wheres seasons greasons
Mark my words the illumination intro for the mario movie is gonna have a minion get the fire flower and then he throws a fireball and then it hits another minion and his ass catches on fire and he starts screaming and running around
They finally did it. They whitewashed a white guy
I have compiled a list of some of the resources available on the topic of race and racism in Tolkien. By no means is this list exhaustive, and I welcome anyone to include their own additions which I will include and update on the original post when more resources are made available.
If you are having any trouble accessing any of the links listed below, please shoot me a DM and I can either send you the PDF if it is an article, or a working link if available.
Last updated 17/09/2022
@diversetolkien — The whole blog honestly, but these posts on Galadriel in particular as Ayesha, and the personification of Manifest Destiny. Her very important take on Eöl is linked below.
@askmiddlearth — now defunct, but they have a downloadable guide on racism in Middle-Earth here.
@tolkienillustrations’ post
@itariilles’s post and follow up on my personal experience of racism at a fan event, and the systemic problem of racism in fan spaces. I am looking to write more media interpretation/personal Tolkien essays in the future so keep your eyes peeled!
@chutzpah-haver’s post on Tolkien’s antisemitism in his portrayal of dwarves.
This thread by Helen Young explaining Tolkien the anti-nazi, but not anti-racist.
@diversetolkien‘s twitter linked here.
My twitter here. I will occasionally post about race and Tolkien, but the focus is more generalised on Tolkien fandom, media and reception.
(N.B. searching “Tolkien racism” or any variant will produce… interesting results to say the least. Lots of white people coming to the age-old “ToLKiEN WaSN’T rACIsT He hATEd nAziS AnD WAs A prODuCT oF hiS TiME” arguement. That or it’s the silly SJWs and cultural marxism/relativity yada yada yada.)
“The Source of the Rings” series by Moth’s Audio and Videos.
@visibilityofcolor‘s video essay on the “Brute Caricature Trope and its prevalence in media”. Eöl and Aredhel are touched on briefly in the video, but it points out how prevent this trope is in fantasy fiction overall.
Marlon James, “Our Myths, Our Selves”. The seventh annual J.R.R Tolkien Lecture on Fantasy Literature, Pembroke College, Oxford, 26th February, 2019. https://tolkienlecture.org/
The Prancing Pony Podcast, “114 - Race, Tolkien and Middle-Earth”.
Dani Holtz and Craig Franson, American ID Episode 1 “Eye of Sauron: Rings of Power” touches on the American right’s obsession with Lord of the Rings and the far-right trolls that have flooded Rings of Power with waves of racist and misogynistic hate.
Echo-Hawk, Roger. “Tolkienland.” Would highly recommend reading all of his blog posts. Link to his book “Tolkien in Pawneeland” listed below! http://tolkienland.wordpress.com/
Fimi, Dimitra. “Was Tolkien Really Racist?”. The Conversation, 2018, https://theconversation.com/was-tolkien-really-racist-108227.
Fimi, Dimitra. “Revisiting Race in Tolkien’s Legendarium: Constructing Cultures and Ideologies in an Imaginary World”. Dimitra Fimi, 2018, https://dimitrafimi.com/2018/12/02/revisiting-race-in-tolkiens-legendarium-constructing-cultures-and-ideologies-in-an-imaginary-world/.
Yatt, John. “Wraiths and Race” The Guardian, 2002, https://www.theguardian.com/books/2002/dec/02/jrrtolkien.lordoftherings
Crossley, Laura. “Stand, Men of the West! The Battle for Middle-Earth (and Britain)” Film International, 2015, http://filmint.nu/stand-men-of-the-west-the-battle-for-middle-earth-and-britain/
Crossley, Laura, “Multicultural Middle-earth: Constructing “Home” and the Imaginary in Peter Jackson’s The Lord of the Rings” Film International, 2014, http://filmint.nu/multicultural-middle-earth-constructing-home-and-the-post-colonial-imaginary-in-peter-jacksons-the-lord-of-the-rings/
BNP, “No 2,110″ The Guardian, 2012, https://www.theguardian.com/politics/2002/dec/20/thefarright.lordoftheringsfilms
Perry, D. and Young, H. “HOW CAN WE UNTANGLE WHITE SUPREMACY FROM MEDIEVAL STUDIES? A conversation with Australian scholar Helen Young”. Pacific Standard, 2017, https://psmag.com/education/untangling-white-supremacy-from-medieval-studies.
No Alternative. “Lord of the Rings and structural Orientalism” No Alternative, 2012, https://noalternative.org/2012/09/14/lord-of-the-rings-and-structural-orientalism/
Hodes, J. “Orcs, Britons, And The Martial Race Myth, Part I: A Species Built For Racial Terror”. James Mendez Hodes, 2019, https://jamesmendezhodes.com/blog/2019/1/13/orcs-britons-and-the-martial-race-myth-part-i-a-species-built-for-racial-terror.
Stone, Ryan. “‘The Daily’ Transcript: Interview With Former White Nationalist Derek Black”. The New York Times, 2017, https://www.nytimes.com/2017/08/22/podcasts/the-daily-transcript-derek-black.html. The use of LOTR to recruit white nationalism is mentioned.
Lopes, Reinaldo José. “In the skin of the elves: to what extent is “The Lord of the Rings” tainted by racism?”. Super Interessante, 2022, Original portuguese: https://super-abril-com-br.translate.goog/cultura/na-pele-dos-elfos-ate-que-ponto-o-senhor-dos-aneis-e-contaminado-pelo-racismo/?fbclid=IwAR2A3DZlYsn56Esr9iWUkfHDGI57b_mBUZj7aFxvfl692A310lf69mKx1ek&_x_tr_sl=auto&_x_tr_tl=en&_x_tr_hl=en&_x_tr_pto=wapp English Translation: https://super-abril-com-br.translate.goog/cultura/na-pele-dos-elfos-ate-que-ponto-o-senhor-dos-aneis-e-contaminado-pelo-racismo/?fbclid=IwAR2A3DZlYsn56Esr9iWUkfHDGI57b_mBUZj7aFxvfl692A310lf69mKx1ek&_x_tr_sl=auto&_x_tr_tl=en&_x_tr_hl=en&_x_tr_pto=wapp
Young, Helen. “The Rings of Power is suffering a racist backlash for casting actors of colour – but Tolkien’s work has always attracted white supremacists”. The Conversation, 2022. https://theconversation.com/the-rings-of-power-is-suffering-a-racist-backlash-for-casting-actors-of-colour-but-tolkiens-work-has-always-attracted-white-supremacists-189963.
Rambaran-Olm, Mary. “DEAR AMAZON PRIME, I’M NOT A RACIST, BUT WHY ARE YOU DESTROYING MY PRECIOUS MIDDLE-EARTH WITH BLACK HOBBITS?”. Religion Dispatches, 2022. https://religiondispatches.org/dear-amazon-prime-im-not-a-racist-but-why-are-you-destroying-my-precious-middle-earth-with-black-hobbits/ (this article is satirical btw.)
@diversetolkien. “Maeglin and Eöl, and the Brute Caricature Trope:”. Diverse Tolkien, 2019, https://diversetolkien.wixsite.com/website/post/what-we-can-learn-from-plants.
@weirdnaturalscience. “Our Failure to Address LOTR’s Racism”. tolkienaboutscifi, 2016, https://tolkienaboutscifi.wordpress.com/2016/12/21/our-failure-to-address-lotrs-racism/.
Not really a blog post but Tolkien Gateway has a page on “Racism in Tolkien’s Works”. Treat it with the same degree of skepticism you would on a wikipedia page.
(N.B. The visible academic “authorities” of race and racism in Tolkien are white and this is something one must bear in mind when reading this kind of work. There is a lot of discussion on theory and historical context, but there is little on the harm and stereotypes perpetuated by Tolkien’s racialist thoughts a person of colour may read/perceive differently.)
Mills, Charles W. “The Wretched Of Middle‐Earth: An Orkish Manifesto ☆”. The Southern Journal Of Philosophy, 2022. Wiley, https://onlinelibrary.wiley.com/doi/abs/10.1111/sjp.12477.
I implore you to read this one in particular as it is one of the only existing pieces of postcolonial critique written by a black Jamaican author. It’s hidden behind a paywall, and DM me if you can’t access it through the link above.
Kim, Sue. “BEYOND BLACK AND WHITE: RACE AND POSTMODERNISM IN ‘THE LORD OF THE RINGS FILMS.’” Modern Fiction Studies, vol. 50, no. 4, 2004, pp. 875–907. JSTOR, www.jstor.org/stable/26286383.
Rearick, Anderson. “WHY IS THE ONLY GOOD ORC A DEAD ORC? THE DARK FACE OF RACISM EXAMINED IN TOLKIEN’S WORLD.” Modern Fiction Studies, vol. 50, no. 4, 2004, pp. 861–874. JSTOR, www.jstor.org/stable/26286382.
Brackmann, Rebecca. “"Dwarves are Not Heroes”: Antisemitism and the Dwarves in J.R.R. Tolkien’s Writing.“ Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature, Vol. 28, No. 3, 2010, Article 7. Available at: https://dc.swosu.edu/mythlore/vol28/iss3/7
Reid, Robin Anne. "Race In Tolkien Studies: A Bibliographic Essay.” Tolkien And Alterity, 2017, pp. 33-74. Springer International Publishing, doi:10.1007/978-3-319-61018-4_3. Available at: https://link.springer.com/chapter/10.1007/978-3-319-61018-4_3. This article can also be accessed by contacting me via DM as I have permission from the author to circulate it in this capacity.
Baker, Dallas John. “Writing back to Tolkien: gender, sexuality and race in high fantasy.” Recovering history through fact and fiction: forgotten lives, 2017. Cambridge Scholars Publishing, Newcastle Upon Tyne, United Kingdom, pp. 123-143. ISBN 978-1-5275-0325-0. Available at: https://eprints.usq.edu.au/33493/#:~:text=It%20suggests%20that%20the%20privileged,arising%20from%20those%20privileged%20readings.
Pratama, Fredy W. et al., “Orientalism and Religious Aspects on Characters and Objects In J.R.R Tolkien’s The Lord of the Rings : A Semiotic Analysis” Artikel Hasil Penelitian Mahasiswa 2013, I (1): 1-8. Available at: http://repository.unej.ac.id/bitstream/handle/123456789/60741/Fredy%20Widya.pdf;sequence=1
Winegar, Astrid. “Aspects of Orientalism in J.R.R. Tolkien’s The Lord of the Rings.” The Grey Book, Volume 1, 2005. Available at: https://anyflip.com/njuf/pwvi/basic
Redmond, Sean. “The whiteness of the Rings.” Routledge, 2007. Available at: https://www.taylorfrancis.com/chapters/edit/10.4324/9780203939741-13/whiteness-rings-sean-redmond
Fimi, Dimitra. Tolkien, Race, And Cultural History. Palgrave Macmillan, 2010. (Amazon UK link)
Young, H. Race And Popular Fantasy Literature. 1st ed. New York: Routledge, 2015. (Amazon UK link)
Echo-Hawk, Roger. Tolkien in Pawneeland. CreateSpace Independent Publishing Platform, 2013. (Amazon UK link)
People who try to pit arts and sciences against each other have no idea how either of them work. They're a networked ecosystem, where one supports the other to an extent where one could not survive without the other. Allow me to explain:
First, furries run the IT department of everything. They're in every STEM field imaginable, they're maintaining the computer infrastructure of the planet, contributing to scientific advancement, and making money.
Then, once the furries have made money, they turn around and spend it on art commissions, providing a livelihood to many artists who could not otherwise support themselves by making art.
Furries uphold both the physical and financial infrastructure that is required to keep artists alive, afloat and thriving, and in return the artists produce more furry art, which then exposes more people to the furry subculture, therefore producing more furries.
Hey, just in case people who already have been having a bad time with this meme are retriggered by Francesca Scorcese's TikTok – Goncharov is fake. Martin Scorsese's daughter is real, and that's her real TikTok account, and presumably that is really her father. But Martin is just being a good sport by rolling with it and admitting he made it. The link Francesca sent him is the NYT article clearly saying it's a fake movie.
PLEASE reblog this and DO NOT TAG IT UNREALITY. "Unreality" is for posts that are keeping up the bit, but info posts, reality-affirming posts and ones talking about the meme as a meme are solidly real. We really haven't been doing a good enough job tagging this properly and protecting neurodivergent people from being gaslit and traumatized. I've seen way too many people saying they nearly had a breakdown because of being lied to. We never meant to hurt you, and I'm so sorry people were jackasses when you wanted to know the truth.
I can't stress enough how much the John Green debacle was an early example of how cancel culture and purity culture combine to make people feel righteously justified to engage in harassment.
John Green, during his time on tumblr, committed the heinous sins of...being neurodivergent and talking openly about it, earnestly interacting with fans in a very direct and unfiltered way, and writing about teenagers navigating first love and sexuality while he himself was an adult. The worst things he ever did were be a little cringe or misspeak, for which he was always prompt to apologize (often whether he really needed to or not).
Yet despite the former two being things tumblr claimed to love and the last one being true of 99.99% of YA authors, in this case a large segment of tumblr users steeped in the early 2010s resurgence of purity culture decided that these things were suspicious and predatory, and used that as an excuse to justify some truly awful behavior.
Which is really all that cancel culture is: the normalization and even celebration of the process of misapplying morality or ethics to dehumanize someone for the express purpose of justifying whatever pain and suffering you want to inflict upon them. Basically, deciding "this person is bad, so I am exempt from affording them basic respect and human dignity, and am allowed to cross any and all otherwise uncrossable lines in order to punish them without damaging my own moral or ethical standing."
Contrary to popular tumblr lore, the infamous "cock monologue" was not the sum total of the harassment, or even the worst of it. Callout blogs issued long lists of "receipts" about how terrible John Green was, most if not all of which were either taken out of context or completely refutable. His works were torn to shreds by people who'd never read them, as evidenced by much of the criticism being obviously and blatantly counter to the actual contents of the books.
Not that it mattered. Once the John Green hate party reached a certain level of critical mass, it became less about who he actually was or what he'd done, and more about proving you were a good person by hating him. That's the natural conclusion of cancel culture, after all: virtue signalling by identifying yourself in opposition to the cancelled parties. They're bad, and I'm good, so I hate them! Or, more often: They're bad, and I hate them, so I'm good!
Before it was over with, John Green had been accused, with no evidence, of being everything from a Nazi to a pedophile and subjected to hate mail and death threats. He eventually left the site for the sake of his own mental health, and because he no longer felt comfortable engaging directly with fans in the same way he once had.
Yet even now, with the benefit of hindsight, and even among those who ostensibly reject purity culture and condem bullying and harassment, very few on tumblr take what was done to John Green as seriously as it should be taken or condemn it as thoroughly as it should be condemned. Which I think is something we need to at least consider doing, given the increasing rise of purity and cancel culture online, and given the recent influx of professional creators eager to interact with fans on a more direct level than they have on other social media.
And my concern is not purely, or even primarily, for the Mike Flanagans and Lynda Carters of the world. I'm far more concerned, actually, for the small, independent or self-published creators in this space, and how much even a very small level of visibility gives too many people a feeling of carte blanche to engage in harassment.
I myself have less than 3k followers on here, a handful of popular posts, and zero notoriety or consequence outside of tumblr whatsoever, and I've been repeatedly told to kill myself for saying such innocuous things as "I don't think censorship is the cure for the world's evils" and "maybe learning the history of communities you want to participate in would be a good idea."
Thankfully, all it took for me to stop the harassment that came my way was to block those few individuals. But there have been many instances over the years of small creators or just random tumblr users that got a bit popular being stalked, doxxed, swatted, and harassed to the point of leaving the site and dealing with serious mental health issues as a result. It has never been just John Green. John Green isn't even the worst example. And tumblr has never learned its lesson.
Privium Club Lounge at Amsterdam Airport Schiphol - designed by M+R Architects (2008)
Scanned from 'Impressive Architecture Bars' (2012)
i hope everyone knows that the last wga strike was ~100 days and it's a pretty common phenomenon for strike support to tank after a month or two when it feels like it's dragging on and some writers and talk show hosts are crossing picket lines and trying to "return" to "normal" because of people's livelihoods etc when they're really just scabs. sure hope that we keep that in mind and are prepared for the long haul and aren't just in it while it's convenient for us <3