chew toy.

(“What are ya doing on the floor like that?” you hear the door to your bedroom creak but petulantly refuse to acknowledge him. His steps thud, hollow over the cheap wood of your home.

“Hey,” he nudges you with his foot, “ya asleep? Ya gonna hurt ya back if ya stay like that.”

“Leave me alone.”

“Are ya crying?”

“No!” Denying but not hiding, you curl into yourself even further.

Osamu bothers this time to actually hold you with his hands, gentler, more patient. He softens his tone too, “hey, hey. What are we doing?”

He waits for you to react, doesn’t continue pressing further and refuses to leave you alone.

“I’m so fucking stupid,” you lift your head up, fresh tears as you admit your failure. You expect Osamu to comfort you, abate the sting of your own proclamation. He stares at you for a moment before he starts laughing in your face.

“You hate me!”

“Hey, now that’s going too far. I don’t hate ya.”

“But you think I’m stupid.”

“Just occasionally. Like when ya make impulse decisions.”

Hearing him makes you scream into your palms. Osamu laughs and urges you into his lap.

“What’d ya do?”

He’s so mean to know you so well, all the good and the bad.

“Tell me. So we can cry together.”

You press your face into his shirt, using it as a napkin to wipe away your tears, ignoring his mild grunt of disgust when you do. “Remember when Vabo-chan got eaten? Well I bought you a new one to replace him because you were sad.”

“Did ya?” His voice sounds so surprised, it makes breaking the bad news feel even worse. “That’s mighty nice of ya. Doesn’t make ya stupid.”

“Okay, but—“ You scramble off him, knee digging into his thigh that he makes a noise of pain, to get a box tucked underneath the bed. Your hand runs across the frayed cardboard where it had ripped open from your excitement. Hesitation stops you but Osamu places his palm on top of yours. Careful and encouraging and though you know he’s going to laugh at you, you finally open it up but stop yourself by placing a hand on top of the item.

“I was so excited! Because they don’t sell him anymore, just the vintage ones that are super expensive.”

“I know.” He’d been talking about it with Atsumu and his Ma, conversations you’d overheard on the phone.

“But I saw it and it was super affordable so I bought it without thinking, but,” you look up at him and he smiles. It makes you hide your face in the box but he’ll eventually admit to you later on how cute you had looked then. How distraught you were on his behalf and that then, in that moment, he’d truly felt loved. “Don’t laugh!”

“I won’t.”

Your constant hesitation brings on Osamu’s impatience and he tries to pry your fingers away, “okay. Seriously. Don’t laugh or I’ll cry.”

“I told ya, I won’t.”

The plush comes out on your own accord and before he has any time to process the sight, you begin overexplaining. “It’s a counterfeit! They gave him a nose and his name is Bavo-kun. I’m so stupid!”

Osamu’s too quiet, expression unreadable as he looks at the stuffed toy. Your heart is teetering on the edge of a cliff, so close to falling off and on the verge of tears once again. Then he bellows out a solid bellow from the gut. Before you can crumble into embarrassment, Osamu pulls you back against him, squishing stupid Bavo-kun between you two and holding you tightly against his chest.

“I love him,” his voice turns wistful. “Bavo-kun.”

“I hate him. He’s so ugly.”

“That ain’t right to say about ya kid.”

“What?”

“Look at him.” His eyes fall to your chests, forcing you to take in the hideous sight of your failings. “He’s got ya nose.”

“That is not funny, Miya Osamu.”

“Oh no, Bavo-kun. She used my full name. What are we gonna do? Ma’s mad.”

You slap his chest. Bavo-kun is collateral damage, “don’t call me that!”

Osamu’s humor is all sorts of fucked up. His laughter is excessive, shaking the both of you that he loses his balance and you guys fall to the floor. A hand of his comes to cup your cheek, acting as a buffer before you thud onto the ground and with your heights at the same level, tears drying out, you can finally see his expression clearly.

He reminds you of gemstones at moonlight, the sparkle of something beautiful. Light cannot replicate it, only refract it. And though it’s close-lipped, his smile pulls you back from the edge, melts you to the ground and anchors you back with him.

“I love this life,” Osamu confesses, “This family. I love ya and our little mishap.”)

The way Osamu’s eyes had lit, you couldn’t help but clasp your mouth to hide the smile that blossomed beneath. It was devastating how despite it all, his joy elicited yours.

“Vabo-chan!” Osamu looked to his brother in an eager excitement. “Remember how we begged Ma to buy us this when we were little?”

“Yeah. Then we had a sleepover every night with the four of us. Tucked them in with their own pillow too”

Osamu lifted up the plush’s hands, fondness tight in his expression. His eyes roamed, though they were elsewhere, remembering the memories he never lost.

“Wait a second,” Osamu’s expression hardened. His hands traced over the lines on the Bavo-kun’s face, flipped him over to read the tag, and when it didn't provide the information he wanted, he turned the toy over again to face it directly. “This ain’t Vabo-chan. The hell is this fake shit?”’

Atsumu was quick to return to damage control the way he had been these past couple of days. He plucked the toy and tossed it to a chair on the side and told Osamu not to worry, that Vabo-chan was back in Osaka in Atsumu’s home because Osamu was kind enough to lend him his when Atsumu left the one he owned on an airplane.

New memories. Fake memories.

Lies.

You were out before anyone could stop you. Not that either of the boys would have since in the midst of this whole facade, all you were was a burdensome truth.

You laid in bed accompanied with misery. The emotion made for a poor cuddle partner but it kept you company as you shivered and wailed into pillows that hardly smelled like the Osamu who knew you anymore.

Ma called. The image of her worried eyes made you answer, but when she’d update you about Osamu, how she’d first tell you he was getting better and then, as if an afterthought, urged you to visit him, you didn’t have the heart to tell her that you didn’t want to hear it.

So you started ignoring her calls. She was persistent, as expected of a woman who raised a set of rowdy boys all on her own. She knocked on your door between two minute intervals, called and texted in the gaps between and you made excuses like you were busy working over time to catch up on the job you’d left behind.

All untrue because you’d emailed your supervisor that you’d be on an indefinite leave of absence with no explanation. There was no part of you ready to meld back into the real world again. Your world had ended, your existence ceased and now it was your duty to find your place again.

Ma’s final message was an update that Osamu was getting discharged from the hospital. She mentioned that the family would be moving to Osaka at Atsumu’s insistence. She wanted you to come by before they left.

You didn’t.

With the money you’d gotten from selling Osamu’s food truck, a phone with a dying battery lost beneath your bed, you traveled in the opposite direction to Okinawa. 

It was supposed to be healing. You were supposed to recreate a new identity here, find yourself in the beaches, among the company of strangers, smoothened into fine stone and drawn back to shore after getting caught in the riptide.

But here you are, with misery steeped so deep within your bones that it’s turned you bitter.

You leave your budget lodging only because your stomach tells you to and the measly mini fridge of your studio had nothing but flat soda. There’s no reason to look in the mirror, a quick scrub across your face is enough to remove the crust from your eyes and dried drool from the corner of your lips.

The convenience store is just around the corner from your temporary home. You’ve been trying to maintain your elusive nature, hoping you can leave the island as folklore, by limiting your patronage and entering the establishment at various times.

It’s the first time you smell fresh air, and admittedly, it does feel good against your skin. Much more palatable than your room which was already scented by mold when you entered. There’s birds singing and even the scent of smog excites your stale senses.

The world is so effortlessly beautiful.

And that’s what makes it so cruel.

You push your way into the convenience store, the aggressive movement rattling the bell above.

By your last visit, you’d memorized the aisles so you stroll on through with a single basket in hand. The thought process is careless as you pick out which shelf stable meals you’ll have for the week. It’s not until you reach the cold beverage section that this mundane visit turns into something interesting.

You squat to level yourself with the bottom shelf, debating whether or not you had the energy to carry a full twelve pack the half kilometer back. Just the thought of it hits you with a sudden feeling of fatigue that you cannot help but groan and press your forehead against the fridge door.

You’d spent the past two weeks alone so just the quiet call of your name has you jumping up defensively.

Akaashi looks down at you unimpressed.

“What are you doing here?” You look around, fearful that Atsumu or another one of Osamu’s volleyball confidants might be around. “Are you following me?”

Akaashi is an acquaintance at best, an Onigiri Miya fanatic at most. You hardly had a chance to have a conversation with the man when every time you saw him, he spent most of it with a face stuffed full of onigiri.

Your reaction flattens his expression even further.

“No, I did not take a three hour flight all the way to Okinawa only to watch you buy alcohol in your,” Akaashi pauses, “sleepwear.”

He has a point so you settle in the defeat by glaring at him.

“I am on a company retreat,” he finally explains. “You are far from home.”

“Retreat,” quick to use his verbiage, “yeah, I’m on a retreat, too.”

He eyes you then glances to the fridge door. You glance along with him and notice that the oils of your skin transferred onto the glass panel and do your best to hide your embarrassment with anger instead.

“What,” you challenge, feeling awfully prickly today and poor Akaashi is the one you get to take it out on. Who else? Certainly not Ma, or Atsumu, or Osamu or the nice landlord who handed you keys without question. Of course, you’re particularly nasty with yourself as of late, but if you can share the beating with someone like Akaashi whose deadpan nature is persevering, then so be it. Now that Osamu’s erased you from his life, it’s not like your social circles will ever collide again.

“You look…” Akaashi doesn’t spare you any grace. His eyes roam over your figure, disgust especially contorting his features when he witnesses the sight of your shoddy pants that have seen better days. In fairness, so have you. “Maudlin.”

Despite not knowing the definition of the word, you gather context from just the tone of his voice and it immediately makes you frown.

Defensive, you’re quick to retort. Because who is he, baggy eyed Akaashi, hangnail ridden Akaashi, squinty and blind Akaashi, no owning hairbrush Akaashi, to speak of your current condition?

“And you look like your retreat isn’t retreating.”

You get up, discreetly rubbing your self portrait in sebum with a pants leg, and impulsively decide that you deserve the 12 pack thanks to this new inconvenience. The pack slams against the glass door when the suspension forces it back too quickly. Akaashi moves to help but you cast a glare before he can.

“I do not need help,” you supply.

His reply is nonplussed, “you do.”

“I don’t,” and now the corner decides to catch on the gasket. Akaashi ignores your small grunts and your quiet insistence, pulling the door wide open.

You thank him begrudgingly only because it’s the socially acceptable thing to do but the man doesn’t let you stray much further.

“What if I bought another pack?” That catches your attention. More liquor, less lucidity, less opportunity to remember you’re sad. It seems to be a curse these days, the power of memory, and for once, you think it’s quite unrelenting. “And I paid for your items? Will you let me camp out wherever you’re staying?”

“There’s only one bed.”

“The floor is fine.”

“It smells like mold.”

“Let’s buy a candle before we leave.”

There’s a desperation that you recognize, a solidarity between two persons barely hanging on and the least bit put together. It shouldn’t be so exciting to find someone as miserable as you but isn’t that what they say? Misery loves company.

“Holy fuck,” you grin at him, sardonic, “I don’t remember liking you so much, Akaashi.”

“It’s my pleasure.”

It’s a stupid response, a very Akaashi response, so you giggle manically and kick a pack with the toe of your shoe.

“Grab the 24 pack. We’ve got some retreating to do.”

Akaashi is running away from his responsibilities and so are you. He locks himself in your studio without a mention of its disarray and happily sleeps on the flat futon provided by your temporary landlord with a single fitted sheet and your neck pillow. The amenities offered are quite militant, but considering the price point, you cannot complain and neither does Akaashi.

Neither of you mention what sorts of horrors plague your sleep, a respect for each other’s privacy, because despite enjoying his company, life did not bring you two together out of kindness.

There’s a reason why the underneath of his eyes have swelled to a charcoal gray the same way you cannot help but begin your mornings with a beer. The two of you watch reruns of old childhood shows and every so often, Akaashi wordlessly gets up to go outside for a smoke. You thank the heavens there’s no balcony so you wouldn’t have to face the familiar sight of a back lazily bent over a railing and the slow wisp of smoke. He comes back inside with the hint of tobacco on him and you think he’s noticed how it makes you choke because the first thing he does is wash his hands before sitting next to you again.

He chooses to abide by the code of silence until the fifth day. It’s an evening where the bed has been stripped bare, the room emptier than it already is.Your dirty clothes had been piling up but it had been a struggle to clean them when laundry felt like a hug, the firm press of a collar and a lost nape. The two of you lie on the floor and bide time while you wait for the linens and whatever paltry laundry either of you have dry.  

Akaashi dons a white undershirt and sleep shorts, you in a shirt that doesn’t belong to you. It doesn’t belong to anyone actually, because its owner has abandoned it too.

He holds a half eaten Okinawa style onigiri in his hand and the sight is so familiar you don’t pay him any mind. Your thoughts are gluey from the alcohol so it takes an extra line for the jokes to settle. Laughter is muffled by your forearms where you’ve placed your chin, laying on your belly and big toe tracing a gap between tiles on the floor.

Even the sound of Osamu’s name takes longer to process.

But you still remember. You devotedly will.

“These onigiris taste different from Myaa-sam’s,” Akaashi says beside you.

You lay a cheek on your arm and look up at the cross legged man. He finally got his glasses and other belongings from his previous room yesterday. A smile is already plastered on your face because the liquor makes Akaashi funnier than usual.

The joke never comes.

“Did you ever want to talk about it?”

His question prompts self reflection. Talk about what? What was there to say when the two of you have been so busy running. Immediately, you scramble to get up onto the smooth surface of the stripped mattress to put some distance between you two.

“That’s why you’re here, right?”

Beneath glasses, Akaashi’s eyes have a pointed edge to them.

“What do you know?” It’s suddenly so cold now with the space between you and there’s nothing to cover you up. You can only pull your knees to your chest.

“Nothing.” Akaashi turns to look at the TV. He watches the scene play out until it cuts to a commercial. “Atsumu doesn’t say anything. He’s been uncharacteristically tight lipped.”

Akaashi says uncharacteristically but you’re not surprised at all. This sounds exactly like the Atsumu you know now. It fouls your mood and has you reaching for your emotional support sake from the nightstand.

“He tells everyone to entertain Osamu lest he get a traumatic episode.”

“You’ve seen him?”

“No,” Akaashi watches your face deflate so he tacks on that Bokuto has.

Tension coils the muscles along your bones. It makes you feel frigid so you gulp down the rice wine in hopes that it warms you up from the inside out. Akaashi only watches. He never mentions your drinking habits. You don’t say anything about his smoking tendencies. These were the boundaries you were supposed to respect, but the man keeps on pushing.

“I heard you sold the food truck.”

“How else could I afford all this luxury?” Your hands stretch out to broadcast the shoebox the two of you call home.

He’s used to your defensive sarcasm by now, only taking a singular bite from his onigiri. “So the branch in Tokyo?”

You laugh. “Not happening.”

Then you finish the whole bottle with an aggressive gulp. You flatten yourself against the bare mattress. You ignore him, pretend you’re alone, pretend you’re okay, and you accept the dizzying fall into slumber.

When you wake, the laundry is brought in. It smells exactly like down and a headache. The digital clock on the nightstand tells you it’s midnight so you drink a bottle of water and work on fitting the sheets to the bed. For your efforts, you reward yourself with another can of beer. Then another. It only takes two for you to fall asleep again.

The both of you don’t broach the topic. He reels you back in with a sense of normalcy, the routine of bumming it in front of the TV and the unhealthy eating habits. Even when you blurt out that onigiris are now banned from the house, he only provides a knowing blink.

Slowly, the space between you two skitters away. He coaxes you in like a stray with indifference and eventually, he’s sat cross legged in front of the TV while you lay next to him on your belly.

The duration of your lease is running out as the month dwindles away into repetition. There’s only a couple of days left but you’ve run out of alcohol and food. It’s a weekend night with prime time television over reruns and you’ve gotten particularly attached to this drama that you started halfway through so Akaashi and you head out one evening to prepare for the last couple days of indulgence.

You should have known Akaashi had something planned when he veered to the left with the excuse of wanting to try out a different store.

Once you heard the quiet roar of waves crashing, you had to pause. A rush of trepidation overcame you. Akaashi was already halfway through the crosswalk when he turned around and noticed you weren’t there. He urged you with his eyes, sharp still below the frames of his glasses. People walk around him and you cannot help but notice their peeved expressions. The sound of cars whiz past and the waves do nothing but recede and crash and it’s all so much to take in.

“No,” you shake your head.

You want to run but where do you go? Forward? Away? Where else because there is no going back. 

The crosswalk sign starts blinking and there is renewed severity in Akaashi’s expression. He beckons you with an outstretched hand.

It reminds you of Atsumu, the way he had reached for you the first day at the hospital.

It reminds you of Osamu, the days he’d pull you out of bed when you slept in.

“Come with me,” Akaashi says.

That is all you need to go. The dramatics are uninhibited as you make your way to him, blind with your head bent as one wrist wipes away incessant tears and the other is extended to catch his hand. He takes it. It’s a foreign union with his spindly fingers that are long enough to twine around your wrist like a restrictive vine but you relinquish yourself to it.

Because, this whole time, all you’ve wanted is this: promised, unselfish companionship.

Akaashi leaves you on a bench and returns with meat pies bought from a nearby food truck. The smell of it saturates the area in an appetizing scent of fried deliciousness that has your stomach gurgling. You’ve not had a single healthy meal since you arrived in Okinawa but the alcohol you’ve imbibed religiously for the past few weeks welcomes the offering.

“Have you wondered yet what is going on with me?” A bus whips past you two with an uncomfortable gust of warm wind. You want to pretend that you didn’t hear Akaashi over the sound of the engine, but his silence is imploring.

“Always,” you say.

Akaashi entertains you with a small huff, “you could ask.”

“But then that would breach our secret NDA. Which you have breached by the way. You owe me another 24 pack.”

“Considering I no longer have a job, we might have to put that on hold.”

You reply only with a wide eyed surprise.

“I put in my resignation yesterday.” Akaashi admits. His hands glide up his thigh to clear the grease from his fingertips. “Do you want to ask questions now?”

There’s a lot of questions running through your mind. First of all, why? Why quit? What was the reason? Why did it take you in your pajamas buying alcohol before noon on a foreign island for him to do so?

“Yes, but I won’t.”

“You’re aberrant.”

“I’m assuming that means ridiculous.”

“Close.”

“Share whatever you want to share. I won’t…” you almost hand the crust of your meat pie to Akaashi out of habit. You press it into the napkin instead, crushing it with the pressure of your fingers. “I don’t want to force anything out of you if you’re not ready.”

Akaashi hums. It’s a sound similar to when the understanding of a concept finally dawns on someone. He kicks his long legs out. The Oxfords provide a bouncy noise and it’s only now that you see how aberrant Akaashi is. Near the ocean shore, he wears business casual dress with slacks and though unpressed, he still dons a button down with elbow pads. Freaking elbow pads. You must look ridiculous next to him in your novelty shirt and pajama shorts. It’s been difficult wearing anything that doesn’t have elastic lately and jeans leave for no room to breathe.

He pulls out his cigarettes from his breast pocket and when he remembers, he turns with a silent tilt of his head, asking permission to smoke. You only nod but turn your head away quickly. The gradual exposure to the smell is one thing, but the sight of him smoking might be another step you’re still not ready to take. 

The cigarette crackles twice in two long inhales and he makes a point to blow in your opposite direction.

“I’m told that literary composition is not my forte.” You remain quiet, respecting the beginning of Akaashi’s soliloquy. “People tell me that I’m not meant to be an author. The world, actually. My short stories weren’t selling so I tried my hand at writing fanfiction for Meteo Attack, the manga I edit and hardly anyone read it. I even got hostile responses for my characterization.”

He needs another two inhales from the admittance. You don’t blame him.

“My boss and I had been working on a training plan the last two quarters so I could move to the literary department and the night before I met you, we were announced our placements for the next quarter. Mine didn’t change, still editor, still in manga. And when I asked, my boss said he’d be an idiot if he let me leave. I was too good at my job to change positions now. I went on a manic binge, slept through my alarms for the scheduled office activities, saw you, and figured you’d be the best excuse I could have to avoid my boss and coworkers for the rest of the trip.”

The sound of the lighter flicks once more. You listen to the quick initial inhale and the lengthy one that follows.

“My intention was never to quit. It was just like you said, retreat. I wanted to abscond myself of responsibilities for a moment but then I ate the onigiri I bought and I remembered. I remembered lots of late nights in Hyogo with you and Myaa-sam and Bokuto. And it made me think of you.”

“If it’s pity you’re offering, I don’t need it, Akaashi.”

“It’s not. I’m offering another contract. A business one.”

You turn to him and find that the smoker had finished his cigarette already. He gathered saliva in his mouth and discretely spit it on the floor before turning back to you.

“Let’s open Onigiri Miya up again.”

The idea sickens you because just the name of the restaurant brings back an onslaught of memories you’ve been trying to avoid. Osamu in his tight arm sleeves and black apron. His musk after a long night. His weary smile that would worry you only for a second until you realized it was satisfaction that compelled it more than anything. The sweet and salty scent of sticky rice and the starchy feeling on your hands whenever you would swirl your fingers in the buckets of dried grains that Kita would present to you. Long days, long nights, and Osamu, Osamu, Osamu.

“There’s no way. I have no clue how to even begin starting a business.”

“You say that but do you even know if your job will be there when you get back home?”

That was also another pertinent issue you were still planning to avoid.

“There is an Osamu out there right now who doesn’t even know that Onigiri Miya exists. The world is telling you you’re forgotten and there are people out there willing to accept it. But did you? Did you forget?”

His intensity brings on a delicate quality to your voice, “of course not.”

Osamu could forget you, but you? Forget him? The erasure of his existence was something so foreign of a thought that even just the mention of it strained your heart raw. 

“I didn’t either. Do you want anyone else to?”

Your response is incomprehensible as you blow snot into your grease laden napkin but the point comes across. For all the weeks you and Akaashi have spent together in the apartment room, he touches you a second time ever, hand atop yours once more.

“Then let’s open Onigiri Miya back up.”

It’s minutes later until you can gather yourself up again and even longer for you to seriously entertain the idea. The night is quiet and you’re thankful there are no passersby to witness this embarrassing exchange.

You think of everyone that Osamu had brought into your life when you walked into his. All the customers and friends and neighbors that offered you joy and small gifts worth living for. Atsumu was okay with throwing it all away, abandoning it just like his high school motto had endorsed.

But they were the ones who found Osamu. They were the ones who saved him, who forced the firefighters to break down Onigiri Miya’s door when the fire began to consume. If not for the community he fostered, he would not have had the second chance he has today.

There’s an Osamu out there that does not love you, that you may never learn to love without being hurt, but there was an Osamu that was beloved by all. If you had to do it for anyone, you’d do it for him.

“Fine.” Akaashi does not move, eerily still as if to not startle you to backtrack. “We can give this a try.”

You settle in with your choice and finally, with a bit of courage, you ask “I know what I am getting out of this, but what are you?”

“A flexible schedule so I can write my novel,” the man beside you answers frankly. Then in a softer voice, he adds, “and maybe I can finally open that branch in Tokyo.”

You cannot help but crack an amused snort. Akaashi joins you with his singular chuckle.

“That seems ambitious.”

It is so grossly, overwhelmingly, exceedingly ambitious to run a restaurant and more so, to even consider a second location. Promises are easy to make on tear-stricken nights amongst the salty air of Okinawa, but back in Hyogo, the air is severely stifling.

Even with more than half a decade of partnership with Osamu, it is a steep learning curve managing all its operations. Your ex boyfriend did not make it seem easy. No, not with the long hours he’d pull or the days when he’d lash his frustrations on you. Some days, even seasons, happened to be more difficult than others but to have first hand experience all on your own is novel.

Akaashi moves in the day you guys arrive. The two week unofficial dry run makes the decision easy. He fills in the space that has been left behind, screens all the voicemails that you’d avoided when you were gone, and confirms that you are officially jobless by looking through your emails too.

What is better than one jobless, mid-twenty travesty who is one milligram of caffeine away from a breakdown? Two jobless, mid-twenty travesties who are one milligram of caffeine away from a breakdown. It’s a support system, hardly structural but functional enough.

It includes a lot of spontaneous frenzies, you and Akaashi both. He teaches you to be quite efficient with your distress. A prolonged yell helps relieve the pressure and it compels the other to join. You teach him the benefits of isolation. Sometimes, it’s simply best to take some space, to cast away the burdens for a night and relearn how to breathe.

It takes a year and a half to open the restaurant with the help of Onigiri Miya’s neighbors. Their support does not come without payment though. They ask questions you’re unprepared for and no response is ever safe. If you say you are fine, you’re scrutinized with a watchful eye, just waiting for proof of a lie. If you admit that you’re struggling, there’s pity. Some are more vocal about it than others, a patronization in their tone that never used to be there before.

The price may be steep, but it’s worth it because Hyogo ward was Osamu’s community. They carry the pieces of Osamu that you know, the ones that made the alleycats fat.

(Osamu frequently gets yelled at by the Shizuku, the florist, three doors down. She blames him for the rising cat population. Osamu laughs it off. He always did and frequently, there is a cheeky quip that follows. He says something about catnip.

Something like, “ya sure ya ain’t the one growing catnip in there?”

It taunts the woman even further, but malice never burns their interactions.

A grudge on Osamu, though easy to promise, is impossible to uphold. Not when he delivers a bouquet of onigiri right to her door the next day. Not when he accidentally tips a pot over while obnoxiously perusing through the abundance of greenery, hoping to find catnip within the collection. Not when he looks at her sheepishly, swiping his hands on his apron as if dusting away any evidence and says, “now how did that happen?”)

Shizuku’s a savior, by the way. If left to your own devices, Akaashi and you would work yourselves to the point of exhaustion but Shizuku comes in during lunch and always provides tea in plastic cups. Eventually those cups turn into a beautiful ceramic set when Kita drops off your first order of rice, a visit in disguise.

His barley eyes that were always warm to you darken at the sight of Akaashi. Their greeting is stiff which you thought just had to do with their taciturn personalities but it wasn’t until Kita pulled you into the alleyway, Akaashi left to finish painting the front, did you realize it was out of protectiveness.

“I was glad to hear from ya.” Kita leans against the waist high wall that separates two lines of shopping streets. “But I didn’t know how to feel when I found out ya were calling me about business.”

“I know,” you say, eyes cast down low. Kita has a way of making you feel guilty with so little words. He’s disappointed, you know despite his level tone, because you never called. What was there to discuss? You figured if Osamu could forget you, if Atsumu can cast you away, then there was nothing to expect out of his friends either.

“I won’t say anything because I know ya already feel bad but Gran and I were worried about ya. It’s good to know that you’re okay.”

You shrug. Okay is hardly what you’d describe yourself when you’re barely hanging on just like the threadbare sheets from the studio in Okinawa.

Kita crosses one muddy boot over the other, “and what ya got going on here, it feels like the right thing.”

It’s hard to make of what you feel, decipher the feelings that manifest inside because the days have not gotten any softer. The pain is ambiguous and persisting. Whenever you feel like you’ve made progress, another strain emerges like a new variant of the same virus. You’re doing this for Osamu. But Osamu…

“Have you talked to him lately?”

Kita’s lips line into a solemn expression. He stares you right in the eye and you hold yourself strong because you know he’s testing whether or not you can handle his answer.

“Not recently. Atsumu’s kept their distance from here. If I do see them, it’s when I stop by Osaka.”

“And…”

“And he’s good. He plans on going pro,” Kita shakes his head, “or Atsumu says, going back to pro. He tells him he took a break.”

You nod slowly. So that’s what you were. A break.

“But it ain’t him.”

The farmer’s voice is barely above a whisper and for some reason, it is gut wrenching. You have to lean against the wall with him in case you topple over. You don’t think you’ll ever get used to it, the admittance that the Osamu you had was someone real. And maybe that’s why you’ll never be okay because you’re chasing after validation that has already been erased while he chases other things, of dreams unfulfilled.

“This,” Kita points to the restaurant in renovation, “this is him, but…”

He never finishes his sentence. The irony of it makes you laugh.

“Well I’ve got another delivery to drop but don’t be a stranger now. I’m serious. I ain’t letting ya. And visit Gran once in a while, will ya? She needs someone to talk to because I think she’s about had it with me.”

Kita hugs you goodbye and by the end of his visit, you think Akaashi’s gained his approval. When he leaves, he gifts the two of you the tea set. They are black with white and brown intricacies. Two of them have geometric blocking designs and the other two have one lone stalk of rice, bent gracefully by the wind.

Akaashi and you sign up for onigiri making courses where you eat them for every meal. So much so that even Akaashi of all people gets tired of it. The craft does not come easy to either of you despite your business partner’s penchant for it and Osamu’s intermittent lessons over the years. When you did help him out on the days he was short-staffed, Osamu would have you ring up customers up front, smoothly mentioning how your pretty face would help them rack up tips when you knew it was just to keep you out of the kitchen.

(He flusters you with a wink and an encouraging tap on the ass, laughing when you look back. He flings his glove into the trash can and makes his way to the handwashing station, thinking it was worth it just to see your cute pout. You know he’d wasted boxes of gloves since you’d been together just for one quick touch. Your eyes would be enraptured by the graceful jerks of his chest and the curl of his lips and later, at close, when the two of you were finally alone, he teases you about it. He asks you if you were hungry, what with the way you devoured him with your eyes. You bite his arm just to prove how hungry you were.)

“Quit drinking the mirin. That is foul and we need it.” He hides little revulsion in both tone and expression but your time with Akaashi has you immune to his harsh delivery.

You take another swig out of spite even if you didn’t plan on having another sip. It is, in fact, foul.

“This is the only thing that has alcohol in this apartment.”

Akaashi snatches the bottle with starchy hands. The residue imprints the shape of his palm onto the neck of the bottle, furthering his irritation. “Then drink something that does not have alcohol.”

“No,” you slump with your chin on the table, leveling your gaze with the practice oblongs you’ve just made. “I am sad.”

They’re lumpy and if they’re not lumpy, they are mushy. If they are not mushy, then the filling is peeking out. All in all, completely imperfect and not suited for a restaurant succeeding Onigiri Miya. Just the image of his disappointment discourages you because these were not up to his standards and certainly not to yours.

“We just need more practice,” Akaashi tries to console. “Maybe we could buy molds.”

“He didn’t use molds.”

“Unfortunate. We’re not Myaa-sam.”

“Neither is he.”

Akaashi doesn’t respond. You don’t say anything more either. If anyone is tired of your deploring, it is him and he already has to handle you enough. But it’s true, isn’t it? No one is Osamu anymore, not even the one out there who is probably doing practice sets in a gym, who wears a uniform that’s less than five years old, who has no recollection of you.

“Everyone’s going to be disappointed because it tastes nothing like the ones he used to make. They’re going to hate us for even disgracing his name.”

Akaashi’s had enough. He drops his practice roll, the heavy weight of the thud clattering the utensils on the table. You’re about to reprimand him but the man talks over you.

“Do you think that’s why people will come? Because of Osamu?”

The answer seems obvious that you can only gesticulate.

“Are you inane?”

That hasn’t been a word of the day so you haven’t learned that one yet but you can take a guess what the right answer is. “No?”

“People want to come and support you. Everyone knows Osamu’s gone off elsewhere doing whatever he is doing now. You’re the one honoring his memory. You’re the one keeping him alive. You are the reason they’d walk through our door now so get your act up.”

You glower like a child, unsure how exactly you feel. That sort of pressure seems daunting but comforting at the same time. You want to do him right. Is it really better than not even honoring him at all?

“You’re mean,” you settle on saying.

Akaashi clicks his tongue behind his teeth, “do you want to scream about it?”

You smile, “yeah.”

His mood lightens, “me too.”

“Okay, but it’s late already so we should probably scream in some pillows.”

“Yeah, that sounds right.”

The journey continues like that. Ups and downs. Ebbs and flows. Akaashi handles operations and finances. Your first job at the local government helps you complete the clerical stuff like having the proper documentation and paperworks. Your most recent job in IT helps you develop the website while Akaashi words out the marketing. You set up all the socials, design the uniforms, and the last step is to decide on the name.

The night before the opening, you have a dinner for everyone that helped as a thank you and soft launch. You and Akaashi slide in and out of service with Shizuku, Kita, Gran, and some of Akaashi’s friends like Konoha and Kuroo and Kenma as guests. It’s a small gathering of every single member of the community that never forgot about Osamu sitting around a massive table you’ve made by pushing the smaller ones together.

“Lovely what ya did with the rice, here,” Gran says beside you, a seat she had claimed.

You tilt your head to the side, “that’s all Akaashi.”

“Fine cooking, dear.”

“I followed a good recipe and had a little luck.”

“Ya better hope not,” Kita laughs and it’s comforting to hear the quiet trickle of his humor knowing fully well that Akaashi’s been accepted into the family. “Or else ya gonna have some unhappy customers.”

“Will ya tell us now what the name of the place is? Hard to advertise if I don’t know what it’s called,” Shizuku demands.

Her impatience started when she walked right through the door, but you wanted to wait for the right time when everyone was already gathered together and broken bread, heart happy and stomach satisfied. It’s how Osamu would have wanted it. It’s how you do too.

“Fine,” you say, dragging the word out with little bite in your tone.

You pull out the uniforms you’ll be wearing tomorrow. It looks not much different from what Osamu used to wear, plain black shirts with lettering on the upper left portion of the chest. Everyone lifts up from their seats to witness it.

o.mo.ide

Miya Osamu, Onigiri Miya, memories that you’ll always keep close to your heart.

There’s tears that escape, from you no different. There’s more that follows when you show them the corner right by the entrance dedicated to Onigiri Miya. You want everyone to know whose walls these actually belong to, whose essence and soul brought his dreams and yours to life, that without him, this would have never been possible.

Kita helps you kick everyone out knowing that you and Akaashi have a long day ahead. People promise to visit tomorrow just to show their support as they bid you goodbye. Gran slips an envelope of cash between your hands and quickly loops her arms around Kita’s so you can’t make a scene.

Akaashi is quick to have a foot out the alley back door after cleanup. He nods his head out, “are you ready?”

“Yes.” You run your hands through the crisp fabric once more as you shuffle your bag over your shoulder.

And the two of you leave. The black apron on the last hook closest to the back alley door waves as the door slams shut. There’s a black cap above it with the original character snaps against the wall from the wind pressure. They sway in the dark, until finally they lose momentum and settle in the dark.

They stay. They always will.

The support is so overwhelmingly kind. People show up in droves that Kita has to come in later in the day with an emergency delivery because your forecasts had been so off. Compliments come one after the other, of the design of the store, the food, and even yours and Akaashi’s service. Cheery employees were no longer in, it seemed. Everyone loved the stress-ridden ones instead. More relatable, they’d explain.

The novelty slowly wears off, but you maintain a generous rotation of regulars. Of course, Shizuku always arrives. She retains her habit of having afternoon tea with you and Akaashi. She’d bring along Hayashi, the man who owned the ice cream shop behind your store. He’s a grizzly man with a barrel chest with a right bicep so plump from years of scooping ice cream. The two are the neighborhood’s newest gossip. Flowers and ice cream. Looks like they do go together.

And you think that you have finally have this life handled. You and Akaashi settle on this pleasant routine of wake, work, and rest and the mundanity has you fooled. Still, after all this time, it takes so little to disrupt your small ecosystem of peace.

You hear someone compare o.mo.ide as a mockery of what it used to be and it sends you into a spiral. You listen with a crazed expression, hands busy scrubbing tables but ears listening like a hawk.

Osmau never needed consolation like this. He had been a master of quick glances. He was always multitasking, mind on the next task as he was still in the process of finishing the first. And his eyes never missed anything, not when you’d try and sneak into his office unnoticed to surprise him for break or how he’d always know when someone was taking their first bite. He’d watch from the corner of his eyes and he’d wait for that precious moment. It didn’t take much to make Osamu proud. Just a single hum. He’d beam from ear to ear, and as if shy from his sudden display of emotion, he’d tuck his chin into his head and pull the brim of his cap down.

But then again, this was his forte and not yours.

You start sleeping in and waking up late. You lose the habit and Akaashi has to pick up after you. In order to make it up to him, you offer to close the restaurant on your own. His response is a simple scan to check that you’re okay, but he has little energy to say a word, probably expended it screaming in the walk-in freezer when he couldn’t get you out of bed. So he goes.

You don’t even wait a full five minutes after he left to lock the doors and ignore any knocks from customers who know your regular hours.

In the silent kitchen, you situate yourself atop the recently wiped down stainless prep table, a bottle of sake in one hand and Kita’s teacup in another. A shot glass is much too small for your preferences.

“Cheers,” you raise your glass in the air. This might be your sixth one, so just the image of your hand and solo teacup is enough to make you giggle. “This one is to…”

Your gaze is glassy and there’s no one here, but the alcohol reminds you that you’re not lonely. An image of Osamu appears before you like an apparition and the sight brings on a void of yearning. You throw back the shot and quickly pour yourself another.

“To you.” This time you clink the tea cup against the bottle, already hollow in just one sitting. When the burn dies down and settles in the pit of your stomach, you begin to kick your feet.

“Hey,” you say softly. “Haven’t spoken to you in a while. Think about you every day though.”

It’s weird because you thought that with this place being saturated by Osamu’s very essence, you’d find his face everywhere you look. He’s more of an idea now, lately. A feeling you carry, memories that you play before you go to sleep. It’s difficult to accept because it feels like you’re losing him. The old Osamu, the one you knew, the one you loved. The other one in Osaka, Kita’s accidentally slipped that he likes to read as a pastime and that they’d recently visited Panama. Osamu never bought books unless they were cookbooks and that was more for aesthetic than anything. And the one you knew had never been to Panama, more so even mentioned it at all.

What you have left is the remains of his legacy and the bare bones of a former flame. You crack open another bottle. Here’s another shot to that.

“Life sucks by the way. I don’t blame you for it. I just wanted you to know. This wasn’t my dream. Yeah, I can hear you. You know, you know. But I haven’t told you in a while so you’re going to hear me say it again. I just wanted a cushy, IT job. I’d be your sugar mommy and force you on vacations, pay you for any lost wages. Any reason to have you all to myself. That’s what was supposed to happen.”

Another shot to missed opportunities. That one has you feeling woozy that you have to lay on your side but your drunken mind fails to realize how cold the stainless steel would be against your cheeks. It makes you squeal and then you can’t help but giggle, laughing at your own stupidity. That’s what’s nice about inebriation. Instead of being so serious about yourself, you can just laugh.

“And in the middle of it all, I knew that one day, I’d get absorbed into it. That’s just what you do. You say Atsumu is charismatic, but I don’t think you ever realized the power you had in just being. People get caught up in it and that includes me. And I imagined myself working hard so I could leave early from work just so I could help you in the kitchen. And then working part time until eventually, we woke up together and ran it together and did it all. Together. As a family. Ma would help when she has the time but you know her. She’s got clubs and activities and neighborhood responsibilities. And Atsumu would try and hang out but not do any work so we’d just ignore him until he ended up whining his way into the kitchen. I didn’t imagine…”

You look around the backroom. It’s nothing like how Onigiri Miya used to look. There are some items you’ve inherited like the pots and pans with their grease-stricken bellies and the three step ladder with The Little Giant (Akaashi actually wanted to throw this one away but ladders are surprisingly expensive) labeled on the top step. Everything is paltry pickings compared to the care Osamu had when working with his suppliers. It was hard enough with Kita’s endorsement to find something within your budget so you’re left with limp greens and off brand soy. And no Osamu.

Time for another shot. Should you make a game of it? Every time you thought you felt sorry for yourself, should you?

“No,” you giggle as you get up, answering your own question, “then I’d get really drunk and you’d get mad at me for that. Anyways,” you shoot it, neck craning back so swift it makes you dizzy. Your body bends wilted just like the spring onions you were talking about and you have to close your eyes, groaning and giggling, unable to discern discomfort from pleasure.

“Mmmm, what was I saying? I don’t know.” Suddenly, you’re crying. There’s a mess on the prep table that  you have no idea how to clean. Over a year now and you’re still not over Osamu and you’re missing the rest of the Miyas especially too.

“This is so hard and fuck, I feel so alone.” It’s heartbreaking to hear how much you pity yourself when there have been so many people in your life that have supported you. Like Akaashi who has dealt with your disaster tendencies and Shizuku and the neighbors and everyone that has made this possible.

But they can’t fill what you’ve secretly been trying to reclaim. Of a family that had loved you, had accepted you with open arms. The ones who held you when you needed them most but… Fuck. You just weren’t enough. You lacked the strength to hold their pain, so much so just by being, by existing, you burdened them.

And maybe this had been a ploy to simply gain approval and find some self-worth again, to show them that the love you have has value. It had been distracting enough while you and Akaashi prepared for the grand opening but only for so long until you fell into this sort of misery again. How long would the next pocket of happiness last? Could you find a stable source of bliss ever again?

Sometimes, as difficult as it is to think, you wish you never…

No, you shake your head adamantly. For all this anguish, for all the ache you’ve accidentally caused the Miyas, you want to selfishly keep all the memories, even if Osamu has to forget, even if you know how it ends. You don’t want to change a thing.

You grab the extra aprons in the back except for the black apron on the last hook closest to the back alley door and slump into the office chair in the back nook. It was a simple office with just a desk and a file folder cabinet. You cover yourself with the aprons, your impromptu blankets as you wait for the inebriation to tide over. The open sake bottle stays on the prep table with the finished one and your used tea cup and you make a mental note to hide your drinking from Akaashi who’s been passively limiting your intake lately.

You fall into a light sleep when a meowing out the alley door rouses you. The office chair snaps as you ungracefully rise. There’s remnants of your misery in the form of crusts at the corner of your eyes that you blearily wipe away.

He stares up at you with a single meow as a greeting when you open the door. The cat sits on his paws like a well mannered customer waiting to be let in. A gray puffball like a ball of lint straight from the dryer, his gold eyes blink up at you and maybe it’s the hour or your halfway sober state or just life in general because you think it’s a sign.

Many of the cats had left when Osamu did too, venturing into more fruitful alleyways that can get them the fixings that they. You’re quick to pick him up but you do it a little aggressively that his limber body bends to evade your hands. Instead, he enters o.mo.ide and you’re able to lure him in with a few slices of fish.

Akaashi is not amused when you get home, especially considering the late hour and cat in your hands.

“No,” Akaashi greets, eyes hardened, aimed at the feline creature who has taken to resting his chin into the crook of your elbow.

“But, Akaashi, look at him!” You turn your body to the side so he can witness his complete cuteness.

The man is not impressed, only closing his book, an index finger marking the pages he left off, and crossing his arms. “No. You can hardly take care of yourself.”

“But they’re low maintenance,” you mention the fact you had quickly googled before unlocking the front door, “and he was crying outside our door because he was so hungry.”

Your roommate weighs the cat with his eyes and before he can complete his calculations, you add, “if I wasn’t there, he would have starved. He needed me.”

Akaashi finds something in your expression and you think it’s this new energy, this purpose outside of yourself or Osamu and after a drawn out glare, he finally sighs. It’s a world weary sigh, the kinds only parents of rowdy and impossible children should only make and you take note that you’ll make it up to him somehow.

“Okay, fine,” he extends his hand for your new friend to sniff, “what’s his name?”

You smile, “Mumu.”

An homage to your boys, your favorite twins, and Akaashi cannot help but sigh again.

But Mumu quickly becomes your new best friend, much to his benefit. Even though Mumu never quite opens up to him, he has to worry about you less and you spend more of your time laboring efficiently at work so you can go home and play with silly things like lasers and a little rattle ball he likes to roll around. There’s energy to do your share of household chores now, and despite the slow trickle of business lately, you’re unbothered.

At the end of the day, the success of the business does not define you or your love for Osamu.

The stability lasts only for a few months because you arrive home unannounced, closing the shop early when the pelting monsoon keeps people locked in their homes.

You opted to take responsibility for the day, allowing Akaashi a break. His trust in you has slowly renewed considering it’d been a while since you dipped into the restaurant’s liquor stash. You knew he’d understand the shortened hours considering the weather but he hadn’t been prepared because when he got home, he was watching a livestream MSBY volleyball match. There was this understanding that had been established when he moved in because the both of you knew that you’d be powerless to the demise.

When you see Osamu on TV, that split second the camera had panned to him, you felt gravity warp. Your heart constricted and condensed while it felt like that floor beneath you had slipped away and you were just as helpless as any other leaf victim to the storm.

Akaashi tries to turn off the TV, but you manically topple over him, not wanting to miss what little camera time he might have.

“I don’t think this is good for you,” Akaashi’s eyes doesn’t leave you as you continue to watch the game. You agree, but you can’t strip your eyes away from the stream. You can’t believe what you’re seeing and you have to continuously wipe away your tears just to be sure, to ascertain that what you’re viewing is really true. It’s him. It’s him and this is the closest you’ve seen him, the closest he’s been to this home in basically two years and he looks so different.

“He grew out his hair,” you observe.

All you can do right now is play spot the difference. What parts of him do you still know? What is gone forever? Osamu’s hair is near shoulder length and you think he might have gained Atsumu’s salon habit because it’s curlier and fluffier than you knew. The color in his eyes have lost their luster, making them appear darker like a smoky quartz and he’s bigger. He’d always had a stronger upper body but you can tell he’s far more defined than you’d last seen him. He looks. Good.

You feel so small knowing how well he’s moved on without you. There’s always this small spark of hope that can’t help yourself from holding onto but seeing him on the screen, living a dream that he had once left behind, you figure it must be your turn to be abandoned for something else.

“He looks good,” you nod, trying to be strong. Because that’s all you’ve wanted. You’ve wanted him to be ok, to live out the life he desired, whatever that may be and regardless of how it involved you. “He looks good. I’m so–”

“You don’t–”

“–proud of him.”

The admittance makes you burst, diving head first onto the floor and crying into the rug. Mumu comes to rest between your legs, wary of Akaashi as he does his best to console you which alternates between a hand down your back and simply hovering over your figure.

But then you hear the announcer and how the music stops, and immediately your head lifts up because you know what the sound of those footsteps mean.

Miya Atsumu is on court, serving the ball with just as much assured confidence as you had left him. He passes to his brother where they easily make a point and you watch the two boys celebrate. The camera eats it up, their facial expressions, the way they hold each other in a solidified joy, and you see it. You see the true reason he’s left this all behind. This was the life he was meant to share.

And you were never meant to be a part of it.

It was delusional of you to think that their bond had enough space for you to fit in.

Of course, as much as you tell yourself Osamu’s happiness is the most important thing to witness, it still sends you on a spiral that neither Akaashi or Mumu can bring you out of. Business slows down when you can’t provide proper service and Akaashi struggles to pick up the labor you can’t complete. Days pass in a haze where you burn things by accident and your mindlessness has you putting in two servings of soy instead. 

You wallow in your sheets, so worn that the Osamu’s essence has filtered through the gaps and all that’s saturated it is your misery. Mumu leisurely snoozes beside you, happy to keep you company.

Akaashi tries to persuade you out of bed with ice cream.

You shuffle to the side of the bed pressed against the wall and tuck yourself into the crevice, “no thank you.”

He ignores you and opens the door and you whine, noisy and petulant. “This one is from Shizuku and Hayashi. They’ve missed you.”

You instantly sit up, interested because Hayashi’s ice cream had been a favorite of Osamu’s. Whenever he’d have a bad day and their schedules lined up, the two men with their solid stature would gossip in the alleyway, the brick wall separating them. One would be devouring an onigiri while the other relished the fox shaped ice cream he’d always be given as payment.

You’d peek your head out the alley door whenever you could never find Osamu in the kitchen or in his office. The alley was the only other place he’d be and Hayashi would prompt you to come out, sit and gossip with them. He’d leave so he could serve you an ice cream of your own, but you suspect he’d take longer on purpose so that you two could spend some time alone.

(“Have you heard about Shizuku and Hayashi?” Osamu asks once the confectioner steps back into his building. Your response comes for the back of your throat, a soft hum while busy licking the dessert your boyfriend offered. He laughs when he sees you nibble off the candy eye of the animal, leaving him a little lopsided but far more endearing. “Damn, I said ya could give it a try, not eat all of it.”

“I was hungry and you weren’t inside.”

“Ya could have made yaself some food. I’ve taught you enough to be self-sufficient.”

You shake your head immediately, “doesn’t taste the same. Stop changing the subject. What’s going on with Hayashi and Shizuku?”

Despite all the time you’ve spent with him, all the different faces and expressions you’ve been gifted to witness, his smile still disarms you. It’s the right combination of conniving and whimsy that has your heart traipsing the edge of a cliff.

“I was talking to the Grandma that’s got the okonomiyaki shop right there, ya know?” He points with his ice cream whose lifespan is slowly disappearing, “and she told me how she went into Hayashi’s shop and he had a full bouquet of flowers.”

“Oh, that’s nice. I wonder who got it for him.”

Osamu snorts, “Shizuku obviously. Who else would have?”

“Osamu,” you give him a discriminatory look, “are you starting rumors.”

“No, hear me out. Shizuku came by yesterday and was asking me for some cooking tips.”

“You?”

“Yeah, we have a truce right now. The onigiri won her over.” You giggle, snatching another bite from Osamu’s hand. He’s too busy telling his story to even admonish you. “And she was telling me she planned on making grilled mackerel and guess what Hayashi had for dinner last night apparently.”

You hum forcibly, drawing it out and giggle when Osamu gets irritated with you. “Mackerel?” He nods and the image of those two makes you laugh.

Hayashi’s just like the ice cream he serves, a man who longs for the richer things in life. He has women swooning out of his restaurant with his velvet words and Shizuku is a woman who knows what she wants, spritely and tough. She’d be perfect to keep him in line. 

“Now that I think about it, they’re surprisingly good for each other.”

Osamu agrees, “Grandma says Hayashi needs to lock it in and get married.”

“Shizuku’s a catch! He’d be wrong not to.”

Your statement dulls the mood because Osamu turns quiet. He hands you his ice cream for you to finish, Hayashi forgotten, and his hands clasp together, right pad of his thumb running over the back of his left. His side profile is soft, round cheeks over a strong jaw.

“Ya know that I–”

“We don’t have to get married for me to know that you love me,” you say quickly. You don’t want him to finish the thought because he gets caught up in the guilt a lot. You’re not certain what it exactly is aside from the fact that he doesn’t want your future to be tied down to one as unstable as his, as if marriage would be the only thing that could permanently hold the two of you together. As far as you know, he’s all you want for the rest of your life and Osamu makes you feel like he thinks the same.

Your admittance relieves the weight on his back. He straightens up, a thankful expression on his gaze when he rolls an arm out to wrap around you. You fit right into the crook of his body, pleasantly warm with your ice cream.

“I love ya, I really do.” You nod. “One day, when I get my shit together, I promise I’ll make ya mine for real.”

He says it like you’re not his already. He says it like this relationship is less than the ones acknowledged by law or the gods or whoever presides over the validity of unity.

He says it like he really does love you.)

Thinking about it makes you cry despite Hayashi’s ice cream. He artfully crafted the gift in a pint that he must have bought from the store because you’ve never seen him sell take-home products. A frog decorates the surface complete with blush, large, round eyes, and the brightest of smiles. Usually the confectionery is an immediate remedy but it looks like your sorrows have fallen so deep that its effects are hardly uplifting. Akaashi hands you a letter made of cardstock in a saturated red and shaped like a heart.

“What’s this?”

“Open it,” is all he replies.

You do as he says and find a poorly drawn replication of what you assume is you, serving a triangular item to a smaller stick figure human.

“That’s from Asako. She missed you when you left early today.”

Asako is the little girl who orders a plain onigiri with extra sesame seeds. Exxxxtrraaaa she likes to say and you entertain her, seeing who can lengthen the word the longest. It’s an effortless game that comes with a high reward of giggles. She comes in on Fridays when her grandparents pick her up from school. They didn’t know of Onigiri Miya then so you never thought much of them, but clearly, she had thought of you.

“I understand that we opened up o.mo.ide in order to commemorate Myaa-sam and everything he’d done for this community, but have you ever stopped and thought that in the process, you’ve integrated into it yourself?”

You hadn’t. You’d been so deeply absorbed by your own troubles that you had never bothered to even look outside of yourself or Osamu.

“We’re operating at a loss right now, but there are people like Asako that rely on us to stay open. And so help me, I need you too. We promised to do this together and I refuse to let you abandon me.”

“Oh… oh, Akaashi, I’m so–” you’re forced speechless by your own guilt.

“Don’t apologize. Just.” Akaashi searches through his vocabulary, “just get better. Have you ever thought about therapy?”

Akaashi introduces you to his therapist but after two sessions, you find that the way he gels his hair back and the nasal hums he provides every time you confide in him is unsettling. The journey through therapy is not so much a journey but more like an illegal obstacle course formed with bottomless pits and thorny vines and a portable bed.

It’s physically draining and mentally exhausting that you need a nap most days. Akaashi hardly yells at you anymore when you fall asleep in the office chair while on break as long as he knows you have an appointment scheduled at the end of the week.

You go through three more therapists. This fourth one, she’s on thin ice, but you’re five months in and she’s managed to get you to stay. She encourages you to reach out to the people you love on your own and to make time for them every week.

Now you spend time teaching Mumu new tricks. He’s mastered the command ‘sit’ and is also very good at laying down. You’ve yet to teach him much else though. Monday mornings are for mahjong with Granny. Sweet as she is, that woman is a good liar and to this day, you still haven’t won a game. According to Kita, no one has yet to beat her. You’ve extended tea dates with Shizuku into dinners after you and Akaashi close. Most of the time Hayashi is there and despite Akaashi’s indifference to their relationship, every night you gossip about the way his hands would linger around her waist or how he’d whisper something in her ear while they washed dishes. When Asako visits, you untie your apron and give her grandparents a break. Only when she is done with her meal, you walk her into the back where you tell her to mind her step and you and lift her over the wall so she can knock on Hayashi’s back door for an ice cream.

People gradually enter your lives, ones that you didn’t have courage to see. With a warning text sent like an afterthought, it’s a welcome surprise to find Bokuto seated on top of your kitchen table, towering height even more pronounced, while Akaashi showcased his skill in a new apron.

“Oh?” you say and at the sight of Akaashi’s expression, all you do is smile and wish them a good time. If there is a time that Akaashi shouldn’t be burdened by you, it would be now. You are in the process of healing after all.

Suna and Aran eventually visit, dragged along by Kita. His small build compared to the two athletes make an awkward remeet amusing.

Suna scruffles your head and cups the fat of your cheeks as a greeting, “hey, Bug. Nothing kills you, huh?”

You’re grateful when Aran saves you, pulling you into a deep hug that soothes your soul. He lifts you up once just to hold you closer, and when he’s done, they all apologize for not visiting you sooner. It was shame, they admitted. Because for Osamu, they were willing to do anything to make him feel better, even if it was to perpetuate lies.

You’re at a space now where you understand because for Osamu, you know you would and will do anything for him too. No one talks about him though. No one dares mention any Miya first, and finally, you’re not compelled to bring them up either.

Of course, it’s just as tumultuous of a ride, even more so now that you’re more aware of your issues. Some days, the social vigor of running a restaurant is so draining that all you can do is keep your head down in the back. Count inventory and roll orders whenever Akaashi places them in. Sometimes it’s even harder than that, where you end up at the convenience store with one bottle of sake. Usually the guilt hits you half a bottle in and you end up pouring the rest over the nearest drain. This time, halfway isn’t nearly enough to ease the pain.

With the amount of volleyball players that have re-entered your life, an old interview of Osamu’s is in your recommended videos to watch. You can’t not click it when the thumbnail is a closeup top angle of his face, long hair pulled into a messy bun.

He stands the same with hands on his hips and in a wide stance but even the way he speaks sounds different. Same voice, different person. Different words.

The comments prove that he has a lot of fans from all over the world. They shout words of affection, recount the best games they’ve witnessed him in and no one mentions a single word about Onigiri Miya.

You’re at a point in your life now that any sort of Osamu brings on a general longing. You miss him so much you’re willing to take whatever you can have.

The realization makes you feel like you’ve lost him again because this place, the venue where you labor yourself until your back is broken despite your lack of knowledge had been a huge part of him. Now it is all lost to his pro volleyball glamor.

Onigiri Miya Osamu will eventually fade from existence. Once more, you begin grieving.

Despite your coping methods, it takes a long time to build yourself out of your rut. The gloom lasts for days and life has a predilection for stacking up your misery.

“Miya–”

Akaashi doesn’t have to finish his sentence. The impact already hits your stomach at the surname. It doesn’t matter which Miya it is. A Miya has stepped foot into this building, the first time since the fire. Suspense boils in your gut and its noxious fumes cut the breath from your lungs.

You’ve thought about this moment in great lengths, anxiously in bed or idle thoughts as you wait for the train. Preparation has never been your strong suit though. The fact is clear with the condition of your restaurant that struggles to even get by.

Blonde hair glistens against the backdrop of an afternoon sun and distracts you from the bells that ring when he opens the door. He glances around the walls with his mouth agape, focusing mostly on the origin story next to the host stand. It’s just a few old newspaper clippings of articles and one image of Osamu’s face. It was one of your few stipulations. He must always be there to greet the customers.

When Atsumu’s gaze finally finds yours, you can’t help but grip the towel tighter in your hands. Misplaced anger simmers right behind your tightly pursed lips. His face is so similar. It’s the closest anyone could get to a clone, and the distinct features you’ve been searching for, the ones that belong to the Osamu you once knew, are not there.

It’s a lot. It’s been a bad couple of weeks.

But Atsumu doesn’t know that. He doesn’t know that you’ve worked yourself raw and instead of building calluses, all you've done is made yourself tender.

He passes the backline and you find yourself taking a step back towards the display case as he crosses your first line of defense. He acts like nothing’s changed, that he’s still got free reign of the place and maybe it hasn’t. When he pulls you in, when he mutters ‘I love ya’ and ‘I’m so sorry’ over and over again, you fall apart in his arms.

You fist his shirt at the chest and sob in a way you haven’t allowed yourself since the hospital, since you’d seen any of the Miyas last. You cry into his chest, condense the past years you’ve had to make do with just your hands or sleeves or pillows. There’s rage and pity, but most of all, there is relief. Because as much as Akaashi has sat beside you while you mourned, and how everyone had gathered to remind you of your worth, they could never fill the space that any Miya left behind. None of them understood what it was like to lose Osamu. Not Myaa-sam, or Chef, or Oji-Samu. Youhad borne that misery alone.

You can’t fault Osamu for not choosing you. And Mama Miya has tried reaching out despite your lack of response.

But Atsumu, he could have stayed. You thought there was kinship there, a shared love for his brother. You thought you could have shared the sorrow too. Instead, he’d whisked away his family to Osaka to escape any reminder of the previous life he lived. He took everything and he left you behind.

Atsumu follows you to the ground when you literally fall apart in his arms. He hugs you tighter and he ignores the stack of napkins shelved right next to you, knowing that his shirt is more than enough.

Atsumu is eventually able to get you to a park near the restaurant once you calmed down. You both lay next to each other on the grass and the sun’s power is too strong for your swollen eyes. You have to balance your water bottle over them as shade. Atsumu offers the sunglasses he likes to keep clipped to the collar of his shirt. You accept it cautiously, wary of taking too much.

“I’m sorry.”

His apology is overwhelming and the corners of your eyes overflow, unprepared.

“Don’t,” you sputter out when you have the breath, a sting clinging to the bridge of your nose, “don’t. I can’t take it. Say something else.”

“I–” the way he blunders means he must have prepared a speech and now you’ve thrown a wrench in his plans. “I… uh. It’s good to see ya.”

“Oh, gods. Why are you even here?”

“I wanted to see ya,” he answers lamely.

There’s still anger in your chest and for the past couple of years, you’d been aiming that ire at Akaashi unjustly. Atsumu’s expression from the day at the hospital still keeps you up sometimes and it’s taken months of therapy for you to realize that his emotions were also misplaced. You’d dealt with pieces of the guilt and there’s still a lot that you need to address, but you understand now, that the burden of being was never yours alone to bear.

“Now? When you’ve had all this time?”

“I know. I–” he stops himself from another apology. You’re grateful he’s grown the maturity to keep his mouth shut when asked. “I just wanted to prepare ya.”

“For what?”

“Samu went no contact on me.”

You rise to your elbows in shock, worry prickling prickling your heart, “and Ma?”

“Not Ma,” he shakes his head quickly. “He calls her sometimes, not enough, but more than me.”

“Why?”

Atsumu breathes deeply, worn and weary. He brings his arms back and rests his head on them, eyes up at the sky watching a kite flown by two children, probably siblings. “Why fucking not, ya know?”

“No, Atsumu, I wouldn’t know when you basically went no contact on me.”

Atsumu pinches his bottom lip between his front teeth. Through the dark lenses of his sunglasses, you can see the way they lighten from the pressure. He sighs again.

“I deserve this, I know. But Osamu didn’t. I fucked up but I had no clue what I was doing. Ya gotta understand. Ya were there and ya saw him and how beaten down he was and maybe I did put blame on everyone but myself. I hated Onigiri Miya for even getting him caught up in that sort of mess, and when his dreams lined up with mine, I figured it would be okay. We could leave it all behind. I tried to play God with my own brother’s life and he let me. Everyone did.”

“He listened to you?”

Atsumu shakes his head, “crazy, right? He was lost and unsure, but I was confident, ya know? I just felt so certain I was doing the right thing and I think that’s the only reason why he let himself be led all this way.”

“So what changed?”

“Are ya kidding?” Atsumu looks at you, and when he realizes you don’t have a clue, he turns to face you. “The answer is you.”

It’s a fucked up thing for Atsumu to say. The words erupt an ache in your chest. You curl into yourself, bring your knees up so that you flinch away from the pain but Atsumu grabs hold of both of your hands. He grips tightly in an attempt to siphon the pain.

“A love like yours ain’t something easy to forget.”

You remember the hospital, “that’s what Ma said.”

“It’s exactly what she told him when he left. I don’t know how he found out, but I saw that he looked up Onigiri Miya the day before he left and he’s been gone since. For about two weeks now, I think.”

“No,” you shake your head, closing your eyes to soften the blow of his words but even in the darkness, a stinging, buzzing pain wracks through your body. It’s everywhere all at once but Atsumu holds you through it.

“I love ya. I promise, I do. There wasn’t a day I didn’t regret what I did, but believe me when I tell ya. I do. I love ya,” He takes your hands that have been bunched up into fists and presses them onto the soft skin below his eyes where it’s sticky and wet. “And I’m so sorry I had to put ya through this and made ya go through this all alone, so if ya moved on, if ya got someone else, I understand and I’ll figure something out.”

You try to pull yourself from his grip but Atsumu holds onto you, head bent in repentance and the sincerity of it all spouts more tears.

“I’ll handle Osamu if that’s the case. I know Akaashi’s a really good guy so–”

You take your conjoined hands and jab him across the forehead. Atsumu sputters in shock, letting you go in the process while he tries to soothe the pain.

“Does it look like I’ve moved on, idiot?” You knock soft fists into his chest like a child. “Would I be crying in what I consider my own brother’s arms in a park if I moved on?”

“I just wanted–”

“And Akaashi? Fucking Akaashi? He’s a good guy,” you mock, irritated, “of course he is. Shut up. You know I’m in love with your brother.”

“Okay, okay, I’m sorry. Stop hitting me. I said I was sorry already.”

You make sure to put some extra force in that final punch, “you’re going to say it for the rest of your life.”

Atsumu nods gratefully, “of course.”

“And,” the words hurt coming out, “and don’t run off on me again.”

What makes the tears slip this time is forgiveness. Atsumu holds your hand against his chest where you can feel his heart. You’ve missed him, longed for him just as much as you have Osamu and slowly, you feel yourself start to heal.

“He might not need a brother right now, but I do.”

Atsumu kisses you on the cheek and pulls you close. He holds you in his arms with the same exact care he had for Osamu in the hospital, with the same protectiveness of an elder brother.

Finally, you feel understood. 

Atsumu spends his off season in Hyogo where you find out Ma has moved back. Akaashi doesn’t take kindly to a change in routines, but he begins helping out where he can along with Ma. 

When Ma first sees you, all she can do is hold you at arm’s length, picking her vernacular apart with words that she wanted to say. You just shake your head and let yourself be swallowed by her cardigan comfort. She encourages you to come to family dinner and you have to ask if Akaashi is invited too. She pats his cheek and says of course like the question was unnecessary to begin with.

The world shifts almost exactly the way you imagined it. Life has a funny way of doing that. Atsumu helps around the restaurant and Ma stops by with some of her friends after an activity. She meets Asako who she adores and is adored just as equally. Ma takes ice cream duty from you while Atsumu, because it’s his off season, likes to overstay his welcome at your apartment. Akaashi kicks him out and the athlete tries to use Mumu as an excuse. Mumu, unfortunately, likes Atsumu even less than Akaashi.

Sometimes Atsumu will try to broach the topic of contacting Osamu, something that both you and Ma are against. Osamu has been through enough, you both reason. And he’s probably had his fill of someone telling him what to do.

The restaurant fills and though you know that yours or Akaashi’s food cannot compare, the laughter spills out the doors from friends and family and neighbors that continuously visit. They manage when you accidentally don’t order enough fish, opting for broth and rice and when you run out of beverages, someone offers to run to the convenience store to buy drinks.

It’s not a perfect venue, but it embodies Osamu’s very being, a place that has become a home.

One day, Akaashi is out of town and Atsumu helps you while he’s gone. He’s not as focused as your usual business partner, whose eyes continuously drift out onto the streets and he even leaves early when you haven’t finished clearing up for the day.

“Alright, I gotta go but I’ll lock the door,” Atsumu runs off quickly. “Ya can handle this, right?”

You look at the stack of dishes and the ready to go items that haven’t been put away yet. It’s not much, but it would certainly be easier if he stayed. Unfortunately, his question is apparently rhetorical because the man does not wait for an answer. He reiterates his farewell and with a jingle, the door is shut.

“Okay,” you say, blinking at his figure that eventually passes a corner and disappears. You scan your surroundings, running a mental image of what would be the most efficient process. Wipe down the tables, you decide. Some haven’t been bussed yet so you head over with a fresh rag and empty tray.

Atsumu likes to turn up the music the moment the o.mo.ide closes as a way to decompress. You hum along. It’s a mindless process now that you’ve done it so many times. Clear the tables. Sanitize the tables. Sanitize the chair. Bend down eye level with the table and make sure you haven’t missed any crumbs. You’re not even thinking, just lost in the routine and it’s why the sound of the bell startles you.

It’s so like Atsumu to forget to lock the door. You compose yourself with a slow inhale and prepare for an irate customer who might argue at your innocent error, but the breath expels from your mouth.

You stand there stupidly, hands holding your chest like you’re about to dive backwards into water. It’s that feeling, where two characters catch eyes on a crowded street. Despite everything that has happened and all that separates you, he holds you captive. Your feet are planted to the ground and everything, heart, mind, body, and breath is under his power.

“O – Oh…”

Even saying his name feels foreign because as much as you’ve thought of him, you can’t remember when was the last time you did. It feels foreign on your tongue and you can’t blurt anything out but the first letter, and you witness his demeanor change.

“Osamu,” you say only because you think it’ll make him smile. It does and because of it, you want to fall down on your knees.

Everything, everything that you had observed different about him, his hair that looks like he’s cut but is still longer than you remember, the cut of his jaw that’s sharper, his brows that he’d boast about being strong look trimmed, and even his choice of clothes is different, opting for a sleeveless tee over his favored oversized shirts, all of that is negligent because seeing him once more, you recognize he is still your Osamu.

“Hi,” he greets and your heart flutters. Was this really how it felt when you were falling in love because everything he does brings upon a desire that you doubt could ever be quelled. “Are ya closed?”

“Yes,” you answer honestly and the wilt of his face makes you overcompensate, “but– but it’s fine! You’re come in… I mean, oh…”

This is so fucking embarrassing. “You’re always welcome. Come in and have a seat wherever you want.”

He points at a bar seat with a head tilt. You nod and make sure to lock the door behind him. The bus tub, the rag, you forego it all and pass the swinging door that separates the register and eating area. Your hands perspire at the stress of perfection. It’s a foreign thing for him to be seated while you serve him and maybe it’s you overthinking, but it feels like he’s watching your every move.

Osamu quickly diverts his gaze when you turn around. His not so subtle glancing of the venue, head craned back as he looks at the decorations on the walls and the lighting fixtures you and Akaashi picked, amuses you but you try not to show it too hard. Osamu seems shyer than you’re used to. That’s okay. You’re nervous too.

“Did you come hungry?”

“I did.”

Ease washes over you. Thank the gods, that has stayed the same.

You apologize for the lack of options and Osamu tries to downplay the inconvenience. “It’s okay. I didn’t… Well I did, but I didn’t really come here to eat.”

“No?”

Osamu plays with a stray grain of rice between his fingers. He rolls the sticky piece into a ball, back and forth as he thinks of what he wants to say.

“No, I… To be honest, I didn’t think I was going to go inside.”

“Oh.”

“But I…” then he stops his rolling and he looks at you, like really looks at you. And whatever it is, you feel it too. “But I just had to.”

“I’m glad you did.”

“Yeah, well, it took me all up until closing to work up the courage.”

“That’s okay,” you tell him. You pull up the stool near the rear register and situate yourself across from him. The boundary that separates you two is familiar, 76 centimeters of space that you know by heart and it makes conversation flow smoother. “I’m happy you came at all. How was your day?”

“Shit.”

The answer takes you by surprise, him too by the way he stops chewing, lips puckering close together as he ruminates whether or not meant to say those words. But he owns them, and continues on.

“My smoothie spilled all over my cup holder.”

“Oh no. Did you ask for another one?”

“Pretty sure they tried to sabotage me by giving me a cracked cup.”

You break in the most unexpected way. A smile splits your lips and a giggle strikes through your chest. Everything feels so similar, so weightless. It feels like a dam has been broken with just a couple of words.

“It ain’t funny.”

You agree, “I know. It’s the worst.”

“Then why are ya laughing?”

“I don’t even know. It’s not funny at all.”

“It’s not. I had to stuff a bunch of napkins in there.”

“No, it’s going to get sticky!”

“What else was I supposed to do?”

“Cry.”

Osamu sputters, rice flying from his mouth. He’s embarrassed for only a millisecond, fearful of your reaction, but all it does is make you bend over, sincerely losing control of your body. Osamu joins you, laughing at who knows what, but you’re grateful. For as much pain misery brings, it takes so little for you to be happy.

“Fuck,” he says once he’s able to catch a breath. He says quietly with wonder and it has your giggles soften to match his energy. “I’ve imagined every way this meeting could go.”

Your heart constricts like it’s being pinched from the bottom. “Is it everything you thought it’d be?”

“No,” Osamu shakes his head genuinely. You almost apologize. “I thought I’d mess it all up but,” he looks at you and it’s the gaze you had been searching when he had first woken up all those years ago. A quiet ardor, soft around the edges but saturated in passion, “but I didn’t expect it to be so easy.”

“Stop,” you have to hide your lips.

Osamu doesn’t understand, back straightening, “what?”

“Stop that.”

“Stop what?”

“Saying those things.”

His lips pucker themselves out, “why can’t I?”

“Because,” you blink furiously, willing the tears away because you want to remember this with clarity, “you’re making me too happy.”

He grins too, but it’s still shy as he bends his head down, nodding slightly as he does, “how do ya think I feel?”

There’s a calmness that settles now that your mania has subsided. Your eyes appraise, trying to find more topics to talk about so he can stay just a little longer.

“Are those cigarettes?” you observe the square box in his breast pocket.

He nods as he pulls them out, holding them in his hands as if they were novel.

“Are you smoking a lot?”

He looks at you curiously, “did I used to?”

The past tense makes you stumble, but you do your best to answer him honestly. “Sometimes. Only the bad days. That’s how we knew you were having a bad day because we’d smell them on you.”

He’d lean his chest against the railings like his body was too heavy, curved his body like a treble clef as he smoked. And often you’d find him in the alleyway, a cigarette in one hand and food for the cats in another.

“It’s crazy how I do shit without knowing the real meaning.”

You shrug, “habits are harder to break than memory.”

Osamu nods. A beat passes before he continues the conversation on his own.

“I’ve had this same pack since I left the hospital.” He opens it and reveals only a few sticks missing, “play with it for the most part but I’ll smoke one when I get overwhelmed. I dreamt of you once and my heart wouldn’t stop beating. I had to go outside and calm myself. Nearly gave Tsumu a heart attack when he noticed my bed was empty.”

“He’s a worrywort.”

The sound Osamu makes is not kind. There’s still animosity for his brother, “even more so now.”

“He means well.”

“Sure he does.”

“I’m sorry.”

Your apology takes him by surprise. Osamu shuts the pack and places it back in his pocket. “For what?”

“For, I don’t know.” A lot of things. For burdening him with faded memories, for not being who he needed, for not being enough, “for being in your dream.”

“What are ya saying? It was a good dream. It felt… nice.”

“Really?”

“Yeah,” he nods earnestly while looking at you. “I can’t explain it because I really don’t know the specifics, but it felt good. Made me wish I dreamed about ya more.”

The sunset is almost complete, dark orange hues streak the tile floor. Osamu’s been done eating for minutes now. With his plate clean and the conversation running its course, it feels like a good place for this to end. But you don’t think you can part with him just yet. A culmination of yearning and grieving and mourning and aching has led to this and you’ll be damned if it’s over now.

You hop off the stool and Osamu sighs. He matches your movements, slowly getting up, too. He looks ready to leave but you won’t let him go without trying. Not this time.

“Would you like to see the back?”

“Really?” his giddiness prompts yours.

“Yeah, of course.” You lead him to the back and grab your apron. Then you point at the black one on the last hook closest to the back alley door . “Take that apron.”

He hooks his finger around the neck, “this one?”

You nod. “Yeah, that one’s yours.”

He takes it in his hand, shy and foreign in his fingers. It’s different, clumsier, but it’s familiar enough to let your heart burn.

He pulls the fabric over his head and adjusts it along his shoulder. The apron is knotted up by habit, his hands reaching there after the three usual tugs and when he looks up, your stomach swirls at the sight of his beam.

He’s everything you’ve missed in more ways than one, but finally, thank gods, finally. He’s right where he belongs.

---

genuinely one of the best fics i’ve ever read… i felt like i ascended while i was reading.

pop rocks and green tea

word count: 20k

warnings: depictions of violence, 2x15 warnings (torture, drugging, spencer dies for a second, religious trauma), ANGST, hurt/comfort

summary: "Whatever our souls are made of, his and mine are the same." (Emily Brontë, Wuthering Heights, Chapter 9)

there's very little in the world that will not make sense to doctor reid once he finds interest in it. most things come easy as they go, rubik's cube solved forwards and backwards — upside down and right side up, questions of physics and doctorate dissertations coming in triplets the same way that the notation rings in an empty performance hall with a musician.

in his life, to understand is power, and power is protection against those that have once hurt him. no harm in the present, he understands. not from them. not ever again. the only harm in the present is from the unsub and the unknown.

the absence of light still scares him. he tries not to think too much about that.

knowledge is power. wisdom is efficiency.

to profile someone is to understand them.

to profile you should be to understand you.

yet, beady eyes and charming smiles, you cause the rational to burn irrational — the known to become unknown. there is always something you know that he doesn't.

no, not simple facts of life or statistics that could save your life.

the void of your eyes is always too dark under the sun — the absence of light.

the shine of your hair is always too dim under the light — the absence of life.

you can do the one thing he can not, and he does not envy it. no. he does not crave to understand or to contain it. there is no dark need creeping up around his throat begging him to cage you and sing for him only.

it is simple curiosity.

charming as knowledge, preening with the night sky.

he fears you just as much as he must know you.

and well, doctor reid is never one to back down from nonsense that he must make of sense.

somewhere when he was a child, he thinks he has met you. your face is far too fresh in his mind to be more than just a passing face, but far too familiar to be someone who he no longer remembers. perhaps you are a face seen in dreams — dreams that on occasion give him deja vu, but it never quite matters. it doesn't quite matter, actually. he's truly not much better off knowing just who you are. perhaps a fond memory or a lost face in his past is plenty fine on its own. he simply hopes he will never encounter you in his line of work — even if it seems that he will some day. people in his dreams are never quite the best. people in his dreams are part of his past and always circle back to his future.

but the dreams of you come in strange flashes — a grin with too much teeth, a laugh with too little air. a song with too many keys. a voice that carries a little too much — a voice that sings too many notes. there is something that doctor reid should know about you in his dreams, so he tries talking to you, but there is no voice ever.

all there ever is is a nice cup of coffee at a local coffee shop — and an image of you frowning at him.

he wonders if he should seek counselling for such a matter, but it is much preferred to the sound of screams in his nightmares that jolt him awake and the constant watch for voices that have plagued his family. he worries that he will hear them too one day. that the voices will eat at his mind and ruin him. the same way they had ruined the man on the train — the same way it had eaten so many of the unsubs that he knew.

to be in your mind is never too much a good thing, but is it really a sin to listen?

you manifest the differently in his reality as you do in his dream.

you passed him on your way to morning work — stumbling up the stairs to the metro, phone tucked to your belt the same way that morgan has it, briefcase overfilled. its a cliché in the same way that he's a nerd who looks the same as ever.

a student internship in the BAU. you didn't ask. he didn't either.

hotch mumbles to gideon about how you shouldn't be here considering clearance, and when you are asked, you do not know. you tell them in pure honesty that you had been sent here because of your post-graduate dissertation. a paper on reading people. a paper on just about everything that the BAU did. too much brainpower at such a young age. you should not be in the department, but hotch isn't given much time to complain before everyone is called out and you are left.

with me. spencer finds himself saying to you.

you tag along, dissertation handed to doctor reid as he tells gideon, and you fiddle with your fingers — three rings on your left, and four rings on your right. berkeley then stanford then harvard. your resume shows too much yet too little. degrees in humanities until your doctorates where you had changed to psychology. an intrigue in the art of lying and manipulation. the psychology of acting and the need to control everything. perhaps it is a strange subject to be let into the fbi for, but no one on the plane comments on it.

a killer. a man who calls and kills.

a man who kills in the name of god.

god.

a strange word, truly. reid doesn't believe in anything the same way gideon does, and while the way you recite verses from revelation feels like there is truth in your faith, the grimace on your face after indicates anything but. is that the truth? or do you lie the same way your dissertation writes? do you use the art of manipulation to get what you need? what you want?

what does he want?

you don't have a goal, doctor reid.

scary words to be told by someone who was his age when he joined the bau. do you have one? you don't seem to either. he tries snapping back at you, really, but it doesn't work how it is supposed to. how are you supposed to react? someone your age should snap into an argument. argue back with him. someone his age should know better than to snap back. but when you only give him a half-shrug and grin when he argues back. it almost feels as though he's the one who never grew up.

perhaps it is jealousy. he had first started out when he was your age yet he didn't slot in nearly as nicely as you do. it almost feels like you've become one with the team. an entity with a lack of shape. a non-newtonian fluid that slots in the cracks that the team is yet to be missing. an adhesive that somehow sticks the team better than the rest of it does. someone who slips through the cracks to reveal the lack of continuity. the team should work well already, so why then do you reveal the worst when you let go? perhaps you are here to prove your dissertation and not to help.

do you wield a gun? why do you hold on to one?

your fingers wrap around the grip and you stare at the unsub from behind him. reid begs you to slow down, but you aren't fast enough — not enough survival in the bau, a case requiring too much agility that you have not yet developed. training could do nothing for it, so when the unsub catches wind of you, it goes without saying that the intern lives even if he passes. perhaps you were doing it on purpose. perhaps those dark eyes of yours with too much pupil and too little iris. the sound of you yelling his name rattles through the night, and he is gone.

will he dream of you when you are right there? or will his dreams come to haunt him?

when he wakes it is a dark room. you are in the back, tied and half awake, and he is on the chair, fully clothed, stuck staring into the eyes of an angel of some sort. raphael. the angel's name is raphael but he's not even congruent with modern teachings, your mouth earning you a snap of the gun in russian roulette. you fear not even death, eyes glimmering and mouth uncontrollable as you dive into the history of the book of enoch and tobit, spitting out scripture upon scripture of archangels that do not include raphael. you earn a second shot and a third as you drive the unsub mad, your eyes in equal desperation as he finally lands on the fifth, turning around and aiming it at reid as you hold your breath and bite your tongue finally.

"Psalm 31:9. I said, I will take heed to my ways, that I sin not with my tongue: I will keep my mouth with a bridle, while the wicked is before me"

he pulls the trigger and you watch, eyes trained as spencer lets out a breath in relief.

he mouthes at you to keep it shut while you fiddle at the restraints, staring as the unsub knocks spencer back out, barrel of the gun jammed into the side of your head as you're next.

you wonder if you'll see spencer again in your dreams.

doctor reid, with formality.

when he rouses again, it is to the smell of smoke and fire, and your eyes are staring at the door. spencer does not speak. he's learned that it is most likely best for you not to, but you open your mouth again.

exodus 20:7. you shall not misuse the name of the lord your god, for the lord will not hold anyone guiltless who misuses His name. you spit out verses like they've been beat into you. like you know something that spencer can not read in between the lines. he knows the footnotes and cross-references. he knows every verse in the bible if he really willed for it, yet you feel like a disobedient child, thrashing and choking up the ten commandments, you shall not murder stinging on your mouth as the whip comes down on your foot. It is as though you know this feeling.

spencer winces and tries to open his mouth, but you leave no space. you can not stone me. for you are not sinless and clean. john 8:7 and 9. they kept demanding an answer, so he stood up again and said, "All right, but let the one who has never sinned throw the first stone!" at this, those who heard began to go away one at a time, the older ones first, until only Jesus was left, with the woman still standing there. it is scripture upon scripture until the sole of your foot has become bruised, and the man tires, only then is your foot restored and you are given your body once more.

"1 Corinthians 14:34. The women should keep silent in the churches. For they are not permitted to speak, but should be in submission, as the Law also says. If there is anything they desire to learn, let them ask their husbands at home. For it is shameful for a woman to speak in church." he spits back at you, and you laugh.

Acts 2:17. And it shall be in the last days, says God, that I will pour out of my spirit upon all flesh and your sons and your daughters shall prophesy.

spencer can not bear to see the abuse you suffer, and when you laugh and laugh, cursed as the man tells you to be quiet, you spit that he has no authority. he is not your husband. he is not your father. he is not your brother in christ, for no brother in christ is a murderer, you curse.

"And you are not sinless, woman."

the lord spake unto moses saying, "speak unto all the congregation of the children of the lord " and say unto them, ye shall be holy, for I, the lord your god, am holy" spencer finally gets a word in, and your neck snaps over to stare at him, almost as though he were not speak in the conversation.

spencer gets beat, and you are unsurprised when the man leaves and leaves a reddened sole that near matches yours.

he is no charles. you mumble, bruise on your foot as you mumble quietly. for we are all slaves of god.

perhaps in some way he still is.

no. you mumble. for we are made in his image, and in his image we are made. male and female.

spencer can not offer you words of comfort, your eyes glazing over as you stare up at the wood of the ceiling, eyes closed as you are gone.

when the man returns, spencer asks for his name while you heave, heart racing and body flushed. you are not sick, no, but perhaps your body is struggling under the stress. an offhanded comment he had once documented from his dream reminds him that you do not do well under stressful situations. a body that shuts down and decides it is no longer worth it.

tobias is his name, and you cry and beg to not be injected, whimpering and shaking, squeaming in his hold as he straps you down to give you the injection. it is the first time that spencer has seen you in tears since meeting you. you had not cried at the abuse nor at the kidnapping, but you squirm and cry at the needle being forced into you, half of the dose forced into you as you cry and cough, body eventually going soft, and when tobias sees spencer's foot, he knows he's next.

you manage to force out a clean out of your lips with glassy eyes as you focus on him, eyes wounded and hurt as you beg tobias to let you sit closer to spencer. stronger in two, you cry. would he not offer even the mercy of letting the two of you pass as one? was it a sin to love someone?

he moves you after arguing with his father, and you manage a weak limp before you are at reid's feet, glassy eyes and slow blinking in your system as your body resists the drug.

reid is delirious. he is weak. father is leaving again. there is no way to stop it, and he has to live it out, and his mind is gone. he is out. he knows he is. he is stuck in a memory, and he does not know where he is anymore. he was somewhere. he was doing something. he was... something. where is he? he must be somewhere important. he is barely conscious when the sound of a beating rattles through the room, and he is stuck staring as you are dragged by the hair and a camera is set before you both.

nothing outside of a beating. you mumble. the drug will numb yours.

you stare into the camera through heavy eyelids, and you watch as reid struggles to focus.

"Choose one to die. I'll let you choose one to live."

you cough as you feel your skin crawl, and you know it'll come to a point where the two of you will not return. you will claw and force your way back like you have learned to, but the doctor next to you will not. it will force through his bones and pure will not be enough. he will never be the same after this, and in such a way perhaps it is your fault for not pulling the trigger in the field. it matters not if you're only an intern. if you pass then you pass. the doctor has to live.

Spencer Reid has to live.

"Can you really see inside men's minds? See these vermin? Choose one to die. I'll let you choose one to live."

"No."

"I thought you wanted to be some kind of savior."

"You're a sadist and a psychotic break. You won't stop killing. Your word's not true." You mumble. Again. You can do this. Just like the first time. Just like the second. You are better than this.

"The other heathens are watching. Choose a sinner to die, and I'll say the name and address of the person to be saved."

"I won't get choose who gets slaughtered and have you leave their remains behind like a poacher." You cough.

"Can you really see into my mind, girl? Can you see I'm not a liar?! Choose one to die, and save a life. Otherwise, they're all dead." He pulls you up by the collar, and you clench your fists.

"All right, I'll choose who lives." Spencer mumbles. "Stop hurting her."

"They're all the same."

"Far right screen." He mumbles.

You go limp against Spencer's leg as you're dropped, and when the door clicks behind you and the silence meets you, you're blinking and heaving, crack from your wrist alerting Spencer as you stumble and hop on over, one wrist free as you turn on the camera, mumbling under your breath to the team as you slur half your words and cry about a cabin in the woods, mumbling about drugs and how you're sorry you didn't stop Reid from going into the cornfield and how you'll accept any form of punishment going your way. You're slurring half your words and praying the team understands. Maybe the red of the camera hasn't turned on at all.

you look strange like this, spencer thinks. there's so much fragility that he can't help but assume that this is really how you are. perhaps all of the acting you had written on had only revealed that you are no better than anyone else when it came to abuse. he will be gone until late night, if he is not wrong. three bodies at once is not something to be done quick. perhaps tobias does not want to kill still, but it matters no longer. he feels it too. the drug in his system has done something.

by the way you're crying, he almost wants to console you.

kid.

doctor reid.

do you have the strength to tell me a story?

i'll tell you a dream I once had.

anything to get my mind off of the drug.

i dreamt once, a long time ago, that i would become famous. fame that would act in musicals and sing on a grand stage all for me. my mother's dream was for me to become someone's pretty and compliant wife. but i dreamt of velvet curtains and pine wood floors and a crowd that would applaud whenever i finished my show. 

and now?

and then i dreamt of books. pages and pages of books. research that would engulf my life, days and nights in ranges of literature.

and now?

i dream... i dream of survival. i dream that we make it out alive.

the two of you watch the murder of the first on the camera.

"Reid, if you're watching, you're not responsible for this. You understand me? He's perverting god to justify murder. You are stronger than him. He cannot break you."

you blink lifelessly, tears slipping and dissociating out of a fear, body going limp when you slack back next to reid, and he stares at the screen as he spaces out. gone. he's back in the middle of nowhere, memories stuck on replay as he knows he should break out to find you, and it isn't until you're crying and begging not for a second dose, bawling that wakes spencer up when you're squeaming and gasping for him to put the needle and drug away, voice raspy and breaking as he forces the needle into you, reid stuck watching, unable to tear his eyes away from it as half of the drug is pushed into your system and your bawling turns into quiet sobbing, sobbing turning into half-sniffles until you're gone completely.

reid squirms with the injection into his system, and he slouches down and passes out next to you.

It's night when you wake first, eyes dead and pupils small as you feel Spencer rouse next to you. You're shaky. The second dose should have been enough to cause you to go into shock and nearly die, but the seizures have long grown to be things of the past and god-forbid this be your first rodeo because as soon as the screen flashes with a message about a virus, you're widening your eyes and bracing yourself for another beating. If the drugs can't help you, then god help you with the beating.

"No. No! They're trying to silence my message!" Tobias— Charles yells.

i can't control what they do. i'm not with them. i'm with you. Spencer whimpers.

"Really?" He laughs, and you watch as he turns on the video from earlier from Gideon. You should hurt him, truly. You should bite the bullet and just risk death because it doesn't matter unless—

"Do you think you can defy me?"

I don't know what he's talking about.

"You're a liar!" He raises a brow at your raised sleeve, and you flinch as he forces the fabric up on your arms before checking Spencer's. "You're pitiful! Just like my son. This ends now. Confess your sins. Confess!"

i haven't done anything. tobias, help me.

You watch in horror, yelling as you watch the man beat him up.

"he can't help you. he's weak."

tobias.

"Confess your sins."

help.

"It's the devil vacating your body."

You scream, forcing over to Spencer as you break your wrist out again uncomfortably to do CPR, mumbling quiet sorrys to him as you press your lips to his to force the air back into his system, numbness in your wrist no longer mattering to you as Spencer coughs back to life, and you don't care if the barrel of the gun is pressed to your head as Spencer is forced to watch.

"You revived him. How many members in your team?"

"Seven." You whisper, voice breaking. You aren't one of them. Not technically.

"The 7 angels who had the 7 trumpets prepared themselves to sound" Tobias mumbles to himself, and you lock eyes with Spencer who's still on the ground.

"Choose one to die."

You're gaping and swallowing air like a fish, and you whisper quietly.

"I don't know their names." Your voice breaks. "I don— I don't know their names. I'm not— not one of them."

you're crying again, and it really makes reid wonder if anything you do is real at all.

"Aaron Hotchner." Spencer exhales. "Him first. Genesis 23:4. "Let him not deceive himself "and trust in emptiness, vanity, falseness, and futility, for these shall be his recompense."

"For god's will."

You're on the ground mumbling to yourself, crying and coughing, your wrist starting to turn purple, and Spencer glances at the way you hold it up to him with a sad smile, laughing almost pitifully.

you dislocated your wrist.

"Yeah." You laugh, humming quietly as you look almost fond. "Fun stuff. I'll pop it back when we're saved."

you?

"Yeah." You hum, resting your head on his thigh as you help the chair back up. "He didn't notice."

too focused on me. what about your wrist?

"I can do it myself." You hum, leaning on his thigh. "I'll get scolded, but it'll be better than this."

Spencer doesn't say anything else, and when Tobias returns and you're both offered water, you're unsurprised that he still doesn't notice that your wrist has been broken free, but when another shot is injected to Spencer you're begging the poor man to leave him alone, a dose returned to you as you fight the depressants in your system with a furrow of your brow and with the last bit of strength, you pop your wrist back into place, without too much of a thought as to do anything else, and you go in for the kill, screaming and shrieking as you steal the gun from his pocket and pull the trigger between his brows, sobbing and wailing as the blood pools underneath you and steal the key to let Spencer out.

He's too sluggish to move comprehensibly, and you hear Tobias' voice behind you, your fingers smoothing over his wound, your discolored wrist dark against the glow of the room as you weep, hands stained with blood that isn't yours and an internship ruined all thanks to your foolish choices, and when Spencer drags himself over to hold you, you're sniffling and coughing into his arms, apologizing for the blood on your hands and the drugs in his system.

You force his hand out of the man's pocket, needle in hand as you take out the last of the drug and force it into the leaves, the sound of the rest of the BAU approaching as you squeeze the needle in your hand and throw it as far away from Reid as possible. You can't let him lose himself too. You can't let him do it. His future is too bright and yours has always been a clawing upward that you've grown used to.

Your hand finds his instinctively, squeezing for comfort.

spencer feels your hand in his vaguely, and he tries to make a sound of complaint when he sees you dump the rest of the drugs, but it doesn't come out. the sound of the bau hobbling on over and the sound of your cry and begging doesn't register to him. it barely does. he's truly past it, and when gideon brings him in and you hobble behind him with a stretch of your back, it almost feels as though the narcotics were a part of your daily life. he does not understand you. he fears he never really will, and perhaps the closest you will ever get to being honest with him is when you started crying over the shots in your system.

"Kid."

you shake your head and tell him you'll be fine. just run a detox kit on the two of you and you'll teach spencer the rest.

"Detox?"

detox.

you sit in the same ambulance as spencer because you refuse to be separated, and you let the drip run through your system. you have the medics flush everything out of both your systems, and while you think you're going insane the first 24 hours, both of you are booked into a treatment facility before you're out in a jiffy. you assure the workers that your relapse won't happen considering you no longer have access to these drugs, and you visit reid every day just in case you do somehow think of it.

i don't get it. i need it. i know i don't but—

its just the drugs talking. we can do a reward system or just give it some time. you'll forget soon.

when you return to the office first, you're offered a job by hotch. it almost feels ironic for you to accept a job that nearly killed you on the first day because of a misfiled paper, but you accept it anyway.

"Reid needs you."

you know. he needs them too.

you continue to visit him every day after work, telling him about the cases you had been reading and the work that had become new, and he lets you fiddle with his hands to calm the both of you. a germaphobe. he never should have let that needle touch him, yet he couldn't argue. neither of you really could. you couldn't either. the two of you are clean from everything else but the drug, and it's appalling that you had recovered so fast. he wonders just how much of you you had been honest about in the fbi profiling when you had first been introduced to the team. he's certain hotch must know more about you, but whether or not the drugs had been part of your past is only for hotch to know.

you seem shattered.

spencer notes the lack of rings on your fingers now.

when the two of you are back in the office, you toss him a teabag instead of the coffee, and he raises a brow at you.

skitterish. he's anxious, and he's sure maybe it has to do with the withdrawals, but you hold your hand out for him to squeeze. there's something, maybe. he isn't that peeved by you when you end up sanitizing your hands before holding it out for his, and he squeezes in increments as the two of you sort through the following cases. your hand becomes an extension of his in a way, and while hotch doesn't understand why you're required to be by him at all times, he understands to some degree that perhaps you know better than everyone else in the team how to deal with it.

it'll be good for him.

"I doubt it will."

it helped me.

you start to understand doctor reid to some degree, you think. there's something so strange about him willingly holding hands with you. perhaps a blood bond had been formed when the two of you had been drugged by the same needle. he learns to hold hands with you longer, and when it's awful, he squeezes and asks you if you have sugar or something else to get his mind off of the drug. the withdrawal is bad, he thinks you know that much. the sugar in his system helps him calm a little. sometimes its tea, sometimes its sugar. sometimes its just squeezing your hand until he calms a little more.

sometimes it's holding headphones over his head while he tunes out the noise, and sometimes it's his hand looking for yours instinctively. when the noise is too much and he slams the window closed, you have headphones popped over his ears as he maps everything out, frustration evident on his face as you squeeze at his hand from the chair, blinking at the map.

not particularly bright, but particularly good at both reading and acting. you'd never go off script. not once. you're truly only good for interrogation at this point in time, and perhaps observation, but you tag along with him and emily to the shelter. when reid's being rude you just slap your hand over his mouth and apologize to the poor woman, dragging him off to look around while you hand the case over to emily.

you're not my babysitter.

trust me, until you know how to handle yourself, i am.

you apologize to emily and smack reid when he tries to argue back, and when reid tries smartassing with you, you just tell him to shut up with a hand over his mouth — something you know he despises.

emily, you've barely known me—

you slam a hand around his mouth, eye twitching. forgive him, trauma response.

you let emily do most of the talking when you head back, forcing a slice of gum into reid's mouth as you wave him off with a flick of the wrist, brow raised as you glance back at the case files.

spencer wonders what the discomfort with your dismissal is, but he takes your hand back up again because you can't deny him for too long. you know how skittish it is to be off the drugs, and it's an awful handful of days. on occasion it lasts into weeks, and you squeeze spencer's hand back when you need it too. always better with a friend. you can keep telling yourself that, truly.

you need it sometimes too, staring quietly from the confines of the room as you're told that the unsub died in the line of fire, thumb brushing against the back of spencer's hand as you let out a huff, mumbling quietly case after case until you grow numb to it like the rest of them. new face. you grow to become someone that isn't a new face, and when reid's begging you for the drugs in his system, you're holding him back, mumbling as he groans into his hands about not having anything to kick in his system.

you hand him a cup of tea and pop rocks, dumping it onto your tongue with the opening of your mouth on the plane as you kick your feet back. a new case. not a day of boredom in your new world.

it's case after case and running after running, pinching reid to get him to shut up when he says something mean, apology stumbling past your lips almost as though he were some troublesome child you were taking care of for the time being. and when he finally frees himself of you to grab a drink with his friend, he's snapping his phone off at emily's calls, panic on his face when you show up at the very bar a handful of hours later, waving hello to his friend before sliding down on reid's lap.

i'm not done talking to him.

you're on the job. you mumble back to him, letting his hand wander. drunken man, you think. too handsy.

His friend lets out a laugh as you start chatting with him, and you swat at Reid's hands each time they trail too close to your pelvis, squeezing it at one point when he raises a brow at you.

what?

"You're getting too handsy." You hold his wrists together as you set his drink down, and you crack a smile as his friend when he laughs. "Hm?"

"He seems real fond of you."

"Trauma bonded." You hum. "You see it too, huh?"

"Not sure where he got it."

"Sure wasn't from me." You let go of Spencer's hands, and he brushes the exposed skin of your upper thigh absentmindedly, humming quietly. "I threw out the last two before we were taken."

"He seems quite affectionate."

"No. Not quite." You hum, hand held over Spencer's as you click on your phone. "I doubt he knows it."

"He couldn't know even if you died."

"Perhaps I'll be gone by the time he realizes it." You tilt your head as Spencer blinks at you, and you hum, laughing as you rest your forehead on his.

"I hope he doesn't. For his sake."

i'm still sober, you know.

i know. you laugh.

stop excluding me.

we're not.

you're unsurprised the case is by a woman, and you're even more unsurprised when she's carried off after barely harming the final victim. you stare blankly and let gideon talk to the both of you, and you laugh airily, telling gideon it wasn't that deep for you, but reid would need some time. you catch the look in gideon's eyes, but you don't comment on it. it's alright. you'll stick with reid. you're close enough for you to grab him every morning anyway.

"Kid."

"Hm?"

"You ask for help when you need it, all right?"

"Alright."

spencer doesn't say anything until gideon is walking off, and his hand finds yours out of habit, mumbling quietly to you about how all you were was an actor, but you don't comment on it, laughing instead.

and when the open mic calls for someone to join him to sing, you hobble up without a second thought, a drunken curl on your lips, mouth open as you sing, and spencer thinks back to when you had cried with a quiet voice that you dreamed of things once a long time ago. a dream that would break you and ruin you to pieces. it seemed to matter enough to you at the time, but it really should not matter. especially not when you're spinning and spinning on the stage and swinging to the beat. you suit the stage the same way he suited books. a dream that you could both never truly pursue the way you wanted to.

even if you did, it would only end horribly now that you are where you are.

spencer brings you down from the stage, swallowing a grimace at your sweaty hands but taking them anyway, eyes trailed on you as you giggle at him. a gentle glow of everything yet nothing. he wants to understand, maybe. he can't, though. he doesn't.

you knock out on the jet on the couch in the back on spencer's shoulder, and he finds himself brushing the back of your hand as he stares out the window. if anyone notices, no one says a thing. cut a little slack for the poor boy, huh. cut a little slack for the youngest ones. ignore the held hands and brushing of fingers. ignore your caging in in order to grab something from an upper shelf. ignore that boy genius gets his iq slashed in half whenever you blink at him with eyes bigger than usual and ignore that whenever you brush past him his voice stutters and his ears go slightly red.

ignore it all for the sake of the boy.

he tries rationalizing it. it's unsurprising for him to be calming down when holding hands. a study by harvard revealed that the pressure of holding hands stimulates the pressure-sensitive pacinian corpuscles in the hand, which send signals to the vagus nerve that conducts signals to the hypothalamus, which then lowers the heart rate and blood pressure and contributes to the neurological management of stress responses. it's that simple. truly. it's just a biological response. he's just having a biological response. he's completely having a biological response.

lots happens for a reason, and lots happens for no reason. spencer tries not to think too much about the smell of your shampoo that he memorizes or how you have a slightly different shade of lipstick that he tries not to point out. small, minor changes. the same way you show up at the metro station seven minutes earlier to be able to catch the same cart as him or the coffee you always have in your hand at the station. he tries not to notice but he unfortunately does, and he truly just plays it off as a normality.

he notices when jj changes lipstick.

"JJ! New lip?"

well, apparently not.

but he tries to convince himself that its transference. it has to be. there's really no reason for him to have a racing heart and strange levels of dopamine rush to his head whenever you squeeze by him in between cases. its simply because he's gotten used to holding your hand when fidgety and the fact that you had saved him when he nearly died. it's really all that is. it shouldn't be more than that. he isn't allowed more than that anyway.

he's just stressed now that gideon's gone and someone new is in the team. he's just upset that gideon left the same way his father did and he's clinging onto you who presented yourself so nicely to him after the two going missing and considering that you both had the whole drug exchange, he finds that perhaps it's just easy to cling to you. it's so easy to just rely on you when you're so vulnerable to him.

he finds his hand in yours under the table in the jet, your eyes closed and knocked out against the window whenever.

it could also be a fear response from him. the chemicals are the same, so it would only make sense that he— oh, who was he kidding. it couldn't be fear. he wasn't scared of you. it wasn't as if you were the one whose mind short-circuted whenever he walked by or handed him an overly sweetened cup of coffee with the exact amount of sugar needed for some reason. you're not the one whose heart lurches whenever he's handed a pack of pop rocks he's sure that you'd like to have instead of him. it's hard not to remember things about you.

it's hard not to just love you when you're so easy to.

you make it too easy for him.

pack of gum held out to him to chew on, telling him that it helps with concetration despite having no true proof for it. you tell him it helps you so it might help him. you don't think too much, and neither does he really when you're holding his chest down and pressing your forehead to his when he wakes from a nightmare, breathing and racing heart rattling in his ears as he matches his breathing to yours on the jet, amused look from everyone as he flushes red and tries to bury the embarassment.

"Nothing to be embarassed abOW—." You hum, jolting as the plane jumps, yelping as Spencer holds a hand to steady you.

"Sitting on the jet floor is kind of nasty, doctor." Morgan raises a brow at you, and you blink up at him.

"Let's hope the clean up crew we hire actually do their jobs, then." You thank Spence as you squeeze between him and Rossi. "At least my pants are dark."

The case is simple, really. Find the one who kidnapped the boy and return him to his parents. One had already passed, so the team tries to speed the process up, and you're put with Morgan and Reid to stay overnight at the home to camp out, so when you're jolted awake by Reid having a panic attack and crying your name, you've got your hands in his hair and he's breathing into your shoulder while Morgan apologizes to the family.

scary. scary, scary, scary. he isn't used to the fear that rattles through his system, and he lives the same dream again and again. dead boy behind the washer. dead boy behind the washer in the basement. step down the basement and be unable to save the boy. haunt his life and stare quietly at the still legs of the boy while his dad watches.

relive a nightmare that he was both part and not part of.

the boy is safe, found in his arms when they sweep the house, and you squeeze spencer's arm gently, eyes relieved as he closes his, boy's forehead pressed to his as the two of you make it out of the house, your phone ringing through to hotch to tell him that you have the boy. the blanket and swaddle in her arms wasn't a child, it was just items. in a way, it was saddening, your eyes weary as you stared at the arrested woman, hand finding reid's to squeeze and let go of.

you alright?

i'll be fine... you?

i'll cross that bridge when i get there.

you're unsurprised when he requests a handful of days to stay back, and you find yourself with him on the couch of his hotel with morgan and rossi, watching a match as you tear open another bag of chips.

"You're not supposed to be here."

you flash him a grin, shrugging as you offer a chip, shaking his head as the three of your forcibly inject yourselves into an investigation that he insists on keeping to himself.

it's a lot to dig through. it's a lot, and when spencer finds himself deeper and deeper down the investigation, rattling his mother and thinking its his father, he finds himself squeezing your hand under the table while you all profile, shoulders sunk back with a weariness that you don't like seeing, trying his best to wrap up the case.

he gets through it anyway, hand finding yours as you squeeze and finish up the case, and you hum quietly as he closes his eyes finally on the plane, mumbling quietly to himself as he thanks you for quiet support. hands finding his in times of fear, acting both as a calming agent when you touch him and a stimulant when you don't. to be everything yet simultaneously nothing. a paradox and an oxymoron.

but the truth is spencer knows why he's this way. he knows why he acts this way, but he has a little moment or two in which he doesn't believe it. he really refuses to. he understands it because he's read textbook cases, and he knows as a matter of fact that he isn't feeling this way because he's scared of you. he knows, but it doesn't stop him from pretending he doesn't anyway. because having you all vulnerable to him and not knowing how you feel about him is enough of a risk as is.

not to mention that he isn't allowed to be fraternizing with his coworkers.

but it doesn't stop him from caring. it doesn't stop him from slipping you breakfast on the metro on the way to work, and neither does it stop you from handing him a doughnut after your lunch break. it stops neither of you from ripping open a pack of pop rocks while listening to the new cases or him from handing you a cup of tea. it stops nothing because there's nothing to be stopping. he understands that much, at least.

but it's fine to care for one another.

it's fine, and there's no reason not to, so when morgan's calling you about how spencer's locked himself in the lab with anthrax, you're terrified. you're there with hotch, pinching your fingertips between your knuckles, biting and letting go of your tongue as the military sets up a grey zone between the houses and you're on the phone after hotch hangs up with reid.

You call him after, upper lip bitten as you listen to the line ring and start.

"Spencer." You mumble, voice breaking as you get him on the phone line, Morgan's hand on your shoulder as you bite back tears. "Are you okay? Breathing?"

i'm fine.

"Please don't do this again. We'll get you fixed up and then we can go back to before." You mumble, chewing your bottom lip as you lock eyes with him through the glass. "Tell us more about the lab. Please. I need to hear you ramble or else my brain's gonna keep reminding me that—"

"Dr. Nichols is a former military scientist, which means he's most likely secretive and most likely a little paranoid. He would have protected the cure, and probably would have hidden it from his partner. So look for something innocuous, something you would not suspect." Reid starts, and you rest the phone between your chin and shoulder, scribbling down notes on your copy of the file.

"He has breathing problems, right? How about an inhaler?" You mumble. "I had Garcia pull medical records."

"Yeah?"

"Yeah." You mumble. "Is the doctor inside with you?"

"Yeah. I'll have her look." Spencer mumbles. my head's a little dizzy.

i know, spence. hold on for us, please. You nod at Morgan as he leaves, and you squeeze your palms, eyes focused on the way Spencer looks out the window back at you. He nods at you as he steps out, and you follow him in the decontamination chamber, facing the other side as he strips to be cleaned from top to bottom.

He suffers, though, and you're stuck sitting in the ambulance as he's rushed to the hospital and the samples are processed, one sigh in relief for when hotch tells you the suspect's been detained, and another sigh in relief for when spencer's given the cure. you stay by his side when morgan comes to visit, and you flip through one of your more recent books, chin on the side of his bed as morgan hands you a cup of jello.

"'s he alright?"

"Cured." You hum, peeling open the jello to eat at it, shifting from the bed audible as you look to the side.

having jello without me?

"Maybe." You bite down on the spoon, raising a brow.

i want a bite.

You laugh, shaking your head at him. when you're healed, spence.

but it's so easy. it's painfully easy, even. you make it so easy for him to wonder what you're up to.  it's so easy. too easy.

he ponders over it on some days, and when you find the dog tags to hand to morgan with a grimace, he spots the slight grimace and slanted eyes that you hide away after you go back to searching. he understands it all, he supposes. he did not at one point. it is much easier to know who you are when standing face to face with you as opposed to the spots and dreams that filled the cracks between the visions of you.

he keeps a hand on your lower back and leans his head on yours as the two of you head back on the jet, quiet circles drawn into your skin. you lean back, visibly sunken and drained, squeezing his hand on the way back to your apartments, humming quietly and pressing your cheek to his before you both make it back to your rooms. this is so easy. loving and trusting you is so easy.

but the universe always finds different ways to prove you both wrong.

four hours of sleep is nowhere near enough, and when you split a cup of coffee with reid as you both sit at the homicide, your eyes struggling to stay awake as one twitches, you think you're going to go insane. hotch is missing, there's a serial killer loose for a surgeon's son, and you've flipped through so many files with reid that you're starting to hear shit. you're sure your hallucinating when emily tells you both that hotch is in the hospital for a stab wound from foyet or someone, and you're blinking at spencer as you run through the profile with the father. he should remember. it should come easy.

it comes with difficulty, you suppose, but when you're walking out with the doctor and get tackled by reid, you're staring at his bleeding leg as he stares at the unsub. in a way you probably could have avoided this, but you wince as spencer shoots at the unsub, your own jacket coming off to stop the bleeding from his leg. he tells you and the rest of the team to go find emily and hotch, but you stay back after they leave, lifting him with ease as he sputters, face impossibly red.

when did you even—

don't worry about it. you laugh, humming. you'll be fine.

you hear a faint whistle that you assume is from morgan, and you're off to the hospital with spencer.

you take another jello cup to share with spencer after he gets the bullet removed, and you listen to jj as the doctor tells reid he'll be fine as long as he stays on crutches. you help him into it the first time, and you end up bringing him home. you end up half-moving in to take care of him for the few weeks, cooking and cleaning and huffing as you have to drive through the streets of dc, but it comes naturally to you too. you find that caring for spencer is so painfully easy that you're a little embarrassed.

you most certainly don't say much when garcia gives you a wiggle of her brow and the two of you wiggle your fingers for a cookie from her tin.

"These are for Hotch."

You feign hurt, holding your hand over your chest. "That's evil."

"I get shot in the leg and I don't get any cookies." Spencer huffs. "You know he's gonna hate the attention."

"It's cookies, not cake. He's probably gonna pretend like nothing happened, anyway."

"Well, it doesn't mean we have to." You pout at the cookies as Spencer offers you a lollipop.

"I think maybe we should." Spencer frowns.

"I don't roll that way." Garcia swats your hand as you reach for the tin again.

"I've been thinking about it? The entire time I've known hotch, I don't think I've ever seen him blink."

You pause to think, blinking slowly. "Holy shit."

"I know. It's weird." Garcia scrunches her nose.

"Classic alpha male behavior."

"Do you think he stared down foyet?" You mumble.

"Maybe. If it would save his life."

"Do you think he stared the whole time, like with each stab?"

"I have no idea. Is he ok?"

"I wouldn't be, but... I'm a blinker." Spencer sighs, and you pat his thigh, getting up.

JJ comes in shortly and you're both whisked off to another case, sitting in the station, your hands moving the pins around as Spencer speaks around the whole case, telling you what to write on the board and what to leave out. You think you're fine with this. He sorts out his thoughts by explaining everything to you, and when the case is wrapped up, you fake a gasp in offense when you catch him counting his cards, replacing a card of your own and winning the game to get back at him.

he lets you.

he call you a cheat later when you're walking back to the apartment, pulling out the card that you had replaced in your hand as you pretend not to know what he's talking about. he snaps his fingers as the card disappears and you find it in your belt, and you blink at him with wide eyes that spencer thinks he can get used to. he'd prefer it if anything. to surprise you for the rest of the days as you both head to work together.

you learn to tone down the character in the way you dress, but you don't say too much when garcia's flown in for the newest case involving choking and internet culture, your quiet glancing at the screen making you pause. it's all a game to get a rush of dopamine to your head, but you don't say too much. you never really do. you fiddle with your ring and glance at the bruises on the boy's neck, staring quietly as morgan tackles him.

Reid and morgan have no luck getting to him, so hotch is forced to pull them out.

Hotch suggests Penelope, but you decide that it's slightly easier for it to be you. You fit the profile, and while Penny would be much more comfortable in some way, you had the decoration on you to prove something. You don't remember the last time you ever had the heart to wear your rings. No. You do. You just don't like to think about it.

You open the door, humming as you tilt your head. "You ever done drugs?"

"Someone get her out of there." Hotch groans.

"Because tbh when I was crashing out back when my family passed away I really considered just—" you make a click sound with your tongue, drawing a line past your throat with your thumb as you tilt your head, sitting down slowly. "But the drugs gave the high that came with it, so I thought I could just... keep doing them. Tried choking myself too. It was fine until it wasn't enough."

The kid shifts uncomfortably in his seat. "No way."

"I don't recommend it, though. The drugs. The road of recovery is rough." You sigh dramatically. "You overdo it and suddenly you're regretting your choice, crying in paralysis about how you might actually want to live — also, by the way, the flush that comes with getting everything out of your system is a whole different level of hell. I thought i was going to die from that alone. Always hoped maybe there was something to live for. I miss my parents, but it's something you learn to live with. I think it does get better. Do you miss your mom? Ugh, mine used to make me such good lunches. Sometimes when kids bully you for having a bad lunch that means it's really good. Okay, that's off topic, omg, so sorry. Love the whole goth vibe. Where do you shop from? I don't know. I feel like Hot Topic doesn't hit as hard as it used to. I know the choker's from there, though. Figured I'd ask since, well. Y'know. By the way, love the nails."

You flash the painted nails — black. Done fresh while you were waiting for Reid and Morgan to crack him.

"You a cop?"

"Oh, heavens no." You lower your voice. "I actually find the worst part of my job to be working with the cops, but don't tell my superior. I'm an agent. FBI."

"You?"

"Yeah! Can you believe it? It's like the FBI is just letting anyone in these days." You laugh. "Nice earring too. I love the one earring look."

"Thank you. Got it on eBay. Supposed to be johnny d's from that one movie."

"Sick!" You gasp. "I got all of my rings from a thrift."

You show the boy as he observes, and you watch as his gaze lingers on one of them.

"Isn't that one nice? Apparently it was from a movie set. Found it on ebay."

"Yeah. Sick."

"Oh, by the way. My friend outside, Penny, was trying to break into your laptop and it's actually shocking how good you are at that kind of stuff. The firewall? The anonymizing service? uber cool. And the e-shredder? I gotta know where you're getting this stuff. You're like a cyber genius."

The kid shifts in his seat, and everyone watches as he actually speaks up. "The anonymizing service was from some guy online."

"I know! That one site, right? The one that looks totes sketch but's actually legit? I use it too. On my personal, though. Ugh, I got hacked once back in college and it took ten years off my lifespan to try to fix my laptop."

"No way."

"Got it immediately after. It was awful." You sigh. "I make one mistake and there goes like decades worth of games pirated— oopsies I wasn't supposed to say that with so many cops around."

The boy laughs, and the door clicks behind you.

"Oh, there's my boss. Say hi to Hotch. Isn't he a little scary? Did the boy's dad ask for him?"

"He's lawyering him up."

"I see."

"Was this an interview?"

"Not quite, as you didn't really give anything out." You give him a handshake, nodding as you glance at the earring he slipped you.

"She's not your friend. She was trying to trick you." His dad grumbles.

"That's all made up, sir. I told your son some stuff I could get re-evaluated over." You hold both your hands up, catching Christopher's wrist before he leaves, holding the earring up.

"You sure you wanna give this to me?"

"I think you deserve it. Wear it at work for me?"

You laugh, cheeks warm as you hum. "I will."

You watch as they leave, smile dropping when you know they won't turn back.

"Hotch, but I need a car to tail them in quiet." You mumble. "That boy's being manipulated."

"And you know this because?"

You stare at the door, quiet, finger brushing the earring. "I just know."

"Munchausen by proxy." Reid mumbles. "That's how the mom died too, isn't it?"

"Password's his mom's full name. He misses her." You call, taking the jacket on the chair. "Penny, text me his— actually, no. Send half to the home address. I wanna visit the mother's grave. Send me the church address? Or the..." You lock eyes with Spencer, and he nods.

"Cemetery. Hotch, do you mind if—"

"Stay." Hotch stops you, holding his hand out. "Morgan, Emily, Church. We'll check the house. Stay here. You've done enough."

You huff, staring at the earring. "Will I get to see him?"

"We'll bring them both in."

"Okay." You mumble.

They bring the boy in to you, and you are given one chance. A small promise to write to him, and offer him an item of equal exchange. You're not supposed to, you understand, but you slide one of the rings off of your fingers, holding out the metal to the boy's palm as you hold onto the earring.

"You want it back?"

"No. You can keep that one."

You nod. "Hope I read it right."

"You did. How did you know?"

"You kept glancing at it when we talked." You laugh. "I had a friend who used to stare a lot at things they wanted. I stare a lot too."

The flight back is quiet, you think. A lot of silence, and you twist at the rings on your finger, hand strangely lighter without one of them.

do you have time on friday?

hm?

Spencer mumbles, quiet as he sits next to you. friday.

why?

new place opened up two blocks down.

alright.

spencer spends the most time in between the books, watching as you look through old donated journals and diaries, peering into people's lives that was once private to them. in a sense you don't seem to care that there's a need for privacy, and neither do you really care when you tell spencer you don't mind your diaries being donated when you pass away. you even tell him that he can read through them when you pass.

but you wander around too. spencer takes you around to the jewelry that's been donated, old with age, pretty little gems and dazzling rust with purple. you insist that there's nothing that catches your eyes, mentioning that the loss of that one ring was symbolic that you had made a difference in someone's life even if it was small.

but there's a pair of old wedding rings that you find your gaze lingering back onto at the new place. it's old, yes, and there's hundred of years worth of items here, but the wedding rings catch your gaze again and again, and at one point you pick it up to bring it around with you while spencer looks at the books.

spencer notes it down, yes. he found that you started carrying a box around with you somewhere into the fifteen minute mark, and you refuse to show him what you had picked up, but from the looks of it, it's most likely something that could really only hold jewelry. A ring box, most likely.

what are you holding?

oh, um, rings. you open the box to show him, and he blinks.

huh. real gold.

and the silver?

it isn't tarnished, so i'd assume some kind of gold. possibly white. he holds his hand out for the rings, and you find yourself giving them to him. they're pretty.

you nod, taking them back from him.

did you know world war two popularized men from the west wearing their wedding rings? prior to that, most men would either not have a ring or not wear it. they started wearing them to remind themselves of their wives and kids at home. oh, and according to a plethora of sources, the most popular wedding ring material is yellow gold. spencer hums, watching as you put the box back down.

well, that makes sense.

he takes a second glance at the box, noting down something as the two of you walk off.

You find the exact box with a ring missing the next day on your desk at work.

"Hey. Everyone's already in the room. Ready?"

you look up at spencer, yellow glistening on his finger as you glance back down at the box.

aren't you supposed to get down on one knee?

do you want me to?

you shake your head, sliding the ring down your finger, joining the rest of them at the round table.

you hide your hands the entirety of the time that you cover the case with the team, fingers fiddling with the ring as you run through everything with hotch. he sends you to the police station with spencer, and you find yourself back in the back and forth back and forth of it all. it's so easy to fall into a pattern with him.

it's so easy to fall into a rhythm with you. it's so easy to show affection and exist around you.

it's so easy to share a look with you and split a room, arm wrapped around your waist and nose pressed into your shoulder, groggy twilight on both of your faces as the two of you squint and you find penelope in your arms, cooing quietly at her as you rub the blood from her hands. it's easy to get lost while in the job, you think. she's strong. you have to repeat it so that she believes you.

spencer settles next to you on the couch, closing his eyes and throwing his head back as you knock out on his shoulder while fiddling with your ring.

neither of you are conscious enough for this.

and it carries the same in every other case. in every other case, the two of you are wrapped up on the plane, his hand on your thigh, your head on his shoulder, device in your hand, newspaper in his. a cup of tea brewed to eerie precision on your side, a bag of opened candy on his. a sweet tooth that gnaws at his cheek — a need for peace that eats at your brain.

you listen to reid talk. everything — the numbers, the facts, the stats. everything reads like an audiobook or encyclopedia, and you tilt your head slightly when spencer hands you a photo of the women, and you start drawing lines over the plastic. reid notices it before you do, but you have the facial symmetry crafted before he does, picture stuck up on the glass board as you have lunch, watching spencer snatch it up and thank you for it.

you don't do much for the rest of the time, straw pressed to your lips as you drink, staying on call with penelope as you click through your device. it's those damn phones should be a quote on your feed. The only thing helping you at the moment to kill the boredom of when you're not on the field. hotch is still hesitant to use you at times.

and it's not that he doubts your capabilities.

you're put on the field, hand finding the victim's as she asks you why she wasn't just killed, and you swallow back words and let reid tell her that it was only about power and control, your own words comforting her when you tell her that it fades. it doesn't mean that it will leave, but you will learn to step over it. you promise it to her.

you find time during the drive back to run your hand through his hair as he drives, pinching at the way his curls coil around his head, hum on your lips as you call him pretty. so pretty.

you don't miss the way his cheeks tinge pink as he catches the reflection of white on your finger.

but the unsub gets away and morgan snaps, but you understand that to some degree. you're sure that you'd be in the same situation, and when jj's berating him on an emergency line, you're understanding, gun in hand when you finally find the girl, and you think for a moment that there really isn't much of a space for you.

reid sees it too, the way you let go of your gun, staring as morgan heads into the house and everyone wires him. you understand it well.

reid would say that you've always slotted nicely. you've always fit between the cracks, and when the cracks would fit each other, you would slide away until they would click, and you would be stuck staring on the side. you're just a strangely fluid person in a sense.

but it's a little much to ask of you to fill in for jj's position. it's not for you.

yet you find that garcia tries anyway, and when you're finally called out for the metal band on your finger on the plane, you're staring at everyone and blinking.

"Where'd you get it?"

"Vintique on third." You hum. "Loved them, but didn't want to splurge, but they so magically appeared on my desk at work the next day. Speaking of rings, though. Why have a married couple have sex before stabbing them? What the hell?"

"You know, the stabbing of the wives is almost certainly piqueristic. The unsub gets sexual gratification from penetration with a knife. Most piquerists are impotent... men like Albert Fish, lain Scoular, Andrei Chikatilo... so for him, it could be a substitute for sex." Spencer hums. "The rings were really pretty. Pure gold. Well, not the white one since 18 karat white gold is only 75 percent pure gold."

Everyone's eyes find his ring finger, and Morgan gasps.

"My man!"

But the case isn't too strange. You tell Emily you can step in, dressed up nice as you take off the vest and opt for a purse, Spencer's eyes worried as you tell him you'll be fine, tapping the ring on his finger. You lie your way through the unsub while fiddling with your ring, tapping through to let Morgan and Hotch tackle the man to the ground, only going quiet when the barrel of a gun finds itself on your stomach. you think you hear Spencer yell something in the background, but you pull the trigger in your purse, letting someone pull you away as you exhale and ask if the unsub will live.

are you okay?

i'm fine. you hum, hand finding his as you run your finger over his ring.

He runs the hand to your cheek, coolness of the metal making you close your eyes as you hum.

"You'll protect me, won't you? As my husband?"

"Of course."

Spencer tries to ignore the way that he likes the way you call him your husband. Yours. It rings nicely in his mind — like a child receiving praise. He can practically feel the neurotransmitters in his brain enforcing his behavior to be good to you. to be good for you. it makes him a little nauseous, but he refuses to fight it too much.

It's only logical that he likes hearing good words.

but you never miss the opportunity to tease him anyway, tugging on his sleeve to avoid his hand, name on your lips sweet as he blinks and swallows when a pretty girl passes him, quirk of your lip upward when he tries to make up an excuse, a wave of your pretty hand shutting down his entire brain. it's a little concerning to him — furrow of his brows and a pout on his lips when he realizes what you're doing.

we're together. he pouts.

"I know we are." You hum, bumping him with your hip as you circle around to Hotch.

"Town meeting in the church. I want us all there."

"Got it."

you're not too sure what to make of the blonde girl, and you're unpleasantly surprised at her attitude once admitted into the BAU. you stay civil with her, but never anything beyond that. you don't have much to say when spencer gets sassed at by her, raise of your brow and she shuts her mouth.

I'm used to it, you know?

it isn't about you.

he furrows his brows, and you press your hand to his forehead.

but you find that you understand something else. spencer reid has no protection against pretty girls, and it doesn't matter who he stares at for a second too much, you always find yourself fiddling with your ring and looking to the other side. you understand the biological need to do so, yes, but it doesn't sting any less.

but nothing changes.

spencer still finds himself next to you at most times, pink finding yours under the table on the plane, tilt of his head and lick of his upper lip whenever you beam at him, gold on his ring finger glistening and never rusted. it's honestly incredible that the two of you never give away anything about each other or come even remotely close to having to explain the rings. reid sympathizes with the men, and you hold the women in your arms.

it almost feels like it was made for this.

the charade you both play almost feels real. it's real only when on the field, and when the two of you return to your apartments side by side, it's all fake again. he can spend nights with your forehead pressed to his in the comfort of his couch while you try to help with his migraines, and he can sit back as you take care of him with your life, but he'll never quite get to hear those three words break past your lips. you'll never say it because you feel like you don't have to, and he'll never say it because he'll never be able to read your emotions the same way you read his so he can never quite confirm that you love him the same way he does.

does he really love you? does it really matter? the cat remains unknown until the box is opened — your relationship remains neutral until someone grows cold. you don't know if spencer really did love you at all. it certainly eats at you and chews you from the inside out. you don't know if his moment of realization had just been of realization or of boredom. an overanalyzation of the stars in his supernova. a breaking of his universe because you were too close. he wonders it too, the lack of light present in everywhere you walk. someone who would swallow his universe alive until all that was left was dark matter.

a blank stare and a pinch of your own skin always seemed to do the trick. but you've always got a handful to work with when he was around, his migraines have grown worse as you bring him to doctors, pout on your face and gentle stare on his as he sits through brain scans. you have him drink tea and take care of everything that you can to help him. you're wonderful. you bring the best of the best for him. a wife's affection, really.

the first migraine causes you a near heart attack when he knocks a man in the back of his head, and when the first doctor tells him to consider something psychosomatic and he storms out, you're stuck chasing after him. you'll find him a better doctor. you'll get him the best of the best, and the best of the best do you find after a painfully long period of bad migraines and drinking your tea instead of his coffee. you're just so wonderful.

emily passes away and comes back and all you're stuck with is taking care of spencer, lowering his caffeine intake, quiet running of your thumb under the bags of his eyes, a gentle frown on his face when he struggles with her loss. you struggle in your own way, but you've never been a priority in the team, so no one points out who you are or what you're there for. you're only there when people need you. you aren't required.

you forgive emily quicker than spencer because you understand.

but spencer's migraines are better. slightly better. he meets a new doctor who actually looks into the symptoms thanks to your annoyed pushes, and sometime along the way, you're given the right to his medical records the same way he's allowed yours, and then it all really just goes downhill for you from there. you know the way that spencer scrolls through his phone for payphones to call with the researcher — same look on his face when you had actually looked him in the eye the first time ever.

it's his fault, really.

it's transference, he knows. the doctor taking care of him is just transference, and he knows you catch the way his calls linger for longer than they're supposed to and the slight flashes of pain at first when he doesn't go to bed, but you get used to it. fluid to fill the cracks. you'll fill not only his, but also everyone else's cracks. he feels not enough for you. he fears he turns into something that isn't himself. fill the cracks that he knows you can with something that is not either of you. you should no longer be filling the cracks for him. he should do something for you.

he understands his reasoning is flawed in that way, but he knows not to deal with it. perhaps he does not want to seem weak before you.

but it doesn't stop him from sobbing into your arms, quiet digging of his nails into your biceps on nights that are too silent, gasping into your shoulder when you run your hand down his back. it doesn't stop either of you from playing your part, acting like you all have it under control. acting like it's completely fine — the way you just shatter and break is completely fine. the way he contemplates the drug long gone in his system as you teach him how to cope with the loss.

and you trust him so much. you trust him painfully much, and it almost makes him feel undeserving. even with a hand on your lower back and a kind gentle hum on his lips, grimace on his face as you stare at death upon dead, he finds that he doesn't want you to see the same gruesome life that he does. it's unfair to you. not that you cannot handle it — just that he wonders maybe you could avoid it. even if you had signed up for training and ended up in the department.

but there's a visible shift in your dynamic with spencer. you can take him to all the doctors you want and let him cry his heart out, complain and throw a fit that you'd like for him to be reviewed by someone else, but no one will be as good as maeve. you can fuss and cry at home, but he won't ever understand the sense that you just know. you can feel him slipping. slipping through the cracks and through your fingers, and you think there's so much that you don't want to touch, but you can't decide that.

you don't get to decide to take away something good for spencer just because it's something bad for you.

he'll analyze and profile you. you know that. he'll notice that you no longer seem to care, smile not as bright, water bottles replaced with thermos and thermos of tea until the flavor is too far gone to be able to still taste the tea. he'll notice the way you never discard of the tea, but he won't comment on it. he'll never comment on it again, because as soon as work is over or it's sunday, he's rushing off to call maeve, and you're stuck in the office, staring and scratching at your phone, eyes weary and tired, visible signs of age sliding between the fine lines of your portrait, and at one point, maybe you'll find something that you care about again.

it hurts more to be like that, you think.

to love and then be betrayed.

but you still want him so bad. so. painfully bad.

it's unfair how attached you've grown to someone you thought would be your forever only to end up as another piece of your life. how could you ever? was it unfair of you to hope that someone who tasted even a fragment of what you endured prior to it all to understand you even just a little bit? does it not matter to them at all? you're sure it doesn't. spencer's never one to dwell on his heart more than he has to.

Now, all he dwells over is Maeve.

those three words. "I love you."

you watched him freeze up from the car, body paused in the seat when you noticed the lack of gold on his fingers, and you think there's something that clicked in your mind when you did. it's an announcement of affection that you wish spencer would push away, but he doesn't. it doesn't surprise you. it should, but it doesn't. it almost feels like it was perfectly expected of him to act that way. to just accept that someone loves him the same way you do.

it couldn't be the same way you do since they've never met, but you're sure spencer loves her the same way.

you press your tea to your lips, bag of pop rocks left on the round table as everyone files in, a brow raised when spencer enters last, strangely giddy, beaming at you when he sits down with his own mug of tea.

call went good?

yeah. we're meeting up soon.

fun.

if he notices the lack of enthusiasm in your voice, then he doesn't comment on it, taking the bag of pop rocks to down as everyone files in.

"3 days ago, Bruce Phillips was found dead with his blond hair dyed black."

You think you tune almost everything out for the most part. You go through the case, sort through it all, blink and watch as Spencer seems to be as focused as ever. He's meeting up with her in a couple of days. You'll be fine, you suppose. It'll be fine. Everything is supposed to be fine, and when you're getting forcibly sentenced to rest by Hotch, you think it's fine. You'll be fine.

You'll work through the case and look back at all the puppets as you lower the two humans from the strings, and you wonder what you would look like put up on the stage. There is a fear that settles uncomfortably in your stomach, you think. That somehow on that stage it could have been you. You don't know how the victims will survive it, and when you step into the elevator in the dark of night with the rest of the team, you barely go through anything.

"Where's Reid?"

"He said he had something important to do."

You blink quietly at your reflection in the metal, closing your eyes.

"He's seeing the girl he's in love with."

"WHAT."

"Wait, wait, wait. Babygirl, isn't he in love with you?"

"Apparently not." You chew on your inner cheek. "I need a drink."

"Well, you're welcome at mine." Rossi mumbles. "Scotch."

"Vodka."

"You'll learn."

You huff. "Fine."

Maybe ranting to Rossi about your love life wasn't the smartest thing in the world, but you honestly couldn't give any less of a damn if Spencer was dragged through mud after all the stunts he had pulled on you. You grumble and pinch your brows, moping and throwing your head back over the sofa as you sit to sober up. Jesus christ, get a grip.

Rossi tells you that sometimes it's fine to let go.

"Yeah?" You fiddle with your ring, scotch long forgotten on the table.

"Sometimes the best remedy is just letting go."

"Thank you, wise italian man with three wives." You mumble. "I can't wait to be divorced in my twenties."

"You're still young, don't worry." Rossi hums, pressing his drink to his lips. "You want me to reccomend someone to you?"

You glance at the ring on your finger, humming. "It's fine."

you wonder sometimes why reid had gotten tired of you. was it tired? you don't know. he seems to have gotten tired of you. maybe it was just rude of you

maybe the lack of title was—

no. not quite. he's your husband. there was not a lack of title. there was a lack of papers. lack of hard evidence that you weren't playing around with each other in your youthen stupor. there was a lack of nothing. it was just spencer being stupid, you think. it was never your fault. you were more in tune with his smotions than he was, and he knew your mind better than anyone else.

he did not know his own heart, and you suppose it's your fault for ever thinking he would.

you think you're bitter towards how spencer treats you now comparably more than when he did prior to the arrival of maeve. but you're not mad at maeve. you couldn't really be. you and spencer never legalized your relationship, and it's not unheard of to be fascinated with something new — spencer was always fascinated with something new.

but it doesn't really make it hurt any less.

spencer meets maeve in the restaurant, and garcia tells you that apparently he had taken off his ring in the cctv footage. an empty finger to meet a girl that you felt replaced by. wow. what a way to ruin a girl's day.

not to mention how he carries around that beat up book that maeve had reccomended to him — still.

you find it ironic that he's moved on yet you still haven't. what is there to move on? did he owe you the courtesy of a break up if you were never really anything?

the one day you don't bother answering your door.

you spend your days at he shooting range, perfecting your marksmanship, and you wonder if this is the universe's strange way of telling you that you're just screwed. you find that it's hard to hide quiet sniffling and hot tears on your cheeks with frustration that you can't lash out. quiet anger that bubbles in the back of your throat when you start opting to go out on the field more than staying back to analyze — to use your degree since you wasted it all anyway, and hotch lets you.

you ignore the look of hurt on spencer's face when you request of it outright, desperation reeking off your skin, and you become so painfully distant that you wonder if spencer felt like you were supposed to just stick around and wait for him when he called maeve all day like that and expect you to stay around. he's not stupid. you're almost sick of the way that you've never been babied once since joining, and all everyone does is protect him in their own way.

it makes you bitter towards him, you think.

you're glad you're on the field rather than hidden in the police station with spencer. you don't think you could bear to face him or whatnot. it would be unfair for you.

you wonder if you should request to stay back when maeve's kidnapping case comes up, and you swallow slowly when spencer's mind shuts down, and maybe you're just cursed to be stuck as some kind of queen piece that has no purpose now that the player's gotten their pawn to upgrade into a queen. actually, maybe you're a pawn. maybe you're just the pawn that stayed desipte it all in the game of chess. you know as a matter of fact that you could never be as smart as maeve is — which is why you're not really bitter towards her. she doesn't know of your existence the same way that spencer didn't once mention you in… well, anything.

you spend most of the case working through it with everyone else, and you're the first to notice that maybe it's a female stalking maeve rather than a man. it's not a… well, it is a romantic stalker, probably. you don't really know. you're all for it, but less in the case where maybe maeve deserves a stalker and more in the okay well, good for her, love wins, or whatever. you're quite frankly too spent trying to figure out what's going on with the case to really care that it's a woman. you're trying not to throw up when spencer offers himself as collateral, and you're having the worst moment of your life when things happen.

spencer's so in love with her that you think perhaps you never really existed to him at all. nevermind that he's somehow got his ring on and that diane might freak out at the thought, but you don't know. you don't really understand it. spencer reid is in love with maeve donovan and you don't seem to matter at all in his eyes.

one thing leads to the next, and by some strange situation, everyone's on a rooftop of some kind and you're kind of staring at nothing in particular as you stare at the kidnapper. it's a woman, and you feel like you shouldn't be surprised, but you still are. you've read her unofficial paper before — as you did with maeve. when you first figured out who maeve was, you had done a quick read on her research. it was easy to read — her paper. you wonder just how obsessed diane has to be with maeve for her to be jumping her and kidnapping her to this extent. maybe maeve sought companionship with spencer.

you hold your gun up in the back with everyone else, and it's really spencer's call as whether or not to shoot, but there's an instability in the way that she's speaking and shaking, and you think maeve is going to make the wrong choice of words and accidentally tip off diane and then both of their brains are going to be blown out and you don't think that's a really good idea.

but you also don't really want blood on your hands.

is it such a sin for you to desire to not kill? is the blood of tobias hankel not enough?

is a bullet between the forehead not a testament of enough blood you've been stained with?

you stand behind spencer, gun in your hand as you blink and stare.

will the blood of maeve's life dirty your hands any more than everything already has?

There's a gun pressed to Maeve's head, and you have a clear shot to her assailant.

you want to be selfish. maybe. you want to just. you'd like to— you don't want the love of your life stolen from your hands and it tears you apart, but you don't even need to look when you know the answer. it doesn't matter if you love spencer, because you think you know something that they don't or whatever and he can try to de-escalate the situation all he wants. you think there's something that he knows that you don't. there's—

there's nothing.

what are you being so philosophical for? there is really only one answer.

You pull the trigger before Diane can.

The woman falls to the ground, probably dead. you don't know you don't really check. It's. You don't like the weight of a second life on your hands, collapsing into the cement of the rooftop immediately, too short of breath to watch spencer pull a fainted maeve into his arms, breathing growing erratic and mouth hanging open as someone catches you, the voice ringing in your ear as you stare at someone, tears burning at your cheeks and every emotion except for relief on your face, oh, oh, oh what is this — is this, is it , oh it's been such a long time you almost forgot this feeling, didn't you — you're sorry? what are you saying? You don't know anymore. what is going on? you can't— you can't breathe. what is this—

oh, there— there's—

the world turns black, and you wake up alone.

without your ring. alone. well, penelope's by your side when you're staring into the white, blinking slowly without a lifeline because once again there's an iv plugged into the back of your hand and you swear to god if you have to pull the trigger on a man one more time, you're going to kill yourself.

you don't even realize you're crying until Penelope is holding you.

"You'll be fine! You'll be fine!" Penelope holds you, and you stare at her, shaking your head.

"Penny. I wanna go home."

"I know, sweet girl. I know. You'll be there soon."

You laugh, grimacing at the way your body hurts.

"He said he'd protect me. Guess who lied."

"He can't lie for his life. You know that."

You sigh, letting your head sink into the pillow.

"What happened?"

"You passed out from a panic attack."

"Not from killing." you close your eyes. "Did the doctors give a diagnosis?"

"They can't. You don't have anyone to sign for you."

"Right. Security went up."

"He was angry, you know? That he couldn't sign for you." Penelope frowns. "He asked me if I could fake a certificate for you two."

"I feel like I should pretend to be surprised. Did he leave as soon as Maeve woke up? I know she passed out too." you sit yourself up, groaning as you roll your shoulders. "Where's the doctor? I want my diagnosis — and, Penny?"

"Yeah?"

you smile. "Alone."

"Alright... but um, don't be surprised if I hack, alright?"

"Of course." you nod.

You decide two things that night.

One, your hand is tired of holding the gun. You don't think you ever liked the feeling of it even after killing Tobias for killing Spencer. It's just not a weight that you can grow used to. You can't possibly bear to exist with it, you think. It's not a world that you belong in. It's not a world that you like existing in. You don't particularly enjoy the fact that you just had to shoot Maeve's stalker through the skull either. Two deaths too many.

Two. You no longer want to stay.

Penelope takes you home, but you're barely stepping foot in your apartment before you're calling a cab to go to the BAU office, and you wonder if everyone else has headed home. You think they did. Though, you really hope that Hotch is at least there so you can resign to his face. You don't think you're so adamant on leaving that you'd do it without seeing him one last time.

It's 11pm when you make your way to the office, resignation paper, badge, and gun in hand as you find Hotch's office.

The lights are still on, strangely enough, and when you glance at everyone's empty desks for the night, you think it was oddly good timing on your end to come in right after a case that had you passing out with no real victim. Spencer's probably visiting Maeve, and everyone else probably clocked out on time for once. How nice.

You knock before entering.

"Hotch."

He glances at you.

"They let you out already?"

"Urgent business. Also, it was just a panic attack. My vitals were all normal." You nod. "It won't happen again."

"You're supposed to be on break for a couple of days."

"That's the thing. There won't be a need for an eval or wait." You place down the gun, the badge with the box, and you stare at your ring for a second too long before speaking. "I'd like to leave."

"Is it because of the—"

"No." You shake your head, sliding your ring off. "No, no. It's not. I just. I think you know I never really wanted to be on the field like I have, and I'm nowhere mentally strong enough for that role. I'd like to quit before it kills me. I think we both know that I nearly died my first day on the job."

"Are you alright?" He motions for you to sit, and he steps over to shut his door.

"I'm fine." You nod. "I am. I really am."

"Did Reid—"

"Hotch, please" You mumble. "I just want to return to academia and studying instead of practice. There's so much instability in this job, and I can't do it anymore. I'm not strong like you are. I never was."

He stares at you, pinching his brows. "Where will you go?"

"I'll find somewhere." You smile. "I'll be happy there. I've saved up plenty from this job."

Hotch gives you a sad smile, you think. You understand.

"May I visit?"

"With Jack, if you must." You hum. "I'll be out tomorrow. Please tell Straus I'm sorry I didn't go to her."

"You don't need to."

"Yes, I know." You hum. "Do you think I could stay hidden for long?"

Hotch looks at the envelope.

"I think he will find you."

"I hope not."

He exhales. "Stay safe. I'm here if you need me."

"I will." You laugh. "Tell the rest of the team that I'm just recuperating at home? Tell them I don't want any visitors for a few days."

Hotch nods. "We'll miss you."

You linger at the door, looking back at Hotch, smile on your lips that doesn't reach your eyes.

"I'll miss you guys too."

Spencer sits in the other wing of the hospital.

"Are you sure you're okay? It couldn't have—"

"I'm fine." Maeve smiles. "Shouldn't you be checking with..?"

"She's strong. She'll survive." Spencer mumbles, fiddling with the gold on his finger. "She also took me off of her authorized lists. I had signed that she would be able to take care of my medical needs with her a while back, but I suppose that she took me off sometime ago without telling me. It was my fault."

"Your… ring." Maeve swallows. "I didn't know you wore one."

Spencer stares at it, twisting the band absentmindedly. "It's… a couple's band. Matches with hers… bought it at an antique store."

"Spencer, do you love her?"

"Wh- of course I do!" He pauses. "Of course I love her. Everyone does. It's just… she knows that."

"Are you sure? Have you told her?" Maeve mumbles. "I don't think you love me the same way you love her. I love you, Spencer."

"I do too—"

"No." Maeve stares out the window of the bed. "You love her. Think it over. You're smart. Sometimes feelings don't need to make sense."

Hotch doesn't have it in himself to tell Spencer— it's hard to break the news. it would be like breaking news that emily had passed away all over again, and it wouldn't be all that worth it. reid would have to find out on his own. he would. and when he does. when he does, he'll stop and stare, unbelieving in hotch's words with a desperation in his voice that they heard when maeve was at gunpoint, running a hand through his hair at news broken to him last and the box that had once carried your rings that truly has him staring and wondering if it was at all worth it.

"Why didn't you tell me." Spencer clenches his jaw, and Hotch stares. Just stares.

"She told me not to."

"So you didn't?"

"Reid, you would have stopped her from moving." Hotch places a box before him.

Spencer shakes.

"Hotch. You knew that I messed up, and you still—"

"Reid."

"I loved her. I love her."

spencer loves you, loved you, is loving you, oh god forbid anyone tell him anything. he's in love with you and it was his fault for ever thinking that maybe you would have understood without him telling you. you understood his heart. you should have known that he loves you. but maybe knowing isn't enough. maybe he should have said it— no. he should have said it. he should have told you that he loves you the same way maeve had told him. you overthink as well. he knew that. he knows that.

but you do understand him. he's far too hurt to be able to chase you down after leaving the way you knew it hurt the most, so he settles with sitting in his flat and staring lifelessly at the books you had bought for him. you did not touch anything in his apartment. not your clothes, not your belongings. it was as though all you really cared to clear was the desk at work so someone new could join the team.

he settles with trying to see your apartment, blinking when someone new has moved in and he apologizes, mentioning that his friend had moved and didn't tell him — he supposes. he thinks. it's not the truth. you had just planned to leave him in the dark just like that. it was a deliberate chance to twist a blade into his stomach the same way he had twisted it into your heart. he wonders why you didn't just shatter him on purpose.

the new tenant hands him a letter that was left behind with his apartment number on it, and spencer realizes, he thinks. you had just wanted to stab him through the heart and carve a piece of him for yourself after he had left yours hollow and empty. you didn't quite do it, though. the letter hurts, yes, but in a way he felt deserving of it. you tell him at the end that the silver would look nice on maeve's finger.

he doesn't have the heart to open the box to find out if your ring is in it.

and suddenly, there's no interest in maeve at all — and spencer reflects on it in a way. he knows now. it was never really transference with you. it was transference with maeve. it was simply because he had gotten so caught up in making a new friend and calling her all the time that he had forgotten how he had gotten to that point in the first place. did he ever truly love maeve? surely it hurt to hear how she was the prettiest girl in the world to him when you were wearing a ring meant to match his.

how could he ever think of someone else in that light? when you were right there?

when the hurt fades, all he has left are his days in his flat where he traces through the books you had bought him. he traces your writing in the margins of your literature, and it reminds him of when he had to send his mother away all over again. he isn't allowed the joy of keeping someone by his side. not with his father, not with gideon, and now no longer with you. it didn't matter if you had been waiting. people grow tired of it immediately. people need air. you had forgotten that. spencer had forgotten that.

it was stupid of him to ever think of someone other than you.

spencer dreams of you sometimes. leaving without a reason, walking out of his life with most of your belongings packed from your place with the knowledge that you had just told hotch you were leaving, never to be seen again after you had been pushed to the hospital and he wasn't allowed to hear your diagnosis. disappearing from all his records, being denied access to how you were doing now. it wasn't witness protection, no. he would have known if it was. you had just chosen to disappear from his life forever on a random thursday afternoon. the same thursday he was supposed to tell you that he was wrong to ever make you misunderstand that he loved maeve more than you.

he hasn't taken his ring on his finger since finding out that you had just packed and left. he doesn't know why. he mourns you. perhaps he does, and perhaps he had been right such a long time ago when he was still somewhat young and fresh, ramble of how the feeling he was expressing was most likely his own cocktail of romance, but he had been slow. he knew, yet you had not waited. it was not worth it anymore, perhaps. he understands that. you learned to start moving at your own pace and claw your way to stability, and a government job that required you out on the field at all times was not worth the pay.

you could make comfortable money elsewhere.

he knew that much. your passion had never been quite to be out on the field saving people. your passion had always been in reading people and knowing people. in the smoothing of papers and fluids of ink. you had always loved something much different than he did. you always loved something that he had used as a tool to continue upward. he could deduce a million things about you and none of it would make sense because as soon as you flipped the page you would once again become blank and leave him wordless.

you belonged in ranges of books, not the shelves that hosted you on late nights when you did not want to sit alone in your apartment.

you belonged in rows and rows of scripture and poem and psalm that could not even begin to be described with mere pen and paper. it had to be parchment and quill — ink and letters delivered by carrier pigeons that no longer existed. you belonged in a world that he had long forgotten he was once part of. a world that he doubts he could ever step foot back in without something that affects him enough. he's not going to step back into it. not until there is a point in which he knows he can retire and calm down. his papers would never be the papers that you write. your papers would never be papers that reach his hands.

and then hotch leaves.

he wonders if he could ever step away from it all. a second life or death moment. a moment in which he was... alive, perhaps. he understands the tension between him and cat well. its just a shame you're no longer here to untangle his mind after a long day with your fingers carding through his hair. its a case you would have jumped on. a woman who was better than acting than anyone else. he feels like he lost something when he had met her. it was an encounter you would have listened to him ramble and told him what kind of a person she was, but you weren't there anymore. you hadn't been for a while, and when he's in prison, unable to reach out to you, he wonders if it was at all worth it.

you would not have let it happen.

hotch would not have let it happen.

he spends a lot of time wondering what you're doing. he wonders if you still make your tea with a thermometer so the green doesn't become bitter, insisting that tea made at home is better than one at a coffee shop — and he wonders if you still keep packs of pop rocks on you because you refuse to have food and substitute it with sugar so your blood sugar doesn't drop. he wonders if you still lounge in bed until the sun is halfway in the sky, only leaving for brunch in the mornings, and he wonders if you've made friends. perhaps you connected with past ones. he wonders if you're doing better now.

you have to be. for him. you have to be.

it comforts himself to know that at least one of you are doing better.

maeve is there when he's freed. he understands, yes, that he was… dumb to even… oh he doesn't try thinking too hard about it. he thanks her, yes, and it's not really her fault. his fault for taking off a ring that tied his heart to yours so he could try and pretend he didn't care. he wonders if she thinks any more badly of him. he doesn't think she does, but perhaps she's realized too that his heart wasn't ever really for her to begin with.

He glances at the ring he's kept safe for so long, lack of luster causing a frown on his face as Maeve glances at it too.

"You never really told me the truth, huh?"

"No." He mumbles. "I got caught up in your confession, I suppose."

"I see."

He pauses, staring at Maeve as she tilts her head.

"Did you tell her thank you for saving my life?"

"She left before I could."

"You should have been honest with me."

"She had never—"

"And yet you had a ring." She hums. "Did you pretend I was her? Because I told you I loved you?"

"I just… wanted her to tell me she loved me, I suppose." He blinks, suddenly quiet. Ah. So that was it. "So when you said it to me, I just—"

"You should tell her."

"I won't ever get to see her again."

"You should tell her you love her." Maeve hums. "She was waiting for you to say it first."

"I couldn't have—"

"Then maybe she was hoping for you to." She hums, pausing, smiling. "She's doing good. I met up with her last time she was here."

"She was here?" He hates the way his voice breaks.

Spencer understands you more now, he thinks. The time he spent thinking over his emotions and not his mind for once was strange. Isolation did a number to him. He understands himself better now. Maybe he just wanted you to be vulnerable with him first before he could even believe that you liked him even more than you did with others.

It was stupid, yes. It was painfully obvious to everyone that you liked him more than you did the average person, and it wasn't exactly something you bothered hiding. Perhaps you had just been waiting for him to say it first since he had treated you differently too. He knew it, but he just refused to admit it. He didn't need numbers or probability to prove that you loved him. He loved you just the same. The band around your fingers should have been proof of that.

It really shouldn't have been something he ever doubted even once.

So when he gets forced back into the swing of the thirty day sabbatical, his final thirty is a gift from the team.

A carefully picked location — per Garcia's request.

Garcia chose this one, which he finds interesting considering that he's never left too far for guest lecturing before, and Garcia had never shown even a remote amount of interest in his sabbaticals, but apparently the university had really wanted him to provide insight in the lecture, so he was requested by… someone… in the university. Spencer isn't too sure, but he trusts Garcia enough, so he's on a commercial flight to meet with the university.

"It'll be a good breath of air. Besides, when's the last time you had a proper vacation? Don't you dare try to come back before the thirty days are up. I will have prentiss kick your ass."

"Yes, Garcia." Spencer mumbles. "And you're sure this will be good for me?"

"Oh, I know it will be good for you. Thank me later."

It's strange he's somewhere he's seldom been, and the rain reminds him of Seattle, but not quite. The university wasn't really known for their curriculum on criminology, but the psychology program was apparently well respected. He respects it. The campus is gorgeous, and his guide takes him around and lets him know some local places he can visit.

The lecture goes nicely. He quotes books and literature, and he explains the case studies they've all done, analyzing behavior and explaining classic serial killers, but the students seems much more invested in his face than what he's teaching. Which he's grown used to, in a way. He could try and pretend he doesn't understand it, but he doesn't. At least not in that way.

He almost misses when Morgan would call him pretty boy to his face.

He stays behind to check out what they have, though. There's a small neighborhood a little bit southeast of the university quite a nice little street to wander on, and Spencer finds himself stopping to look around. The name reminds him of things you had said once. Quite mumble under your breath when you had passed Pike Place in Seattle about how you liked it better in…

He stops at a coffee shop, ordering a pastry and coffee (sweetened. of course.), and he leaves his last name. He doesn't know what compels it. Well, maybe so his name feels a little more common. He's older now, so his name's dated with him, naturally, but he still finds himself using his last name.

The lady is kind enough — as she can be. She writes his name down and asks if there's a design he'd like on his cappuccino. (He asks for a heart), and he finds himself at the end of the coffee shop, ripping open a pack of pop rocks to dip his tongue into. He started carrying them around ever since you left. The popping on his tongue reminds him that he's not as numb as he believes he is. There's a starbucks across, but his guide had insisted that he try the local place. Been around since forever and still hasn't closed. Apparently it has surprisingly good prices too.

"Green tea for Reid?"

Spencer turns around at his name, watching as you step past him to grab the drink.

The words come out before he can think.

"You're buying your tea now?"

You freeze up in place.

"Latte with vanilla for Reid?" The barista raises a brow.

"That's me." He takes it, staring down at you as you stay still. "Talk to me."

"I don't see what there is to talk about."

"You hide behind a false wall of bitterness mirroring how I hid behind science and logic to not need to face how stupidly in love with you I was." Spencer swallows. "We both know there's stuff to talk about."

You blink up at him, raising a brow.

"Did Penny send you?"

"She suggested the university, yes. But a professor had reached out—"

"Then there's no need to talk about it. You'll go back to your job in a few days—"

"Twenty five."

You raise a brow.

"Twenty-five days." He swallows. "I… went to jail, and as an exchange for taking me back, I have to take a sabbatical for thirty days every now and then."

"And you decided all thirty days here was the move?"

"Garcia did."

and when he senses the pause you want to slip from, he speaks again.

"I know you're bitter about how horribly I treated you when I was calling Maeve three times a week and almost always on a case, and no, I don't expect you to forgive me or anything, but I miss you. I really do miss you."

"Oh, look at that. Doctor Spencer Reid using pathos." You mumble, checking your watch.

Spencer catches the familiar glisten of your ring.

"Listen. You can act like you moved on and no longer care about me all you want, but I think you know deep down that you're still clinging onto bits of me that I left behind, and the ring and your name is no coincidence—"

"Doctor Spencer Reid." You glare. "I don't appreciate being profiled like that."

He stops, clenching his fist as he stares down at you.

"I'm no different."

Your eye finds the ring on his finger, and you sigh.

"I hope you have fun here, and if the universe wills, may we meet again."

"And if I force it?"

You stare up at him.

"I think I know—"

"I don't know, Doctor Reid. I might just have to kick you out for it."

There's no real malice in your words, Spencer finds. There never has been, and he's almost comforted to find that even after all this time, you're the same as ever. The constant of your existence and the growth of you as a person. You dress warmer now and there's not an ounce of unhappy exhaustion on your face, and it almost feels like it's alright. You're doing wonderful on your own, all without ever needing to rely on him.

But he's grown too, he supposes. Years ago, the stubble on his face would have bothered him. A breeding ground for germs that have more "if's" than letting it be. The scar on his thigh from a blade in prison, and then bullet wounds all over. Bruises that he would have never got back when you were still with the team. In a way he's grown after being away from you too, and maybe it would be better if you both just grew on your own, but it doesn't. He doesn't want it to be.

"Tomorrow at Four in AERL 210." You grumble, but Spencer finds the ghost of a smile on your face.

"I love you." He hums, eyes full of affection.

The way you turn back to frown playfully tells him everything he needs to know.

And the tension is gone, he thinks.

In a way maybe you're resentful of him, but he's found that time's changed him beyond recognition. He doubts you had expected him to look the way that he did. There's a mess in his hair and a unclean look that you had always joked about him growing into one day, and maybe it's a testament to how well you knew him emotionally. The same way he knew how your brain moved and operated and not your heart.

but that was what made the two of you work so well. to know the part of someone that they themselves did not know as well. It was a testament of some kind.

to be vulnerable enough with someone that they know you better than you do yourself.

he wonders how you ever found it in yourself to forgive him of his crime, but perhaps time has healed you — and he has no intention of undoing all of that healing. he'll leave you alone after the thirty days if that is what you wish for. he's not one to force himself upon you after all the harm he's done, after all. he's shattered beyond repair, and you were not quite there to fix him up this time. he owes a lot of his life to you, he supposes.

it also amuses him that somehow you had written letters to his mother as well, telling her how you've been. he didn't know why he didn't search there, but when he had visited her after jail, she had told him about some professor writing her letters about her works and how wonderful her son was. it warmed his heart, after all. maybe he didn't know it was you, but it only made sense that it would be. after all, there is something only you would do that no one else would. he doesn't deserve you, in many cases. but ultimately you are the one who gets to decide.

He arrives twenty minutes before lecture with a cup of green tea for you, and you hand Spencer a clicker and a pack of pop rocks before telling him to file through the slides. He listens, and you tell him he'll be lecturing since you'd rather wring his brain dry when you can spare teaching. It's an excuse, he knows, because you'd never do anything to harm him, but you might joke about it. He finishes the slides in three, and he asks if there's anything else he should talk about (you tell him no— and when the class files in, you have a hand on his shoulder and a look on your face that can really only mean one thing.

"Class, meet my husband."

Emily Brontë once wrote “He is more myself than I am. Whatever our souls are made of, his and mine are the same. If all else perished and he remained, I should still continue to be, and if all else remained, and we were annihilated, the universe would turn to a mighty stranger. He’s always, always in my mind; not as a pleasure to myself, but as my own being.”

and spencer knows, somewhere an english teacher is rolling in their grave crying that it was never meant to be taken in the context of romance — catherine and heathridge were raised siblings, after all. but he supposes that finding a love where your soul's at rest needs not to be forcibly romantic for everyone.

It just so happens that his was.

---

"Untitled" by Fiona, posted to Tumblr on May 21. 2014

i hope this finds you well ⛐ 𝐎𝐏𝟖𝟏

“you’ll be bored of him in two years,” oscar says flatly, “and we will be interesting forever.” (or: 𝘵𝘩𝘦 𝘭𝘪𝘵𝘵𝘭𝘦 𝘸𝘰𝘮𝘦𝘯 𝘫𝘰𝘭𝘢𝘶𝘳𝘪𝘦 𝘢𝘶, 𝘸𝘩𝘦𝘳𝘦 𝘰𝘴𝘤𝘢𝘳 𝘪𝘴 𝘫𝘰.)

ꔮ starring: oscar piastri x reader. ꔮ word count: 10.2k (!!!) ꔮ includes: friendship, romance, angst. cussing, mentions of food & alcohol. references to greta gerwig's little women (2019), mostly set in melbourne, oscar's sisters are recurring characters. ꔮ commentary box: i've written way too much oscar as of late, so before i go on a self-imposed ban, i had to get this monster out. fully, wholly dedicated to @binisainz, whose amylaurie lando fic does this feeling go both ways? started all this. birdy, i love you like all fire. 𝐦𝐲 𝐦𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭

♫ let you break my heart again, laufey. we can't be friends (wait for your love), ariana grande. cool enough for you, skyline. do i ever cross your mind, sombr. bags, clairo. true blue, boygenius. laurie and jo on the hill, alexandre desplat.

Oscar Piastri is not the kind of boy who usually finds himself at house parties.

Especially not the kind with balloons tied to banisters, tables laden with sausage rolls and buttercream cupcakes, and a Bluetooth speaker hiccupping out the tail-end of some pop anthem. But here he is, cornered into attendance by his sisters—Hattie, Edie, and Mae—who’d all dressed up for the occasion and declared, in unison, that he had to come.

So he had. Because he was a good brother and an unwilling chaperone. 

And now he’s bored.

Oscar stands near the drinks table, nursing a cup of lukewarm lemonade and trying to look vaguely interested in the streamers above the kitchen doorway. Hattie had already been whisked off to dance by someone in a navy jumper. Edie had found the girl who always brought homemade brownies to school. Mae was giggling wildly with a trio of kids Oscar vaguely recognized from the street down. 

No one notices him lingering by himself. That suits him just fine.

Still, he can’t quite shake the restlessness crawling up his spine. The noise is too loud, the lights too warm. With a quick scan of the room and a glance over his shoulder, Oscar slips behind a long, velvet curtain that cordons off what seemed to be the study.

Except there’s already someone there.

He realizes it a moment too late, nearly landing on top of you.

“Oh my God—sorry!” he blurts out, practically leaping backward. His foot catches on the edge of the curtain and he stumbles a bit, arms flailing before catching the side of a bookshelf. His cheeks burn. “Didn’t see you. I didn’t think anyone else—sorry. Again.”

You blink up at him, wide-eyed, legs curled beneath you on the armchair he had almost sat on. There’s a half-eaten biscuit on a napkin beside you, and your fingers are wrapped around a glass of ginger ale. Contrary to everyone else at this godforsaken event, you’re not a familiar face. 

“It’s okay,” you said, voice quiet. Accented. Affirming Oscar’s theory that you’re not a Melbourne native. After a pause, you tentatively joke: “You didn’t sit on me, so that’s a win.”

Oscar huffs out a laugh, scrubbing a hand over the back of his neck. “Yeah. Close call.”

The silence after is not awkward, exactly. Just shy. The two of you are tucked away behind a curtain, neither fully sure what to do next. Oscar takes the plunge first, figuring it’s the least he could do after intruding on your escape.

“I’m Oscar. Piastri,” he adds unnecessarily. He gestures vaguely toward the chaos outside. “Dragged here by my sisters.”

“I figured you were with the girls,” you reply amusedly. “I’m new. Just moved here a few weeks ago.”

Oscar’s brows lift. “So this is your introduction to the madness?”

“Pretty much.” You offer a sheepish shrug. “I don’t really know anyone, and pretending to be cool isn’t really my thing.”

“Mine neither,” he says quickly, maybe a bit too quickly. “Hence the hiding.”

That earns him a soft smile. It’s a pretty smile, Oscar privately notes. 

He gestures to the empty bit of couch beside you. “Mind if I sit? Promise to check for limbs first.”

You shift slightly to make room. “Be my guest.”

He sits, careful this time, knees bumping slightly against yours as he settles. The party noise feels far away behind the curtain—muted like a dream. Oscar glances at you from the corner of his eye, curiosity bright beneath his awkwardness.

“Got a name, new kid?” he asks, because even though he had agreed that he doesn’t like feigning coolness, he’s still just a teenage boy with a god complex. 

You tell him your name. He repeats it back to you, careful with the syllables like he’s folding them into memory.

A few more minutes pass, filled with idle chatter. You talk about your move, the weird smell of paint still lingering in your new house, and the fact that none of the cupcakes at this party have chocolate frosting, which is a tragedy. Oscar, in turn, tells you about his sisters. How Mae once tried to dye her hair green with a highlighter and how Hattie got banned from school discos after she snuck in a smoke machine.

The laughter between you is easy. Unforced.

Then you say it, maybe without thinking too hard. “We should dance,” you muse, finishing off the last of your biscuit. 

Oscar freezes. His eyebrows shoot up, alarmed. “Dance? With me?”

“Unless you’d rather go back to pretending the streamers are fascinating.”

“I don’t dance with strangers,” he says, half-laughing, half-panicked.

“We know each other’s names now,” you point out. “That makes us not-strangers.”

With a beleaguered sigh and a scrunch of his nose, Oscar comes clean. “I’m bad at it,” he grumbles. 

“Who cares?”

“My sisters. They’ll see. And I’ll never live it down.”

You purse your lips, tapping your glass lightly against your knee. Then, a spark lights in your eyes. It’s the kind that spells trouble; Oscar has seen it in his siblings’ faces, right before they do something so invariably stupid and reckless. “Come with me. I have an idea,” you urge. 

He hesitates, a part of his brain screeching something like stranger danger! in flashing, neon lights. In the end, he follows.

You slip out through the back door, motioning for him to stay quiet as you lead him down the wooden steps and out onto the wrap-around porch. The party sounds are muffled here, only the faint thump of bass slipping through the walls.

“Out here,” you say, turning to him with an expectant grin. “Nobody to laugh. Just us.”

Oscar stares at you. “This is crazy.” 

“Shut up and dance.”

And so he does.

Awkwardly, at first, because you start them off with wild moves and dance skills that are much more abysmal than his. It gives him the confidence to start swaying a bit, his laughter poorly stifled as he watches you flail like an octopus. 

You take his hands, and he lets you spin him gently, sneakers squeaking against the porch boards. There’s no rhythm to it, not really. Just swaying and clumsy steps and the faint thrum of music in the background.

The porch light flickers above you, casting long shadows. Somewhere inside, someone cheers. But out here, it's just you and Oscar.

Two kids dancing badly and not caring.

“You’re a weird one,” he says with a smile that splits his face open.

“Takes one to know one,” you shoot back, fingers squeezing his as you twirl yourself through his arm. It’s a gross miscalculation and you end up stumbling, the two of you cackling as you attempt to detangle from the mess of limbs you’ve entangled each other in. 

For the first time that night, Oscar thinks he might actually like this party after all.

Christmas morning in the Piastri household always comes with a sort of chaos—the kind born of slippers skidding across hardwood, sleepy giggles, and the rustle of wrapping paper long before the sun climbs properly into the sky.

This year, however, there’s something new. A wicker basket sits on the porch, ribbon-wrapped and dusted in the faintest layer of frost. 

It’s heavy with gifts, each one handmade and meticulously labeled in curling script. Hattie, first to spot it, gives a shriek loud enough to wake the neighborhood. Within minutes, the whole family is gathered in the living room, the basket placed like treasure at the center.

“It’s from the new neighbors,” their mum announces, plucking a card from the basket. Her voice is touched with surprise and delight. “The old man and his granddaughter. Isn’t that sweet?”

Hattie unwraps a pair of knitted socks, blue and gold. Edie lifts out a jar of spiced jam. Mae discovers a hand-bound notebook. Each gift is simple but exquisite, the sort of thing you only receive from people who notice details.

“She’s the one who doesn’t talk to anyone,” Hattie says knowingly, curling her legs beneath her on the couch. You were in the same level as her, it seemed—a year below Oscar. 

“That house is huge.” Edie glances out the window, towards your home. “Do you think her parents are loaded?” 

“I heard they aren’t even around,” Mae whispers. “Just her and the grandfather. He looks ancient, though. Like, fossil ancient.”

“Girls,” their mum cuts in sharply. “That’s enough. They were kind enough to send gifts. We will be kind in return.”

Oscar, perched on the armrest of the couch, stays quiet through the speculation. His hands toy with the tag on his gift—a simple wooden bookmark, engraved with an amateur sketch of a stick figure dancing. He doesn’t say anything about the study, or the curtain, or the ginger ale.

But the memory floats to the front of his mind: the soft hush of the party behind a curtain, the brush of knees, your laugh when he had called you weird. 

“We should make friends with them,” Oscar says finally, looking up. “It’s Christmas, after all.”

The girls pause. Hattie raises an eyebrow. “Since when do you care about new neighbors?”

He shrugs, trying not to look too interested. “Just saying. It wouldn’t kill us to be nice.”

Their mum smiles, pleased. “That’s the spirit.”

Oscar glances back down at the bookmark, running a thumb over the edge.

He finds your family acquainting with his soon enough.

On a sunny afternoon, right as Edie is pouring cereal into a bowl and Oscar is elbow-deep in the dishwasher, the home phone rings. Hattie picks up, listens for a moment, then calls out, “Mae’s at the neighbor’s. She fell off her bike.”

There’s a rush of clattering cutlery and footsteps, and in no time, Oscar finds himself trailing behind his sisters down the sidewalk, toward the big house next door—the one with the sprawling lawn and mismatched wind chimes on the porch.

When they arrive, Mae is perched on your front steps, a bandage already wrapped around her knee and a juice box in hand. She waves lazily as Hattie and Edie fall upon her with a dozen questions. Your grandfather, white-haired and kind-eyed, stands nearby, looking amused by the commotion. He introduces himself and ushers them all inside despite their protests.

Oscar hangs back for a moment until he spots you just behind the door, barefoot and half-hidden by the frame. You glance up, catch his eye, and grin.

“You again,” you say, stepping out onto the porch. “Is she alright?”

“Yeah, just scraped her knee,” Oscar replies, shoving his hands into the pockets of his hoodie. “Thanks for patching her up.”

“We had a pretty solid first aid game back at my old school. I’m well-versed in playground accidents.”

He chuckles, leaning against the porch railing. “That so? Must be a pretty rough school.”

“Brutal,” you agree solemnly. “There were snack thieves and dodgeball champions. It was a jungle.”

“Sounds terrifying.”

“It built character,” you say with mock seriousness, then flash him a grin. “Want to come in? I made too much lemonade.”

Oscar nods and follows you inside. The kitchen smells like lemon zest and fresh biscuits. Hattie and Edie are now harrowing your grandfather with questions about the old piano in the corner and whether the house is haunted. He answers everything with a twinkle in his eye, clearly enjoying the attention.

You hand Oscar a glass and settle across from him at the kitchen table. He takes a sip. “You weren’t lying,” he says through another swig. “This is good.”

“Of course not. I take my beverages very seriously.”

“You’re weird,” he says, but there’s no heat behind it.

“You keep saying that like it’s a bad thing.”

“I’m starting to think it might be a compliment.”

You clink your glass against his in cheers. He smiles, and something warm unfurls in his chest. A startling kind of certainty. Like something’s taking root—a real friendship, honest and surprising and entirely unplanned.

Oscar is surprised to find that he doesn’t mind. 

It happens gradually, like most real things do.

You begin spending Saturday afternoons with the Piastri bunch, lounging on their back deck with Hattie and Edie, gossiping about the neighbors or watching Mae attempt increasingly dangerous trampoline flips. You get good at knowing who takes how many sugars in their tea, when to duck because Edie’s chucking a tennis ball, or when Oscar is about to try and quietly leave the room.

You’re there for board games on rainy days and movie nights on Fridays. You help Hattie with her French homework, braid Mae’s hair when her fingers get too clumsy with excitement, and lend Edie your favorite books. Their mum always saves you an extra slice of cake, and their dad asks how your grandfather’s garden is faring this season.

It starts to feel like you’ve always belonged there, wedged into the rhythm of their household like a missing puzzle piece finally found.

Oscar is often quieter than the others, but he’s still a constant. You and he become fixtures in each other’s orbit. Trading messages about school, tagging each other in silly videos, or sending one-word replies that only make sense to the two of you. 

Despite being one year his junior, the two of you are close in a way that you aren’t with the girls. He swears it’s because he met you first, because the two of you have emergency dance parties and cricket watch parties that nobody else knows about.   

He leaves for boarding school, and the absence sits awkwardly on both your chests at first. But he never really disappears. He always texts when he’s back. Always walks you home at least once before he has to leave again. Always makes you laugh, even when you don’t want to.

And then—one summer—he comes home and something’s different.

It isn’t dramatic. You don’t swoon. He doesn’t speak in slow motion. It’s just... subtle.

Oscar stands taller. His shoulders are broader. His voice has deepened slightly. There’s a small scar at the corner of his lip you don’t remember, and when he grins, it strikes you—how he’s grown into himself, soft and sharp all at once.

You catch him staring at you too, once or twice. Like he’s trying to recalibrate what he thought he knew. Your hair is a little longer, and your skin is tanned from all the days in the sun. He remembers the freckles; he doesn’t remember when they became so prominent.

But it never becomes a thing. You don’t talk about it. You fall back into your usual rhythm.

Because even if your faces are a little older, your banter is still quick and familiar. You still chase each other down the street. You still squabble over the last biscuit. He still rolls his eyes at you, and you still prod him for his terrible taste in music.

Whatever has changed, whatever is beginning to, you both keep it tucked away. For now, it’s enough just to have each other nearby.

It’s a fact Oscar remembers as digs his toes into the hot sand. His jaw is tight; he watches the waves break in even swells. The sun’s beating down hard, but he barely feels it. Not with the way his chest still burns from the shouting match earlier.

Hattie had stormed out of the house with her towel clutched like a shield, and Oscar had followed, only because everyone else was pretending like nothing had happened. His sisters always expected him to be the reasonable one, and today—he hadn’t been.

He’d snapped. Something petty. A dig at her choice of music in the car. Then something sharper about her always having to be right. And before he knew it, she’d looked at him like he was someone else. 

He hadn’t apologized.

Now, he sits beneath the shade of a crooked umbrella, arms wrapped around his knees. He watches the group scatter across the sand and into the waves. Hattie’s already out with her board, paddling strong into the break like she’s trying to prove something. Edie is further down the shore, half-buried in a sandcastle war. Mae’s running between them, laughing.

You drop into the sand beside him, skin glinting from seawater, hair tied back and still damp. “You two going for the title of Most Dramatic Siblings today?” you ask, unsurprisingly up to date. Hattie probably told you all about it while the two of you were getting changed. 

Oscar sighs, rubbing a hand over his face. “I was a bit of a tosser this morning,” he says dryly. 

You nod, not offering him an out. Just letting the honesty settle.

“She’ll forgive you. Eventually,” you add. “You Piastris always find your way back.”

He tilts his head, watching you. The sunlight makes your nose wrinkle when you squint toward the water. Your shoulders have lost some of their shyness from when he first met you. You’ve become more sure of yourself, laughing louder, teasing easily. Comfortable. Confident. Certain. 

He likes that. 

The two of you sit in silence until Oscar stands, grabbing his board. “I’m going out.”

“Be nice,” you call after him, and he flashes a grin over his shoulder—tight but genuine.

In the surf, Oscar feels the tension bleed out with every push through the waves. The water’s cold and biting, salt sharp in his mouth. He catches sight of Hattie up ahead and paddles after her, trying not to let the guilt slow him down. Hattie notices him, grimaces, and rushes on. 

Trying to prove something. 

The waves pick up. Hattie catches one, standing briefly before wiping out. She resurfaces quickly, almost laughing, but Oscar watches her expression shift just moments later. There’s a sudden pull in the water, subtle but unmistakable. A riptide.

She paddles against it. Wrong move.

Oscar feels the fright hit like a tsunami. 

He’s been scared before. Of course he has. He’s terrible when it comes to horror movies. He’s seen his karting peers fissure into pretty nasty accidents. But this, the fear of this, of his younger sister— 

He starts shouting, but the wind carries his voice sideways. Instinctively, he glances to shore—and sees that you’re already running. Board abandoned, feet flying across wet sand. You make it to him in record time, that crazed look in your eyes mirroring his.

Together, you plunge into the surf. Oscar’s strokes are strong, slicing through the current. He reaches Hattie just as she starts to panic.

“Float! Don’t fight it!” you yell, coming up on her other side.

Oscar grabs her wrist, firm but steady. You’re on the other, speaking calm, clear instructions, guiding her body as the three of you angle sideways out of the current. 

You’re the voice of reason; Oscar is the force that perseveres. 

It’s slow. Exhausting. But eventually, the pull lessens.

You reach the shore heaving, salt-stung, and shaking. Hattie collapses onto her knees, coughing up seawater, and Oscar sinks beside her, heart hammering. His hands rest at her back, as if he’s scared she’ll go down under the moment he lets go. 

Hattie says nothing at first. She just looks at him with wet, furious eyes.

It’s a look Oscar is used to seeing on Hattie’s face. They’re siblings. Of course they squabble, and they fight, and they know where to hit for it to hurt. Such was the curse and blessing of being a brother. 

Underneath all that, though, Oscar goes back to two cardinal truths: Being the eldest, he made his mum and dad parents—but when Hattie came around, they made him a sibling. 

And a sibling he would always be, come hell or high water. 

“You didn’t even say sorry,” Hattie sputters, like that’s still the worst thing that has happened this afternoon. 

Oscar can’t decide if he wants to cry or laugh. You hover nearby, giving them space. But not too much.

“I’m sorry,” he says, and it’s I’m sorry for picking a fight, and I’m sorry for being a bad brother sometimes, and I’m sorry I never taught you about riptides. 

Hattie sniffles, then swats at him. “You better be.”

And that’s how they make up.

Later, as the sun begins to dip, casting everything in amber, Oscar finds you rinsing your arms at an outdoor shower.

“Hey,” he says, stepping close with your towel in his hands.

You look over your shoulder. “Hey.”

He shuffles awkwardly. With salt in his hair and gratitude tangled in his ribs, Oscar thinks there’s no one else he’d rather have next to him when the tide pulls under. 

But there’s something deeper, something closer to guilt gnawing at him. 

You sense it, in the same way you know when Oscar’s about to have a bad race weekend or when he’s overwhelmed with schoolwork. Stepping out of the shower, you take your towel, wrap it over your shoulders, and gesture at Oscar to follow you. 

The two of you walk along the shore, away from where Edie is snapping photos of her sandcastle and Mae is reading some trashy romance novel. Hattie is passed out on a beach blanket, the excitement of the near-drowning taking the fight out of her. 

“If she had died,” Oscar tells you, his tongue heavy as lead, “it would’ve been my fault.” 

It’s the kind of thought he figures only you will understand. Not because you have any siblings of your own, not because you had been there, but because you’ve always read Oscar like he was a dog-eared book you could keep under your pillow. 

“She’s fine, though,” you say delicately, but he’s started and he can’t stop. 

“What is wrong with me?” A laugh escapes Oscar—the self-deprecating kind, one that grates more than the sand beneath your feet. “I’ve made so many resolutions and written sad notes and confessed my sins, but it doesn’t seem to help. When I get in a passion—” 

A passion. A fit. With his siblings, with his mates, with you. He can’t count the amount of times his sarcasm has offended you. The instances where he’s made you cry, intentionally or not. 

And when he’s racing. God, when he’s racing. 

In a couple of months, he’s slated to join Formula 4. He has a stellar karting career behind him, one he can barely even remember—because he had seen red throughout it all. Oscar was clinical and cutthroat and cruel the moment he got behind a wheel, and a part of him worries that’s who he’ll always be. 

A man who would stop at nothing to be at the top step of any podium. A boy who would insist on being right like his life depended on it. 

“When I get in a passion,” he tries again, “I get so savage. I could hurt anyone and enjoy it.” 

It’s a damning confession. The kind that could absolutely ruin and unravel Oscar. But he knows, he trusts that it’s safe in your hands. You hum a low sound like he hadn’t just bared his heart out for you to sink your claws into.

“I know what that’s like,” you say, and he has to do a double take. 

“You?” He studies the side of your face, as if checking for insincerity. “You’re never angry.” 

You’re annoyed with him often and you’ve got a hint of fire in everything you say. But there’s never been rage, never been the sort of flame that could incinerate. And so it shocks him all the more when you confess, “I’m angry nearly every day of my life.” 

“You are?” 

“I’m not patient by nature. I just try to not let it get the better of me,” you offer, glancing up at Oscar. 

The two of you have come to a stop at the edge of the shoreline. Soon, you’ll have to get back to his waiting sisters. For now, though, he surveys your expression and finds nothing but the truth. 

He files the facts away in that mental cabinet he has containing what he knows about you. Angry, nearly every day. And then he takes to heart the rest of your words, the roundabout advice of not letting it consume him.

The blaze in him stops roaring for a minute. With you, it’s like a campfire. Inviting and warm. 

Better. You make him better.

“Look at us,” he says, tone almost awed. “After all these years, looks like I can still learn a thing or two from you.” 

There’s something in your eyes that Oscar can’t quite place. You’ve always looked at him a certain way, but he could never really put a word to it. It’s tender and pained all at once; subtle, ultimately, buried underneath whatever he needs you to be at the moment. 

“It’s what friends are for,” you respond, your voice catching on the word in the middle. He pretends not to notice. 

Friends.  

Oscar’s Formula 4 debut is everything he thought it would be.

The pressure, the lights, the nerves so sharp they buzz under his skin—it’s all there, and then some. He tries to soak in every second, from the chorus of engines roaring around him to the feel of the wheel under his gloved hands. But even with everything happening so quickly, even in the blur of adrenaline and pit stops, there’s still time for his thoughts to drift back home.

More specifically: To you.

It starts small. Just a notification that you’ve made a new post. A photo.

You with your boyfriend.

A guy Oscar’s met once, maybe twice. The sort of guy who plays guitar at parties and wears cologne that smells like department store samples. He isn’t bad—just doesn’t fit. Doesn’t match the version of you Oscar has always known. The one who once danced on a porch, hair a mess, daring him to keep up.

He doesn’t know what to do with the bitter feeling that curdles in his chest. You’re not his, per se. You’ve never been. But surely you could do better than this Abercrombie-wearing, Oasis-playing asswipe. 

Summer arrives like it always does—hot and sprawling, with cicadas humming in the trees and long days that stretch lazily into nights. Oscar is home for a few weeks between races. 

You’re still around, too. A little less, though, because your boyfriend is a demanding thing who insists he “doesn’t like Oscar’s vibe.” You fight for the friendship, citing it as a non-negotiable, and when Oscar finds out, he doesn’t even try to hide his smugness. 

The two of you steal away one evening, climbing onto the roof of the Piastri house with cans of lemonade and a bag of sour candy. It’s tradition by now. The tin roof is warm beneath you, and the stars blink faintly above, a faded scattering against the navy sky.

You sit close, your shoulder brushing his every so often.

“You’ve changed,” you say, head tilted toward him.

“Have not.”

“You look taller.”

“I’ve always been taller.”

You laugh, a soft sound. “Okay. You’ve changed in a good way.”

Oscar bumps your knee with his. “So have you.”

The two of you are older, now, more accepting of the facts of life. Time is not your enemy. It’s just time. You’re still in school, and Oscar is still racing. Your paths have diverged, but the road home is one you both know like the back of your hand. 

You go quiet, fiddling with the tab on your lemonade. He watches you closely, trying to read what you’re not saying. You’re nervous. He figures that much out from the fiddling. Nervous about what, though, he can’t— 

“I want to run away with him,” you say suddenly.

Oscar stiffens. He wants to call you out for making such a stupid joke, for not having all your screws on straight. You go on, eyes fixed on the dark street below. “Doesn’t sound too bad. Eloping,” you muse. “I’ve never been one for big weddings, anyway.” 

“Why?”

“Why don’t I like big weddings?” 

“No, stupid. Why the sudden plan of eloping?” 

“Because I love him.”

He looks at you, really looks at you, the slope of your cheek in the half-light, the determination behind your words. It doesn’t sit right. This isn’t you. You make rash decisions, but none so life-altering. Not anything that would give your grandfather grief, and most especially not anything that would disclude Oscar. 

“You’ll be bored of him in two years,” Oscar says flatly, “and we will be interesting forever.”

You don’t respond right away. Instead, you let the words hang between you. Those two things could co-exist. Your love for this loser (Oscar’s word; not yours), and the fact that there was nothing in the world that could electrify quite like your friendship with Oscar Piastri. 

He doesn’t know where this is coming from. He hadn’t realized this would be so serious, that he’d been away long enough for you to start considering marriage with what’s-his-face. 

“I don’t expect you to know what it’s like, Oscar,” you say eventually. “To want to be shackled.”

And there it is. 

You’ve always supported Oscar’s career. You have years worth of team merchandise for all his loyalties; you’ve been there for every race that mattered, each one that you could make. 

But you were also selfish in ways that his family wasn’t. You got moody whenever he had to go away after breaks. You made snide comments about him always being the one who leaves. He’s grown to tolerate that petulance, to take in stride your fears of him failing to come back in one piece. 

For the first time ever, Oscar feels what you do. And, God, it doesn’t feel good. 

“I just hate that you’re thinking of leaving me.” The words are past his lips before he can reel them in. 

It sounds desperate, so unlike him, that he understands the shock that flits across your face. There’s a split-second where he sees a hint of anger, too, like you’re mad at Oscar for being honest, for saying all this after his redeye flights and janky timezones. 

He goes on, because what’s the point of backing down now? “Don’t leave,” he presses. 

“O…”

You’re the only one who calls him that. O. OJ, when you’re feeling playful—Oscar Jack. He’s teased you time and time again about not falling back on Osc, as if you were desperate to carve out a nickname that belonged to you and you alone. 

“God,” he interrupts, eyes turning skyward, as if the stars might hold answers. “We’re really not kids anymore, huh?”

You were kids together. Now, you’re teenagers—young adults. Complicated, messy. Entangled in more than limbs and waves.

“Our childhood was bound to end,” you say, and then you reach out to put a hand on his knee. He considers joking something like Careful, your boyfriend might try to pick a fight and you know I have a mean left hook, but then you might come to your senses and pull your touch away. 

He doesn’t say anything more, and neither do you. You just sit there on the roof, side by side, listening to the quiet hum of summer and the distant echoes of who you used to be.

You break up with your boyfriend sometime in early spring, citing incompatibility in a text that Oscar reads while lying flat on the floor of his hotel room in Baku. 

He blinks at the message, reads it twice, and then tosses his phone across the bed. The relief that floods through him is disproportionate, almost unsettling. He chalks it up to instinct. Or something like that.

He tells himself it’s just the same feeling he gets when Edie starts seeing some guy from her literature elective, a summer not too long after you joked about eloping. Maybe it’s the older brother in him, wanting to be protective of the women in his life. 

That’s what he’s muttering to himself when you catch him scowling at Edie’s date from across the local food park. He was chaperoning once again, though this time Edie had banished him to hang out with you while she was making heart eyes at this lanky transfer student. 

“I thought you’d be pleased,” you tease Oscar, popping a chip into your mouth.

Oscar doesn’t look away from where Edie is laughing at something the guy just said. “At the idea of anybody coming to take Edie away? No, thank you.”

You smirk. “You’ll feel better about it when somebody comes to take you away.”

He finally glances at you, one brow raised. “I’d like to see anyone try.”

“So would I!” you shoot back, grinning as you sip your soda. Oscar’s withstanding singleness was something the two of you joked about often, even though he always reasoned that he was busy. Busy with racing, busy with family, busy with you. “That poor soul wouldn’t stand a chance.”

Oscar opens his mouth to reply, but then you pull a cigarette from your coat pocket. It’s a thing you picked up since you got to uni, and Oscar’s frown deepens at the sight of it. At your audacity. Before you can light it, he snatches it from your fingers.

“Oi!” you protest.

He waves it out of your reach. “None of that.”

“Says who?”

“Says me.”

You lunge for it, but he’s already up and jogging backward, the cigarette held aloft in triumph. You chase after him with a string of cusses, half-laughing, half-serious, and Edie and her date pause to watch you and Oscar bolt down the street like kids again—legs flailing, shouts echoing against the sidewalk.

“Are they—?” Edie’s date asks, and the Piastri girl only heaves out a sigh.

Oscar doesn’t stop until he hits the corner, chest heaving from laughter. You skid to a halt beside him, hair wild in the wind, eyes bright. The cigarette’s long gone, tossed in a bin somewhere behind them. 

“That was expensive,” you whine. 

“More incentive for you to quit it, then,” he responds. 

You glare up at him. He rubs a knuckle into your hair, his free hand snaking to your pocket to grab the rest of the pack. You screech profanities as he bins it, but he makes it up to you with a meal of your choosing. It takes a sizable chunk out of the racing salary he sets aside for leisure, but you’re unrepentant and he’s wrapped around your finger. 

You’re both older now. But sometimes, it still feels like nothing’s changed at all.

Albert Park is golden in the late afternoon. 

The sun spills through the treetops, casting shadows across the path as Oscar kicks absently at a stray pebble, hands buried in his jacket pockets. You’re walking beside him, careful to match his pace even as his strides grow longer with whatever is bubbling up inside him. 

A new year. A new contract. A new team, new plan, new person he has to be. 

“It’s all happening so fast,” he mutters. “The Renault thing. Tests. Travel. They said it’s everything I ever wanted—and it is, it is—but I can’t stop feeling like I’m coming apart.”

You glance at him, brows furrowed. “Coming apart how?” 

Oscar raises one shoulder in a shrug. He doesn’t know how to explain himself, but you’ve always had this philosophy that helped him be more honest around you. Say it first, you’d say. Backtrack later.

“I’m just not good like my sisters,” he blurts out, reaching and settling for a familiar comparison that might make him more comprehensible. “They’re—Hattie’s top of her class, Edie’s already talking uni offers, Mae’s got that whole ‘brightest light in the room’ thing. And me? I’m angry, and I’m restless, and I drive fast cars because I don’t know how to sit still.”

“You don’t have to be, O.” 

He lets out a dry laugh. "Why? Are you about to tell me that I’m patient and kind, that I do not envy and I do not boast?"

You stop walking. He does too, when he notices.

You’re just a step or two behind him, the afternoon sun bathing you in a light that practically rivals the warmth you radiate. But there’s something so utterly stricken on your expression, something so undeniably raw that Oscar feels everything click into place.

The look on your face is one his parents sometimes give each other. He’s seen it in movies, seen it in the photos of his mates with long-term relationships. It’s the expression you’ve given him for years, and years, and years, and he feels like the world’s biggest fool for missing all the signs. 

“No,” you say softly, denying him of his cruelty, of his failures. You think of him like that—patient, kind, humble. 

The makings of a person who deserves—

Oscar begins to shake his head, saying, “No. No.” 

“It’s no use, Oscar,” you say, your fingers curling into fists at your sides, and that’s his first sign that this is really about to happen. Not O, not Piastri, not any of the dozen annoying nicknames you’ve assigned him over the years. 

“Please, no—” 

“We gotta have it out—” 

“No, no—” 

Your conversation overlaps. It’s a twisted kind of waltz, as if the two of you are out of tune and out of step for the first time in your lives. Oscar starts pacing. Like he might somehow be able to run from what’s about to come. 

You barrel on. “I’ve loved you ever since I’ve known you, Oscar,” you breathe, following his panicked steps. “I couldn’t help it, and I’ve tried to show it but you wouldn’t let me, which is fine—”

“It’s not—” 

“I’m going to make you hear it now, and you’re going to give me an answer, because I can’t go on like this.” 

He flinches, takes a half-step back. Tries to say your name with more of those despairing please, don’ts, which fall on deaf ears. 

You step toward him like the whole park is tilting and he’s the only thing keeping you upright. The words pour out too quickly now, too long held back. Years worth of yearning, bearing down on an unassuming Saturday. 

“I gave up smoking. I gave up everything you didn’t like,” you say. “And I’m happy I did, it’s fine. And I waited, and I never complained because I—”

You stutter, swaying on your feet like the weight of your next words was too heavy for you to shoulder. You soldier through like a champion; that’s why Oscar listens, hears them out, even though they rip through him as if he’s crashed right into a wall. 

“You know, I figured you’d love me, Oscar.” 

A damning confession. The kind that should be safe in Oscar’s hands, but his fingers are shaky and his eyes are wide and he thinks he’s going to die, then and there, over how absolutely heartbroken you look that he’s not agreeing with you immediately. That his love was something vouchsafed, a promise for a later time. 

“And I realize I’m not half good enough,” you whimper, “and I’m not this great girl—” 

“You are.” Helplessness wrenches the words out of Oscar’s chest. It’s the same emotion that has him surging forward, his hands darting out to hold your shoulders and keep you upright, keep you looking at him. “You’re a great deal too good for me, and I’m so grateful to you and I’m so proud of you. I just—”

He falters. You gave him your honesty, so he fights to give you his. 

“I don’t see why I can’t love you as you want me to,” he confesses. “I don’t know why.” 

Your voice gets impossibly smaller. “You can’t?”

His eyes close, just for a moment, before he answers. “No,” he says slowly, each word measured against your frantic ones. “I can’t change how I feel, and it would be a lie to say I do when I don’t. I’m so sorry. I’m so desperately sorry, but I just can’t help it.” 

You step back; his hands fall to his sides. The distance opens like a wound.

“I can’t love anyone else, Oscar,” you say dazedly. “I’ll only love you.” 

“It would be a disaster if we dated,” Oscar insists. “We’d be miserable. We both have such quick tempers—” 

“If you loved me, Oscar, I would be a perfect saint!”

He shakes his head. “I can’t. I’ve tried it and failed.”

And he has. He’s had sleepovers with you, wondering what it might feel like to wrap his arm around your waist. He had once contemplated holding your hand during a movie. He figured it would be a given; no one would bat an eye. You and Oscar. 

Except his heart had never fully gotten the memo, and now he pays the price for only ever being able to love the thrill of a race. 

Your voice catches on your next words. “Everyone expects it,” you say in a ditch attempt to change his mind. “Grandpa. Your parents, your sisters. I've never begged you for anything, but—say yes, and let’s be happy together, Oscar.” 

“I can't," he repeats, each syllable heavy. “I can’t say yes truly, so I’m not going to say it at all.”

The evening light keeps on glowing. The world doesn’t end. But you feel like it might've anyway, and he’s right there in that boat with you. You’re willing to settle for scraps, while Oscar refuses to give you half-measures. The silence between you stretches taut, pulling thinner and thinner until it threatens to snap.

“You’ll see that I’m right, eventually,” he says. Like he believes it will make the truth hurt less. “And you’ll thank me for it.”

You laugh bitterly. "I'd rather die."

He looks like you slapped him. “Don’t say that.” 

You’re walking, now, your pace quick as you hurtle down the park pathway with the vengeance of a woman scorned. He calls your name and follows, keeping a sizable distance between you should you not want him to close. 

“Listen, you'll find some guy who will adore you, and treat you right, and love you like you deserve,” he pleads, skidding in front of you and forcing you to do a full stop. “But— I wouldn’t. Look at me. I’m homely, and I’m awkward, and I’m mean—”

“I love you, Oscar,” you say, as if you’re savoring the first and last times you will get to say the words.  

He goes on. He can’t answer that, can’t say anything to those words. “And you’d be ashamed of me—” 

“I love you, Oscar.”

“And we would always fight. We can’t help it even now!" He rakes a hand through his hair. “I’ll never give up racing, and you’ll have to hide all your vices, and we would be unhappy. And we’d wish we hadn’t done it, and everything will be terrible."

He gasps for air. You blink back the sting in your eyes. “Is there anything more?” you ask. 

He meets your gaze, and finds nothing there but rightful heartbreak. “No,” he murmurs. “Nothing more.”

You shoulder past him. He tilts his head back and eyes the sky for a moment, praying to be struck down by any higher power that exists. “Except that—” he starts, and you turn around so fast. 

You turn, retracing your steps, and the guilt wells up in him like a faucet that had burst. He realizes—you think he’s going to take it back. You think it’s going to be a … but I love you instead of an I love you, but… 

“I don’t think I'll ever fall in love,” he manages. “I’m happy as I am, and love my liberty too well to be in any hurry to give it up.”

Your expression crumples. “I think you’re wrong about that,” you sigh.  

“No.”

You shake your head, slowly. “I think you will care for somebody, Oscar. You’ll find someone, and you’ll love them, and you’ll live and die for them because that’s your way and your will.”

Oscar’s way. Oscar’s will. Two things he’s believed in wholeheartedly, until they’ve both failed him. Failed you. 

You take a step back. The anger you once claimed to always have is somewhere, there, beneath all the hurt and the love. Oscar sees it, now. All of it; all of you.

“And I’ll watch,” you add. 

Oscar will love someone— and you’ll watch. 

The wind rustles the leaves above. A bird sings somewhere in the distance. But all you hear is the sound of something breaking open, and bleeding between you. 

The deep and dying breath of the love you’d been working on. 

Oscar doesn’t see you much after that night in Albert Park. 

You’re still around, still next door. He hears you laughing with Hattie, helping Mae with a school project, or chatting idly with his mum over the fence. But it’s not the same. Something fundamental had shifted.

He tries. God knows he tries. He greets you when he sees you on the street. Makes light jokes. Keeps it easy, breezy, friendly. But every conversation feels like a performance, a pale imitation of what it used to be.

He’d broken both your hearts. He knows that too well. 

Oscar doesn’t tell anyone, not even Hattie, who always had a sixth sense for these things. He lets you control that narrative; he’s sure you’ll tell his sisters, and they’ll all have something to say. Surprisingly, none of them bring it up. He wonders if that’d been your condition with them, and he is grateful, and he is angry, and he is so, so sorry.

He channels everything into racing. He throws himself into his training, enough that it gets him trophies and podiums and a contract with a frontrunning team. 

His dream—the one he’d chased his whole life—is here. 

And it’s everything he ever wanted. Almost.

A few days before he’s due to fly out for testing with McLaren, he finds himself in the backyard, watering the garden with Mae. She’s picking mint leaves with the same dramatic flair she does everything. He doesn’t notice when she says your name until the silence that follows makes him realize he’s been staring blankly at the hose.

You have a part-time job now, Mae had said. Oscar knows. Not from you. Rarely does he know anything about you from you nowadays. He watches your life in fifteen Instagram stories, in the Facebook posts of your grandfather. He hears about you from his parents and whichever of his sisters is feeling particularly brave that day. 

It’s so sudden, his urge to be honest. And so, for the first time since what happened in the park—he lets himself speak his mind. 

“Maybe I was too quick in turning her down,” he says, voice low. Contemplative. 

Mae looks up from the mint. She looks a bit surprised, like she hadn’t expected to be the one to get Oscar to finally crack after over a year of dancing around the topic. 

“Do you love her?” she asks outright. 

He fucking hesitates. 

His throat feels dry. 

“If she asked me again, I think I would say yes,” he says instead, his gaze fixed on the poor tomato plant now drowning in water. “Do you think she’ll ask me again?” 

From the corner of his eye, he sees Mae straighten. She brushes her hands against her jeans and stares straight at him, willing him to look at her. “But do you love her?” she repeats, and he knows it’s not a question he’s going to escape. 

“I want to be loved,” Oscar admits. The words taste like copper.

Mae doesn't flinch. “That's not the same as loving. If you wanted to be loved, then get a fucking fan club,” she spits. 

Her voice is firm, but not cruel. It lands with the weight of care disguised as exasperation. And Oscar feels so much, then, but above all he feels gratitude that his sisters love you like one of their own. Their fierce protectiveness of your welfare—in the face of Oscar’s indecision—knocks some much-needed sense into him. 

“You’re right,” he says quietly.

“She deserves more than piecemeal affection, Oscar,” Mae adds, softening. “You can’t go halfsies with someone like her.”

Oscar knows his sister is right. 

Something aches in his chest, then. He can’t tell if it’s loneliness or the shape of losing you, still carved somewhere in his chest. Beneath the ache of what he turned away is the terrible fear that he never really understood what he was saying no to.

“I won’t do anything stupid,” he promises Mae. 

Later that afternoon, Oscar is pouring himself a glass of water in the kitchen when movement catches his eye through the window. He turns and sees you biking past with Hattie. Your carefree laughter carries across the breeze, light and familiar. Your hair catches the sun.

You glance up and see him. There’s a pause. Beyond the cursory small talk, the two of you haven’t really talked much this break. He understands why you need your space., and so he never presses, never pushes. 

Even though he can’t help but think of how a pre-confession you might have reacted. How you would’ve ditched your bike and slammed into the house, demanding he pour you a drink, too. Or how you would’ve goaded him into a race until the two of you were spilling onto the pavement, all breathless laughter and skinned knees.

As it is, all Oscar gets is a polite smile and a half-wave. He doesn’t know if it’s a hello or a goodbye. 

He raises his hand, waves back. He watches until you disappear around the corner.

And then he keeps watching, long after you’re gone.

To: yourusername@gmail.com From: oscar.piastri81@mclaren.com Subject: Stupid stupid stupid 

I hope this email finds you well. 

Actually, I hope it never finds you. This is a bit stupid. A lot stupid. But I’ve just had my first proper testing and I wanted to text you about it, except I wasn’t sure how you might feel to hear from me. I reached for my phone, opened our text thread, and then decided to fake an email to you instead. 

You’re right. It’s definitely more orange than papaya. 

And Lando Norris is not so bad. I think you’d like him. But not like like him. I’m not sure, actually. We could find out. Or not.

This is stupid. Bye. 

— O. (McLaren Technology Centre)

*** 

To: yourusername@gmail.com From: oscar.piastri81@mclaren.com Subject: I don’t know what to call this one

Hey,

Doha's airport smells like cleaning chemicals and tired people. I watched a family fall asleep upright on a bench. The dad had his hand curled around the kid's backpack like he was scared someone would run off with it. I don't know why I'm telling you this. 

Maybe because it's 2AM and I'm tired and I can't sleep on planes unless you're next to me. Which is stupid, because you were never on that many flights with me. But the ones you were? I slept like a rock.

I hope you're well. I hope you're sleeping.

—O. (Doha International Airport) 

*** 

To: yourusername@gmail.com From: oscar.piastri81@mclaren.com Subject: New Year 

Happy New Year.

I watched the fireworks from the hotel rooftop. I wish I was back in Melbourne, but stuff made it not-possible. 

It was cold. Everyone had someone to kiss. I had a glass of champagne and a view. 

You came to mind. You always do when things start or end. I'm starting to think that's what you are to me. The start and the end.

Love, O. (Hotel de Paris Monte-Carlo) 

Edited to add: It was midnight when I wrote all that stuff. I’m rereading it now, hungover at the breakfast buffet. Guess I can be a bit of a romantic too, huh? Although I think it’s only ever with you. 

***

To: yourusername@gmail.com From: oscar.piastri81@mclaren.comSubject: You're in my dreams 

I dreamed about you again. You were wearing that ridiculous jacket you got on sale for $5, the one you claimed made you look mega. You did not look mega. You looked like someone lost a bet.

You hugged me and told me everything would be okay. Then I woke up and it wasn’t.

I know I don’t get to tell you this anymore, but I miss you.

—O. (Tokyo Bay Ariake Washington Hotel) 

***

To: yourusername@gmail.com From: oscar.piastri81@mclaren.comSubject: Hahaha

I heard someone with your exact laugh. Turned my head so fast I nearly gave myself whiplash.

It wasn’t you.

You’d tease me for how dramatic that sounds. You always said I was a little too sentimental for a boy who liked going fast.

Still thinking of you.

—O. (Silverstone Circuit) 

***

To: yourusername@gmail.com From: oscar.piastri81@mclaren.comSubject: If I had said yes…

Sometimes I think about what would have happened if I’d said yes that day in Albert Park.

I don’t know if we would’ve worked. Maybe we would have burned bright and fast and hurt each other in the end. Or maybe we would’ve grown into each other like roots. I don’t know. I just know I still think about it.

And that’s not fair. And I would never tell a soul. I just 

wonder.

Sometimes. 

Always your O. (Yas Marina Circuit)

The glitch hits sometime between 2 and 3 a.m. local time.

Oscar doesn’t notice at first. He’s still jet-lagged from the flight from Abu Dhabi, half-awake on his phone in bed, replying to a team manager's message. It's not until he opens his inbox to forward a document and sees the string of outbox confirmations—all with your name in the recipient line—that he realizes something is very, very wrong.

His breath catches.

He stares at the screen for a long, stunned moment before scrambling up from bed, heart in his throat. He checks the Sent folder. It’s all there. Every last one. The emails he never meant to send.

They'd been his safekeepings. His way of getting through the ache without adding more weight to yours. Some were barely a few sentences; others pages long. And all of them, every last word, are now sitting in your inbox like little bombs waiting to go off.

He Googles it with trembling fingers. Gmail glitch sends drafts. 

He sees the headlines flooding in. Tech sites confirm that a rare global sync error had triggered thousands of unsent drafts to be sent automatically. They call it “an unprecedented failure.” Users are up in arms. Memes are already spreading.

Oscar wants to fucking hurl.

He’s home for the winter holidays. Back in Melbourne, back in his childhood room with the familiar creak in the floorboard by the desk. And you—you’re just next door.

You. With those emails.

He covers his face with both hands, dragging his palms down slowly.

“Holy shit,” he mutters to himself. 

There’s no escape to this. Just the silent, inescapable weight of every unsaid thing now said. Every truth, every maybe, every I thought of you today signed off with hotel names and airport codes and times when he was still trying to figure out how to stop missing you.

And now you know. Every word of it. Every selfish, unfair thought that he didn’t deserve to have about you, not after he’d ripped your heart right out of your chest. 

He peeks out the window before he can stop himself. Your lights are on. 

For some reason, Oscar is reminded of the book you had been so obsessed with as a child. The classic Great Gatsby; the millionaire with his green light at the edge of the dock. Oscar never really cared much for the metaphor of it until now, until he stares at the filtered, warm light streaking through your curtains like it’s something he will forever be in relentless pursuit of. 

But then your light flickers off, and Oscar stumbles back down to his bed. 

You’re going to sleep, he realizes with a breath of relief. He sinks into the mattress with a thousand curses against modern technology. 

Oscar tells himself he’ll talk to you tomorrow. Explain everything. Try to salvage what’s left of the peace you’ve both learned to live in, however shaky and distant it is. He’ll explain that he didn’t send them on purpose. That he’s sorry. That he didn’t mean to—

A soft knock at the window makes him bolt upright.

He hasn’t heard that sound in years. Not since you were kids and the ladder in his backyard was your shared secret. 

His breath catches. He doesn’t move right away. 

He has to be dreaming, he thinks dazedly, but then he hears it again. Three quick taps. A familiar rhythm.

Oscar throws the covers off and crosses the room in two strides. He pulls the curtain aside.

You’re standing on the top rung of the ladder, and he briefly contemplates making a run for it again. 

Instead, he throws the window open. You climb in without a word, landing on the floor of his bedroom with the same ease you always had. You’re in cotton pajamas with a hastily thrown-on hoodie, which—whether you remember or not—had been one of Oscar’s from years and years ago. 

“It’s the middle of the night,” he breathes. 

“And you’re in love with me,” you say without preamble. 

Accusation. Question. 

Fact? 

Oscar is frozen like a deer caught in headlights. You’re staring up at him, searching, with that same matchstick flame of anger that has carried you through life so far. 

When he doesn’t immediately counter you, you go on. “Do you love me because I love you?” you ask, and the question knocks the wind out of Oscar. 

“No,” he says quickly. “It’s not like that.”

He— he would never forgive himself, if his affection for you was nothing more than an attempt at reciprocation. 

You stare at him through the darkness. “Why, then?” you press, because of course you deserve to know why. 

His throat works around the answer. It’s a confession that’s been in the making for more than a year. In some ways, it’s been there since he almost sat on you at that damn house party. The words tumble out of him, overdue but not any less sincere. 

“I love you because you’re a terrible dancer,” he says, “and you know how to swim against riptides, and you’re the person I think of when I’ve had a bad free practice and when I'm on the top step of a podium. I love you. It just took me a little while to get here, but I do.” 

“O,” you start. He’s not ready to hear it. 

He steps back, as if to give you space he should’ve offered long ago. “I don’t expect you to have waited,” he says hastily. “I would never—I would never ask you to reconsider, not when I know the type of person I am and how much time it took for me to get here.”

“Oscar.” 

“But I love you. I don't know how not to.”

The room is silent, but it feels like it holds the weight of a thousand words left unsaid. The ones he wrote. 

You remind Oscar, gently, of what you said in Albert Park those many years ago. “I can’t love anybody else either,” you say, your eyes never leaving his face even as he begins to panic, starts to retreat. 

He swallows hard, his throat moving with the effort. “I should have realized sooner,” he babbles. “I should’ve known. I—” 

You reach out, your hand slipping into his. “Don’t. Don’t do that.”

It feels so good—your fingers in between the spaces of his. He wishes he could appreciate it more, but his race-brain has kicked in, and he’s suddenly not the calm, cool, and collected Oscar that everybody in the world think they know. 

No, he’s your Oscar. The one who’s a little bit of a wreck. The one who is always racing away from something. 

“I wasn’t kind,” he says, voice tight. “I let you go. I thought I was doing the right thing. and maybe I did, but it still hurt you. It ruined everything.”

“We’re here now,” you say simply. “That means something, doesn’t it?”

“What if we ruin what’s left? What if it doesn't work?”

You smile at him, soft and sure. “Then it doesn’t. But I don’t think we’ll fail.” 

“I’m still homely, and awkward, and—” 

Mean, he meant to say, but then you’re pressing your lips against his. 

It silences all his fretting, all his guilt. For a second, he doesn’t move, stunned into stillness, and then he kisses you back like he’s falling into something he’s wanted his whole life but never believed he could have. Like he can’t breathe unless he's doing this, unless he’s kissing you.

When he’s more sane, when he’s less panicked, this is something the two of you will talk about. He knows that. 

In this very moment, though, he can only watch his sharp edges dull; the fury of his rage, extinguish. The softness of your understanding, the kindness of your patience, the gentleness of your kiss. It’s all he wanted, all he needs.

His hands frame your face, hesitant, reverent, like he can't believe you’re really here with him. That you waited. That you still want him. 

In his head, he makes a promise: If he must hit the ground running, he will make sure it’s towards you.

When the two of you pull back for air, you murmur teasingly against his lips, “Your emails found me well.” 

He giggles, a short, incredulous sound, before kissing the laughter right out of your mouth. ⛐

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