Smoking Gun

Severance is about rebellion, about people who were literally created to obey finally questioning and breaking through that conditioning. There’s a storyline about someone doing a complete 180 and choosing to rebel when they realise they have a child that they’re not allowed to see, and I love that the storyline wasn’t given to the female lead, but to a previously comic male character. There’s a storyline about breaking protocol because for the first time ever you have fallen in love, in intense, overwhelming, impossible love, and I love that the storyline wasn’t given to the female lead, but to a pair of awkward old guys. The storyline about grief and guilt also goes to a guy, to the male lead.

I love that the female lead is the only one whose radicalisation comes entirely from within, the person motivating her is her, she’s not doing it for anyone else, she wants her freedom, and failing that, she wants bloody revenge even at the cost of utter self-destruction.

Isn't Hannibal problematic...

no, but i understand the confusion! it's a common misconception, but serial murder and cannibalism are okay in real life.

reblog and make a wish! this was removed from tumbrl due to “violating one or more of Tumblr’s Community Guidelines”, but since my wish came true the first time, I’m putting it back. :)

Hello! I've been struggling with how to depict and voice an eldritch horror entity. They are far removed from this universe, so I'm at a loss at how they would speak and act when interacting with a host/human. Can you help me and/or give me examples of what that might look like?

How to Give an Eldritch Horror Entity a Voice

-> feel free to edit and adjust pronouns as you see fit.

Emotionless Curiosity or Cruel Fascination

The entity may observe humans like a scientist would observe test subjects. It is not inherently evil, just so far removed that it doesn't comprehend pain or morality.

Example: "You break so easily. Such a soft mind, blistering with thoughts. Why do you weep?"

Example: "Fear. I recognize the shape of it now. Like heat in the bones."

Predator and Prey

The entity is aware of its power but it enjoys the chase. It is patient, and speaks low and slow to stretch out the dread.

Example: "I can hear your pulse like music. Louder now. Louder still."

Childlike and Curious

The entity is innocent and sounds sweet and playful, but does not understand the reality of what it is doing.

Example: "You're leaking! Why do you leak like that? Should I put it back in?"

Timeless Watcher

The entity speaks as if it has witnessed countless lives, deaths, and civilization. Everything the human feels is insignificant.

Example: "You are not the first to beg. The first was a king with gold in his mouth."

Curious but Growing Self Awareness

The entity is just beginning to understand language, humans, and itself.

Example: "Pain. You... do not like it."

Example: "Lonely. That is the word. I have never been lonely before you."

Foreign Language

The entity can't (or won't) use grammar like a human. It might communicate in fractured bursts, in symbols, in numbers, etc.

Example: "Lightlightdarkfolding--fold--fold--fleshwrongYES."

Example: "WE--I--MANY come through the not-between. Hello. Hello. Nothello."

Nonverbal Communication

The entity doesn't speak in the traditional sense. It communicates via dreams, hallucinations, physical sensations, etc. Words might appear as taste, as pain, or involuntary thoughts in the character's mind.

Example: She smelled salt and rotting roses. Then the message came: "Let me in."

Example: He tasted metal and heard weeping in the back of his mind.

The reason that each of the Roys are so easily manipulated by Logan begins and ends with the fact that he will always know each of them more than they’re known by anyone else—because they don’t know how to let themselves be known or understood by anyone else, not even each other, not even their partners or lifelong friends, (he’s made sure of that.) and THAT is why he’s always able to say the cruelest possible thing, cut them where it’ll hurt the most, or manipulate them most effectively. Because in order to betray someone fully, in order to hate them properly, you have to really know them. And even when he’s hurting them, all they can see is love. All they can feel is known, understood, and they’ll spend the rest of their lives chasing that feeling that only their father can provide, begging for scraps and doing whatever it takes to get them.

katya goncharova // shiv roy parallels

oops! it seems i tripped and dropped several million free books, papers, and other resources

https://annas-archive.org

https://sci-hub.se

https://z-lib.is

https://libgen.is

https://libgen.rs

https://www.pdfdrive.com

https://library.memoryoftheworld.org

https://monoskop.org/Monoskop

https://libcom.org

https://libretexts.org

http://classics.mit.edu

https://librivox.org

https://standardebooks.org

https://www.gutenberg.org

https://core.ac.uk