“Can One Punch Man Beat-”

“Can One Punch Man beat-”

Yes. Always. Good lord. I never understand why people can turn this into a big serious discussion. Yes, One Punch Man would beat Thanos. He would beat Luke Skywalker, Superman, every single character from Dragon Ball Z, and every ninja from Naruto. He would beat Thor and Wolverine and the Hulk in a tag team match. 

Because he plays by different rules. One Punch Man is a PARODY character. His skill set is defined by comedy, not power levels or physical strength. One Punch Man not Superman facing off against an ever-more powerful lineup of villains. He’s the Roadrunner against Wil E. Coyote’s ever more convoluted plans. Deadpool is the only other super hero type character who comes close to living in the same realm of parody, but frankly, Deadpool repeatedly getting the crap beat out of him would be funnier than Deadpool winning, so One Punch Man would win that fight too, even if he can’t actually kill Deadpool in one punch. Because parody.

If I see another Youtube video recommended to me like “Could One Punch Man beat-” really, truly, I do not care. 

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So. Here We Are Then.

So. Here we are then.

Stellar Firma means a lot to me and I'm honoured to have been able to experience it as it happened. I've met some of the most amazing people through it and been involved in projects I never would have imagined. I'm going to miss new weekly episodes but I'm so excited for bonus content and whatever the bros have planned.

May the board preserve and keep you, fellow citizen-employees.

I mea. i totally agree that just about everyone would actually be normal but i’m pretty fine with that

I mean if you do get bored even with the nano tea while there isn’t a ton to do you can still do shit to spice up your life and make new entertainment

"i'd be a scythe" "i'd be a tonist" "i'd be a nimbus agent" well I'D like to point out that most of us are lying to ourselves. most of us would be ordinary people. i probably would be, but i don't want to imagine living forever like that because that's boring and tiring and it's hard to imagine the nanite-filled version of myself who lives that life contented by it. i want to be a scythe, but that disqualifies me from the job. but even if it didn't, i'd never want to be a scythe if that were an actual possibility because i would be a different person without the layers of fucked up that are happening in my brain chemistry. i can't even say i'd be a tonist and take my nanites out because nanite-d me wouldn't be thinking as hard as real me about who i am and whether the nanites are changing me fundamentally. so yeah. i'd be boring in the aoas universe. calling it now.


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New goddess idea: She’s an earth goddess of the new age who’s domain is spinning and weaving, but specifically spinning and weaving gigantic structural steel cables for construction and other industrial purposes. Her skin is steel grey and hard to the touch and her hair is like long dredlocks of woven steel. She laughs at shitty architecture deigns that will fall apart if actually built and protects well-made bridges and buildings she likes. She might warn you of unforseen danger if you always wear your proper PPE.

Okay now what do I name her

AND YET A TRACE OF THE TRUE SELF EXISTS IN THE FALSE SELF


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I had a talk with the guys at work about the sheer amount of superhero media available right now, and one of them came up with the idea of "Post-Marvel".

I like a lot of the MCU, but after all this time it's become repetitive. They give a somewhat grounded depiction, but it's still played pretty straight.

What draws me in now isn't superheroes played straight. It's superheroes deconstructed, new concepts explored, not the massive franchise-building heavyweights that have been around for decades.

Worm is set in a world where powers develop after traumatic experience. Naturally, there are way more villains than heroes, and the main character ends up becoming a villain just because she was that desperate for friends.

The Boys is a scathing critique of corporations and celebrity worship. The heroes work for money, so they get merchandising deals, ad campaigns, and good enough PR and Legal that they can literally get away with murder.

Invincible is more loving, but it doesn't shy away from showing how brutal things can get when superpowers are in the mix.

Dreadnought is a great book that shows a lot of nuance in the morals, and the sequel Sovereign is very vocal about how mainstream media rarely accept minorities unless its something they can catch a ride off.

I still love superheroes. I just want something besides Marvel.

Original Thread By @pukicho and Several Other Users
Original Thread By @pukicho and Several Other Users
Original Thread By @pukicho and Several Other Users
Original Thread By @pukicho and Several Other Users

original thread by @pukicho and several other users

okay this is really cool, does Bioshock Infinite with its multiverses and lighthouses fit into this idea, and if so, how?

I interpret the first two Bioshock games as a cosmic horror story that the protagonists are just glancing off the outer edges of. Slugs don't do that to your genetic code, for one thing, and genetic code has very little bearing on pyrokinesis or teleportation or the ability to grow swarms of bees inside yourself. It's also mighty convenient that Ryan happened to have picked the one spot in the ocean that happens to have The Slugs That Can't Do That- it's obviously part of the mythmaking of Ryan Amusements that they put such a fine point on where he abruptly stopped the boat and declared that he was going to put down the foundations of Rapture, and there's a dash of narrative anthropic principle on top of that, but it's still very convenient. And In terms of aesthetic and narrative outcome Rapture from 1960 onward is certainly checking all the boxes; madness, mutation, moisture. Impossibly grandiose societies brought down by hubris, science run amok, "look upon my works ye mighty", horrible familial truths, the whole shebang. And of course you have that brilliant light below Persephone.

The story doesn't necessarily parse as cosmic horror immediately because it fronts the impression that there's a grounded explanation for every insane thing that happens. You're supposed to just take it as part of the premise that they can build something like Rapture with human technology in 1945. You mostly hear about plasmids from professionals doing practical research and development with them, so you get the impression that there's a well-understood body of science here that just happens to be outside of your personal understanding. But for every Professor Armitage who understands the whole shape of the Dunwich Horror, there are a hundred Massholes who just saw a barn explode for no reason and now have to cope with the very real invisible something laying waste to the countryside regardless of the full truth of the matter. And from within the exploding barn of Rapture it doesn't matter to Jack or Delta whether the foundations were laid down atop Rl'yeh or whether ADAM is actually the extracted blood of a Great Old One or whatever the fuck. Maybe there's someone down there who understands the deep lore and went mad from the revelation in the genre typical way. But nothing about the situation requires you that you dig that deep to develop a working understanding of what's going on. Rapture's downfall is totally legible as a mundane death spiral of bad leadership, shoddy ideology, economic pressures and bog-standard human greed. Impossible weapons swung in careless arcs by human hands.


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i love in fantasy when its like “king galamir the mighty golden eagle and his most trusted advisor who would never betray him, gruelworm bloodeye the treacherous”

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