Some Laioses. Im Still Trying To Figure Out How To Draw Him...

"people in real life: hey man how's it going" is a killer phrase. instantly neutralizes whatever insane discourse you find online. gonna start using that from now on

John Carpenter’s The Thing meets Monster High ❄️

redraw (kinda) YEEE

my style doesn't usually look this semi-realistic idk what happened

for those new, here’s what my designs look like! i’ve been following FNAF since 2013 so some of my early theories didn’t hold up over time but my AU is basically—

William, Henry, and Phone Guy (Marcus) are identical triplets

William was framed by Henry for the murders and most of the dead kids’ ghosts think it was him (because Henry looks just like him)

Crying Child’s name is Jack and he has no animatronic and is instead held together by pure rage and malice (towards Michael, mostly)

Charlie goes by Lotte and Emily is her mother’s maiden name.

All the main cast have been around so long and been destroyed/burned down so many times that they can now mimic human appearances (something something illusion disc. it’s canon. whatever)

Little fish eats his foods 

(Source)

World’s Biggest Tea Party (click here for all parts)

Glitchtrap: “Glamrock Freddy’s a bitch ass motherfucker. He pissed on my fucking wife!  That’s right, he took his bear fuckin’ dick out… !”  -and he pissed on my fucking wife, and he said his dick was “THIS BIG”, and I said “That’s disgusting!” So I’m making a callout post on my Twitter dot com. Glamrock Freddy, you got a small dick! It’s the size of this walnut except WAY smaller! And guess what? Here’s what my dong looks like!”

Glitchtrap as Alfred’s Eggman is a golden opportunity

it used to be 2007 you know

I'm always a bit taken back by Homestuck fans who treat classpects as something that has, like, real-world utility as a personality typing system, because – leaving aside for the moment the broader issues inherent to all personality typing systems – there's a fairly strong reading that classpects are bullshit, and meant to be understood by the reader as bullshit, even from an in-universe perspective. There's a suggestion which becomes increasingly prominent in the latter portions of the text that SBURB as a system has a shallow and mechanistic concept of personal growth, and that while it's able to identify images and themes that are emotionally resonant to its players, it fundamentally lacks insight into why they're resonant – it's just bashing tropes together like a kid making their Barbie dolls kiss, and can't tell the difference between an aesthetic preference and a deep-seated trauma. Heck, one of the comic's more consistent motifs is that characters who voluntarily make their classpect central to their self-image typically have something profoundly wrong with them.