Soft as Silk, Sweet as honey, Dumb as shit, I ain’t got no money
“The secret of the Great Stories is that they have no secrets. The Great Stories are the ones you have heard and want to hear again. The ones you can enter anywhere and inhabit comfortably. They don’t deceive you with thrills and trick endings. They don’t surprise you with the unforeseen. They are as familiar as the house you live in. Or the smell of your lover’s skin. You know how they end, yet you listen as though you don’t. In the way that although you know that one day you will die, you live as though you won’t. In the Great Stories you know who lives, who dies, who finds love, who doesn’t. And yet you want to know again. That is their mystery and their magic.”
— Arundhati Roy, The God of Small Things (via antigonies)
when frederico fellini said “i dont like the idea of ‘understanding’ a film” and when he said “i don’t believe that rational understanding is an essential element in the reception of any work of art” and he continued by saying “either a film has something to say to you or it hasn’t” and added “if you are moved by it you don’t need it exlpaind to you” and finished with “if not, no explanation can make you moved by it” and then closed it off entirely with a giant big black PERIODT
you wear an ancestor's face. you look like a woman you'll never meet. in that mirror, there's thousands of you. and in the bath, when you look down, she looks back, shaking and deforming in the ripples as she lies beneath the surface.
Ritual Dagger, 17th century or earlier, Eastern Tibet, Kham region. Gilt copper alloy and rock crystal.
you’re allowed to get up one day and just decide to change who you are. dress differently, speak up more, laugh out loud even though you’ve never liked your laugh, say what you want to, say hey to people you wouldn’t normally, get that confidence going. we don’t have to stay the way people see us out of the fear that they won’t like the us we want to be.